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283284 Los(e)/Seite
Thomas L Mott and similar painted portrait brooches and earrings, a Mott 43mm diameter brooch; another 36mm; Laughing Cavalier earclips and ring; two marcasite pendant brooches; a Mott gilt metal pendant brooch; a pair of Mott Sterling earclips of lady in blue; a 25mm brooch with paste border.
Italian School (16th century and later)Thirteen portraits, comprising: eight portraits of gentlemen and five portraits of ladiesOil on copper, one oil on cardVarious sizes, the largest: 10cm (3¾ in.)In later gilt frames, one unframed (13)Condition Report: Uneven varnish and paint surface throughout. Rubbing to the framing edges with some associated loss. Light surface dirt throughout. The most significant losses are visible to the lady wearing 'coral' red beaded necklace and small portrait of a lady wearing a pearl necklace and earring in black frame. Inspection under UV reveals a green masking varnish which may be concealing the extent of restoration. There is some evidence of scattered retouching. Condition Report Disclaimer
After François QuesnelHenri III of Poland and FranceOil on metal, ovalEngraved with armorial to reverse6cm (2¼ in.) highTogether with two similar portrait miniatures depicting Catherine De Medici, and Louise De Lorraine (double-sided), all in gilt metal frames (3)Condition Report: Henri III - Craquelure, some flaking to the surface and small losses scattered throughout, causing an uneven paint surface. Engraved to the reverse. Louis de Lorraine - Craquelure and an uneven paint surface through. Yellowing varnish causing discolouration. Losses throughout with an extensive patch of loss to centre of the sitter's ruff. Another portrait verso with loss to the sitter's nose. Catharine de Medici - Uneven paint surface. Extensive loss throughout. Varnish causing some discolouration. Engraved to the reverse. Condition Report Disclaimer
Italian School (17th century)Grand Duke Ferdinando II (1610-1670) wearing black doublet with red cross, white collar and cuffs; his wife Vittoria della Rovere (1622 - 1694) wearing black dress adorned with pearls, lace collar and cuffs, pear necklace, her hair styled and embellished with pearlsOil on copper, oval 11.5cm (4½ in.) highTogether with a third portrait of Louis XIV, King of France, wearing armour and red mantle, oil on copper, 11cm high, all in later gilt wood frames (3)Condition Report: Ferdinand of Tuscany - Light surface scratches. Some rubbing to the framing edges with associated losses. Light retouching visible in natural light. Inspection under UV reveals a green masking varnish and light scattered retouching. Louis XIV - Fine craquelure and paint shrinkage to the paint surface. Rubbing to the framing edges with some associated loss. Very small losses scattered across the surface most notable to the sitter's mantle. Inspection under UV reveals a green masking varnish and light scattered retouching. Vittoria della Rovere - Light surface scratches. Rubbing to the framing edges with some associated loss. A couple of losses to the paint surface scattered across the sitter. Light retouching visible in natural light. Inspection under UV reveals a green masking varnish and light scattered retouching. Condition Report Disclaimer
Italian School (19th century)A collection of five portraits after the Old Masters, including, amongst others: a portrait of Pope Paul III (1468-1549) after Raphael, and a portrait of Alfonso V, King of Aragon and Naples (1396-1458) after a 15th century Neapolitan School painting now in the Kunsthistorisches Museum, ViennaOil on panel, rectangularThe two aforementioned later inscribed (upper centre)13.5 x 10.5cm (5¼ x 4 in.)In later gilt wood frames (5)Condition Report: Craquelure and a yellowing varnish throughout. Retouching visible in natural light. Light surface scratches and scattered losses throughout. Paul III has a particularly uneven paint surface. Some rubbing to the framing edges. Inspection under UV reveals a green masking varnish and scattered retouching. Condition Report Disclaimer
A reverse painted glass portrait of a gentleman on horseback, portrayed wearing turban and robes, and with text tablet, framed, 58cm high, 42cm wide overallCondition Report: The frame has been repainted with black paint, and this is quite clumsyThe painting appears to have had restoration to the rear and there are patches of unevenness showing through to areas such as horses legs. The rear has board applied and this has not been examined out of this and the framePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
After Terence Cuneo - A signed coloured limited edition print - The Raising of The Green Howards, Colonel Francis Lutterell, 1688, signed by the artist and a descendent of the colonel portrayed, edition 118/850, 67.5 x 77cm approx, together with further pictures and prints including a three quarter length portrait on canvas of an elderly woman sewing, 61 x 51cm, a further oil on canvas of a mountainous landscape, 35 x 43.5cm approx, a Victorian needlework panel showing a monastery scene with a delivery of dead game, etc, various sizes (5)
Joseph Farquharson (Scottish 1846-1935) - Monochrome print, sheep in a winter landscape, signed by the artist and also signed by William Hale, published 1903, 54 x 73 cm approx visible sheet size, together with further black and white engravings including 17th century portrait of King Charles I, dated 1685, 54 x 42cm, engraving after Sir Thomas Lawrence of The Lovely Sisters, 63 x 53cm, An English Merry Making in the Olden Time after W P Frith, 62 x 93cm, Salisbury Cathedral from The Meadows - after John Constable, etc, various sizes, all framed (6)
20th century school - Three quarter length portrait of a young woman seated and holding a book, oil on board, no signature visible, 80 x 63cm approx, together with with further three quarter length portrait of the same sitter wearing a red dress, no signature visible, 53 x 44cm approx, both framed (2)
19th century school - Bust length portrait of a young girl with blue ribbon, watercolour and bodycolour on paper, oval form, 19cm max, in gilt frame, together with 19th century engraved portrait of a young woman, 22 x 17.5cm, two 19th century botanical watercolours, both inscribed with the names of the plants and one further inscribed Switzerland, dated 1875, 24.5 x 18.5cm approx, a pair of naive style 19th century watercolours of soldiers, one dated 1865, 10.5 x 17cm approx, etc, various sizes, mostly framed (8)
A 19th century black and white engraving of a full length portrait of Napoleon, 81 x 54 cm approximately, together with a 19th century black and white maritime engraving - The loss of 'The Revenge' after Oswald W Brierly, 67.5 x 100.5 cm approximately, two further engravings of late 18th century marine battle scenes, (one af), a 19th century monochrome watercolour of a magpie of oval form 22 cm maximum approximately, all framed (5)
19TH CENTURY PORTRAIT. A 19th century portrait of a lady holding a lamb & a book in one hand. Oil on canvas, re-lined. Unsigned. Apparently original frame. 75 x 60cm. (Some loss of paint on left-hand side & along the bottom edge. Evidence of some restoration. Requires cleaning.) Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
WWI DEATH PLAQUE ETC. A WWI Death Plaque in an oak frame for Corporal Henry Thomas Jenkins of the Northamptonshire Regiment with framed commemorative scroll. Also, a framed, oval portrait photograph of Corporal Jenkins in uniform. Photograph size 36 x 29cm. Frame badly damaged. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
NAIVE FISHING BOAT PORTRAIT. An early 20th century naive portrait of a Lowestoft steam drifter, LT677, Torbay II. Oil & body colour on artist board. Signed E.J. Hurr 1913. 37 x 63cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
PORTRAIT MINIATURE. A portrait miniature, hand painted on ivory, backed on card, of a lady. Unsigned, undated, but inscribed to the back Mse d'Anglas. 10.5 x 9cm. Later brass strut frame. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
A collection of vintage clocks and barometers, to include a Mappin & Webb mantle clock, Angelus four part clock barometer and more Condition Report: Report for Angelus; All clocks and watches are sold as untested for time keeping accuracy, Quartz movement. Light surface marks and ware in places commensurate with previous use, no obvious signs of major damage or repair. Unengraved case, though a photo portrait is set to the top. Measures approximately 13cm high
A SET OF SIX BLACK-&-WHITE PORTRAIT ENGRAVINGS; three engraved by J. Houbraken after Sir Godfrey Kneller: “King George I”, “King William III”, & “John Duke Of Marlborough”, publ. by J. & P. Knapton 1746, 1744, & 1745 respectively; and “Charles Earl Of Sunderland”, “John Duke Of Argyll And Greenwich” & “Robert Earl Of Orford” by Houbraken (the latter two possibly later); all approx. 14” x 9”, in matching glazed frames (20½” x 14¾” over-all).
Early 19th century Indian school Watercolour heightened study Portrait study of the Mughal Emperor Akbar Shah II (1806-1838), unsigned, 22.5cm x 14cm, bearing 'Victoria & Albert Museum' label verso giving appraisal of the pictureProvenance: from a family collection of Indian miniaturesCondition ReportSmall area of loss to the bottom left. Light wear to the gilt border. Possibly some fading and discolouration in areas.
Esther Warkov (b1941) CanadianOil on canvas in three segments"Sparking Flower Plug", centred by female portrait and flanked by a pair tall flower vases with profile heads, dated 1972, unframed, 122cm x 142cm (together with original receipt from Marlborough Godard, Toronto for $1942.50, dated 1973) Condition ReportSome paint loss at various points on the canvas, see additional photos. No obvious signs of restoration or repair to canvas face.
THELONIOUS MONK - LP PACK. Another excellent collection of 21 LPs by Thelonious Monk, mostly reissue/ compilation pressings. Titles include Pure Monk (68.106), Brillance (HB 6029), The Riverside Trios (M-47052), Portrait of An Ermite (500104), Monk (68.321), Rare Of All Rarest Performances Vol 1 (KLJ 20012), Monk (D-1020), 1961 European Tour Vols 1 & 2, In Italy, April In Paris/ Live, In Person, Evidence, In Europe, Underground, Big Band And Quartet: In Concert. Live At The Village Gate, Blue Monk, Monk In Tokyo, Always Know, Monk's Dream. Condition is generally VG+ to Ex+.
A set of three hair combs each decorated with two lines of rose cut diamonds, 8cm wide, boxed by Boin-Taburet, Paris, a woven hair bracelet with 9ct gold clasp dated 1907, a 9ct gold framed locket with portrait miniature to one side and hair scroll to the other, a lorgnette and a Dutch silver pill box CONDITION REPORT: Each comb has a tooth or two missing. Silver box has some surface wear. Lorgnette missing cover to one side of handle. Hair bracelet a little frayed.
English School, 17th Century/Portrait of Henry Ashhurst/bust length, wearing a black doublet with white collar/inscribed lower left Henry Ashhurst Com: Lancaster 163, inscribed upper left Aetatis Suae 53 Ano 1634 and with painted coat of arms upper right/oil on canvas, 75cm x 62cm and/Portrait of Cassandra Ashhurst/bust length, wearing a black dress with white collar and a black wide brimmed hat/inscribed lower left Mrs Cassandra Ashhurst/a pair, painted oval/oil on canvas, 75cm x 62cm/Provenance: from the collection of Harry Wolton QC/see illustration CONDITION REPORT: Henry Ashurst - large areas of overpaint to cheeks, forehead and collar. Extensive retouching to front of doublet and areas elsewhereCassandra Ashurst - large areas of overpaint to her right cheek, chin, forehead and collar. Small areas of retouching elsewhere.
Attributed to Henry Bone (1755-1834)/Portrait of King Charles I/half-length, wearing armour and the badge of The Order of the Garter/enamel on copper, oval, 15cm x 12cm/in a gilt metal frame cast with laurel/Provenance: from the collection of Harry Wolton QC/see illustration CONDITION REPORT: A very faint surface mark or two but overall good condition.
English School, 17th Century/Portrait of a Cleric/perhaps John King/bust length, wearing clerical dress/oil on oak panel, 52cm x 40.25cm/Provenance: from the collection of Harry Wolton QC/see illustration CONDITION REPORT: Extensive retouching to cheeks and forehead, also to white sleeves and white triangle to front. Repair to 7cm approx scratch to the left of forehead.
Dutch School, Early 17th Century/Portrait of a Lady/bust length, wearing a black dress with a deep white collar and white cap/oil on canvas, 49.5cm x 40cm/Provenance: from the collection of Harry Wolton QC/see illustration CONDITION REPORT: Retouching around the entire border, craquelure retouched on face and collar. Areas of thin-ness around the face, re-lined

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283284 Los(e)/Seite