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283287 Los(e)/Seite
Los 349
Anglo-Saxon: Offa, a large fragment of a portrait type silver penny of Canterbury, moneyer EOBA, which when assessed by Marion Archibald of the British Museum in 1993 was deemed to have an unrecorded obverse. General type S.905. 16mm, 0.82g. Details VF. About 70% of the coin is present. Comes with letter, photographs and provenance - found metal-detecting in Effingham near Guildford, Surrey.
Los 442
Charles II (11) a collection of medals, tokens and badges from or related to his reign, comprised of: Restoration supporters uniface silver badge 17mm, chipped, creased, cracked but clear portrait; a supporter's silver button 14mm with rose centre; a white metal antique reproduction of the Dominion of the Seas Naval Reward by T. Rawlins (Ex. Woolley & Wallis/C. Foley Coll. L451); an antique uniface incuse die copy(?) of the Naval Victory Against Holland Commanded byJames Duke of York medal 1665; a large uniface white metal example of the Lady Francis Teresa Stuart (Charles' mistress and model for Britannia) medal by J. Roettier (Ex. Woolley & Wallis/C. Foley Coll. L470); an antique white metal casting of the Murder of Sir Edmundbury Godfrey 'The Popish Plot' by G. Bower d.39mm GF; a crude cast silver(?) Popish Plot conjoined heads medal d.35mm GF holed; a 19th or 20thC Irish aluminium medalet of Oliver Plunkitt a Catholic Martyr nVF missing suspension; a cast gilt white metal medallic thaler (or copy) for the Elector of Saxony being given the Order of the Garter by Charles II 1678, 45mm 21.78g, GF with suspension loop and ring; a Nuremberg jeton for the marriage of Charles II to Catherine of Braganza, Fine; and another of Charles II probably coronation, porous GF.
Los 39
Pair of late 19th century Bohemian decanters and stoppers, in the Moser-style, one with etched crown shield mark, of small size and globe form, each gilt with trailing leafy tendrils and painted with an oval portrait of a child, within raised medallion, 19cm high approx. (damages) (2) Condition ReportLight surface marks/scratches, wear to gilt, both stoppers broken, general wear and tear.
Los 384
Joshua Hargrave Sams Mann (1826-1886) Oil on board Portrait of Spanish lady in black veil holding a fan, signed J.H.S.Mann indistinctly dated lower right, within giltwood frame, 26.5cm x 21.5cm Condition Report Accretions on inside of glass. Possible areas of overpainting under UV but could just be areas heightened with white and red. General wear and tear.
Los 331
Attributed to Andrew A. Henderson (1783-1835) Oil on panel Portrait of gentleman, probably a self-portrait, inscribed to the reverse in pencil 'Andrew Henderson painted by himself, Robert Henderson, Nephew of the above (cut-down, restored), 12cm high See the similar self-portrait in the collecgtion of the University of Strathclyde.
Los 335
Henri Charles Jonas (1878-1944) Oil on panel Portrait of a haloed religious figure, signed and dated '34 lower left, 23cm x 20cm Jonas was a Dutch artist of the Limburg School, following travel throughout Europe and North Africa he took up a teaching position in 1922 at the Stadtekeninstituut, Maastricht. He spent time during the 1930s as a patient at the Valerius Clinic in Amsterdam and at the Saint Servatius Mental Instituion in Venray. Doctors urged him to continue to paint during his time at various institutions. The painting bears a label verso which makes reference to Dr F Havermans, who was Medical Director and Head Psychiatrist of Saint Servatius in Venray during Jonas's treatment. By family repute, this painting was gifted by Jonas to Dr. Havermans in thanks, and thence by descent to the present owner.
Los 1870
Théodore Fantin-Latour (1805-1872/75) - Portrait of a woman in a white silk dress with blue ribbon, pastel, signed, oval framed, 72 x 58 cm, in ornate gilt gesso frame, frame dimensions: 80 x 100 cm. Provenance: by decent from a local private collection.Théodore Fantin-Latour (1805–1872/75) was a French portrait painter and drawing teacher known for his precise academic style. He was the father of renowned artist Henri Fantin-Latour, who's still lives and group portraits gained wide acclaim during the late 19th century.
![A pastel portrait of a gentleman, late 19th/early 20th century, signed lower right, 'A. Melet-Beries'[?], 48 x 38 cm, glazed](https://cdn.globalauctionplatform.com/a9d8f30c-232a-41cb-a4f6-b26700b37bf1/5261022e-e28a-4ca0-8b3c-b26700f5d4b2/468x382.jpg)
Los 1941
Thirteen framed works: Robert Walker Macbeth RA (1848-1910) After William Quiller Orchardson RA (1832-1910) - Self portrait, engraving, inscribed below and presented to Netlam Rattray with kind regards, and signed by Macbeth, plate dimensions: 30 x 37 cm, frame dimensions: 73 x 64 cm; Charles Sam Keene (1823-1891) - 'A Round-About Road' (Cartoon for Punch magazine), ink on paper, framed together with the drawing as printed in the magazine, with inscribed label attached verso, illustration dimensions: 11 x 18 cm, framed; An early 20th century figurative pencil study on paper, unsigned, 16.5 x 12.5 cm; together with seven tinted 18th-19th century engravings of Monmouthshire, Herefordshire, Surrey and others; Four 20th century Japanese works to include: A Shunga painting with red chop mark upper right, opaque pigment on paper, 14.5 x 20 cm; together with three reproduction prints after woodblocks, approx. 14 x 24 cm each (two framed together) (13)
Los 1945
Four artworks relating to the female figure, to include: A portrait of a 1930s lady, ink on paper, indistinctly signed; Vic Gilbert - pastel study of a burlesque dancer, 1984; Jill Stubbs - chalk and charcoal life drawing; together with reproduction print on board of a woman gazing into a hand mirror, all frames, largest: 78 x 59 cm (4)
Los 2200
Große prächtige sog. 'Französische Vase', KPM Berlin, 1830er Jahre, Entwurf von Karl Friedrich Schinkel (1781 - 1841) um 1830, ovoider Korpus auf rundem Fuß, seitliche Handhaben in Rosetten endend, frontseitig Portrait des Königs Friedrich Wilhelm III von Preussen (1770-1840), nach dem Portrait von Franz Krüger (1797-1857) in Uniform mit Orden und Epauletten, u.a. Stern des schwarzen Adlerordens und Eisernes Kreuz, verso der preussische Adler, umrandet von einem Eichenlaubkranz in Gold, Azurblauer Fond, prunkvolle Ziervergoldung, auf quadratischer Plithe, w. rest., H. 54 cm
Los 4508
3 Autographen von Neil Armstrong und weiteren Astronauten der ersten Mondlandung. 2. H. 20. Jh. Eine Karte mit Portrait von Neil Armstrong mit eigenhändiger Unterschrift. Eine Karte mit Foto des ersten Fußabdrucks auf dem Mond mit eigenhändiger Unterschrift und Widmung von Neil Armstrong und drei (wohl gedruckten) Unterschriften von Armstong, Collins und Aldrin. Dazu ein Gruppenfoto von Armstrong, Collings und Aldrin und drei eigengenhändigen (?) Signaturen. Aus der Sammlung von Alois Weinfurtner, Bavaria Airways-Museum in Helfenbrunn bei München. Gruppenbild 25,5 x 20,5 cm
Los 4510
12 Fotos bzw. Autographen von diversen Astronauten, 2. H. 20. Jh. Unter anderem Einzelfotos von allen 7 Crewmitgliedern der Challenger-Katastrophe am 28.1.1986: F. Scobee, M. Smith, J. Resnik, E. Onizuka, R. McNair, G. Jarvis und C. McAuliffe. Bis auf Jarvis alle mit wohl eigenhändiger Signatur. Dazu ein sign. Gruppenfoto der Crew vom 6. Space Shuttle Orbital Flight (STS-6), ein Portrait R. Saga, ein eigenhändig sign. Portrait von Robert C. Springer (mit Widmung). Dazu zwei eigenhändig sign. Gruppenfotos auch mit deutschen Astronauten, u. a. Merbold, Messerschmid, Ockles etc. Aus der Sammlung von Alois Weinfurtner, Bavaria Airways-Museum in Helfenbrunn bei München. Karten bzw. Fotos tlw. auf Papier montiert, tlw. kl Randläsuren bzw. kl. Löcher. Bis ca 25 x 20 cm
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283287 Los(e)/Seite