283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 1144
A late 19th Century horse mounted gilt metal cased Mantel Clock, the waisted drum case surmounted by an urn, and flanked by further foliate capped roundels to a broken plinth base, and raised on square section feet, all over set with turquoise blue backed floral decorated porcelain panels, centred with a head and shoulders portrait and cherub, to a 3 ½” Roman enamel dial with turquoise chapter ring and floral decorated centre, and pierced gilt hands to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 14”
Los 359
* A Doccia snuff box, mid 18th century, of rectangular form with gilt metal mounts, the hinged lid decorated in basso relievo istoriato with Chronos, two putti holding a cracked shield flanked by moulded cartouches of profile portrait busts, the base painted with Leda and the swan, the interior cover painted with a couple in a landscape scene, 4 cm high.
Los 919
After Francis Bacon 1909-1992- "Portrait N 106"; lithograph printed in colours, on wove with full margins, bears pencil inscription on the reverse, 57.8x40cm: together with two other colour lithographs after the same hand titled "George Dyer" and "Henrietta Moraes", on wove with full margins, both bearing inscriptions on the reverse, 55x38 and 50x38.5cm, (3), (unframed), (rolled)
Los 921
* NOTE:SITTER IS GENERAL SIR CHARLES NAPIER (1982-1853).An Anglo-Indian School Portrait Miniature, mid 19th century, depicting a bearded officer facing right, bust length, in a scarlet coat with gold epaulettes and scarlet shoulder belt, wearing the Order of the Bath, in an oval gold plated mount, 5.2x4.4cm.
Los 967
Lisa Wright b.1965- Standing female nude; etching with aquatint, signed and numbered 8/10 in pencil, 25x22.5cm: A Ramsay, late 20th century- "London Head"; etching with aquatint, signed, titled, numbered 11/20 and dated Jan 96 in pencil, 17x14.5cm: Mark Clark b.1959- Male torso; etching, signed, numbered 2/75 and dated 98 in pencil, 18.7x14cm: Duncan Bullen b.1962- "Elba Series 2"; monoprint, signed, titled and dated 97 in pencil, 19.7x20cm. Provenance: with Jill George Gallery, London according to label attached to the reverse: Wyth, late 20th century- "Thursday Night"; etching printed in colours, signed, titled, numbered 16/35 and dated 92 in pencil, 15.7x21.5cm: Treby, late 20th century- "Portrait of Richard"; mezzotint printed in colours, signed, titled and inscribed 'AP' in pencil, 20x21cm., (6), (part unframed) (may be subject to Droit de Suite)
Los 968
David Inshaw b.1943- "Julie Christie"; screenrpint in black and orange on canvas, 34.5x59cm: Nigel Lambourne RE 1919-1988- Portrait of Rusty M, Panton St W1; lithograph, signed with monogram, titled and dated 1947 within the plate, 21x19.5cm., (2), (part unframed) (may be subject to Droit de Suite)
Los 1015
Angela Landels 20th century- Portrait of a lady head and shoulders; oil on canvas board, signed, 35.4x25cm: together with ten other paintings attributed to the same hand, all oil and acrylic on canvas board, one signed, various sizes, (11), (unframed). Note: The lead painting in this lot was used as the cover illustration for The London Collections Magazine, April-May-June 1981. The caption for this illustration reads as follows: "Cover, Chosen in Paris by Gerard Pipart for Nina Ricci for his Summer Haute Couture Collection in this Klimt-like mosaic of colours from the Elizabeth Arden Collection Make Up called Les Scintalliants. Perfume L'Air du Temps by Nia Ricci. Hair by Schumi. White diamond Marquise ring, earrings and diamond hair clip by M Gerard. Oil painting by Angela Landels, photographed by Paul Beatty." Provenance: Percy Savage, Fashion PR and editor of The London Collections Magazine. A copy of the above edition of this magazine is available with this lot. Angela Landels the fashion illustrator is the wife of the artist Willie Landels b.1928 (may be subject to Droit de Suite)
Los 1074
N Rudakov, Russian early 20th century- "Eglise a Pskov"; waterolour, signed and dated 1909, bears inscription on the mount, 14x21cm: Constantine, mid-late 20th century- Double portrait; pen and black ink and watercolour, signed, 23.3x17cm: Scandinavian School early 20th century- Study of a cat sleeping; red and brown crayon, signed and dated 1942, 24x35cm., (3) (may be subject to Droit de Suite)
Los 1153
English School early 19th century- Portrait of a gentleman, head and shoulders, turned to the right, black chalk, 35x27cm: together with one other black chalk study depicting a young woman, head and shoulders, turned to the left, both after Sir Anthony Van Dyck 1599-1641, 35x27cm., (2),(unframed)
Los 1159
British School early 19th century- Design for a stained glass window; watercolour, with inscription, 64x47.5cm: Follower of Sir Joshua Reynolds RA 1723-1792- Portrait study of a young woman, head and shoulders; pen and black ink: Follower of Paul Sandby RA 1730-1809- View of a country house; watercolour, pen and black ink: together with a collection of further 17/18/and 19th century watercolour, crayon, and chalk studies by and after various hands, to include Thomas Hosmer Shepherd 1793-1864, Street scene; pencil and watercolour wash and others, (unframed) (a lot)
Los 1174
Attributed to Henry William Bunbury 1750-1811- Study of travellers and pony in a landscape; pencil and Brown watercolour wash, provenance: ex collection of Sir Edward Marsh, according to inscription verso, 25.3x34.4cm: together with three other late 18th century drawings depicting a portrait of a gentleman, in profile, traditionally held to be Mr Sandford and others. Note: Henry William Bunbury belonged to a group of talented amateur artist's from the aristocracy or the city bourgeoisie, who's humours art had a huge influence on such artist's as Thomas Rowlandson, such artist's where under pressure not to publish there lampoons. When Bunbury became Equerry to the Duke of York in 1787, it was feared that members at court would become victims of his caricatures, however they came to be perceived as harmless fun and the sale of satirical prints flourished. (unframed)
Los 1249
William Derby 1786-1847- Portrait miniature depicting a 17th century lady, seated wearing a green velvet dress with white lace collar, cuffs and head dress, holding a locket; watercolour on ivory, signed "W Derby Pinx"(top left) and inscribed "For Charles" (top right), bears Horace Dawes, Lonsdale Gallery, label attached verso, in a gilt frame, 13x10.5cm. Note: William Derby was well known as a copyist, some of his works were engraved and he exhibited at the RA, RBI, OWCS and NWCS.
Los 1278
* David Cheepen b.1946- Portrait of a cat; oil on board, signed and dated 10.1.1981, 16x16cm: together with four other similar oil portraits of cats and groups of cats and two further pencil drawings of cats by the same hand, all signed and dated, 15x20.5cm., max and smaller, (7). Provenance: with The Portal Gallery, London, according to label on the reverse of one of the above pictures (may be subject to Droit de Suite)
Los 1283
* British School mid 20th century- Floral still life; oil on canvas board, 34x24cm: English School mid 20th century- Portrait of a man seated half-length turned to the left; oil on canvas board, 35x25.5cm: Katy Guttmann, late 20th century- Still life with lemons; oil on canvas, bears inscription on the stretcher, 42x37cm., (3), (part unframed) (may be subject to Droit de Suite)
Los 1361
Fore-edge painting.- Southey (Robert) THE POETICAL WORKS additional engraved title and frontispiece, light foxing, prize plate on front pastedown, contemporary crushed morocco by Wells, gilt, some sunning affecting rear board, spine gilt, g.e., 4to, 1884. *** The fore-edge painting depicts a well executed portrait miniature of Southey with Greta Hall, Keswick in the background.
Los 510
David Bomberg 22 3/4in. x 19in. (57.5 x 48cm) on panel A portrait of the Artist; and a portrait of a figure in green wearing a trilby hat (possibly another self portrait), executed on either side of the double-sided panel Signed and dated '32 (one side only). Provenance: From the early 1930's Bomberg produced a succession of self portraits which are among some of his most vigorous and compelling images in paint. Temperamentally unsuited to become the discreet portraitist required by sitters of his day, he turned a piercing vision instead upon himself, posing in a variety of positions often wearing hats or colourful garments. This panel intriguingly, portrays him in hat and green smock on one side and, on the other, simply bareheaded in the simple white shirt he often wore to paint. See illustration
Los 1157
A miniature bust portrait of a lady (possibly Elizabeth Mary Pemberton); an early 19th Century thin gold wedding ring, in green morocco leather-covered case; a small leather-bound lady's almanac for the year 1785; a small collection of miniature ivory items, to include: a comb; pair of scissors; etc.; Georgian gilt tokens, in leather pouch; together with a small 19th Century rectangular cardboard box, with green print cover.
Loading...-
283284 Los(e)/Seite