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MONTBLANC, PATRON OF ARTS, HENRY E. STEINWAY, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 4767/4810, 2014 Cap and Barrel: Gold plated and black lacquer barrel with gilt cap decorated with a piano frame, the clip set in the form of screw clamps Nib and Filling System: Medium yellow gold coloured nib engraved with a portrait of Henry Steinway, stamped 18K and 750, piston filling system, uninked Accessories: Original Montblanc Henry Steinway lacquer box, Henry Steinway booklet and Henry Steinway outer card box Condition Report: The pen was delivered to Dreweatts vacuum sealed, and has been opened for cataloguing purposes only. As new, uninked and unused. Packaging is almost mint.Condition Report Disclaimer
UNITED KINGDOM Queen Elizabeth II (1952-2022) brilliant uncirculated BU five pound £5 coins from 2018 to include Remembrance, Four Generations of the Royal Family, Portrait of a Prince 70th Birthday of HRH The Prince of Wales, The Progress of a Prince The 5th Birthday of HRH Prince George of Cambridge, Sapphire Anniversary of the Coronation of Her Majesty The Queen and Pride of England The Lion of England, each coin capsulated and with Royal Mint issue sleeves. (6)
A silver perpetual calendar with interchangeable celluloid panels. Maximum height 9cm. Together with a late 19th century novelty pewter pepper pot modelled as a portrait bust of Disraeli, a Henrich Hoffman polo players salt cellar, an alabaster socle, a box of Bromo Paper, old marbles and other miscellanea in one box.Provenance: The personal collection of Peter Hone.
A 19th century miniature portrait printed on silk. Inscribed '...Leopold of Saxe Coburg' to verso, in circular brass frame, maximum height 7cm, together with two Wedgwood oval jasperware plaques, 'George Washington' and 'The Duke of Connaught', 20cm and 14cm high respectively, together with an assortment of profile portrait roundels in various media, in one tray.Provenance: The personal collection of Peter Hone. The Wedgwood Washington bicentenary plaque has a chip on the reverse and two hairline cracks to the left of the bust. The Wedgwood Duke of Connaught has a small edge chip and some deep crazing. The remaining pieces have a few marks, and the metal pieces display some verdigris.
Polly Hill Clarke - Head and shoulders portrait bust of the artist's husband, mid-20th century green patinated plaster, unsigned, height 36cm. Note: Polly Hill Clarke studied stone carving at the Central School of Art and Design, and painting at the Westminster School under Sickert. She became a member of Royal Society of British Sculptors in 1947.
A fine early/mid-18th century Continental enamelled oval silver-gilt mounted snuff box, the hinged lid and ogee shaped body decorated in raised gilt with figures and floral garlands against a ground of painted foliage, the interior of the lid inset with a glazed portrait of two figures having a picnic at a table, width 6cm.
Francis Leggatt Chantrey (1781-1841) - 'Rt. Hon. Spencer Perceval', an early 19th century carved white marble head and shoulders portrait bust of the British statesman and barrister, who became Prime Minister of the United Kingdom in 1809 until his assassination in 1812, the reverse inscribed 'Rt. Hon. Spencer Perceval Born 1st Novr 1762 and Fell on the 11th of May 1812. Chantrey Sc. 1828', raised on a socle base, height 67cm (damage and loss to base).
An 18th century South Staffordshire enamel oval patch box, the lid painted with a raised portrait of a lady, width 5.5cm, a similar enamel scent bottle case and an 18th century beadwork-covered étui of egg form, the interior fitted with a miniature book, titled 'Le Petit Diablotin' (all with faults).
A 19th century half-length portrait miniature of a lady, watercolour on ivory, 3.7cm x 3.1cm, mounted within a gold frame with brooch fitting, together with another 19th century portrait miniature within a gold mount. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.
HAROLD RILEY (1934-2023) (ARR) 'Washer Woman' - A framed oil on board. Unsigned. Labels verso. Image size 41.5cm x 25.5cm"Harold Riley, 1934-2023, sold his first painting to the Salford Museum and Art Gallery when he was just 11 years old. He won a scholarship to Slade, a travel scholarship to Italy and a British Council scholarship to study art in Spain. After his National Service, his returned to his beloved Salford where he stayed and worked for the rest of his life. He was great friends with the reknowned writer Shelagh Delaney - A Taste of Honey; Dance With a Stranger - of whom he did a portrait and to whom, he gifted many of his paintings. The two oils in this auction represent a Salford of their childhood, the Salford that would inspire their work. In 2014 he unveiled the plaque on the childhood council home of Shelagh Delaney. Their friendship lasted a lifetime." "She was one of the people in my life that I loved very much. We first got to know each other at school. We were, as they say in Salford, ‘going out together’." This painting has come from the family of Shelagh Delaney.
HAROLD RILEY (1934-2023) (ARR) 'Salford Arch' - A framed oil on board. Unsigned. Framers label verso. Image size 33cm x 25cm "Harold Riley, 1934-2023, sold his first painting to the Salford Museum and Art Gallery when he was just 11 years old. He won a scholarship to Slade, a travel scholarship to Italy and a British Council scholarship to study art in Spain. After his National Service, his returned to his beloved Salford where he stayed and worked for the rest of his life. He was great friends with the reknowned writer Shelagh Delaney - A Taste of Honey; Dance With a Stranger - of whom he did a portrait and to whom, he gifted many of his paintings. The two oils in this auction represent a Salford of their childhood, the Salford that would inspire their work. In 2014 he unveiled the plaque on the childhood council home of Shelagh Delaney. Their friendship lasted a lifetime." "She was one of the people in my life that I loved very much. We first got to know each other at school. We were, as they say in Salford, ‘going out together’." This painting has come from the family of Shelagh Delaney. The painting is not glazed so has been open to surface dust and dirt. There are no obvious signs of damage to the painting. The frame does have cracks in the corners, watermarks and knocks and scuffs all over through age and use/storage.
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023) BIG SELFIE offset lithograph on paperframed and under glassimage size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).
AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669), SELF PORTRAIT IN A SLANT FUR CAP etching on paperframed and under glassoverall size 20cm x 14cm Scratches to the glass, damage to the frame, paper underneath is creased, marks and foxing to the paper, images of damage have been added to the website
Eisen-Portraitanhänger, broschiert. Spätere Montage 14 kt. GG, brutto 17,3 g. Glatte, ovale Fassung, rückseitig mit Aufhängung und doppelter Nadelung aus GG, darin schwarz gebrannte Reliefplakette aus Eisen mit Portrait wohl König Friedrich Wilhelms III. mit großem Adlerorden, u.a. Einige Oberflächen-Schrammen. Wohl Berlin, 19. Jh. D. 4x 3,3 cm.
Müller-Münster, Franz (1867 Münster – Berlin 1905) Zwei Arbeiten: a) Portrait von Laura Müller, geb. Peschke (Mutter des Malers). Öl/Lwd./Karton (Randschäden). Ca. 32,5x 29 cm. R. und b) Portrait von Kurt Peschke (1886-1952) als Kind. Öl/Lwd./Karton (kleinere Retuschen), re. u. sign. und wohl dat. 1873. Ca. 28x 24 cm. R.
British history:- Barlow, the Rev. Frederic. 1775 The Complete English Peerage; or, a Genealogical and Historical Account of the Peers and Peeresses of this Realm, to the year 1775. The Second edition, with additions. Printed for the author, and sold by S. Bladon. Contemp. calf boards, recently smartly rebacked with renewed crushed morocco spines, extremities somewhat bumped & boards with the odd scratch, renewed endpapers. Illustrated with an engraved frontispiece of the King in his Parliamentary robes, twenty-five engraved plates to first volume; volume II with engraved frontispiece portrait of an Earl & subscriber's list bound to verso. 8vo.
Scottish history:- bindings. 1824-1827 The History of Scotland, from the Earliest Period to the Union with England MDCCVII. With notes Critical and Explanatory by James Aikman Esq. Four volumes publ. Khull, Blackie & Fullarton, price 12s. Original paper covered boards complete with spine labels, each vol illustrated with engraved frontispiece portrait (title pages offset), ownership bookplate of John Borthwick of Crookston to verso of title page, edges uncut, third volume bound with circular dated July 27th 1824 & an advertisement for a New and Elegant edition of the Ancient History by Charles Rollin, folding engraved hand coloured map of Scotland frontispiece, fourth volume with two leaves of publisher's advertisements bound in, frontispiece portrait & two engraved plates besides. Publisher's advertisement fo this work loosely inserted to first volume Boards a touch discoloured, head & tail of the spine and edges bumped resulting in some chipping, occ. foxing to early leaves. An excellent complete first edition set in original condition. 8vo.

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283322 Los(e)/Seite