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283284 Los(e)/Seite
Los 363
JAMES LUNTLEY (FL 1851-1880) PORTRAIT OF A LADY three quarter length in a black dress with lace collar seated in a mahogany armchair before a red drapery, with a portrait of a gentleman, a pendent, both signed and dated 1874, 90 x 69cm (2) ++ Several small old patched tears and holes, the varnish heavily encrusted with dirt and grime, not relined and in original state. In the original ornate Victorian giltwood and composition frames which are slightly damaged
Los 38
Bernardin de Saint-Pierre (Jacques-Henri) Paul et Virginie; La Chaumi?re Indienne, edited by Anatole France, number 99 of 100 copies on v?lin from an edition limited to 150 and initialled by the editor, portrait frontispiece, wood-engraved plates by Romagnol after Paul Leroy, contemporary crimson morocco, spine with five raised bands and titled in gilt, g.e., 4to, Paris, 1900.
Los 64
Stuart (Sir James, Bart., 1779-1849) An album of drawings, including a seated portrait of Sir Walter Scott, other sketches after a portrait by Rembrandt, the equestrian portrait of Charles I after Van Dyck, classical landscapes after Guardi and Canaletto, a sketch of Lympsfield, inscribed below My Mother and I left the village in 1828, a self-portrait of the artist in his studio with Frederick Horniman and his sister Pauline, with others including rustic scenes and military compositions, 42 sketches variously in pencil, pen and ink, charcoal, chalk and watercolour on various coloured papers, v.s., some signed, initialled, or otherwise inscribed, some mounted on album leaves, others loosely inserted, front free endpaper inscribed `Sketches by Sir John James Stuart Bt. 1828-29, 39 sketches in pencil or coloured`, in red straight-grained morocco album, gilt-lettered `Drawings by Sir J. Stuart Bart. 1829` on upper board, rubbed, 4to, 1829. *** One small classical landscape bears an inscription noting it is From a picture at Dr Woodcock`s, Mitchelmarsh. Sir James Stuart had married Dr Woodcock`s daughter at St James`s Church, London, in 1820.
Los 67
Bakst (Léon) The Designs…for the Sleeping Princess, number 77 of 1000 copies, portrait of Bakst by Picasso, 54 mounted colour plates, 1 folding, captioned tissue guards, 2 colour illustrations, original vellum-backed cloth, spine lettered in gilt, marked, corners rubbed, small tear to lower cover, t.e.g., folio, 1923.
Los 84
Shakespeare (William) The Works…The Merry Wives of Windsor, Measure for Measure, one vol. only, portrait frontispiece, plates, some colour, many inlaid in Whatman paper, c.50pp. decorated with water-colour illustrations, contemporary red morocco, spine and both sides of covers richly gilt, with red and green inlays, spine and front cover faded, little rubbed, head of spine worn, front hinge broken, t.e.g., folio, Grant Richards, 1903 ? [Barham (R.H.)] "Ingoldsby (Thomas)" The Ingoldsby Legends, frontispiece, illustrations, marginal staining, contemporary red morocco, gilt, scuffed, g.e., 4to, Richard Bentley, 1866 (2) *** The first is part of a set of Shakespeare "collected especially and bound for Frederick William Matthiessen, and will not be duplicated".
Los 86
Young (Francis Brett) Portrait of a Village, first edition, wood-engraved illustrations by Joan Hassall, original buckram gilt, 1937 ? Empson (Patience) The Wood Engravings of Robert Gibbings, coloured frontispiece, numerous reproductions, original cloth, letttered celluloid dust jacket, 4to, 1959 ? Carel (Henry) The Dragon of Wantley, limited to 200 copies, signed by the artist, coloured linocut illustrations by Ben Sands, original cloth-backed boards, small 4to, The Shoestring Press, 1960 ? Crossley-Holland (Kevin) Oenone in January, number 36 of 350 copies, signed by the author and artist, wood-engraved illustrations by John Lawrence, original pictorial boards, slipcase, 8vo, The Old Stile Press, 1988, 8vo and 4to (4) (4)
Los 99
Abbott (Wilbur Cortez) A Bibliography of Oliver Cromwell, portrait frontispiece, Cambridge, 1929 ? Beddie (M.K., editor) Bibliography of Captain James Cook, second edition, Sydney, Mitchell Library, 1970 ? Allen (David, compiler) Ipswich Borough Archives 1255-1825. A Catalogue, 2000 ? Vervliet (Hendrik D.L.) French Renaissance Printing Types A Conspectus, 2010, plates and illustrations, original cloth or boards, some with dust-jackets; and 13 others, Bibliography, including a duplicate of the last mentioned, v.s. (17) (17)
Los 105
Film Stars.- Monopol Film-Bilder, 224 cigarette card portraits, oblong folio, Dresden, [1932] ? Bulgari-Gold-Film-Bilder, 180 cigarette card portraits, 4 coloured plates, Dresden, [1933] ? Bunte Filbilder, vol. 2, 250 cigarette card portraits, large portrait of Greta Garbo in "Camille" in upper cover, folio, [Dresden, 1937], original wrappers, folio (3) (3)
Los 132
Borchgrevink (Carsten Egeberg) First on the Antarctic Continent, first edition, photogravure portrait frontispiece, plates and illustrations, 3 folding maps at end, 32pp. advertisements, title browned, original pictorial cloth, gilt, spine and upper cover spotted, [Spence 152; Taurus 24], 8vo, 1901.
Los 141
Talbot (Star) The Marvellous Book. An Album Containing One Hundred Studies of Famous Chinese Porcelains…, colour plates, captioned tissue guards, original decorative cloth, gilt, spine faded and worn, rubbed, Shanghai, 1930 ? Smith (C.A. Middleton) The British in China, original cloth, a little faded and marked, 1920 ? Fleming (Peter) The Siege at Peking, first edition, portrait frontispiece, plates, original cloth, dust-jacket, a few minor nicks, a very good copy, 1959 ? Wasserstein (Bernard) Secret War in Shanghai, first edition, plates, original boards, dust-jacket, 1998 ? Shirk (Susan L.) China Fragile Superpower, first edition, illustrations, original boards, dust-jacket; and c.30 others, modern works on China, v.s. (c.35)
Los 152
Newcourt (Richard) Repertorium Ecclesiasticum Parochiale Londinense: An Ecclesiastical Parochial History of the Diocese of London, 2 vol., engraved portrait, 4 engraved plates of which 3 are folding and a folding map of Essex with outline colouring, some annotation and browning, re-cased in contemporary calf, 4to, Chr. Bateman et al, 1708-10.
Los 174
Emblems.- Almanac de Poche pour l`Année Bissextile MDCCLXVIII, fine engraved portrait frontispiece of Frederica Sophia Wilhelmina, Princess of Prussia, double-page additional pictorial title, folding panorama of the `maison des Invalides pr?s de Berlin` and 12 emblematic plates, each with a French quatrain beneath, short splits to either end of 1 fold of panorama, Dutch floral pastedowns, attractive contemporary blind-stamped limp vellum wallet, some fading or soiling, [not in Landwehr or Praz], a very good copy, 12mo, Berlin, J.G. Wolffgang, 1764. *** A charming little almanac with emblematic plates representing each month.
Los 209
Chesterfield (Philip Dormer Stanhope, 4th Earl of) Letters…to his Son Philip Stanhope, Esq., 2 vol., engraved portrait frontispiece, half-title to vol.2 only, errata f., outer margin of portrait repaired, just touching image, damp-staining to outer margins of vol.1, causing repairs to a few ff., [Gulick 2; Rothschild 596], for J.Dodsley, 1774; Miscellaneous Works, 3 vol. in 2, 8 engraved portraits, errata and directions to binder ff., occasional spotting or damp-staining, [Gulick 149 & 151B], Edward and Charles Dilly [and others], 1777-1778, uniformly bound in modern brown half calf, gilt, 4to
Los 219
Johnson (Samuel) The Works, 12 vol., vol.1 with half-title and engraved portrait, occasional some spotting or soiling, contemporary calf, rather worn, many boards detached, 1801 ? Watts (I.) The World to Come…, new edition, engraved frontispiece, contemporary calf, rubbed, upper board detached, Bungay, 1813 ? Moore (Thomas) The Poetical Works, engraved frontispiece, foxed, contemporary half calf, rubbed, joints cracked, Paris, 1827 ? Eliot (T. S.) Ash Wednesday, second impression, original cloth, slightly soiled, Curwen Press, 1930; and c.35 others, miscellaneous, including a defective copy of Quarles` Emblems, v.s. (c.50) (c.50)
Los 234
Walpole (Horace) The Letters…, 14 vol., engraved frontispieces, foxed, handsome contemporary calf, by Hayday, spines gilt with black and red morocco labels, one nicked, g.e., 1840-51 ? Dickens (Charles) The Posthumous Papers of the Pickwick Club, first edition in book form, etched plates by R.Seymour and Phiz (severely foxed), some water-staining, contemporary calf, spine gilt, 1837 ? White (Gilbert) The Natural History and Antiquities of Selborne, edited by J.E.Harting, sixth edition, illustrations, original pictorial cloth, gilt, rebacked preserving original spine, new endpapers, 1888 ? Ticknor (George) Life of William Hickling Prescott, portrait, original cloth, gilt, t.e.g., others uncut, Boston, 1864, a little rubbed; and 32 others, literature and history, 8vo & 4to (49) (49)
Los 261
Bindings.- Cervantes (Miguel de) The History of…Don Quixote of the Mancha, translated by Thomas Shelton, 3 vol., contemporary half red crushed morocco prize binding by Henry Sotheran, gilt, 1900 ? Bryant (Arthur) [Works on Pepys], 3 vol., modern brown crushed morocco, gilt, upper covers with central gilt initials `SP`, 1949 ? Boswell (James) The Life of Samuel Johnson, LL.D., 3 vol., engraved portrait frontispiece, modern brown calf-backed cloth, spines gilt, 1874 ? Tristram (W.Outram) Coaching Days and Coaching Ways, frontispiece, illustrations, occasional spotting or foxing, later black morocco, spine gilt, 1893; and c.30 others, bindings, v.s. (c.40)
Los 281
Hutton (Barbara) The Wafarer, first edition, signed presentation copy from the author, portrait frontispiece by Edmund Dulac, original vellum, gilt, covers slightly warped, slip-case, a little rubbed, 8vo, Westerham Press, Westerham, 1957. *** One of 2 privately published volumes of poetry by Barbara Hutton, distributed to close friends.
Los 356
Joyce (James) A Portrait of the Artist as a Young Man, first English edition, on English sheets, ownership name to endpaper, original cloth, slightly cocked, spine slightly browned, some light rubbing to upper board, [Slocum & Cahoon A13], 8vo, The Egoist Ltd., [1918]. *** One of 1000 copies.
Los 1524
ROBERT NORMAN HEPPLE, RA (1908-1994) PORTRAIT OF LORD BOOTHBY (1900-1986), POLITICIAN Seated half length at a desk, signed and dated 1958, oil on canvas, unfinished 59.5 x 49cm.; with twelve assorted books by, dedicated to, or associated with Lord Boothby, including works by Cole Lesley, Compton Mackenzie, Herbert Agar, Mrs Claude Beddington, Graham Greene, Prince Felix Youssoupoff etc, many inscribed; with The Diary of Celia Fiennes, publ.1888, in leather and rosewood binding, mixed condition (13 items) Provenance: Formerly in the family of Lord Boothby ++ The canvas with one area of flaked damage and in need of a clean
Los 1540
CHARLES CUNDALL, RA, RWS (1890-1971) CHELSEA INTERIOR, WITH THE ARTIST`S WIFE Signed, oil on canvas 54 x 77.5cm. with another portrait of the artist`s wife by Cundall, cut down, 35.5 x 25.5cm., unframed (2) * Cundall married Jaqueline Pietersen, an artist who exhibited at the Royal Academy from 1939 onwards Provenance: By descent in the family of the artist. Exhibited: (Interior) London, Royal Society of Portrait Painters ++ Good condition
Los 654
A QUANTITY OF JEWELLERY including a George III gold brooch set with chalcedony, a pair of coral drop earrings, a pair of turquoise and cultured pearl drop earrings, a pair of cameo earrings, a Victorian gold spinning portrait brooch, a mourning brooch containing hair and various other items.
Los 1318
EILEEN SOPER (1905-1990) THREE WEES Etching, 1921, signed in pencil 12.2 x 9.7cm. ++ Very slight light staining * The following 28 lots are all by Eileen Soper, an artist of prodigious ability who showed the first of her 250 etchings at the Royal Academy at the age of just 15. Eileen learnt etching from her father, George Soper, and, with her sister Eva, developed a naturalist sanctuary at their home, "The Wildings", in Hertfordshire. She was the illustrator for 35 Enid Blyton books and had a gift for capturing the playful mischief of children in her work. Soper also painted the only known portrait of Eric Liddell, the Scottish athlete whose story was the inspiration for the 1981 film, Chariots of Fire. All these etchings and drawings were found in her home when she died. They were bequeathed to The Artists` General Benevolent Institution and sold by Chris Beetles to raise funds for the charity. These lots were purchased by the current owner from Chris Beetles`s exhibition of both Sopers` works in 1995.
Los 1411
HENRY OSPOVAT (1877-1909) PORTRAIT SKETCHES AND STUDIES Nine in six frames; eighteen in a folio; an unframed ink study of a beggar; a framed print of a self portrait; and the book "The Work of Henry Ospovat" by O. Onions (The Saint Catherine Press, London, 1911) (10) ++ Generally good; a few worn or badly stuck down
Los 1434
AFTER HANS HOLBEIN (1497-1543) PORTRAIT OF THE HUMANIST, DESIDERIUS ERASMUS (c.1466-1536) Quarter length, wearing a hat and cloak, within a painted oval, oil on canvas laid on panel; in an Italian carved giltwood frame profusely carved with flowers and foliage 58 x 46.5cm. * Probably derived from Wallerant Vaillant`s mezzotint of c.1650-1675 which depicts the sitter in a similar pose in reverse. ++ The panel is split at the back; scattered retouching; needs a clean; farme with minor losses
Los 1447
STUDIO OF SIR PETER LELY (1618-1680) PORTRAIT OF A LADY, POSSIBLY LOUISE DE KEROUALLE, DUCHESS OF PORTSMOUTH (1649-1734) Seated three quarter length, wearing a russet dress with white sleeves and a pale grey mantle, in a landscape, oil on canvas 122.5 x 99.5cm. ++ Lined; some associated retouching; a few scattered old damages, some retouched
Los 1449
FOLLOWER OF SIR ANTNONY VAN DYCK (1599-1641) PORTRAIT OF A GENTLEMAN, IDENTIFIED AS JOHN ASHBURNHAM Quarter length, wearing a black tunic and sash, inscribed, oil on canvas 74.5 x 62cm. * Ashburnham was Groom of the Bedchamber to King Charles I and also Paymaster to the Royal Army. He assisted the King in his escape to the Isle of Wight in 1648 but was imprisoned for many years under Cromwell. He was elected MP for Hastings in 1640 and died in 1671. Provenance: Sir Upton (or Sir Neville) Greville Smythe, Bt. , circa 1885 (labels on frame and stretcher) ++ Lined in 1948; associated retouching; generally fair-good condition; gilt frame
Los 1450
AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF JOHN CHAWORTH, 2nd VISCOUNT CHAWORTH (c.1605-1644) Standing full length, wearing a breastplate, his hand resting upon an ornamental shield, a copy by F. P. Graves, 1872 (signed verso), oil on canvas 221 x 133.5cm. ++ Bitumen damage; patch verso; needs a clean
Los 1452
CIRCLE OF SIR ANTONIO MOR (c.1516/20-1575/6) PORTRAIT OF A GENTLEMAN, PROBABLY A MEMBER OF THE DODDING FAMILY Quarter length, wearing black coat and cap, lace collar, holding gloves, inscribed AN DNI/1560 and AETA SVE/47, with coat of arms, bears later inscription SIR A. MORE, oil on panel, unframed 68 x 53cm. * A fragmented paper label verso reads Dodding/C.......d Priory in a later pencil inscription The following four portraits all relate to Conishead Priory, formerly a 12th Century Augstinian Priory founded in 1160 by Gamelde Pennington to care for the "poor, decrepit, indigent and lepers" near Ulverston in Cumbria. Edward II settled a bitter dispute between the Priory and Furness Abbey in 1338 by bestowing a Royal Charter upon Conishead but the Priory was seized by the Crown in 1537 under the Act of Suppression. Ownership passed subsequently through the families of Lord Mounteagle, Paget and Machell before William Sandys of Colton Hall acquired it in 1548. Later, the Priory was owned by the Phillipsons and the Doddings before Sarah Dodding`s marriage to John Braddyll transferred ownership to the Braddyll lineage for the next two hundred years. The house was in desperate need of repair by 1821 and it was lavishly rebuilt by architect Philip Wyatt over the next 15 years. It has since been a hydropathic hotel, a convalescent home for miners, a huge military hospital and (when plans fell through for it to be a holiday camp), it became the Manjushri Kadampa Meditation Centre. These four portraits relate to a turbulent period of ownership in the Priory`s history and have been consigned for sale by the sitters` descendants. ++ The panel strengthened and/or braced in three places; retouching along three associated horizontal cracks and elsewhere; a few grazes and/or scratches principally in background
Los 1453
FOLLOWER OF GEORGE GOWER (c.1540-1596) PORTRAIT OF WILLIAM SANDYS OF CONISHEAD PRIORY, AGED 40 Half length, wearing a black doublet with black and white lace collar and cuff, holding a red book, dated 1580 and inscribed Ad Cusem Et Laborem upper left, inscribed Aetatis Suae 40 upper right, with coat of arms and bearing later identifying inscription, oil on canvas 75 x 61.5cm. ++ Lined; replaced stretchers; with extensive retouching over old damages; abraded on the face
Los 1454
FOLLOWER OF HIERONIMO CUSTODIS (Fl.1589-1592) PORTRAIT OF A GENTLEMAN, PROBABLY WILSON GALE Half length, wearing a black doublet and lace collar, holding a sword, bears later coat of arms upper left and bears date 1601 upper right, oil panel 78.5 x 61.5cm. ++ The panel braced; with retouching along two vertical cracks and elsewhere
Los 1455
FOLLOWER OF SIR WILLIAM SEGAR (Fl.1588-1633) PORTRAIT OF MARGARET DODDING, DAUGHTER AND CO-HEIRESS OF WILLIAM SANDYS Esqr. OF GRAYTHWAITE AND CONISHEAD Three quarter length, wearing a black dress with cut sleeves, white linen collar and cap and jewellery, standing by a draped table, holding a book, bearing later identifying inscription and date 1569, signed (or inscribed) indistinctly and dated An.. 1629 at right, oil on canvas 111 x 94cm. ++ Lined; replaced stretchers; generally rather thin and with much old retouching
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283284 Los(e)/Seite