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283284 Los(e)/Seite
Los 153
Circle of Sir Thomas Lawrence, PRA FRS, British 1769-1830- Portrait of a gentleman, seated quarter-length, wearing a black coat and a white stock; oil on canvas, 61 x 50.5 cm. Provenance: Private Collection, UK. Note: The present work recalls Lawrence's distinctive style, with seemingly loose, free handling of the paint contrasting the sensitive, detailed treatment of the sitter's face.
Los 140
Circle of John Cox Dillman Engleheart, British 1782/84-1862- Portrait of a freemason, bust-length, facing left, wearing a navy coat and white stock, and a dark cravat adorned with a masonic pin; watercolour on ivory, oval, 6.2 x 5.1 cm. Ivory submission reference: JNR836G8. Provenance: Private Collection, UK.
Los 75
After Johann Malthain, German c.1550-1605- Portrait of Wilhelm the Rich, Duke of Jülich-Kleve-Berg; watercolour on ivory, oval, 6.8 x 5.2 cm; together with two further portrait miniatures, one from the circle of Anne Mee, depicting a lady in white, and the other a British Provincial School portrait of a gentleman, the largest 8.5 x 6.7 cm, three (3). Ivory submission reference: UD948TMO. Provenance: Private Collection, UK.
Los 155
Circle of Sir Thomas Lawrence, PRA FRS, British 1769-1830- Portrait study of a gentleman, by repute Joseph Farington, RA; oil on canvas, oval, 51.8 x 44.7 cm. Note: The present sitter bears a striking resemblance to Joseph Farington (1747-1821), particularly in Lawrence's portrait of the artist which is now in the collection of the National Museum of Fine Arts in Buenos Aires, Argentina [2564]. Although many of Lawrence's studies are highly-finished, the somewhat looser handling which characterises the present work is also evident in a number of preparatory sketches by Lawrence, including one which sold at Christie's, London, on 29 October 2015 (lot 170), and another at Sotheby's, New York, on 9 June 2011 (lot 102).
Los 9
AMENDMENT - MANNER of Gerrit van Honthorst, Dutch 1590-1656- Portrait of a lady in profile, bust-length, with her head in her hand, wearing pearls; oil on canvas, bears stamp for 'J. Berville / 29 / Rue de la Chaussée-d'Antin / PARIS' verso, 46 x 54 cm. Provenance: Private Collection, UK. Note: The present portrait of an elegant young lady bedecked in pearl jewellery, resting her head on her hand and wistfully gazing into the distance, recalls the work of Van Honthorst, including, for example, his portrait of Amalia van Solms which sold at Sotheby's, US, on 21 October 2022 (lot 6).
Los 82
Circle of Richard Cosway, British 1742-1821- Portrait of a gentleman, bust-length, facing right, wearing a dark green coat and white cravat, the hair powdered; watercolour on ivory, oval, indistinctly signed to the upper edge, 6.8 x 5.2 cm. Ivory submission reference: 39PVMPUZ. Provenance: Private Collection, UK.
Los 166
Circle of Francesco Hayez, Italian 1791-1882- Portrait of a girl in profile, seated bust-length, wearing a green dress; oil on canvas, bears label for 'Josef Appel' attached to the reverse of the frame, 57.7 x 46.1 cm. Provenance: Private Collection, UK. Note: The present work recalls Hayez's smooth, highly-finished paintings of elegant figures, with the wistful gaze of the sitter recalling his portrait of a lady which sold at Sotheby's, Milan, on 10 June 2003 (lot 102).
Los 162
John Partridge, British 1790-1872- The Lady Constantia Lowther aged five; oil on canvas, signed and inscribed 'Constantia Lowther / J. Partridge pinxt.' verso, further inscribed to the stretcher 'THE COLLECTION OF LORD LONSDALE. / NO. 30', painted inventory number '30' (lower left), 103 x 127.5 cm. Provenance: the collection of Lord Lonsdale, according to the inscription on the reverse. Private Collection, UK. Note: Partridge, born in Glasgow in 1790, initially studied under Thomas Philips RA (1770-1845) before entering the Royal Academy Schools in 1816. Between 1823-27 he travelled to Italy to further his development, and soon after returning to London, moved to Brook Street, off Grosvenor Square, in order to be closer to a host of wealthy patrons and sitters. Partridge gained royal patronage in 1836 through a commission from King Leopold I of Belgium (1790-1865). This led to an invitation in 1838 to paint Queen Victoria (1819-1901), which in turn led to further successive paintings of the Queen and of Prince Albert (1819-1861), and in 1843, he became appointed Portrait Painter Extraordinary to both Her Majesty and Prince Albert. The present portrait of Lady Constantia Lowther (1831-1864), aged five, painted in 1836, was commissioned by her father The Honourable Henry Cecil Lowther DL JP (1790-1867), a Conservative politician and second son to William Lowther (1757-1844), 1st Earl of Lonsdale.
Los 150
Attributed to Samuel Drummond, British 1765-1844- Portrait of a gentleman, by repute Alexander Aubert FRS FSA, seated half-length, wearing a black coat with a white stock; oil on canvas, inscribed 'ALEXANDER AUBERT, ESQ., F.R.S. F.S.A. (ASTRONOMER) 1730-1805. / OF HIGHBURY HOUSE, LONDON.' to the upper stretcher bar, bears label for the Sabin Galleries inscribed 'ALEXANDER AUBERT Esq. / F.R.S., F.S.A / (born 1730-died 1805) / by Samuel Drummond A.R.A / 1765-1844' attached to the reverse of the frame, 76 x 63.5 cm. Provenance: Anon. sale, Bonhams, 5 May 1960, lot 252., by repute. with the Sabin Galleries, London. Private Collection, UK. Note: A print after Drummond's portrait of Aubert by John Chapman (fl.1792-1823) was published in the 'European Magazine' in 1798. Aubert was a businessman, serving as a Director of the London Assurance Company, and also an astronomer, establishing an observatory at Loampit Hill near Deptford, which he later moved to Highbury House in north London. Drummond depicted a number of prominent contemporaries, including Sir Walter Scott (1771-1832), Elizabeth Fry (1780-1845), and Marc Isambard Brunel (1769-1849). Drummond was employed by both the 'European Magazine' and the 'London Review' to produce portraits of influential contemporaries to be reproduced in their publications, as his portrait of Aubert illustrates.
Los 177
British School, mid/late 19th century- Portrait of a man in profile, seated bust-length, traditionally held to be Sir John Everett Millais PRA; oil on board, bears label for 'Winsor & Newton' verso, 35.3 x 25.2 cm. Provenance: Anon. sale, Christie's, South Kensington, 9 September 2004, lot 77. Private Collection, UK. Note: The present sitter strongly resembles the Pre-Raphaelite painter Sir John Everett Millais (1829-1896), with a number of photographs and prints held in the collection of the National Portrait Gallery depicting the artist in the very same format as the present work, facing to the right and in profile [NPG D33175].
Los 450
Five cast and patinated bronze plaques, 20th century, comprising one cast with a portrait of Beethoven, the reverse with an angel holding a laurel wreath, 5cm square, one mounted in a cloth easel backed frame, 8.5cm x 12.3cm, an Entertainment Committee of the Netherlands, souvenir of Holland, with card and boxed, 9 x 6.5cm, two cast medallions relating to railways, Germany and Argentina, 1844 and 19076cm and 8.5cm diameter, and a silver Dundee Education Committee 1950 medallion, with ring suspension, 4cm diameterCondition ReportSilver tarnished. Patina fair on all plaques. Holland medal and box good overallPlease see the additional images.
Los 549
After John Hoppner, Portrait of Jane Elizabeth, Countess of Oxford, half-length, in a white dress and red necklaceoil on canvas76 x 53.5cm, unframedCondition ReportThe canvas has been relined with the canvas in the plane. There are a few old, stretcher lines. Craquelure with thinning to the paint. Small losses. Light surface scuffs, scratches and abrasions. There is some retouching visible, with heavy retouching throughout when viewed under UV light. Some tears to the edge of the canvas.
Los 920
Arthur Spooner RBA (1873-1962) Portrait of a Lady wearing white dress and summer hat oil on board, 60 x 51cm signed lower right , framed Provenance: The Vendor`s Grandfather attended Nottingham School of Art and met Spooner there. By family tradition this portrait is believed to be a waitress from a Nottingham coffee house and was offered for "the price of a three-piece suit" which Spooner required to go to the Royal Academy.
Los 951
Early 20th Century French School portrait miniature of Josephine de Beauharnais (Les Trois-Ilets, 1763-Paris, 1814), first wife of Napoleon Bonaparte, Empress of France, oval approx 6.3 x 8.3cm, signed Berteaux lower right, in filigree and seed pearl frame IVORY SUBMISSION REFERENCE: M2J73CNE
Los 949
Early 20th Century School, circa 1900, after Jacques-Louis Davis, portrait miniature of The Comtesse Daru (Countess Alexandrine Daru), oval approx 7 x 9.5cm, signed lower left Tossadu W d`apres David, in ebonised frame IVORY SUBMISSION REFERENCE: KSQE79FV Note: The original portrait of Countess Daru by Jacques-Louis David was painted in 1810, it portrays Alexandrine Daru, née Nardot (1783-1815), wife of Pierre Daru intendant general of the Crown of Napoleon
Los 530
A late 19th Century America photograph album signed "To Mother from Clayton May 19th 1896" containing black and white tin plate family portraits with individual titled in pencil together with four smaller leather American late 19th Century albums containing a large quantity of tin plate photograph portraits, also included 1 x US REV Washington 2 Cent Proprietary blue stamp and 2 x US REV Washington 1 Cent Express red stamps and further loose portrait photograph cards, produced by main New York based companies including Gardner & Co; W E Vaughan, Van Derbeck NJ etc (1 box)
Los 816
A pair of 19th Century parian figures modelled as a boy with ball and girl with a hoop and sticks, approx 23cm high together with a Victorian style blanc-de-chine table centrepiece modelled as a girl resting on a conch shell, Registration mark to underside and a 20th Century portrait bust of a little boy, signed NI (Noreen Ibbott - Scottish) [4]
Los 17
Arnold Mason RA. (1885-1963) - Portrait of a Lady. Oil on Canvas. Unframed. Head and Shoulders portrait of a dark haired woman. unsigned, Attribution to verso. 35.5cm x 31cm. Minor losses and scuffing to the paint surface. Arnold Henry Mason was a British landscape and portrait painter. Mason worked in Paris and Rome. In 1906 he was Assistant to Sir William Richmond on the internal decorations of the Old Bailey Courtrooms, London. He served in the Artists' Rifles 1915–18, and exhibited at the Royal Academy, London, from 1919. In the 1930s he had a studio in Chelsea. He befriended the artist Roy Beddington and assisted him in getting his career established in London. In 1940, Mason became an Associate of the Royal Academy; he was accepted as a Royal Academician in 1951 and a senior member of the R.A. in 1960. P
Los 331
George Thompson (1934-2019), Portrait of a girl in a wide brimmed hat adorned with flowers, oil on board, signed, 50cm x 40cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Los 332
George Thompson (1934-2019), Portrait of a girl holding a poppy, oil on canvas, signed, 50cm x 40cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Los 242
Bohemian ruby glass pedestal bowl, decorated with foliage, the cylinder base with an applied hand painted cameo portrait of a young lady, height 28.5cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Los 633
An Antler mid century suitcase containing Victorian and later photographs, some in albums to include professional portrait photographs, family photographs, postcards to include scenes on Minshul Earl, The Cheshire Hunt, Household Words edited by Charles Dickens dated September 1884, watercolour studies depicting various buildings, landscapes, early 20thC address books, Victorian and later letters, 1940s diary, service letters, etc.
Los 198
T.R.H. The Prince and Princess Wales. Fine 1989 signed presentation colour photographic portrait of The Royal couple signed in ink on the mount 'Diana 1989 Charles' In original green Morocco leather frame with gilt embossed dome top with POW feather crest. Made by Soos of London with easel back. Photo and frame in very good order,(slight lifting of leather to one edge) very slight fading to signatures. Frame 24cm x 18cm. Image 13cm x 10cm. PROVENANCE: Vendors father worked for the Hong Kong government and was in charge of organising the Royal and State visits - and vendors parents met with Charles & Diana and dined with them on Britannia.( Also vendors lots 199)
Los 282
A quantity of C19th and C20th delicate aged books, including Common Prayer, Love Poetry and a tooled leather volume of VISIT OF COLONIAL PREMIERS AND THE HOUSES OF PARLIAMENT TO PORTSMOUTH, MAY 1907, with detailed plates of ships; and a fabric bound small book of a manuscript, and this is POSSIBLY relating to letters to the British Library about information concerning a manuscript; and a quantity of old black and white portrait photographs; see all images
Los 12
†Archbishops of Canterbury, Ceolnoth (833-70), silver Penny, Canterbury mint, moneyer Wunhere, Group I, facing bust breaking inner linear circle, legend surrounds + CI?LNOD ?RC, rev. DOROBERNIA CIVI MONOGRAM within toothed inner circle, outer legend surrounds +VVNERE MONETA, 1.34g (cf. Naismith: C.105f; N.242; S.893). Toned, obverse die breaks or striking striations, otherwise pleasing portrait and legible legends, very fine, very rare.Provenance:Ex The William Oldknow Collection, New York Sale, 14.1.2021, lot 3083 Ex Tim Owen – with supporting ticket in his hand.Previously slabbed as AU53 - NGC Certification 4930811-030 relates, complete with NGC label and certification slip.
Los 284
g Charles III (2022 -), silver proof 2-coin Set, 2023, each coin Two Ounces of Two Hundred Pounds, struck in .999 silver, from the Great Engravers series, commemorating the 1663 trial Crown submitted to King Charles II by designer and Chief Engraver Thomas Simon, both coins feature the definitive portrait of King Charles III, bare head left, MJ initials below for designer Martin Jennings, Latin legend surrounding, CHARLES III. DEI. GRA. REX. FID. DEF., First rev. Based on the obverse of the original coin- draped bust of King Charles II facing right, with hair in lovelock and laureate, signed Simon below, surrounding Latin legend engraved in raised edge lettering, 'CAROLVS II. DEI. GRA.' Second rev. Based on the reverse of the original coin- crowned cruciform emblematic shields, pairs of interlinked Cs in angles, St. George, and the Dragon in buckled garter in centre in garter with French motto HONI. SOIT. QVI. MAL. Y. PENSE, date '1663' either side of top crown, surrounding Latin legend engraved in raised edge lettering, MAG BRI.FR ET.HIB REX., raised lettering on edge with the petition made by Thomas Simon to the King "THOMAS SIMON · MOST · HVMBLY · PRAYS · YOVR MAJESTY TO · COMPARE · THIS · HIS · TRYALL · PIECE · WITH · THE · DVTCH · AND · IF · MORE TRVLY · DRAWN & EMBOSS'D · MORE · GRACE: FVLLY · ORDER'D · AND · MORE · ACCVRATELY · ENGRAVEN · TO · RELEIVE · HIM ·"' 62.4g each coin. Proof state, accompanied by original Royal Mint box and Certificate of Authenticity.
Los 1
Thrace, Perinthos, silver Tetradrachm, c.230-225 BC, struck in the name and type of Lysimachos, diademed head of the deified Alexander right, with horn of Ammon, rev. ???????? ?????????, Athena Nikephoros seated left, arm resting on shield, transverse spear behind, joined foreparts of two horses to inner left, 16.09g (Müller 130; HGC 3, 1750q). Extremely fine, with striking portrait and attractive tone.
Los 67
Edward VI (1547-53), fine silver Shilling, third period (1551-1553), Tower mint, mintmark Y, inner beaded border and linear circles, legend reads EDWARD VI D' G' AGL' FRA' Z HIB' REX, crowned facing bust, rose to left, XII to right, rev. square topped coat-of-arms with long cross fourchée, legend around POSVI DEV' ADIVTORE' MEV', 5.76g (N.1937; S.2482). Old tone, fully centred strike on a notably broad and round flan, obverse scratch, good portrait. Bold fine.The Latin legend translates as "Edward VI by the grace of God, King of England France and Ireland" the reverse translates to "I have made God my helper."
Los 228
g Elizabeth II (1952-2022), gold proof Five Pounds, 1999, Princess of Wales Memorial to commemorate Princess Diana, crowned bust right, IRB below for designer Ian Rank-Broadley, Latin legend surrounding, ELIZABETH. II. D. G REG. F. D. 1999, rev. a portrait of Diana, Princess of Wales with the dates 1961 and 1997 and IN MEMORY OF DIANA, PRINCESS OF WALES. FIVE POUNDS, designed by David Cornell, 39.94g (S.L6). Graded by NGC as PF68 Ultra Cameo, accompanied by presentation pack with 5 stamps with portraits of Diana.NGC Certification 6930177-002Limited Issue in this presentation of 100
Los 16
†Aethelred II (978-1016), silver Penny, first hand type (c.979-985), London mint, moneyer Aethelstan, diademed bust right without sceptre, Latin legend and linear circles surrounding, +ÆÐELRÆD REX ANGLOX, rev. hand of Providence from straight clouds, A and hyphen to left, w and hyphen to right, legend and linear circles surrounding, +ÆÐELSTAN M-O LVN (BMC IId; SCBI 7 [Copenhagen], 711; N.767; S.1144). Toned, fully centred strike with a pleasing portrait, reverse the hand of providence motif pleasing, graded by NGC as MS62.NGC Certification 3479046-018The legends translate as "Aethelred King of the English" on obverse and "Aethelstan of London" on the reverseProvenance:Ex Heritage Auctions, New York Signature Sale 3021, 6.1.2013, Lot 20751.
Los 131
g Victoria (1837-1901), gold Sovereign, 1850, small date, second young filleted head left, W.W. raised on truncation for engraver William Wyon, date below, Latin legend and toothed border surrounding, VICTORIA DEI GRATIA, rev. crowned quartered shield of arms within laurel wreath, emblems below, Latin legend and toothed border surrounding, BRITANNIARUM REGINA FID: DEF: (Bentley 59; Hill 33; S.3852C). Toned, some contact marks, better detail in the portrait, graded by NGC as AU58, rare.Calendar year mintage 1,402,039.NGC Certification 8220396-004The Latin legends translates on obverse as "Victoria by the Grace of God," and on the reverse "Queen of the Britain's, Defender of the Faith."
Los 24
†William I (1066-87), silver Penny PAXS type (1083-86), Canterbury mint, moneyer Wulfric, facing crowned bust with sceptre to right, crown 1, Latin legend and beaded circles surrounding both sides, +PILLELM REX, rev. cross pattée, each letter of PAXS in an annulet per angle, +PVLFRIC ON CNTLE, 1.31g (BMC VIII; SCBI 18 [Copenhagen], 1303-4; Allen, BNJ 2012, p.71; N.848; S.1257). Toned, some weakness in King's portrait, otherwise very fine.The legends translate as "William King" on obverse and "Wulfric of Canterbury" on the reverse.
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283284 Los(e)/Seite