Certaine Sermons of Homilies [&] The Second Tome of Homilies, 2 works in 1 vol., black letter, first title within woodcut architectural border, woodcut initials and headpieces, first part with final blank f., [STC 13659 & 13675], John Bill, 1623 § Ross (Alexander) Pansebeia [graece]: or, A View of all Religions in the World, 2 parts in 1 vol., third edition, engraved portrait frontispiece, printer's device to title and 17 portraits, 3A1 blank apart from signature, contemporary calf, rebacked and recornered in 19th century morocco, rubbed, [Wing R1973 & Wing R1945], for John Saywell, 1658 § Sparrow (Anthony) A Collection of Articles Injunctions, Canons, Orders, Ordinances, and Constitutions Ecclesiastical, with other Publick Records of the Church of England, partly black letter, engraved frontispiece, divisional titles, collation and page numbering erratic but seemingly all present, contemporary calf, rebacked and recornered in 19th century morocco, some light surface wear to covers, [Wing C4093A], R. Norton, 1661; and 13 others, religion, v.s. (16)
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France.- Besançon.- Chifflet (Jean-Jacques) Vesontio, civitas imperialis libera, sequanorum metropolis, 2 parts in 1, first edition, engraved additional pictorial title with arms of the town, 2 folding plates, a folding plan and illustrations, worming, mostly marginal, but a little within platemarks and occasionally just touching text, occasional spotting or light staining, lightly browned, 19th century marbled boards with red morocco corners, rebacked using some of original red morocco over calf in compartments, gilt, upper joint splitting, but holding firm, a few nicks, rubbed, Lyon, Claude Cayne, 1618 § Dupuy (Pierre) Traitez concernant l'histoire de France: scavoir la condamnation des Templiers, avec quelques actes, title with woodcut ornament, engraved portrait, woodcut head- and tail-pieces and decorative initials, later brown pencil underlining and passage marking, occasional spotting, contemporary calf, spine in compartments, later gilt calf backstrip with red leather label loosely inserted, rubbed, [Caillet 3424 & cf.3427], Paris, chez Edme Martin, 1685; and 13 others, 17th & 18th century French History, v.s. (15)⁂ The first mentioned is one of the first works on the town. Chifflet (1588-1660) was born in the town and was a physician, diplomat and botanist.
Spinoza (Baruch) Opera posthuma, Quorum series post Praefationem exhibetur, 2 parts in 1, first edition, general title with woodcut ornament, second part with half-title, a few woodcut illustrations and diagrams in text, woodcut decorative initials, 3pp. errata at end, as often without the portrait frontispiece, later pencil underlining, occasional spotting and light staining, lightly browned, contemporary speckled calf, spine in compartments and with later gilt and red leather label, joints just starting, but holding firm, rubbed, particularly the joints, [Caillet 10309; Norman 1988; PMM 153; Van der Linde 22], small 4to, [Amsterdam], [Jan Rieuwertsz], 1677.⁂ First edition of Spinoza's posthumous works, which 'have served, then and since, with the Tractatus Theologico-Politicus, to immortalize his name' (PMM).
Emblemata.- Ovid. La Vita et Metamorfoseo d'Ovidio, edited by Gabriello Simeoni, 2 parts only (of 3) in 1, collation: a-q8, A8, first title with woodcut medallion portrait of Ovid and another of Diana on verso, 188 woodcuts of emblems by Bernard Salomon, with verse beneath and within decorative borders, second part title within woodcut border and with one full-page woodcut 'La Fontana di Roiag in Overnia', part 1 a couple of woodcuts hand-coloured, some leaves trimmed slightly affecting sidenotes, corner of a7 defective (no loss of text), foxed and soiled, modern calf, gilt, spine sunned, 8vo (162 x 107mm.), Lyons, De Tournes, 1559.⁂ Provenance: William and Marianne Salloch (bookplate)Literature: Adams O508a; Mortimer, French 405; EDIT CNCE 35008
Descartes (René) Opera Philosophica, 3 parts in 1 vol., third edition, half-title, engraved portrait of the author, woodcut printer's device to titles, numerous woodcut illustrations and diagrams in text, occasional spotting or light staining, contemporary panelled calf, rebacked, richly gilt spine in compartments and with black leather label, [Willems 1196], a good copy, small 4to, Amsterdam, Louis & Daniel Elzevier, 1656.
1850s & 60s photographs.- Sinclair (James, fourteenth Earl of Caithness, scientific dilettante, lord in waiting to Queen Victoria, 1821-81) Photograph of Edward VII as a young Prince of Wales, oval albumen portrait, inscribed on mount: "H.R.H. the Prince of Wales taken at Windsor by the Earl of Caithness 1860", 1860; and other photographs, including: "Lady North taken at Brighton 1857" (hand-coloured) & another 1859; "Major Rimington"; oval photograph of a group of soldiers; watercolour of a Crimea medal awarded to Florence Nightingale; "Hastings Castle 30th October 1860"; and manuscripts, watercolours and drawings, including: "Handwriting of H.R.H. the Duke of Kent"; oval watercolour portrait "Miss Lancaster", together c. 50pp. & numerous others tipped-in, some items removed from ff., some foxing and soiling, original blind-stamped leather, rubbed, corners worn, sm. 4to, 1857-61 & 1887.⁂ A portrait of Edward VII aged 19.
American Midwest binding.- Diodati (Giovanni) Pious and learned annotations upon the Holy Bible. Plainly expounding the most difficult places thereof, fourth edition, engraved portrait frontispiece, woodcut head-pieces and decorative initials, portrait trimmed, laid down and wormed, title upper margin trimmed and laid down, occasional worming, mostly at start, a few tears and small burn holes, stained and browned, spotting, pastedowns made from sheets of Pittsburgh Gazette (c.1806), early 19th century American blind-tooled panelled calf, central panel with initials of David Phillips ('D' on upper cover and 'P' on the lower cover) and various other tools (including ?leaves), spine with five blind-ruled bands with heart tool at head and foot and ?leaf tool in other compartments, repaired and restored, wormholes, rubbed, [Wing D1508], folio (binding 290 x 195mm.), Printed by Tho. Roycroft, for Nicholas Fussell, 1664. sold as a binding and not subject to return. ⁂ An early 19th-century American Midwest binding. Provenance: Wyllys Pierson (1728-1810) son of Rev. John Pierson. Moved to Western Pennsylvannia c.1774 (ink inscription to foot of final verso); David Phillips (1742-1829) born in Wales in 1716 and emigrated to America in 1755. Ordained Pittsburgh 7th April, 1781. In 1812 the First Baptist Church of Pittsburgh was formed by Rev. Edward Jones under the direction of Rev. Phillips. The latter baptized Sidney Rigdon (1793-1876), who later became an important leader of the Latter Day Saint movement (ink inscription to foot of final verso, stating that book bought from Pierson in 1783).
Numismatics.- Hemelarius (Johannes) Imperatorum Romanorum à Iulio Cæsare ad Heraclium usque numismata aurea excellentissimi nuper dum viverat, engraved additional pictorial title and 64 plates, occasional spotting or light soiling, lightly browned, new endpapers, contemporary speckled calf, rebacked, Antwerp, Petrus & Johannes Bellerus, 1627 § Spanheim (Ezechiel) Dissertationes de praestantia et usu numismatum antiquorum, second edition, engraved portrait frontispiece, title in red and black and with woodcut printer's device, engraved illustrations in text, woodcut head- and tail-pieces and decorative initials, later pencil underlining, occasional spotting, endpapers stained, contemporary mottled calf, richly gilt spine in compartments and with later red morocco label, head of spine worn, rubbed, [Willems 1460], Amsterdam, Daniel Elzevier, 1671; and 3 others, 17th century Numismatics, v.s. (5)
Scheuchzer (Johann Jacob) Kupfer-Bibel in welcher die Physica Sacra, 4 vol., first edition in German, vol.1 with half-title and engraved frontispiece, fine mezzotint portrait, 759 engraved plates (of 760), one partially hand-coloured, a few folding, occasional browning and foxing, marginal stain to several leaves in vol.2, contemporary calf, rebacked and corners repaired, folio, Augsburg & Ulm, 1731-35.⁂ Monumental work undertaken by the polymath Scheuchzer, attempting to marry the scriptures with the sciences, including paleontology, zoology, biology, astronomy and geology. The plates are after drawings by Johann Melchior Fuessli and are set within borders, often allegorical, by J.D. Preissler.
Nonconformists.- Featley (Daniel) Katabaptistai kataptüstoi [graece]. The Dippers Dipt. or, The Anabaptists Duck'd and Plung'd over Head and Eares, at a Disputation in Southwark, fifth edition, engraved portrait frontispiece and 2 plates, [Wing F588], for N.B. and Richard Royston, 1647 bound with Sacra Nemesis, lacking letterpress title, engraved title, [Wing F593], [by Leonard Lichfield], [1644], together 2 works in 1 vol., contemporary calf, rebacked in 19th century morocco, small 4to.
Herbert of Cherbury (Edward, Lord) The Life and Raigne of King Henry the Eighth, first edition, engraved portrait frontispiece by T. Cecill, title in red and black, occasional light browning, the odd patch of soiling, contemporary calf, 19th century reback, rubbing and surface wear, [Wing H1504], E. G. for Thomas Whittaker, 1649; and Sanderson's Compleat History, lacking the first portrait, folio (2)
Hobbes (Thomas) Thomae Hobbes Angli Malmesburiensis Philosophi Vita, edited by R[ichard] B[lackburne], first collected edition, engraved portrait of Hobbes, lacks A1-2 (blanks), contemporary mottled calf, rebacked, gilt label, joints and spine slightly rubbed, [Macdonald & Hargreaves 93; Wing H2268], 8vo, Carolopoli. apud Eleutherium Anglicum [colophon, London, apud Guil. Crooke], 1681.⁂ With commendatory verses by Abraham Cowley, Ralph Bathurst and John Aubrey.
Richard III.- Buck (George) The History of the Life and Reigne of Richard the Third, second edition, engraved frontispiece portrait of Richard III, K4 blank, slightly browned, new endpapers, contemporary speckled calf, rebacked in later morocco, gilt, [Wing B5307], sm. folio, by W. Wilson, 1647.
George III - Large and Fine Quality Carved Black Basalt Portrait Cameo / Plaque Brooch, Mounted Within a 9ct Gold Ornate Mount Frame. Marked 9ct - Later Period. Depicts Admiral Nelson, Design by John De Vaere In 1798, Particularly Sharp Modelling - Unmarked. Indicating an Early Piece / Example of Wedgwood. Weight 85 grams. Wonderful Fresh Condition, No Issues of Any Kind, Extremely Pleasing Piece. Height 3.5 Inches - 8.75 cms & Width 3 Inches - 7.5 cms. Provenance - Comes from a Ladies Private Collection.
An Extremely Fine - Georgian Period Antique Carved Cameo Depicting a Portrait Bust of a Noble Gentleman In The Prussian Style, Supporting a Roman Style Hair-do and A Fine Bearded Moustache In an Oval 18ct Gold Frame. Signs of a Signature to the Verso. c.1820's. Size 1.3/4 x 1.5 Inches. Excellent Condition In All Aspects. Provenance - From a Ladies Private Collection.
Austrian 19th Century Excellent Quality 18ct White Gold - Hand Painted Oval Shaped Large Brooch, Set with Rose Cut Diamond to Border, The Central Portrait Miniature of a Young Couple In Mid 19th Century Dress, The Back of Brooch with Austrian Gold Marks, Also Tests High Ct Gold. Weight 25.7 grams.
James Winning ( 1849 - 1934 ) Modern Album - Containing Approximately 29 Water Colour Drawings by this Artist, Mainly Flowers and Fruits, Birds and Nests, Portraits etc. All Signed with Monogram and Dated 1924, 1928, 1929. Various Sizes. The Front Page has the Artists Facsimile Portrait Photograph.
Blackpool Military Interest. Brass Engraved Tray with Inscription - Presented by LT, COL, A.W. SHIRLEY. T.D. & The Officers of 380 - P.W.CAMP. TO.LT. J.T. Derbyshire - Kings Own Regiment on His Departure, 7 November 1941 ( 14 Inches Diameter ) With a Real Photo of B.Coy, 161. INF ( RMC ) O.C.T.U Sandhurst December 1914, Size 17 x 14 Inches, With Another Associated Item of Interest to the Plaque, This Watercolour Drawing Portrait of Lois Hindle ( Now Lois Derbyshire ) Was Painted In Egypt In 1947, When Lois Was 19 Years Old, From a Studio Portrait Photograph, Taken In Blackpool Earlier the Same Year, The Unknown Artist was German Soldier Taken Prisoner In North Africa and Held In 380 PW Camp, Which Was Situated In the Canal Zone of Egypt.
An Important Antique Oval Portrait Bust Cameo of Fine Quality - Of a Dignified Gentleman, Carved In the Classical Roman Taste In High Relief, Artist Signed to the Verso - Please See Images. Housed In An Antique 18ct Gold Frame. c.1800's. Grand Tour Period. Size 2 x 1.5 Inches. Not Marked but Tests High Ct Gold. Wonderful Condition In All Aspects. Provenance - From a Ladies Private Collection.
Antique Period - Attractive 9ct Rose Gold Cameo Set Ring. The Shank Added Later Is 18ct Gold. Depicts In High Relief, The Portrait Bust of a Classical Female. c.1900. Ring Size - T. 4.5 grams. All Aspects of Condition Including Cameo / Setting and Shank Excellent. Provenance - From a Ladies Private Collection.
Victorian Period Superb Antique High Quality 15ct Gold - Carved Cameo Set Ring, Depicts Portrait of a Gentleman Superb Carving. Hallmark Birmingham 1881, Marked 625 to Interior, Maker W & F.R For ( Walter Hayes Rabone - Frank Rabone ) Ring Size O. Weight 7.5 grams, Shank / Setting / Cameo Excellent Condition. Provenance - From a Ladies Private Collection.
Victorian Period Hand Painted Portrait Miniature on Ivory - Of A Miss Carter - Daughter of Doctor Carter of Kennington Asford, Who Married John Monnins of Ringwood, Buried at Ringwood 1838 - 1860. Mounted Within a Gilt on Silver Oval Frame at a Later Period. Hallmark for Birmingham 1932. Size - Height 3.5 Inches - 8.75 cms & Width 2.5 Inches - 6.25 cms. Miniature - Excellent Condition, Leather Case Good, Silver Frame Tarnished.
1930's Excellent Quality Oval Shaped Hand Painted Portrait Miniature on Ivory of a Young Lady In Period Dress. Framed within Gilt on White Metal Oval Shaped Mount, With Leather Carrying Case, Velvet Interior. Size 2.75 Inches - 6.90 cm High & 2.25 Inches - 5.65 cms Wide. Excellent Condition .
GROSSE HISTORISCHE BILDTAFEL ZUR GESCHICHTE ENGLANDSHistorismus, Dieppe, um 1860/80.Architektonisch gegliederter Holzrahmen belegt mit im Flachrelief geschnittenem Elfenbein. Reiches Dekor in Form von Rankenwerk, Maskarons, Büsten, Engeln sowie Personendarstellungen. Im Bogengiebel das Wappen von James IV., König von Schottland, flankiert von zwei Engeln. Die zentrale, von freistehenden Säulen flankierte Bildtafel zeigt König Charles I. von England, nach einem Gemälde von Anthony van Dyck (Charles I at the Hunt, 1635), darüber ein Portrait der jungen Maria Stuart auf dem Thron. Darunter eine kleine Darstellung der drei ältesten Kinder von Charles I., ebenso nach einem Gemälde von van Dyck (ca. 1636). Auf der linken Seite die Darstellung der Auflösung des langen Parlaments durch Oliver Cromwell, nach einem Gemälde von Benjamin West (ca. 1782). Darüber ein ovales Portrait von James, Sohn der Maria Stuart und Henry Stuart, später Jakob XI., König von Schottland sowie Jakob I., König von England und Irland. Darunter eine Reiterschlacht des Civil War of England, vermutlich nach einem Gemälde von Ernest Crofts. Auf der rechten Seite die Landung von König Charles II. an der Küste bei Dover 1660, nach einem Gemälde von Benjamin West (ca. 1782). Darüber vermutlich ein ovales Portrait des Sir Walter Raleigh. Darunter eine Seeschlacht, vermutlich bei Barfleur und La Hougue (1692) oder bei Terheide (1657).100 × 128 cm.Risse und Sprünge im Elfenbein. Kleinere Restaurierungen.Prächtige Arbeit des Historismus, Rahmen und Bildtafeln als Ensemble enststanden. Der Eklektizismus der Zeit äussert sich nicht nur in der Gestaltung der Tafel, sondern auch in der Auswahl der Motive der bildlichen Darstellungen, welche sich in einem weiten Bogen mit der Geschichte Englands des 17. Jh. und mit dem Hause Stuart befassen.
18th Century Tokens, HAMPSHIRE/U.S.A., Emsworth, Kempson’s mule Halfpenny, 1794, bust of Earl Howe left in hat, rev. from an obv. die for the Talbot, Allum & Lee Cent, female standing with pole and cap of Liberty, edge payable in london and engrailed, 7.80g/6h (DH 25; Fuld mule 3; Whitman 8710; Breen 1047). Usual weakness in portrait (and corresponding on reverse), otherwise very fine, rare £150-£200
Miscellaneous Tokens and Checks, LONDON, Golden Square, a Halfpenny-sized blank, engraved ‘Blunt Operator for the Teeth…Golden Square’ (Scott 22.5a); Oxford Street, Sir Samuel Hannay, copper, 27mm (Batty I, 947; Hannah, SCMB 1965, pp.207-8); Southwark, a George II Halfpenny [1746-54], rev. countermarked rules & umbs made & repd whole &c by t coulsell no 29 queen st borough london (Scott 22.10); Upper Thames Street, City of London Brewery Co Ltd, 1869, brass P, 28mm (Cunningham 7); together with George III Pennies (3), variously countermarked for Lloyd’s Weekly Newspaper, and an 1862 Penny with the portrait engraved to resemble Kaiser Wilhelm [8]. Second about extremely fine, others in varied state £50-£70
Historical Medals, Queen Charlotte’s 51st Birthday, 1795, a copper medal, unsigned [by C.H. Kuchler and J.-P. Droz], bust left, rev. snake entwined round blazing altar, olive branch and globe below, 35mm, 17.93g/6h (DH Middlesex 184 bis I; Pollard 10, rev.). Usual die flaw running across portrait, otherwise extremely fine and attractively patinated, very rare £120-£150 --- Provenance: DNW Auction 61, 17 March 2004, lot 1178
A LATE GEORGIAN PORTRAIT MINIATURE AND WOVEN HAIR BRACELET IN A 14ct YELLOW GOLD FRAME WITH ARTICULATED MOUNTS. THE HAND PAINTED PORTRAIT DEPICTING A GENTLEMAN IN PERIOD DRESS, UNSIGNED. THE GOLD MOUNTS UNMARKED AND ASSESSED AS 14ct, 585 YELLOW GOLD. THE HAIR BRACELET REQUIRING RESTORATION. THE MINIATURE PANEL MEASUREMENT 3.8 x 3.0cms.
Finely painted portrait miniature. Portrait of a mature Victorian ladyWatercolour on ivory in glazed, ebonised rectangular frame.7.5 x 6cmProvenance: From the Estate of Michael TretheweyCondition report: Some marks to the brown background, but the the very fine details of the face and hair are unaffected.
Portrait miniature. After Élisabeth Louise Vigée Le Brun (1755-1842)A young lady in late 18th century dressWatercolour on card Signed Le Brun in pencilMounted in a round, glazed, rose gold-coloured metal frame with a short length of fob chain.Diameter 6cmCondition report: No obvious condition issues. The watercolour is crisp and bright. There are irregular areas of paint in the background of the portrait but we believe these are original to the painting. Four tiny pins secure the velvet lined backing card to the frame and these are secure.

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283284 Los(e)/Seite