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283287 Los(e)/Seite
Los 625
A French pearl, rose-cut diamond and portrait miniature pendant brooch, late 19th century, the circular painted enamel plaque depicting a classical lady and putto after Kauffmann signed G. K., within a fluted bezel and 16 bead surround and with rose-cut diamond scroll settings and detachable pendant fitting, glazed panel back, stamped makers mark N & C, 25g gross, fitted case. Illustrated
Los 733
Mary Clamp (British, 20th Century), Portrait of a lady; and another, a pair, each signed and dated 'Mary Clamp 1925' (lower left), watercolour heightened with white, each 26.5 x 21.5cm, together with a 20th century watercolour of a dancing woman, a gouache of a woman looking in a mirror and a watercolour and bodycolour of three children (5).
Los 848
Leonard Rosoman (British, 1913-2012), The Hanging Committee of the Royal West of England Academy, November 1990, signed 'Leonard Rosoman' (lower right), inscribed (upper and lower left), and bears The Fine Art Society label with title and artist's name (verso), pen, ink and watercolour, 25.5 x 19.5cm, together with another watercolour by the same hand titled 'Study for Portrait Group, Royal West of England Academy, signed and dated '1991', and bears The Fine Art Society label (verso), 30.5 x 44cm (2). May be subject to ARR Illustrated
Los 871
English School, 19th Century, A collection of twelve miniature portraits of women in various costume, each initialled 'F B', and some dated '1872' or '1873', pencil and watercolour on card, each 10.5 x 6.8cm, together with two other pencil sketches by the same hand of a lady and a boy, and a 19th Century watercolour portrait of a girl holding a doll by another hand, 18 x 15cm (15).
Los 935
Jan van Rossum (Viennese 1630-1673), Portrait of a gentleman with long hair, a moustache and a white lace collar, signed and dated 'J. v. Rossum, 1661' (centre right), oil on canvas, 69 x 55cm. Provenance:Purchased in 1999 at Henry Baines Gallery, Tunbridge Wells.Thence by descent.Illustrated
Los 1251
English School, circa 1805, A portrait miniature of an officer wearing a scarlet jacket with blue facings and standing collar, gold epaulettes, white cross belt and Regimental belt plate, watercolour heightened with white on ivory, 7.7 x 6cm, with inter-woven hair to the reverse.Provenance: Cynthia Walmsley Ltd. Portrait Miniatures & Silhouettes, where purchased by the mother-in-law of the owner. Thence by descent.Illustrated
Los 1252
Follower of George Engleheart (British, 1752-1829), A portrait miniature of a lady wearing a white dress with a gold waistband and matching ribbon in her hair, and a black choker, watercolour heightened with white on ivory, 7.7 x 6.2cm, with a lock of hair to the reverse.Provenance: Cynthia Walmsley Ltd. Portrait Miniatures & Silhouettes, where purchased by the mother-in-law of the owner. Thence by descent.Illustrated
Los 1258
English School, early 19th Century, a pair of portrait miniature silhouettes of Captain Alexander Forbes of Westfield and Alison Forbes, 6.5 x 5cm, together with three other 19th Century portrait miniature silhouettes including of Charles Grace of St Andrews, of Lewis Edwards and a boy, a lady and a portrait miniature of Peter James Lindsay, father of Alison Forbes, watercolour 8.5 x 7cm, and three portrait miniature prints of a gentleman and two ladies (9).
Los 1343
An Italian gilt metal and floral micromosaic cross, circa 1880, 16cm high and a similar style and period oval box, with hinged cover, 6cm wide, a portrait miniature of the Madonna, 5.5cm tondo, framed, nine miniature polychrome painted metal dishes, three mugs and a two handled cup, the bases from half penny coins, and other miscellaneous items (qty)
Los 323
A Dutch miniature silver coffee pot, circa 1900, of conical shape with pull-off cover, embossed around the sides with two portrait medallions amongst foliate motifs, 7cm high and a miniature cast silver tankard, detailed 930, in 17th century style, the sides with figural scenes, hinged cover, 5cm high, 2ozs weight combined (2).
Los 728
GUATEMALA Design Proofs: Two complete sheets of 100 of the one Peso value in black and dark blue, showing the portrait of Manuel Estrada Cabrera believed to date from late 1906 or early 1907, the sheets both with the imprint "WATERLOW BROTHERS & LAYTON, LIMd, BIRCHIN LANE, LONDRES, INGLATERRA" twice at top and foot and once on each side, a few peripheral faults but interesting items which are mentioned on pages 64/65 in the 'Guatemala Fiscal Handbook' by J.C. Andrews
Los 156
LEHAR FRANZ: (1870-1948) Austrian Composer. A good signed original pencil close-up portrait depicting the Austrian composer, also signed by the author of the portrait, who has dated it 18th February 1835. Signed in bold black fountain pen ink `Lehar Franz´, to the left clear bottom corner of the drawing. The drawing paper has been affixed to a slightly larger card. VG £150-200
Los 16
NO RESERVE Gonzaga Scipione. Scipionis Gonzagae cardinalis Commentariorum rerum suarum libri tres. Accessit liber quartus Paraleipomenon. Auctore Josepho Marotto. Quos Aloisius Valentius Gonzaga card. primum edidit et Cajetano fratri inscripsit. Romae: apud Salomonium facta a praesidibus facultate, anno 1791.In-4° (mm 279x208). Pagine [16], 430, [2]. IMPRESSO SU CARTA AZZURRA. Frontespizio con vignetta incisa su rame. Al verso della carta b4 ritratto del cardinale Scipione Gonzaga inciso su rame, mentre è fuori segnatura la tavola tra le carte Zz2 e Zz3, anch'essa incisa e recante l'epigrafe con ritratto dell'autore e le armi della famiglia Gonzaga. Eleganti capilettera e testatine incise su rame. Splendido esemplare in perfetto stato di conservazione. Legatura coeva in pergamena su piatti in cartone, dorso a cinque nervi con titolo impresso al secondo scomparto su tassello dipinto, i rimanenti decorati da ferri dorati. Tagli spruzzati in rosso. Annotazione manoscritta di antica collocazione vergata al contropiatto anteriore.Splendido esemplare, eccezionalmente impresso su carta azzurra, della prima edizione dei Commentarii di Scipione Gonzaga (1542-1593), autoprofilo redatto in latino dal cardinale e dotto letterato nel 1579 , ma dato alla luce solo nel 1791. La presente stampa romana, di grande eleganza, è corredata da un quarto libro, scritto in continuazione all'opera del Gonzaga dall'ex gesuita Giuseppe Mariotti. Un altro esemplare stampato su carta azzurra è preservato nella biblioteca della University of Illinois.4° (279x208 mm). [16], 430, [2] pages. PRINTED ON BLUE PAPER. Engraved vignette on the title-page. Author's engraved portrait on fol. b4v; one engraved plate bound between fols. Zz2 and Zz3, bearing author's portrait and coat of arms of Gonzaga family. Engraved decorated initials and headpieces. Fine copy, in excellent condition. Contemporary vellum over pasteboards. Spine with five raised bands, tooled in gilt, title on painted lettering-piece. Edges speckled red. An early shelfmark annotated on the front pastedown.Fine copy, exceptionally printed on blue paper, of the first edition of the Commentarii by Scipione Gonzaga (1542-1593). The work was composed in 1579, but appeared in print only in 1791. The Roman edition is supplemented with a fourth book, compiled by the former Jesuite Giuseppe Mariotti, and intended as a continuation of Gonzaga's treatise. Another copy printed on blue paper is preserved in the Library of University of Illinois.
Los 45
NO RESERVE Vergilius Maro Publius. I sei primi libri dell'Eneide... tradotti a piu illustre et honorate donne. Et tra l'altre à la nobilissima et divina madonna Aurelia Tolomei de Borghesi... (Al colophon:) In Vinegia: per Giovanni Padovano ad instantia e spesa del nobile homo, m. Federico Torresano d'Asola, 1544.In-8° (mm 150x98). Carte 24, 23 (manca carta C8 bianca), 20, 19, [1], 27, [1], 25, [7]. Segnatura: A-C8, A-C8, Aa-Bb8 C4, A-B8 C4, Aaa-Ccc8 Ddd4, AA-DD8. Presenti le carte bianche C4 e DD4. Primo frontespizio con cornice xilografica, ritratto xilografico dell'Autore all'inizio di ogni libro, illustrazioni incise su legno nel testo. Arrossature, lievi bruniture e aloni sulle carte. Nota, forse di possesso, sbiadita a c. A2v. LEGATO CON: Id. Il settimo di Vergilio fedelmente dal vero senso in versi sciolti tradotto per m. Giuseppe Betussi... In Vinegia: al segno di san Bernardino (Al colophon:) In Vinegia: per Comin da Trino di Monferato, 1546. Carte 26 [i.e. 29], [3]. Segnatura: A-D8. Marca xilografica con stemma al frontespizio e in fine, capilettera incisi su legno. Fori di tarlo alle ultime 3 carte, restaurati in quella finale, lievi arrossature. Nota manoscritta a c. A3v. Legatura moderna in pelle, cornici a secco e in oro ai piatti, nome dell'Autore in oro al piatto anteriore, dorso a 3 nervi decorato a secco.I opera: Traduzione di Alessandro Sansedoni, Ippolito de' Medici, Bernardino Borghese, Bartolomeo Piccolomini Carli, Aldobrando Cerretani e Alessandro Piccolomini. A cura di Vincenzo di Pers, il cui nome appare nella prefazione. Edizione copiata da quella di Zoppino del 1540 usando le stesse illustrazioni. Renouard, 130.4: "très rare". II opera: Contiene anche, da carta D4r i Versi di Ottaviano Ces. Augusto sopra l'Eneide di Vergilio tradotti dal Betussi. Vergilius Maro Publius. I sei primi libri dell'Eneide... tradotti a piu illustre et honorate donne. Et tra l'altre à la nobilissima et divina madonna Aurelia Tolomei de Borghesi.. (Colophon:) In Vinegia: per Giovanni Padovano ad instantia e spesa del nobile homo, m. Federico Torresano d'Asola, 1544.8° (150x98 mm). 24, 23 (lacking fol. C8 blank), 20, 19, [1], 27, [1], 25, [7] leaves. Collation: A-C8, A-C8, Aa-Bb8 C4, A-B8 C4, Aaa-Ccc8 Ddd4, AA-DD8. Complete with the blank leaves C4 and DD4. First title-page within woodcut frame; woodcut author's portrait at the beginning of each book, woodcuts in the text. Leaves slightly foxed and browned; a few spots. An erased note on fol. A2v, possibly an ownership inscription. (Bound with:) Id. Il settimo di Vergilio fedelmente dal vero senso in versi sciolti tradotto per m. Giuseppe Betussi... In Vinegia: al segno di san Bernardino (Colophon:) In Vinegia: per Comin da Trino di Monferato, 1546. 26 [i.e. 29], [3] leaves. Collation: A-D8. Woodcut printer's device on the title-page and at the end. Woodcut decorated initials. A few foxing. Wormoholes to the last three leaves, repaired the ones affecting the last leaf. A manuscript note on fol. A3v. Modern leather, covers within gilt- and blind-tooled frames, author's name lettered in gilt on the upper cover. Spine with three raised band, tooled in blind.I: A substantial reprint of the illustrated edition printed by Zoppino in 1540. The printer Padovano also re-used the same blocks designed and cut for the previous Venetian publication. Alessandro Sansedoni, Ippolito de' Medici, Bernardino Borghese, Bartolomeo Piccolomini Carli, Aldobrando Cerretani and Alessandro Piccolomini were responsible for translation. Renouard, 130.4: "très rare". II: The edition also includes, from fol. D4r onwards, the Versi di Ottaviano Ces. Augusto sopra l'Eneida di Vergilio, translated into Italian by Betussi.
Los 40
SPENCER HODGE (BRITISH 1943) 'FAMILY PORTRAIT', a limited edition print of a family of chimpanzees, 46/350, signed and numbered in pencil, with certificate, unmounted, unframed, approximate size 46cm x 66cm (Condition:- Small tear to the edge of the white border) (Artist resale rights may apply)
Los 21
FLAXMANS ANATOMICAL STUDIES, engraved by Henry Landseer. Published M.A. Nattali, 1833, portrait frontis and 21 plates as called for, 13pp, folio, Clinical Lectures in The Manchester Infirmary by Edward Carbutt, Published Longman 1834. TOGETHER WITH THREE OTHER MEDICAL TITLES, anatomical plates etc...
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283287 Los(e)/Seite