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Los 382
Bernhard HeiligerKopf Karl Hofer II Zementguss Höhe 41 cm. Auf Zementsockel (12 x 34,3 x 15,7 cm) montiert Unbezeichnet. Einer von drei Zementgüssen dieser Variante, daneben existieren zwei Bronzeexemplare. - Auf dem Nasenrücken mit einer alten Restaurierung.Nicht bei Flemming. Nicht bei Salzmann. Wellmann 139ProvenienzSammlung Pachen, Mainz/RockenhausenAusstellungenMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, Kat. Nr. 38; Berlin 1996 (Haus am Waldsee), Der Diskurs findet hier statt: 50 Jahre Haus am Waldsee; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, Kat. Nr. 26 mit Abb.; Goslar 2002 (Rammelsberghaus der Sparkasse Goslar), Bernhard Heiliger. Die Köpfe, o. Kat.; Bremen 2003 (Haus der Bremischen Bürgerschaft), Bernhard Heiliger, o. Kat.Geringfügig variierte Fassung des Porträts "Kopf Karl Hofer" (Wellmann 138). Bernhard HeiligerKopf Karl Hofer II Cement cast Height 41 cm. Mounted on cement base (12 x 34.3 x 15.7 cm) Unsigned. One of three cement casts of this variant; apart from them, two bronze exemplars exist. - Old restoration on nasal bridge.Not recorded by Flemming. Not recorded by Salzmann. Wellmann 139ProvenanceCollection Pachen, Mainz/RockenhausenExhibitionsMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, cat. no. 38; Berlin 1996 (Haus am Waldsee), Der Diskurs findet hier statt: 50 Jahre Haus am Waldsee; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, cat. no. 26 with illus.; Goslar 2002 (Rammelsberghaus der Sparkasse Goslar), Bernhard Heiliger. Die Köpfe, no cat.; Bremen 2003 (Haus der Bremischen Bürgerschaft), Bernhard Heiliger, no cat.Slightly varied version of the portrait "Kopf Karl Hofer" (Wellmann 138).
Los 397
Max LiebermannPortrait Ella Weidmann Öl auf Leinwand 95,5/97 x 76,5 cm Gerahmt. Oben rechts braun signiert und schwer leserlich datiert 'M Liebermann 1923' - Mit geringfügigen Altersmängeln und Retuschen.Eberle 1923/14 ("Bildnis einer unbekannten Dame")Mit einer Expertise von Matthias Eberle, Berlin, vom 21. Oktober 2020ProvenienzElla Weidmann; Als Geschenk an die Vorbesitzer, seitdem Privatbesitz NorddeutschlandAusstellungenBraunschweig 1949 (Hünerberg & Co. GmbH), VIII. Auktion 1949Das bislang wenig bekannte weibliche Porträt zeigt das Modell mit neutralem Ausdruck, beinahe lakonisch am Betrachter vorbeiblickend im Dreiviertelformat. Wie meist sucht Liebermann auch hier den Status quo festhaltend, jedwede Psychologisierung der Dargestellten zu vermeiden. Dabei konnte Ella Weidmann, in Hamburg 1894 geboren, später auf ein bewegtes Leben zurückblicken, in dem sie viermal heiratete, als Krankenschwester im spanischen Bürgerkrieg wie auch in den Bädern in Hamburg Eppendorf arbeitete, vom jüdischen zum katholischen Glauben konvertierte und sich während ihres Arbeitsaufenthaltes bei der Iranischen Ölkompanie in Abadan das Leben nahm. Das Bildnis ist im Auftrag von ihrem mit Max Liebermann befreundeten zweiten Ehemann Hans Röhl entstanden. Max LiebermannPortrait Ella Weidmann Oil on canvas 95.5/97 x 76.5 cm Framed. Signed and barely legibly dated 'M Liebermann 1923' in brown upper right. - Minor traces of age and retouches.Eberle 1923/14 ("Bildnis einer unbekannten Dame")With an expert report by Matthias Eberle, Berlin, dated 21 October 2020ProvenanceElla Weidmann; gift to the previous owner, in private possession, North Germany, sinceExhibitionsBraunschweig 1949 (Hünerberg & Co. GmbH), VIII Auktion 1949This previously little-known, knee-length portrait of a woman depicts the model with a neutral expression, almost laconically, gazing past the viewer. Here, as usual, Liebermann seeks to avoid any sort of psychologising presentation of the sitter, capturing the status quo. At the same time, Ella Weidmann, who was born in Hamburg in 1894, would one day be able to look back on a chequered life in which she was married four times, worked as a nurse in the Spanish Civil War as well as in the spas of Hamburg-Eppendorf, converted from the Jewish to the Catholic faith and would take her own life while working for the Iranian oil company in Abadan. The portrait was commissioned by her second husband, Hans Röhl, who was a friend of Max Liebermann.
Los 464
Emy RoederBildnis Hans Purrmann Bronze Höhe 26,4 cm Rückseitig am Hals monogrammiert 'E.R.' und am Unterrand links mit dem Gießerstempel "H. NOACK BERLIN" versehen. Auf der Unterseite auf einem Papieraufkleber mit Tinte signiert und betitelt 'E. Roeder Portrait Purrmann' und mit Bleistift nummeriert "17". - Mit schwarzbrauner Patina. - In guter Erhaltung.Gerke 72ProvenienzSammlung Pachen, Mainz/RockenhausenAusstellungenU.a. Berlin 1951 (Hochschule für Bildenden Künste), Deutscher Künstlerbund, Kat. Nr. 276; Hannover 1953 (Kestnergesellschaft), Emy Roeder, Kat. Nr. 33; Baden-Baden 1960 (Staatliche Kunsthalle), Alfred Lörcher - Gabriele Münter - Emy Roeder, Kat. Nr. 154 mit Abb.; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, Kat. Nr. 65 mit Abb.; Frankfurt a.M. 2013 (Museum Giersch), Künstlerin sein! Ottilie W. Roederstein, Emy Roeder, Maria von Heider-Schweinitz, Kat. Nr. 66 mit Farbabb. S. 110; Würzburg 2018/2019 (Museum im Kulturspeicher), Emy Roeder. Bildhauerin und Zeichnerin. Das Kosmische allen Seins, Kat. Nr. 152 mit Farbabb. S. 205LiteraturU.a. Henry Schaefer-Simmern, Sculpture in Europe Today, Berkeley 1955, Tafel 51; W. Passarge, Kunsthalle Mannheim, Verzeichnis der Skulpturensammlung, Mannheim 1957, Nr. 70, Abb. 36; Gustav Seitz/Erhard Göpel, Deutsche Porträtplastik des 20. Jahrhunderts, Stuttgart 1958, Abb. 40; Hans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, S. 60 mit Abb. S. 63 Emy RoederBildnis Hans Purrmann Bronze Height 26.4 cm Monogrammed 'E.R.' on back of neck and with foundry mark "H. NOACK BERLIN" on lower left edge. The underside with paper label, signed and titled 'E. Roeder Portrait Purrmann' in ink and numbered "17" in pencil. - Black brown patina. - In fine condition.Gerke 72ProvenanceCollection Pachen, Mainz/RockenhausenExhibitionsI.a. Berlin 1951(Hochschule für Bildenden Künste), Deutscher Künstlerbund, cat. no. 276; Hanover 1953 (Kestnergesellschaft), Emy Roeder, cat. no. 33; Baden-Baden 1960 (Staatliche Kunsthalle), Alfred Lörcher - Gabriele Münter - Emy Roeder, cat. no. 154 with illus.; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, cat. no. 65 with illus.; Frankfurt a.M. 2013 (Museum Giersch), Künstlerin sein! Ottilie W. Roederstein, Emy Roeder, Maria von Heider-Schweinitz, cat. no. 66 with colour illus. p. 110; Würzburg 2018/2019 (Museum im Kulturspeicher), Emy Roeder. Bildhauerin und Zeichnerin. Das Kosmische allen Seins, cat. no. 152, with colour illus. p. 205LiteratureI.a. Henry Schaefer-Simmern, Sculpture in Europe today, Berkely 1955, plate 51; W. Passarge, Kunsthalle Mannheim, Verzeichnis der Skulpturensammlung, Mannheim 1957, no. 70, illus. 36; Gustav Seitz/Erhard Göpel, Deutsche Porträtplastik des 20. Jahrhunderts, Stuttgart 1958, illus. 40; Hans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, p. 60 with illus. p. 63
Los 644
I BIGWOOD "Young redhead girl in white shirt, a black bow in her hair seated by a window", portrait study, oil on board, signed and dated 1912 lower left, image approx 33.5 cm x 29.5 cm CONDITION REPORTS All over crazing. Appears to have had restoration to include some scratching, etc, especially to her dress. Appears to have been cleaned under UV. Areas of giltwood and gesso missing from the frame. Knocks, bumps, scrapes, etc. Also some areas of later applied varnish to the slip on the frame. Wear and tear conducive with age and use. See images for more details.
Los 2031
19th century English School, oil on canvas, portrait of John Buck Toker, entered Royal Navy in 1811, after serving in the West Indies employed on the Newfoundland Station, last appointment 1826 to HMS Forte, 27" x 24", framedGood condition, no patches or repairs, slight paint crazing but paint all stable
Los 1171
A 19th century miniature hand painted watercolour portrait on porcelain brooch, depicting a young lady, in gilt-metal frame, frame height 57.1mm, 21.8gGood overall condition, no damage or repair, gilt settings are quite rubbed on high points through to base metal, no damage to porcelain panel, brooch fitting working
Los 573
A 19th century tin-type North American photograph, portrait of a woman feeding a baby, in original embossed leather case, case 9cm x 8cm.Photo, frame and case in good overall condition.One slight imperfection/dot on photo at woman's neck.Case has some leather loss to edges of inside cover minor flakes on outer edges. Some fading and marks on velvet inside.
Los 2030
Attributed to William Allsworth (1811 - 1864), oil on canvas, portrait of Thomas Toker (1780 - 1846), second son of John Toker entered Royal Navy 1794, fought at the Battle of the Nile 1st August 1798, served on HMS Colossus as First Lieutenant at Battle of Trafalgar 21 October 1805, later served in Baltic, invalided from HMS Tamar in 1818 as Captain, 28" x 25", framedOld re-lining, very minor overpainting in the background only visible on close inspection, paint all stable, old labels and inscriptions on stretcher
Los 21
A miniature watercolour portrait on ivory, inscribed on reverse Miss Jeanie Boyle Glasgow by Ethel A Gibb 1913, signed with monogram, in original ornate ormolu mounted frame, frame height excluding pediment 13cmPainting is in perfect condition, mounts surrounding the portrait are tarnished, outside frame good condition tarnished on one corner, strut missing
Los 54
A collection of miniature painted portraits, mainly late 19th/early 20th century, including portraits of Nelson, Josephine, and other historical portraits, all in ornate gilt-metal frames (9)Overall good condition. One picture has 2cm section missing to one side and crack to other side (not across portrait figure).
Los 651
CIRCA 1900 CHINESE SCHOOL "Young girl in ornate headdress and silk jacket", a portrait study, half length, oil on canvas, image approx 37 cm x 29 cm CONDITION REPORTS No signature. Canvas with indentations / creasing where previously in another frame. See verso for original size. Overall piece basically sound but requiring sympathetic restoration and re-stretching.
Los 403
19TH CENTURY ENGLISH SCHOOL "Viscount Nelson", a silhouette portrait bust, with colours, bust length, reverse painted upon glass, 3.7 cm diameter, together with an oval horn study of St. John, etched in colours, inscribed "St. Jiohannes NE", 7.8 cm x 5.2 cm, two 20TH CENTURY portrait studies of "Nelson" and lady presumed to be "Lady Hamilton" in matching frames, 6 cm x 4.6 cm each and two portrait miniature prints of "Napoleon Bonaparte" and "A lady", in similar frames
Los 324
A 9 carat gold mounted oval cameo brooch bust of Athena or Diana, a quiver of arrows on her shoulder, a bow before her, 4.4 cm x 5.5 cm, a smaller cameo brooch of Selene or Luna, with two horse chariot, 2.6 cm x 2.3 cm and a 20th Century cameo bust portrait of a lady within a yellow metal mount, 5 cm x 3.7 cm CONDITION REPORTS The cameo of Diana - has two cracks within the shell running parallel to the line of her nose / forehead in the open area - see images. Otherwise condition with light wear to the gold conducive with age and use. Smaller cameo of Luna - condition appears good.Third cameo - later and lesser quality than the other two. See images for further detail.
Los 682
ANNE SPENCER DOWDESWELL " Self portrait", oil on board, bears "Royal Academy Exhibition 1949" label verso, approx 48 cm x 43 cm including frame, BRIAN STONEHOUSE "Study of a lady", pastel on paper, signed and dated 1981 lower right, approx 72 cm x 51.5 cm including frame, together with various other 20th Century portraiture studies (10) CONDITION REPORTS Re specific request for photographs of signature and details of the painting, etc - assumed this is for the BRIAN STONEHOUSE - if so - see images. Please note brown staining top right which may or may not be part of the original work. The paper has a large fold mark to the centre suggesting that it is probably not.
Los 399
GEORGE ENGLEHEART (1752-1829) "Gentleman in blue overcoat with white stock", a miniature portrait study, bust length, oil on ivory, oval, unsigned, inscribed verso "G Engleheart Pinxit..... 1805", 8.3 cm x 6.9 cm, housed in a red leather cover folding case CONDITION REPORTS Is it definitely oil? Yes - not watercolour. There is some flaking to the paint at the bottom right towards the edge - clearly visible in the photographs. The piece appears generally slightly grubby - arguably benefitting from a good clean. The reverse has tape around the edge and signs of old paper being glued - thankfully not over the writing. The ivory appears slightly warped. Glass is basically intact. The case is slightly warped and with signs of old paper labels. The case will close but under duress (not too much). One closure hook is missing. Silk to interior marked - suggest requires attention. This said, overall the painting looks good.
Los 211
Follower of Sir Peter Lely (1618-1680) Portrait of a Lady, oil on canvas, inscribed 'M Busby, mother of counsellor Piggott's lady' centre left, framed. Measurements 76 x 64 cm, frame 93 x 80 cmCondition report: The painting is an oil on canvas, framed without glazing. The canvas appears to have good tension and no obvious evidence for rips, tears or holes. The paint surface has craquelure throughout with some evidence for flaking. There are small chips with paint loss to the surface as well as damage to the bottom right corner and left edges. The canvas has been relined. Surface level accretions and dirt throughout.
Los 229
In the manner of John Field, (British late 18th/early 19th century), a set of four silhouette miniature portraits of gentlemen, watercolour, under convex and gilded verre eglomise glass covers, set in an octagonal papier mache frame, inscribed verso with sitters 'John Perrott', 'Thomas Perrott', 'Mary Bousquet?' and 'Revd Bousquet?', each 8 x 6cm, frame overall 38 x 33cmCondition report: Gilding and paint detached from glass in places, on three varied eglomise covers. Old 1.2cm crack on 4th portrait. Frame chipped, blistered in six places where different hooks are attached. Unexamined out of frame.
Los 209
After Abraham Solomon, Portrait of the Duke of Wellington, oil on board, framed. Measurements 18 x 23 cm, frame 33.5 x 28.5 cm (excluding capital).Provenance: Gifted to vendor's family by the Earl of ShrewsburyCondition report: The painting is an oil on board, framed without glazing. The board appears in good condition without any obvious signs of warping or splitting. The paint condition appears stable without obvious evidence for paint loss or deterioration. There are surface losses to the frame and the capital is loose.
Los 123
Portrait of Maharaja Pratap Singh of Orcha, full length seated, wearing robes and the insignia of a Knight Grand Commander of the Order of the Star of India, with which he was invested in 1906. His formal title Maharaja Saramad-i-Bundelkhand Mahendra Sawai, 24th Maharaja of Orchha 1874-1930, born 1854 K.C.S.I cr.1900; G.C.S.I cr 1906; K.C.B (1901), G.C.I.E cr 1900; K.C.I.E 1894.
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283284 Los(e)/Seite