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283284 Los(e)/Seite
Los 1
Beattie (William). The Waldenses or Protestant Valleys of Piedmont, Dauphiny, and the Ban de la Roche Illustrated by W.H. Bartlett and W. Brockedon, 1838, portrait frontis., additional engraved title, folding engraved map, 70 engraved views, all complete as list, a.e.g., contemp. dark-green half morocco, rubbed and scuffed, 4to (1)
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Irving (Washington). A Chronicle of the Conquest of Granada. From the Mss. of Fray Antonio Agapida, 2 vols., 1829, contemp. half calf, rubbed to extrems. with a little loss to head of one spine, together with Prescott (William H.), History of the Conquest of Mexico. With a Preliminary View of the Ancient Mexican Civilization, and the Life of the Conqueror, Hernando Cartes, 2 vols., 6th ed., 1850, portrait frontis. to each, folding map and one other plate, contemp. calf, gilt dec. spines with raised bands, sl. rubbed, 8vo (4)
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Pacific Ocean. Renard (Louis), Magnum Mare del Zur cum Insula California, [1715 or later], hand coloured engraved chart of the Pacific Ocean showing California as an island, Japan and parts of Australia and New Zealand, hand coloured ornamental title cartouche incorporating numerous figures and a portrait of Magellan, compass rose and rhumb lines shown, small paper repair to verso of central fold, approx. 495 x 565 mm with good margins (1)
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*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1967 , signed by both under the printed message and dated, the tipped in col. photo opposite & formal portrait of the Royal couple standing on the opposite side of a Palace doorway to their four children, folded ivory card with gilt Royal crests on the front, 22 x 17cm (1)
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*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1981 , signed by both under the printed message and dated, with two embossed Royal gilt crests on the left page facing, the four-page insert in folded ivory card with a full-page formal col. portrait picture on the front, showing the Royal couple standing either side of the newly wed Prince Charles and Princess Diana wearing her wedding dress, 21 x 15cm The col. photos from this date until 1995 appear as part of the printed card. Prior to 1981 all the photos and illustrations are mounted on. (1)
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*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). A good formal full-length portrait of the Royal couple by Anthony Buckley, gelatin silver print showing the couple standing together in Buckingham Palace, in formal dress, the Queen with a sash and crown, the Prince with his hand on his sword, 22.5 x 17 cm, signed by both on the mount and dated 1975 by the Queen, photographer's ink stamp to verso (1)
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*George V (King of Great Britain & Queen Mary). A pair of cabinet gelatin silver print portrait photographs by J. Thomson, c. 1890, both signed and dated 'George 1897' and 'Victoria Mary 1897', the Prince in dress uniform with medals and the Princess with crown and jewels, both a little soiled and spotted to mounts, each approx. 16 x 10 cm, loosely window mounted in folded red morocco picture frame, sl. rubbed on spine, 19 x 30 cm when open flat (1)
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*George V (King of Great Britain & his two sons Edward, Prince of Wales and Prince Albert, the Duke of York). A group portrait of the "Three Kings" in full Royal Air Force uniform, taken by Richard Williams of the R.A.F. (1934-48), all standing in a row outside, the Duke of York with hands clapsed in front, King George V with his left hand holding a walking stick, and the Prince of Wales with both arms by his side, approx. 24 x 19 cm, together with a modern reprint of similar size produced from the negative Believed to be only the second known photograph of all three Kings together and was clearly taken on the same occasion within a few moments of the other photograph and from a near identical view point and distance. The only notable differences are that the Prince of Wales hands are unclasped here and there is no visible sunlight or shadow. (2)
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*Philip (Duke of Edinburgh). A large format half-length portrait of Philip in naval uniform, [1953], a b & w photographic reprint by Raphael Tuck & Sons from an original photo. by Baron, image size approx. 52 x 41 cm., signed Philip and dated in his hand 1953 to lower mount, mounted on white card (1)
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*Oxfordshire - Royal Letter Patent. Important letters patent dated 15th March 1670 , granting to Sir Thomas Peniston from the King, rights to stop up roads in Cornwell in Oxfordshire, including Woodstock Way, The Fearne Way, etc., written in a most attractive bold hand and with large initial letters portrait of Charles II, top and side margins incorporating Royal Coat of Arms, mythical creatures and other engraved embellishments, retaining about half of a fragmented Great Seal of Charles II, accompanied with a translation, map of the land involved in Oxfordshire and extracts of the Peniston Baronets (1)
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Gottfried (Johann Ludwig). Historische Kronyck Vervattende een Nauwkeurige en Volkomene Beschrijvingh der Aldergedenckwaerdighste Geschiedenissen des Weerelds, 4 vols., Leiden: Pieter van der Aa, 1702, black letter text, lacking World map, engraved title to each volume, one engraved dedication plate, one port. frontis., numerous full page engravings of portrait medallions, over 600 engravings to text, somewhat toned, some leaves with marginal fraying and loss, crude 20th century bindings, folio Sold not subject to return. (4)
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Illuminated manuscript. Idylls of the King, by Tennyson, n.d., c.1890s, orig. illuminated manuscript by Alberto Sangorski and Francis Sutcliffe (final leaf containing their combined initials FAS in lower right corner), consisting of eight thick card leaves with text in black and red and initials in colours, carefully illuminated in gold and colours with line fillers, elaborate borders incorporating portrait roundels, narrative scenes and floral decoration, light browning to left margins of second and sixth leaves, illustration sizes approx. 24 x 16 cm, a.e.g., orig. gilt-dec. dark blue morocco with gilt-titled upper cover, moire silk doublures and inner dentelles gilt, bookbinder's ticket of Parkins inside rear cover, sl. rubbed at extremities, 4to (41 x 36 cm) See illustration inside rear cover of this catalogue. (1)
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Chamberlaine (John). Portraits of Illustrious Personages of the Court of Henry VIII. Engraved in Imitation of the Original Drawings of Hans Holbein, in the Collection of His Majesty. With Biographical and Historical Memoirs, by Edmund Lodge , pub. William Bulmer & Co., Shakspeare Printing Office, 1828, eighty-four hand-col. litho portrait plts. (complete), some marginal foxing throughout, mostly to plate versos, a.e.g., 19th c. half morocco, elaborately gilt dec. spine, rubbed and marked, upper cover det., outer corners a little bumped, large 4to (1)
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Vallance (Aymer). The Art of William Morris, with reproductions from designs and fabrics printed in the colours of the originals, examples of the type and ornaments used at the Kelmscott Press also a classified bibliography by Temple Scott, Chiswick Press, 1897, tipped-in b&w photo. portrait, numerous plts. and illusts., including forty full-page col. plts., small stain to frontis., showing just above the mounted portrait, patterned endpapers, with bookplate of Herbert S. Squance to front pastedown, t.e.g., remainder untrimmed, orig. linen-backed cloth, rubbed and some surface marks, folio Limited edition 5/220. (1)
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Le Strange (Hamon). History of Freemasonry in Norfolk 1724 to 1895, Norwich, 1896, portrait frontis., list of subscribers, orig. blue cloth gilt, rubbed to extrems., together with By Laws of the Provincial Grand Lodge of Ancient Free and Accepted Masons of the Province of Norfolk, reprint, 1941, orig. printed wrappers, both 8vo, and a gilt masonic medal made by G.Kenning & Son given to a retiring First Principal (3)
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Menpes (Mortimer). Whistler as I Knew Him, A. & C. Black, 1904, signed and inscribed on title 'To F.R. Richmond from Mortimer Menpes' and an original pencil and watercolour portrait of Whistler, etched frontis., num. b & w illusts., t.e.g., remainder rough-trimmed, orig. dec. cloth, worn and broken on spine, 4to (unnumbered copy of an Edition deluxe of 500), together with Naylor (Robert and John), From John O'Groat's to Land's End, or 1372 Miles on Foot. A Book of Days and Chronicle of Adventures by Two Pedestrians on Tour, 1916, photogravure port. frontis., num. sepia and b & w illusts. from photos., orig. dec. cloth, a little rubbed, 4to, with other misc. books, incl. antiquarian (2 cartons)
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Donovan (Diana and Hillman, David, editors). Terence Donovan, 2000, num. b & w illusts. from photos., orig. cloth in white d.j., a little soiled, 4to, together with Nash (Eric Peter), Ansel Adams. The Spirit of Wild Places, 1995, b & w illusts. from photos., orig. boards in d.j., slim folio, plus Horst Portraits. Paris, London & New York. Selected and with an Essay by Terence Pepper, Notes by Robin Muir, pub. National Portrait Gallery, 2001, num. b & w illusts. from photos., orig. cloth in d.j., 4to, with other photography, mostly VG (3 shelves)
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EARLY ENGRAVED PORTRAITS a collection of early portrait engravings, including thirty-eight 17th Century portraits of artists (the majority Flemish) from Bellar's 'Vire de Pittari' and C. de Bie's 'Her Giulden Cabinet; all unframed, varying sizes 12 1/2 x 8 1/2in (31.7 x 21.6cm) and smaller (approximately 220).
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WILLIAM TATE (1748-1806) portrait of a Lady, seated half-length wearing a blue Dress, and lace wrap signed 'Tate' (lower left) oil on canvas 30 1/2 x 25in (77.5 x 63.6cm) tate was a friend and pupil of Joseph Wright of Derby, whose influence is evident in this work. A portrait by Tate of depicting Wright is in the collection of Viscount Scarsdale. Tate is known to have finished uncompleted portraits by Wright after his death in 1797. Tate practised mainly in Liverpool and Manchester until he moved to Bath in 1804. He exhibited works at the Society of Artists 1771-1775 and 1791, and at The Royal Academy 1776-1804.
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283284 Los(e)/Seite