Attributed to James Latham (c. 1696 - 1747)"Portrait of a Young Boy feeding a Macaw Parrot," O.O.C., depicting a boy in formal attire with lace collar shirt and cuffs standing on a balcony alongside an ornate bird cage, in a romantic landscape, approx. 127cms x 86cms (50" x 34") in gilt frame. (1)
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Louisa Ann, Marchioness of Waterford(1818 - 1891)"Portrait of a Young Girl," (Susan Pielou) oval watercolour, approx. 13cms x 10cms (5" x 4"). Gallery label on reverse, inscribed. In gilt frame. (1)* The above watercolour was painted by the Marchioness from memory after the death of the above girl who was born on 19/11/43 and died on 2/1/46.
18th Century Irish SchoolA fine large "Portrait of Robert Fennell of Curraghirone, seated by a table in his library with large volumes behind him," O.O.C., 127cms x 102cms (50" x 40") unframed. (1)* The Odell Family: Robert Fennell (c. 1700 - 1768) son of John Fennell and his wife Elizabeth (nee Johnson). He married Frances, daughter of Samuel Cox of Ballinor, Ballingarry, Co. Limerick, and his wife Constance Fitzmaurice. He was father of Frances, wife of John Crone, Elizabeth, wife of John Odell, and Constance, wife of Thomas Odell.* Purchased at Castletown Cox Sale 1991.
18th Century Irish SchoolA half length "Portrait of Captain John Odell, with large wig, white neck tie, green velvet jacket, and lace cuff," O.O.C., 79cms x 64cms (31" x 25"), in narrow gilt frame. (1)* The Odell Family: Capt. John Odell, born about 1713, was son of William Odell and his wife Anne, nee Hunt, the daughter of Henry Bayler of Lough Gur, Co. Limerick and was the father of Col. William Odell. * Purchased at The Castletown Cox Sale 1991.
18th Century English School - Robert Hunter?Half length, "Portrait of Frances Cox, wife of Robert Fennell, in a low cut blue satin dress," O.O.C., 77cms x 64cms (30 1/4" x 25 1/4"), in contemporary gilt tipped black wooden frame. (1)* The Odell Family: Frances Cox, daughter of Samson Cox of Ballinoe, Ballingarry, Co. Limerick, was wife of Robert Fennell of Curraghbone, Co. Cork. She was the mother of Elizabeth, wife of John Odell, Constance, wife of Thomas Odell and Frances, wife of John Crone.* Purchased at The Castletown Cox Sale 1991.
Sir Peter Lely & Studio of Sir Peter Lely (1618 - 1680)"Portrait of James Butler, the First Duke of Ormonde 1610 - 1688," O.O.C., a fine quality oversized full length Portrait of the Duke in the Order of the Garter Robes in a regal interior standing by a column with stick in hand, approx. 286cms x 132cms (89" x 52") in a later shell decorated gilt frame and printed gilt plaque.Provenance: Earls of Shrewsbury, Ingestre, Staffordshire; Sotheby's London 28th April 1971, Lot 14; with Gaye Macklin Antiques, Motcomb St. London; American Private Collection; Freeman's of Philadelphia USA 12 April 2005 Lot 9; Irish Private Collection.Note: The Auctioneers can certify that after careful comparison we conclude that this was that advertised in the Connoisseur in 1971, and that it was thus in turn formerly in the collection of the Earls of Shrewsbury, at Ingestre, a Jacobean house in Staffordshire. The picture was recorded at Ingestre in 1955, and was sold subsequently at Sotheby's London on 28th April 1971 lot 14 (Kneller). The dimensions are given as 20" x 52".The picture is one of six full-length versions. What is considered to be the prime version by Lely, that at Kilkenny Castle, shows Ormonde with his hat in his right hand. This is followed in three versions, at Cirencester Park, at the Hirsel, and at Douglas Castle. Lely then appears to have slightly altered the composition, placing the hat in Ormonde's left hand. What seems to be an autograph, inscribed version of this composition was formerly at Panshanger Park, Hertforshire, in the collection of Lady Desbrough, from whose estate it was sold at Christie's in 1953, in which year Penshanger was demolished. [This] picture appears to be the studio replica of the Penshanger picture.It appears to be in notably good state and ranks along the most successful of his aristocratic portrait designs, both managing and presenting the complex garter robes to great Baroque effect.
18th Century English School after Sir Peter Lely (1618 - 1680)"Catherine of Braganza 1638-1705 - Queen of Charles II," O.O.C., portrait of an elegant woman in royal attire with musical score in hand and lyre in background, in a decorative interior with romantic landscape view in distance, approx. 124cms (49")h; 102cms (40")w in a later decorative gilt frame. (1)Provenance: Property of an Irish Lady
Jewellery - a 19th century yellow metal hair work mourning brooch, oval hinged door enclosing portrait aperture (empty), ornate body with ball edge detailing, lattice hair work panel verso, unmarked; another smaller, a seed pearl mounted yellow metal pendant, unmarked; a painted porcelain pendant and brooch suite, unmarked, (5)
A collection of Peter Max (b.1937) designed items:an ashtray,Iroquois, Syracuse, 26cm,three blow-up cushions,a pair of Wrangler jeans,with Peter Max designed label,Life Magazine,5 September 1969,Peter Max: Portrait of the artist as a very rich man,Meditations, a poster box,two posters,'89 liberties', signed, andArt Expo 1981,signed (10)
Quantity of 19thC and later paintings and framed prints including a portrait of a gentleman in oval gilt frame, circular still life of flowers on a board, signed limited edition 1 / 150 print by Andrew Price, and an Eastern scene of two ladies together with a framed Art Nouveau style bronzed plaque of a lady
After Élisabeth Louise Vigée Le Brun, a portrait miniature of an unknown girl, watercolour, initialled MDS, Society of Limners paper label verso, 7cm by 5cm, together with four assorted modern painted miniature portraits, some signed, and five reproduction colour prints (four framed), of silhouettes and miniatures (10)
Three 18th / 19th century and later portrait miniatures depicting a young girl holding a falcon, 7cm by 5cm, a lady wearing a blue dress with lace trim, 7cm by 5cm, and a mother and child on glass, 6cm diameter, together with two miniature portrait plaques mounted as pendants (a/f), and others (5)

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