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283284 Los(e)/Seite
Los 1118
19th century English school - half-length portrait of middle-aged woman wearing a lace bonnet, miniature watercolour on ivory, 7 x 6cm; and a mid-19th century English school - bust portrait of a middle-aged woman wearing a lace bonnet, pencil heightened with white on paper, 9 x 6.2cm (2)Ivory submission ref: B5G5SJ49Black dress – slightly faded and grubby, otherwise no apparent faults, ivory good with no splits.Pencil – paper with some discolouration and fading, scorch mark at 8 o’clock, otherwise no apparent faults.
Los 38
Two Cased Wedgwood 'The Queen's Silver Jubilee' Jasper Portrait Limited Edition Medallions to include H.M. Queen Elizabeth II and H.R.H. The Duke Of Edinburgh (with CoA's), plus a cased Wedgwood jasperware thimble and a Royal Doulton 'H.M The Queen & H.R.H. The Duke of Edinburgh' collectors plate
Los 68
Two 9ct gold set shell cameos, one featuring the Last supper, the other a portrait of a lady. The Last Supper Cameo measures approximately 4.5cm x 3.5cm. The shell has suffered a crack and it appears a resin treatment has been applied to the reverse to stabilise this. The Cameo of the right facing lady measures approximately 3.1cm x 2.6cms. Total approximate weight of both items 14.0 grams.
Los 133
A PAIR OF GOLD CUFFLINKS WITH TWO HARDSTONE INTAGLIO. FORTUNA TYCHE - PORTRAIT OF AN EMPEROR. 2nd century A.D. (carnelian) - 17th/18th century (bloodstone). Gold 19th century. Stone 11x15 mm; 13x15 mm; Mounting 20x22 mm; Total weight 8,11 gr A Roman period carnelian intaglio with Fortuna - Tyche holding rudder and cornucopia, with inscription; modern bloodstone intaglio with laureated bust of Emperor facing right. Both gems are mounted in archaeological revival style gold cufflinks, in an old box "Maison Briquet - 29 Place Vendome". Provenance: U.K private collection
Los 177
AN EASTERN ROMAN GOLD RING SET WITH A JASPER INTAGLIO. DOUBLE PORTRAIT OF HELIOS AND SELENE. 2nd - 3rd century A.D.Stone 10x14 mm; 4,81 gr; int. size 17x25 mmWith rounded hoop, flatten within, the shoulder with leaves pattern surmounting an oval gold box setting with a jasper intaglio depicting Helios and Selene. The double portrait is facing left. Wear marks. Provenance: U.K. private collection
Los 179
A LARGE ROMAN TWO LAYERED AGATE INTAGLIO. DOUBLE BUST PORTRAIT. 2nd - 3rd century A.D.12x19x4 mmTo the left side a draped male bust, to the right the bust of Helios. The two characters look at each other. On the sides of each one, a stylized torch. Slight wear marks.Provenance: U.K private collection
Los 185
AN EASTERN ROMAN CHALCEDONY INTAGLIO. PORTRAIT OF A YOUTH.1st century B.C. - 1st century A.D.16x19x4 mmThe young character is facing left and characterized by fine features and long wavy hair. Iron traces and wear marks on the surface of the stone. Chip on the edge.Provenance: U.K. private collection
Los 187
A ROMAN CARNELIAN INTAGLIO SET IN A GOLD FRAME. MALE PORTRAIT.1st - 3rd century A.D.9 x 12 x 4 mm. Male portrait of a young man in profile to the left. The stone is mounted in a gold frame likely from the 19th century. Wear marks.Provenance: U.K. private collection acquired in the british art market.
Los 188
A ROMAN AMETHYST INTAGLIO SET IN A GOLD RING. MALE PORTRAIT. 1st century A.D.Stone 11x14 mm; int. diam 13 mm; 6,69 gr.Portrait of a male character facing right, characterized by a partially bald skull above the forehead. These realistic physiognomic details can be referred to some portraits of Roman characters of the late Republican age, in particular of Cicero and Cato l'Uticense. Fine execution for the small size of the gem. Wear marks. Nice color of the stone.L.P. Biroli Stefanelli, La Collezione Paoletti, Tome I, tom. III n. 95, 118, tom. IV n. 519. Provenance: U.K. private collection acquired on the art market.
Los 189
A RARE ROMAN GOLD RING SET WITH A SAPPHIRE INTAGLIO. PORTRAIT OF A NUBIAN NOBLEWOMAN. 2nd century A.D.Stone 8x11 mm; int. diam 17 mm; 8,46 grWith rounded hoop, flatten within, expanding in broader shoulders and flanked with a beautiful and rare sapphire intaglio depicting the portrait of a young Nubian woman. She is characterized by a proeminent short nose, big lips and a very small chin. The bombed fronthead is surmounted by braided hair assembled on the back in a chignon. She wears a cloak. The choice of the stone express the importance and exotism of this portrait, that can be linked to an important social/political position of the Roman Empire elite inthe Eastern provinces. Presence of restoration and tools on the mounting. Wear marks. Provenance: U.K. private, acquired on the art market 1980s-1990s
Los 190
A ROMAN GOLD RING WITH A GARNET INTAGLIO. SOCRATES PORTRAIT. 1st-2nd century A.D.Stone 6x8 mm; int. Size 16x18 mm; 3,30 grWith rounded hoop, flatten within and expanding upwards surmounted by a small oval grooved bezel set with a garnet intaglio; head of Socrates facing left, characterized by his typical features, partially bold head and short thick beards. Wear marks.Provenance: From a private collection, France, acquired on the art market in the early 2000s
Los 191
A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF AUGUSTUS. 1st century A.D.11x15,5x4 mmThe laureated effigy of the emperor faces left. The portrait is characterized by decisive features that express strength and power, with deeply engraved anatomical volumes mirror polished. Beautiful vivid red colour. Wear marks.Provenance: Formerly in the D.C. collection, London; acquired by an international french collector from the above in the early 2000s.
Los 192
A FINE ROMAN AGATE INTAGLIO. PORTRAIT OF LIVIA.End of 1st century B.C. - Early 1st century A.D.9x12x2 mmThe imperial effigy is turned to the left, and has a draped bust. The profile is characterized by the typical facial features of Livia, with a slightly aquiline nose, small mouth, slightly spherical chin, large eye, delicate and elegant features. The hair is characterized by the typical presence of a double braid above the brow (nodus) which is gathered behind the neck in a bun; the curls escaping from the bands of hair at the side of the face. The hair is finely chiselled with very fine wavy lines. Considering the very small size of the gem and the very high technical quality, it can be considered one of the best intaglio of her portraits in existence. The stone is slightly burnt. Wear marks.For a very similar portrait, see: the beautiful sardonyx cameo with the portrait of Livia in Leiden, Rijksmuseum. One of Livia's finest portraits. See also. The British Museum database, n. 1867,0507.491 sard intaglio set in a gold ring with an inscription (LEU in Greek). See M. L. Volleinweider, Die portraitgemmen der romischen Republik, tafel 167, and the coinage production of her time. Provenance: U.K. private collection
Los 193
A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF JULIA TITI. 1st century A.D.12x15x3 mmBust portrait of Julia Titi (63-91 A.D.), daughter of the Roman emperor Titus. The princess is facing left and is characterized by her typically elaborated hair. The bust is tunicated. Missing on the edge and chips. Wear marks.Medailles et antiques.bnf database: inv. inv.58.2089; Vollenweider, M.-L.., Avisseau-Broustet, Mathilde. Camées et intailles, II, Les portraits romains du Cabinet des Médailles. Paris : Bibliothèque nationale de France, 2003, p.128-129, n°145.Le trésor de Saint-Denis [cat.exp.]. Paris : RMN, 1991, p.92-98; 50;199; 348, n°13 D. Gaborit-Chopin.Chéron, Elisabeth-Sophie. Pierres antiques gravées tirées des principaux cabinets de la France. Paris : 1709, pl. XXXIX, Julie, fille de Tite. Aigue-marine du trésor de Saint-DenisProvenance: Formerly in the D.C. collection, London ; acquired by an international french collector from the above in the early 2000s.
Los 195
A FINE ROMAN GARNET INTAGLIO. MALE PORTRAIT. Early 1st century A.D.17x19x3 mmPrivate portrait of a Roman character from the late Republican age. The effigy faces left and is engraved with great skill. The man is characterized by features of mature age, with a partially bald skull, a pronounced nose, slightly open mouth, pronounced cheekbone; the bust is draped. The subject refers to the time of Julius Caesar and recalls characters such as Cicero, Maecenas and also the dictator Silla. Large stone, characterized by a splendid dark amber color. Wear marks.For a similar portrait and style: M-L. Vollenweider, Camees et intailles. Les portraits romains du Cabinet des medailles, Tome II n. 2, 13, 15. M-L. Vollenweider, Die portratgemmen der romischen Republik, taf. 58, 64 ss. For a similar portrait using the samew type of stone, see G.M.A. Richter, Catalogue of the engraved gems (MET), p. 104 n. 474.Provenance: U.K. private, acquired on the art market 1980s-1990s
Los 196
A FINE ROMAN CARNELIAN INTAGLIO. IMPERIAL BUST PORTRAIT OF A MATRONA.1st century A.D.8 x 10 x 2 mmFacing right, her face characterized by young features, her long hair tied behind and adorned with a large braided lock. The iconography is referable to the Julio Claudian - Flavian models, as the Antonia's portraits. Chip on the back of the stone. Fine details for the very small size of the stone. Provenance: From the collection of an European gentleman, acquired on the art market
Los 198
A ROMAN GOLD RING. BEARDED MALE PORTRAIT. 2nd century A.D.Bezel 14x19 mm; int. Size 17x18 mm; 23,86 grWith rounded hoop, flatten within expanding upwards and ending with an oval engraved bezel; the bearded male portrait facing right features Antoninus Pius (86-161). Wear marks. Roman emperor from A.D. 138 to 161. Mild-mannered and capable, he was the fourth of the “five good emperors” who guided the empire through an 84-year period (96–180) of internal peace and prosperity. His family originated in Gaul, and his father and grandfathers had all been consuls.Provenance: This lot is sold under temporary import status.
Los 20
A ROMAN AGATE INTAGLIO SET IN A REVIVAL BYZANTINE GOLD RING. MALE PORTRAIT.2nd - 3rd century A.D.Stone 11x13 mm; int. diam. 15 mm; 9,67 grThe hoop made of two doves facing each other and holding the high raised box-setting with hatched incisions on the base and containing a Roman Eastern agate intaglio; male portrait facing left and characterized by young features. Wear marks. Provenance: From a private collection, France, acquired on the art market in the early 2000s
Los 201
A LATE IMPERIAL ROMAN GARNET INTAGLIO. BUST OF AN EMPRESS.4th century A.D.13x17x2 mmThe portrait is facing left. She is characterized by elaborate hair, with a group of braids that goes down the nape of the neck going up to the ear; the other hair is pulled back and held by a diadem with pearls. The woman wears double pearl earrings and a precious pearl necklace. The bust is tunicated. The profile shows a straight and prominent nose, a small mouth, a small and rounded chin, a large eye. The anatomical details of the face and hair are certainly referable to a portrait of an empress of the late Roman period. The technical execution is very refined. The portrait is executed with great art, worthy of a commission from the imperial family. Even the choice of stone, a splendid, very thin garnet, with a concave back, can be attributed to a top-level atelier. Wear marks. The portrait approaches the effigies of Theodora. The empress Flavia Maximiana Theodora (c. 275 – before 337) had been married to the emperor Constantius I ‘Chlorus’ (A.D. 305-306). Her coin portraits become more elaborate over time, with the bust adorned with a necklace and a more elaborate hairstyle. A certain resemblance is also recognizable with the portraits of Fausta, the ill-fated wife of Constantine I 'the Great' (A.D. 307-337), and of Flavia Julia Helena Augusta (c. AD 246/248– c. 330) mother of Emperor Constantine the Great. Provenance: U.K. private collection acquired on the british art market.
Los 202
A LATE ROMAN NICOLO INTAGLIO SET IN A OPENWORK GOLD RING. MALE PORTRAIT WITH INITIALS. Late 3rd- Early 4th century A.D.Stone 13x17 mm; int. Size 17,5x22 mm; 14,69 gr.With large hoop with elaborated openwork shoulders with floral and volutes patterns extanding on an oval bezel set with a nicolo intaglio depicting a male bust. The effigy is facing left with draped bust. The portrait is characterized by physionomical and anatomical details typical of Constantine era. The subject is possibly referable to a prince portrait. The four letters surrounding the portrait can be linked to his identity (to be identified). Very good overall condition, slight wear marks and deposits.For a similar portrait see: J.SPIER, Late Antique and Early Christian Gems, n°15,16,22.Provenance: U.K. private collection acquired on the art market.
Los 291
A LOT OF 2 AGATE INTAGLIOS. PORTRAIT OF AN EMPRESS AND A BUST OF HERMES.2nd - 3rd century A.D.11x14x3 mm; 14x17,5x4 mmThe emperess is facing right, the hairstyle and portrait features are referable to Plautina. The god is facing left, his caduceus behing the shoulder. Wear marks on the surface of the stone. Provenance: U.K. private collection
Los 295
A LOT OF 19 AGATE, JASPER, CHALCEDONY INTAGLIOS. VARIA.Roman period and laterMin. 9x11x2 mm; Max. 15x17x7 mm- A Roman agate intaglio: ritual scene with young male and snake; a Roman agate intaglio with Eros riding roosters; a Roman intaglio with Victory holding a laurel wreath; a Roman agateintaglio with Victory holding an ear of corn; a Roman agate intaglio with ???; a carnelian intaglio with a bearded male portrait facing left; a Roman garnet intaglio with Apollo portrait facing left; a Roman carnelian intaglio with gryllos; a gnostic yellow japser intaglio with lion,crescent moon and inscription; an Eastern Mediterranenan agate intaglio with Pegasus; a Roman carnelian intaglio with a character holding ear of corns; a Roman agate intaglio with Athena Nikephora standing right; a Roman hematite intaglio with emblema; a dark jasper intaglio with Sphinx; a Roman dark jasper intaglio with animal; a Roman prasium intaglio with winged panther; a Roman carnelian intaglio with Victory; intaglio with horse.Provenance: U.K. private collection
Los 333
A LARGE SARDONYX CAMEO SET IN A GOLD RING. PORTRAIT OF VESPASIAN. 17th-18th centuryStone 22x39 mm; Int. Size 20x22 mm; 15.88 grBeautiful laureated portrait of the Roman emperor Vespasian, facing left. The portrait is engraved on the white layer, while the laurel wreath on the speckled dark brown layer. Also the bottom is of a nice dark brown with some "maculae". The stone is slightly cracked. The style and the technique reminds the Renaissance production, but this cameo can be dated to a slightly later artistic phase.Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
Los 335
A POSTCLASSICAL AGATE CAMEO SET IN A GOLD RING. PORTRAIT OF THE EMPEROR HADRIAN. 17th-18th century Stone 18x24 mm; int. Size 21x22 mm; 17 gr.Idealized portrait without laurel wreath of the Roman emperor Hadrian, facing right. The effigy is characterized by thick hair and a muscular neck. The cameo is mounted in a gold ring decorated with plant patterns.Provenance: European collection, acquired on the market, early 2000's.
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283284 Los(e)/Seite