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Preisdatenbank abonnierenJOHN LAVIERS WHEATLEY (1892-1955) 'OLD ROGERS', a dry point etching depicting a profile portrait of an old man, signed to lower margin, approximate size 28cm x 18.5cm including visible margins, Condition Report: good condition (artist resale rights apply) (Provenance: The Arnold Fellows Collection)
JAMES HAYLLAR (1829-1920) A PORTRAIT OF A MALE FIGURE, the man is seated upon a stone block with one foot raised, signed bottom right, watercolour on card, approximate size 29cm x 21cm, Condition Report: light foxing towards the top edge (a Hayllar portrait of an older man with a beard wearing the same clothes appeared at auction in 2021) (Provenance: The Arnold Fellows Collection)
ATTRIBUTED TO JAMES KERR LAWSON (1862-1939) A SKETCH OF A MALE FIGURE, depicting a head and shoulders profile portrait of a male figure, unsigned, attribution verso in pencil by Abbot and Holder dated 18.6.59 together with J. Vassall Adams stamp, pencil on paper, approximate size 37cm x 26cm (paper is larger but has been folded to the size stated), Condition Report: fold mark to right edge, dirty marks to the paper, 4mm tear to top edge(Provenance: The Arnold Fellows Collection)
JOSEPH MILNER KITE (1862-1946) PORTRAIT OF A FEMALE FIGURE, a head and shoulders portrait of a female figure reclining on a bed, signed bottom right, chalk on paper, approximate size 39cm x 32cm, Condition Report: the drawing is laid onto a piece of cardboard, unframed (Provenance: The Arnold Fellows Collection)
LOUIS ARTICO (FRENCH 20TH CENTURY) A FRENCH STREET VIEW, signed bottom right, watercolour on paper, approximate size 14.5cm x 22.5cm, mount size 33cm x 44cm, Condition Report: mount damaged and discoloured, together with AN EARLY 20TH CENTURY PORTRAIT OF A CONTINENTAL FEMALE FIGURE, unsigned chalk on card, approximate visible image size 21cm x 25cm, mount size 35cm x 26cm, Condition Report: paper lightly discoloured (Provenance: The Arnold Fellows Collection) (Provenance: The Arnold Fellows Collection)
GEORGE HENRY BOUGHTON (1833-1905) CHILD WEARING A BLUE SMOCK, a portrait of a young boy standing beside a tree, initialled lower right, watercolour on paper, approximate size 20cm x 12cm, mount size 37cm x 29cm, Condition Report: paper discoloured, dirty marks to the mount (Provenance: The Arnold Fellows Collection)
JOHN WHEATLEY (1892-1955) A SEATED PORTRAIT OF A FEMALE FIGURE, she is gazing straight at the viewer and wears a grey dress with black trim, signed bottom right, Christie's stencil marks verso, oil on canvas, approximate size 75cm x 63cm, Condition Report: there are several paintbrush hairs within the paint, frame marked in places (artist resale rights apply) (Provenance: The Arnold Fellows Collection)
ATTRIBUTED TO CARLO PELLEGRINI / APE (1839-1889) A PORTRAIT STUDY, an unfinished seated portrait of a male figure, possibly a young Alexander Beresford-Hope, unsigned with attribution to the mount, watercolour on paper, approximate size 31.5cm x 16cm, Condition Report: dirty marks to the mount, (Provenance: The Arnold Fellows Collection
ROBERT LENKIEWICZ (BRITISH 1941-2002) 'THE PAINTER WITH PAULA' self-portrait with model, limited edition print on paper, facsimile signature, 23/150 with certificate, mounted but unframed approximate size 73cm x 58cm Condition Report: bumps to the corners of the mount (artist resale rights apply)
FIVE BROOCHES, to include a large gold plated swivel mourning brooch, one side set with a carved shell cameo depicting Hebe and Zeus in eagle form, the other side with a plaited hair insert, fitted with a brooch pin and C clasp, with additional safety chain, a gold plated buckle design brooch set with pink paste, fitted with a brooch pin and C clasp, a painted 'Limoges' porcelain brooch, a white metal painted portrait brooch, stamped 800, fitted with a brooch pin and safety clasp also with a bail to be worn as a pendant, together with a small paste set oval brooch with brooch pin and C clasp
MALAYA GEORGE VI 5 DOLLARS 1941 (2) 1st July 1941, 5 Dollars, serial numbers C/73 088415; C/73 088418, portrait right, denomination left with central watermark (2 total) Condition: BOth with vertical folds to the centre. Some occasional minor marks. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHARLES AND DIANA ROYAL WEDDING GOLD COMMEMORATIVE PLAQUE Produced in 18k gold, with a portrait of the Royal couple after the photograph by Lord Snowden, hallmarked and numbered 63 from the limited production of 5,000 sets, in presentation box with certificate The box 15cm wide The plaque 27.9g Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHARLES AND DIANA ROYAL WEDDING GOLD COMMEMORATIVE PLAQUE Produced in 18k gold, with a portrait of the Royal couple after the photograph by Lord Snowden, hallmarked and numbered 64 from the limited production of 5,000 sets, in presentation box with certificate The box 15cm wide The plaque 27.9g Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
MALAYA GEORGE VI 10 DOLLARS 1941 (2) 1st July 1941, 10 Dollars, serial numbers C/95 093742; D/32 076483, portrait right, denomination left with centre watermark (2 total) Condition: Both with noticeable vertical fold to centre and also with horizontal less noticeable fold. Some small creasing to the centre at the junction of these folds, around the top of the watermark. Some browning to the paper edges, more prominant on one example. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
KPM "Sammlung von sieben Tassen" 1913-1918 "Porträttasse Generalfeldmarschall Paul von Hindenburg" Porzellan, Aufglasurdekor, Goldränderung und Reliefgold, Tasse und Untertasse jeweils am Boden gemarkt mit blauer Szeptermarke, roter Reichsapfelmarke sowie Eisernem Kreuz, Tasse mit gekehltem Fuß und volutiertem Henkel, dieser mit gold staffiertem Perl - Relief, auf Tasse und Untertasse goldfarbene umlaufende Eichenlaub - Bordüre, auf der Tassenwandung schauseitig hochovale Kartusche, gerahmt von reliefierter Gold - Blattranke, flankiert von breiten, goldenen Blatt - Verzierungen, in der Kartusche Bildnis Generalfeldmarschall Paul von Hindenburg, Tassenhöhe: ca. 11,5 cm, Durchmesser Untertasse: ca. 15 cm. "Mokkatasse mit Eisernem Kreuz" Porzellan, Aufglasurdekor in Schwarz, Fond in Grau, Goldränderung und Reliefgold, Campanerform mit zugehöriger UT, blaumarke Zepter, rote Reichsapfelmarke, emailschwarzes Eisernes Kreuz, Dekor 102/29, Maler- und Presszeichen, Tasse, H: 6 cm., Teller, D: 12 cm. "Tasse und Untertasse in Andenken an die 100jährige Völkerschlacht zu Leipzig vom 16. bis 19. Oktober 1813", Porzellan, glasiert, farbige Aufglasurmalerei, farbiger Druck, Tassenwandung innen vergoldet, Tasse mit der Zahl 1813 in Eichen, Efeu und Lorbeerblättern, hochgezogener Henkel, Untertasse Schlachtenplan der Völkerschlacht bei Leipzig, jeweils am Boden gemarkt mit blauer Szeptermarke, roter Reichsapfelmarke, Tasse, H: 8 cm., Teller, D: 14 cm.Der hier im Kupferstich-Umdruckverfahren aufgedruckte Schlachtenplan wurde dem Mittelbild des bei Carl Vetter in Berlin herausgegebenen Kupferstichblattes nach Zeichnungen der preußischen Offiziere von Rau und Haenel von Cronenthal entnommen. "Tasse mit Eisernen Kreuz und Untertasse", Porzellan, blauer Fond, Aufglasurdekor und Goldränderung, glockenform mit hochgezogenem Ohrenhenkel, Schauseite mit goldenem Lorbeerkranz, darin das Eiserne Kreuz, dazu passende Unterschale, blaumarke Szepter, Reichsapfel KPM in eisenrot, Kriegsmarke Eisernes Kreuz, Tasse, H: 8,5 cm. Untertasse, H: 13,5 cm. "Tasse mit Eisernen Kreuz und Untertasse", Porzellan, gelber Fond, Aufglasurdekor und Goldränderung, glockenform mit hochgezogenem Ohrenhenkel, Schauseite mit goldenem Lorbeerkranz, darin das Eiserne Kreuz, dazu passende Unterschale, blaumarke Szepter, Reichsapfel KPM in eisenrot, Kriegsmarke Eisernes Kreuz, Tasse, H: 8,5 cm. Untertasse, H: 14 cm. "Mokkatasse mit Eisernem Kreuz" Porzellan, Aufglasurdekor in Schwarz, Campanerform mit zugehöriger UT, blaumarke Zepter, rote Reichsapfelmarke, Dekor 102/30, Maler- und Presszeichen, Tasse, H: 6 cm., Teller, D: 11,5 cm. "Tasse und Untertasse mit Blattranke" Porzellan, farbiger Aufglasurdekor, Vergoldung, Glockenbecherform mit hochgezogenem Ohrenhenkel, zugehörige UT, Tasse und UT mit umlaufendem dichten Blätterband, Innenvergoldung, blaumarke Zepter sowie rote Reichsapfelmarke, Tase, H: 7,5 cm., Teller, D: 13,5 cm. Alle Teile in gutem Zustand, Vergoldung etwas berieben.| KPM "Collection of seven cups" 1913-1918 "Portrait Cup General Field Marshal Paul von Hindenburg" porcelain, onglaze decoration, gold rim and relief gold, cup and saucer each marked on the base with blue sceptre mark, red imperial orb mark and Iron Cross, cup with fluted foot and voluted handle, the latter with gold painted pearl relief, on cup and saucer gold coloured oak leaves border, on the cup wall high oval cartouche, framed by gold leaf tendril in relief, flanked by broad gold leaf decorations, in the cartouche portrait of Field Marshal Paul von Hindenburg, cup height: ca. 11,5 cm, diameter saucer: ca. 15 cm. "Demitasse with Iron Cross" porcelain, onglaze decoration in black, base in grey, gold rim and relief gold, campanese form with matching UT, blue mark sceptre, red imperial orb mark, enamel black Iron Cross, decoration 102/29, painter's and press marks, cup, h: 6 cm., plate, d: 12 cm. "Cup and saucer in commemoration of the 100th anniversary of the Battle of the Nations in Leipzig, 16-19. October 1813", porcelain, glazed, coloured onglaze painting, coloured print, cup wall gilded inside, cup with the number 1813 in oaks, ivy and laurel leaves, raised handle, saucer battle plan of the Battle of the Nations near Leipzig, each marked on the bottom with blue scepter mark, red imperial orb mark, cup, h: 8 cm., plate, D: 14 cm. The battle plan printed here in copperplate transfer was taken from the centre picture of the copperplate sheet published by Carl Vetter in Berlin after drawings by the Prussian officers von Rau and Haenel von Cronenthal. "Cup with Iron Cross and Saucer", porcelain, blue background, onglaze decoration and gold rim, bell-shaped with raised ear handle, the front with golden laurel wreath, within it the Iron Cross, matching saucer, blue mark sceptre, imperial orb KPM in iron red, war mark Iron Cross, cup, h: 8,5 cm. Saucer, h: 13,5 cm. "Cup with Iron Cross and Saucer", porcelain, yellow ground, onglaze decoration and gold rim, bell-shaped with raised ear handle, the front with golden laurel wreath, within it the Iron Cross, matching saucer, blue mark sceptre, imperial orb KPM in iron red, war mark Iron Cross, cup, h: 8,5 cm. Saucer, h: 14 cm. "Demitasse with Iron Cross" porcelain, onglaze decoration in black, campanese form with associated UT, blue sceptre mark, red imperial orb mark, decoration 102/30, painter's and press marks, cup, h: 6 cm., plate, d: 11.5 cm. "Cup and saucer with leaf tendril" porcelain, coloured onglaze decoration, gilding, bell-shaped cup with raised ear handle, accompanying UT, cup and UT with surrounding dense leaf band, gilding on the inside, blue sceptre mark as well as red imperial apple mark, tase, h: 7.5 cm., plate, d: 13.5 cm. All parts in good condition, gilding somewhat rubbed.
POKALGLAS MIT SIEGESZENE DES RUSSISCH TÜRKISCHEN KRIEGES, 1770-80, über ausgezogenem Standfuß und facettiertem Hohlbalusterschaft die mit vielfachen Andeutungen durch göttlichen Willen und Unterstützung erreichte russische Siegeszene, Über dem gefallenen Feind der von Engeln getragene Kartuschenrahmen mit dem kaiserlichen Portrait Katahrinas der Großen (Katharina II) und weiter in den Siegesfahnen Ihr Monogramm und Wappen. H: 24 cm. Leichte Alters- und Gebrauchsspuren.| GOBLET WITH VICTORY SCENE OF THE RUSSIAN-TURKISH WAR, 1770-80, the Russian victory scene achieved with multiple hints of divine will and support, above the fallen enemy the cartouche frame carried by angels with the imperial portrait of Catherine the Great (Catherine II) and further in the victory flags her monogram and coat of arms. H: 24 cm. Slight signs of age and wear.
Preussen, Plakette mit Bildnis Friedrich des Großen, 2.Hälfte 18.Jh. feinste Miniaturmalerei auf ovaler Porzellanplatte, Portrait des Königs Friedrich II. von Preußen (1712-1786) in blauer Uniform mit Bruststern des königlich-preußischen Schwarzen Adler-Ordens, umlaufend gemalter Lorbeerkranz, ungemarkt, rückseitig bestoßen (vom Rahmen vollständig verdeckt), 2 min. Kratzer, Maße 6,7x6cm, in reliefiertem Messingrahmen
Mohrmann, Johnnes Henry (1857 Estebrügge-1916 Bloomsbury (Kanada) "Kapitänsbild der Isebek", Öl/ Lw., monogr. u.r. und dat. 1912, 45,5x65 cm, Rahmen (Marinemaler u. Schiffsportraitist, arbeitete als Seemann, Theatermaler u. Restaurator bevor er sich in Antwerpen niederließ u. bald Erfolg als Schiffsportraitist hatte, seine Werke gelten als Höhepunkt des Genres, bevor die Fotografie die gemalten Schiffsportraits verdrängte, durch den ihm eigenen Kunstgriff, die Schiffe sich in Richtung des Betrachters neigen zu lassen, kann er mehr Details auf Deck zeigen. - Mus.: Bremerhaven (Dt. Schiffahrtsmus.), Altona, Bremen, Rostock, Antwerpen ua. - Lit.: Buchholz: Ship Portrait Artists)
Two 19th century oval form pastel portraits, comprising a portrait of a lady pastel on board, indistinctly signed possibly 'E.B. Hodgson..', 53.5 by 44.5cm, glazed and in a gilt frame, 64 by 54cm, a portrait of a young boy, pastel on paper laid upon canvas, unsigned, 44 by 37cm, glazed and with a gilt frame, 53.5 by 46cm. (2)
Meissen, Große Portraittasse -Richard Wagner- mit Untertasse. Auf Klauenfüßen zylindrische Form mit leicht ausgestelltem Lippenrand, rückseitig geschweifter Rosettenhenkel. Auf der Schauseite mattierter Fond mit reliefiertem Portrait Richard Wagner in Bisquitporzellan. Goldränder und Goldstaffierung. Unterglasurblaue Schwertermarke 1924 - 1934. H.: 14 cm. 1. Wahl.
Seltene Portraittasse, Friedrich Wilhelm IV., König von Preußen Porzellan weiß. Auf hochgezogenem Rundfuß leicht ansteigender Korpus und leicht ausgestelltem Lippenrand rückseitig gebogter Henkel. Auf der Schauseite mattierter Fond mit reliefiertem Portrait von Friedrich Wilhelm IV. in Bisquitporzellan. Meissen, Unterglasurblaue Schwertermarke 1860 - 1924. H.: 9 cm. (mit Untertasse)
A page of a very rare manuscript written in Arabic from the Ottoman era. It explains the method of performing the daily prayer and its rules while traveling, for the common people as well as for the rulers.It is written in black ink and contains a portrait of Sultan Suleiman painted in gold. The page is framed in a frame with double-sided glass.Dimensions: The frame is 27 by 33,5 cm and the page 15 by 22 cm. It is in good condition.
20+ British Quad film posters, E.T., 2001 A Space Odyssey RR, Wild Wild Planet, Green Slime, Weird Science, Flesh and Blood, Sword and the Sorcerer, Alien Nation, One Dark Knight, Ladyhawke, Starflight one, FROGS, On the Beach, Portrait of a Mobster, This Earth is Mine, Robin Hood, Sinbad and the Eye of the Tiger, Clash of the Titans, The Trap, A Man for All Seasons and others, folded, 30 x 30 inches (20+).
THE MILITARY CLUB HOUSE: NELSON SOUVENIR GILT BRASS SNUFF BOX, commemorating his birth, the push-on cover centred by a profile portrait bust in admiral's uniform, the sides cast with Greek key meander, base with lengend 'Conqueror at Aboukir 1 Augt. 1798, Copenhagen 2 April 1801, Trafalgar 21 Octr. 1805, Where He Gloriously Fell', stamped M&P fecit, 5.5cms diamProvenance: deceased estate Ynys Mon (Anglesey)
Ɵ Jones (Inigo) The Most Notable Antiquity of Great Britain, Vulgarly called Stone-Heng, on Salisbury Plain, engraved portrait frontispiece, title in red and black, 11 engraved plates, some double-page or folding, Printed for D. Browne etc., 1725; bound before Charleton (Walter) Chorea Gigantum: or, the Most Famous Antiquity of Great Britain, vulgarly called Stone-heng, second edition, engraved portrait frontispiece, lacking the 2 engraved plates, 1725, bound before, Webb (John) A Vindication of Stone-Heng Restored, second edition, engraved illustrations, 1725, together 3 works bound as 1 vol., contemporary panelled calf, extremities worn, upper cover detached § Wood (John) Choir Gaure, Vulgarly called Stonehenge, first edition, engraved frontispiece and 5 folding engraved plates, some light foxing, contemporary calf, slightly rubbed, Oxford, 1747; and 6 others Wiltshire, v.s.
Ɵ Palladio (Andrea) The Architecture of A. Palladio in Four Books, 4 parts in 2 vol., first edition in English, engraved frontispiece, portrait and 203 plates, some double-page, engraved illustrations, text in English Italian and French sections, occasional foxing and offsetting, some toning and staining, part 3 lacks 2 text ff. (sig. F) from Italian section, contemporary diced russia, extremities worn, vol.1 upper cover detached, [Fowler 223; Harris 683], Printed by John Watts, for the Author, 1715.*** First edition in English of one of the most influential books on architecture. "Palladio's lasting influence on architectural style in many parts of the world was exercised less through his actual buildings than through his textbook. This is divided into four sections: orders and elementary problems, domestic building, public building and town planning and temples. Palladio's style was directly inspired by Roman classical models through the writings of Vitruvius and Alberti" (Printing and the Mind of Man). Condition Report: Condition report is as per the catalogue descriptionThe single page illustrations are approximately 33 x 21cmPlease see additional images for detail and visual reference to conditionCondition Report Disclaimer
Ɵ Bibiena (Giuseppe Galli da) Architetture, e Prospettive, dedicate alla Maesta di Carlo Sesto Imperador de' Romani, 4 parts only (of 5) in 1, first edition, engraved title with vignette within ornamental border, engraved dedication, 36 engraved plates only (of 50 in total, lacking pl.6 from part 1, pl.7 and 10 from part 2, pl.7 from part 4 and all plates from part 5), also lacking portrait, water-stained throughout, edges browned and soiled, contemporary calf, worn, covers detached, [Berlin 4152; Cicognara 431; Fowler 136], folio, Augsburg, Andrea Pfeffel, 1740.*** The first edition of Bibiena's "brilliant baroque compositions" (Fowler). The plates depict catafalques, theatrical sets, a Passion series in architectural settings and decorations for the Riding School at Vienna for the marriage of Archduchess Mariana to Prince Charles of Lorraine. Copies are known which have a part VI with an additional plate.Provenance: Philip Hardwick (bookplate)
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