LATE 20TH CENTURY RUSSIAN LACQUER WORK BOXES ETC, comprising a circular box painted with dancing ladies, approximate diameter 9cm, a rectangular box painted with a cathedral and other buildings, approximate length rectangular box raised on feet, painted with a portrait of a female wearing traditional dress, a small box painted with a female figure spinning a thread and brooch painted with a female portrait, a bowl painted with strawberries and a carved wooden icon holder
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EIGHT ROYAL COMMEMORATIVE ENAMEL BOXES, comprising five boxed examples, Staffordshire Enamels portrait of Queen Elizabeth and royal Palaces 38/100, Crummles Golden Jubilee 143/250 with certificate, Crummles Queen Mother one hundredth birthday 81/250 with certificate, Staffordshire enamels Queens ninetieth Birthday, Crummles Queen and Corgis 273, together with unboxed Toye Kenning and Spencer Queen Mother limited edition 219/2000, Royal Mint Queen Mother 100th Birthday and Staffordshire enamels Queen Mother 112/250
AN 18TH CENTURY HALF-LENGTH PORTRAIT OF A FEMALE FIGURE, painted in the style of Thomas Hudson, the sitter has a silk shawl over one shoulder, no visible signature, oil on canvas, approximate size 76cm x 64cm, together with an early Victorian head and shoulders portrait of a gentleman, no visible signature, oil on canvas, approximate size 59cm x 49cm, condition: female is unframed, both paintings will require restoration
A SELECTION OF COSTUME JEWELLERY, to include a gold-plated swivel fob set with bloodstone and carnelian, a gold-plated albert chain, a gold-plated portrait brooch of an oval from depicting a gentlemen playing a flute with a green hat on, together with a 'Monet' yellow metal chain, various beaded necklaces, bracelets, fob watch, boxed ball point pen, bangle, a ladies 'Rotary' watch, a boxed paste set costume bangle, a 'Butler & Wilson' flamingo brooch, rabbit brooch, an 'Attwiood & sawyer' leopard brooch, an unmarked teddy brooch, three pairs of non-pierced earrings, a three strand imitation pearl necklace etc (condition report: some of the paste are missing from the Butler & Wilson brooches)
* SUSAN RYDER (BRITISH b. 1944), PORTRAIT OF A MAN oil on canvas, signed and dated '86 image size 72cm x 86cm, overall size 87cm x 102cm Framed. Note: Susan Ryder is a member of the New English Art Club and the Royal Society of Portrait Painters, who exhibits at Panther and Hall Gallery in London where she held solo exhibitions in 2010 and 2016. Ryder lives between her home in London and Scotland, she is well known for her Interior and garden scenes as well as a leading portrait painter. Ryder was commissioned to paint the HRH The Princess of Wales and H. M. The Queen. Commissions range between £4,000 and £10,000.
ARTIST: Nathaniel Kato Gibbs (Maryland, 1948-2018)NAME: NudeMEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 16 x 12 inches / 40 x 30 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120082US Shipping $49 + insurance.BIOGRAPHY:Born and raised in Baltimore, Gibbs earned a Bachelor of Fine Arts from the Maryland Institute College of Art in 1975, followed by a Master of Fine Arts from American University in 1981. Gibbs reached regional acclaim during his lifetime and now his work is being collected by discerning buyers everywhere.Gibbs was invited to show his work of African American life at Monticello through the Thomas Jefferson Foundation. Other important works include a commission by Johns Hopkins University for a portrait of Supreme Court Justice, Thurgood Marshall, and a commissioned portrait of Clarence H. "Du" Burns by Baltimore City Hall.
ARTIST: Charles Archibald MacLellan (Delaware, Canadian, 1885 - 1961)NAME: Portrait of Major Wm. G. RamsayYEAR: 1917MEDIUM: oil on canvasCONDITION: Some craquelure. No visible inpaint under UV light.SIGHT SIZE: 36 x 28 inches / 91 x 71 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119297US Shipping $120 + insurance.BIOGRAPHY:Charles Archibald MacLellan was a 20th-century American painter and illustrator. His works enjoyed a wide-ranging, popular appeal in the United States, and he was probably one of the most recognizable cover illustrators of the day.Charles Archibald MacLellan, son of Charles and Augusta (Clute) McLellan, was born June 22, 1885, in Trenton, Ontario, Canada. His father, Dr. Charles McLellan was born in Scotland in 1844. He was an orphaned and subsequently brought to Canada by his uncle in 1852. Dr. McLellan received his M.D. at the University of Toronto, and practiced there until 1892 when, by way of the Grand Trunk Railway, he moved to Chicago.After graduating from high school and having completed his preparatory work, young Charles intended to enroll at the University of Chicago. However, he opted to begin formal studies at the School of the Art Institute of Chicago instead, where several well-known artists such as Dunn, Shrader, and Hoskins were at that time. MacLellan spent about two and a half years at the Institute before he accepted a position at an engraving house in Chicago, ultimately concluding his studies under the tutelage of the legendary Howard Pyle. Soon afterward, he leased a studio of his own, in the Auditorium Tower.While in Chicago, Charles A. MacLellan illustrated several magazine covers, designs for stained glass windows, advertisement posters for Marshall Field & Company, and a myriad of newspaper sketches for the Chicago Examiner.In 1909, "Mac," as he was referred to by his friends, relocated to a studio that was built by Howard Pyle at 1305 North Franklin Street, Wilmington, Delaware. At that time, MacLellan began painting calendars for Rand McNally & Co., establishing a highly successful illustration career that lasted through the first half of the twentieth century.MacLellan is best known by virtue of his many illustrations featured on the cover of The Saturday Evening Post. Between 1913 and 1936, MacLellan's work appeared on forty-four Saturday Evening Post covers, making him one of the most prolific Post cover illustrators of his day. MacLellan specialized in the female form, and nearly all of his cover illustrations feature a woman as the central, and often only, subject.During the early 1930s, Charles A. MacLellan feared that he would lose his eyesight and that he would be unable to continue working as an artist. Not surprisingly, he decided to travel west, in all probability, to find a new direction in life. Fortunately, he didn't lose his eyesight, and returned to Wilmington to concentrate on teaching and portrait painting.Throughout his career, MacLellan received numerous awards and accolades, including those from the Wilmington Society of the Fine Arts, the Pasadena Art Institute, the Pennsylvania Academy of the Fine Arts, the Terry Art Institute, and the Delaware Art Museum, which owns three of his oil paintings; "A Young Singer," "Tinker Bell," and "Attic Finery." The Studio Group in Wilmington owns one of his studies for a portrait, "Head of a Girl," and the Brandywine River Museum in Chadds Ford Township, Pennsylvania, owns a commissioned landscape by MacLellan as well.Charles A. MacLellan's hobbies included gardening, golfing, and occasionally acquiring antique furniture on behalf of the Winterthur Museum in Winterthur, Delaware. In fact, in 1926, he was chairman of an exhibition presented by the Wilmington Society of the Fine Arts entitled "Early American Furniture."MacLellan was also a member of the Accessions Committee at the Wilmington Society of the Fine Arts from 1943 until 1958, and he taught at the Studio Group, located at Howard Pyle's old studio, from 1943 until his death in 1961.After his death, a memorial exhibition was held at 1305 North Franklin Street, from December 3 through December 17, 1961. Thirty-three works of art were displayed, including items on loan from the Delaware Art Museum, as well as items from the collection of Mr. and Mrs. Caesar Grasselli, Mr. and Mrs. David Stockwell, Mr. and Mrs. Lammot du Pont Copeland, Mr. and Mrs. Alfred Bissell, Mr. and Mrs. Wm. A. Worth, and Mr. and Mrs. George Bissell.
ARTIST: Frederick Spang (Pennsylvania, California, 1834 - 1891)NAME: Portrait of Mary Brooke Grubb-LancasterMEDIUM: oil on canvasCONDITION: One hole. Some flaking (see pictures carefully). No visible inpaint under UV light. Damages to frame.SIGHT SIZE: 18 x 15 inches / 45 x 37 cmFRAME SIZE: 23 x 20 inches / 57 x 50 cmSIGNATURE: Middle leftCATEGORY: antique vintage paintingSKU#: 116120US Shipping $60 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USFrederick Spang (Pennsylvania, California, 1834 - 1891)Frederick Spang, an artist of great talent, a cultured gentleman at Reading from 1870 to 1891, was a lineal descendant of Frederick Spang-a prominent iron master of Berks county. Mr. Spang was born Jan. 31, 1834, in Oley township, and was educated at Norristown, to which place his parents had removed when he was but a boy. Spang was educated in his native city and studied art in Philadelphia under J. R. Lambdin. While prosecuting his studies in painting at Philadelphia he enlisted in Company C, of the 15th Pennsylvania Volunteer Cavalry, and served a term of three years. Upon his discharge he resumed his art studies in Philadelphia and afterward spent several years on California. In 1870, he located in Reading, Pa., where he continued his art work in a successful manner until his decease, Nov. 21, 1891. He painted many portraits and landscape views of great merit and his pictures of still life displayed talent of superior order.
ARTIST: Frederick Spang (Pennsylvania, California, 1834 - 1891)NAME: Portrait of Clement Grubb-LancasterMEDIUM: oil on canvasCONDITION: L-shaped tear. One paint loss 2x1cm and few other very small paint losses. No visible inpaint under UV light. Damages to frame.SIGHT SIZE: 18 x 15 inches / 45 x 37 cmFRAME SIZE: 23 x 20 inches / 57 x 50 cmSIGNATURE: Mid lower rightCATEGORY: antique vintage paintingSKU#: 116024US Shipping $60 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USFrederick Spang (Pennsylvania, California, 1834 - 1891)Frederick Spang, an artist of great talent, a cultured gentleman at Reading from 1870 to 1891, was a lineal descendant of Frederick Spang-a prominent iron master of Berks county. Mr. Spang was born Jan. 31, 1834, in Oley township, and was educated at Norristown, to which place his parents had removed when he was but a boy. Spang was educated in his native city and studied art in Philadelphia under J. R. Lambdin. While prosecuting his studies in painting at Philadelphia he enlisted in Company C, of the 15th Pennsylvania Volunteer Cavalry, and served a term of three years. Upon his discharge he resumed his art studies in Philadelphia and afterward spent several years on California. In 1870, he located in Reading, Pa., where he continued his art work in a successful manner until his decease, Nov. 21, 1891. He painted many portraits and landscape views of great merit and his pictures of still life displayed talent of superior order.
ARTIST: - (Europe, 19 century) NAME: Portrait of Mother and DaughterMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Some craquelure. Few small scattered inpaitings. Minor damages to frame.SIGHT SIZE: 13 x 18 inches / 33 x 45 cmFRAME SIZE: 20 x 24 inches / 50 x 60 cmSIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120884US Shipping $60 + insurance.
ARTIST: - (American, 19 century)NAME: Portrait of Ellen Powers HolcombYEAR: circa 1900MEDIUM: oil on boardCONDITION: Normal wear along edges. Some minor scrathes/paint losses. No visible inpaint under UV light.SIGHT SIZE: 19 x 15 inches / 48 x 38 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedNOTE: has some provenance information attached to versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120949US Shipping $49 + insurance.
ARTIST: - (Austria, 19 century)NAME: Portrait of WomanMEDIUM: oil on canvasCONDITION: Missing few flakes of paint. Some craquelure. Some scattered inpainting. Some damages to frame.SIGHT SIZE: 31 x 25 inches / 78 x 63 cmFRAME SIZE: 36 x 30 inches / 91 x 76 cmSIGNATURE: lower left illegibleCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120558US Shipping $120 + insurance.
ARTIST: - (American, 19 century)NAME: Portrait of WomanMEDIUM: oil on canvasCONDITION: Some paint losses mostly along right edge (see pictures carefully). Minor craquelure. No visible inpaint under UV light.SIGHT SIZE: 24 x 20 inches / 60 x 50 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120774US Shipping $60 + insurance.
ARTIST: Serge Dinval (Spanish, 20 century)NAME: Portrait of GirlMEDIUM: oil on canvasCONDITION: Restretched. Missing one flake of paint. No visible inpaint under UV light.SIGHT SIZE: 23 x 19 inches / 58 x 48 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightPROVENANCE: Arnot Gallery NY (has gallery stamp on verso)CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118651US Shipping $60 + insurance.BIOGRAPHY:Dinval was born in Barcelona, Spain. As a young artist he moved to Rome, Italy where he met the internationally recognized artist FJJC Masseria. Serge Dinval was so enamored with Masseria's paintings of children that he asked to become a student of the artist.
ARTIST: Walter R Roessler (Germany, 1893 - 1960)NAME: Portrait of Old Man with glass of wineMEDIUM: oil on boardCONDITION: Few minor scratches. No visible inpaint under UV light.SIGHT SIZE: 9 1/2 x 7 inches / 25 x 17 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: upper rightNAME VARIANTS: Walter RosslerCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119241US Shipping $42 + insurance.BIOGRAPHY:Roessler was a German portrait and genre painter. He studied in Russia and at the Munich Academy with Hermann Groeber, Carl von Marr and Franz von Stuck from 1920. Roessler was a member of the Reich Association of Fine Artists of Germany, and was active in Munich.Walter Roessler passed away in 1960.
ARTIST: Walter R Roessler (Germany, 1893 - 1960)NAME: Portrait of Old Man with PipeMEDIUM: oil on boardCONDITION: Missing few flakes of paint. Some paint losses along edges. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 9 1/2 x 7 inches / 25 x 17 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: upper rightNAME VARIANTS: Walter RosslerCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119242US Shipping $42 + insurance.BIOGRAPHY:Roessler was a German portrait and genre painter. He studied in Russia and at the Munich Academy with Hermann Groeber, Carl von Marr and Franz von Stuck from 1920. Roessler was a member of the Reich Association of Fine Artists of Germany, and was active in Munich.Walter Roessler passed away in 1960.
ARTIST: Anatoly Zinovyevich Itkin (Russia, born 1931)NAME: Still Life with MaskYEAR: 1999MEDIUM: watercolor on paperCONDITION: Excellent.SIGHT SIZE: 12.5 x 19.5 inches / 31 x 49 cmFRAME SIZE: unframed (In-House framing available)SIGNED: Upper rightCATEGORY: antique vintage paintingSKU#: 113434US Shipping $29 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USAnatoly Zinovyevich Itkin (Russia, born 1931)Anatoly Itkin born 28 January 1931 in Moscow. In 1950 he graduated from the Moscow Art School in 1956 - graphic faculty of the Moscow Art Institute. Surikov (portrait studio of Professor BA Dehterova). Taught at the Faculty Eugene E. A. Kibrik , M. S. Rodionov , P. Suvorov, P. Rayner. From 1954 he worked as an illustrator in many Moscow publishing houses, for a total of his creative life master illustrated a number of books - from fairy tales for little children to Russian and foreign classics.Anatoly Z. Itkin - a member of the Union of Artists of the USSR, Honored Artist of Russia, winner of many competitions, and his works are in the State Tretyakov Gallery, the State Pushkin Museum, Central Pushkin Museum in St. Petersburg, the State Museum of Literature, Literary Museum A. Tolstoy in Samara, the Museum-Reserve "Abramtsevo", Tver Regional Museum and in private collections in Russia, Yugoslavia, Israel, the U.S., Germany and South Korea.Years go by, times change, but the artist remains faithful to his creative credo: "My realism is not characteristic of any excessive grotesque or emotional excesses. Virtues to me are honesty and integrity. And if they are present in my picture, but still expressive in addition, I think a good figure. Since my student years, I learned a postulate that we should not engage in self-expression specifically. Better address the needs of the depicted, and the problem of self-expression will be decided in the process itself ».https://fantlab.ru/art186
ARTIST: Theophile Emmanuel Duverger (France, 1821 - 1886)NAME: Classroom AnticsMEDIUM: oil on boardCONDITION: Very good. Minor stable craquelure. No visible inpaint under UV light.SIGHT SIZE: 14 x 10 1/2 inches / 35 x 27 cmFRAME SIZE: 24 x 20 inches / 60 x 50 cmSIGNATURE: lower leftPROVENANCE: Auctioneer James D Julia, Date 2017-02-09, Lot 1248CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120893US Shipping $60 + insurance.BIOGRAPHY:Sympathetic genre scenes, especially those including children, proliferated during the mid-nineteenth century in France, often finding their inspiration in 17th-century Dutch paintings. Artists combined the experience of the Realist painters and their depiction of scenes from everyday life - without the occasional grittiness of their depictions - with the increasing interest in children to generate a series of charming images evoking the pleasant simplicity of rustic life. Theophile-Emmanuel Duverger, like Benjamin Eugene Fichel, contributed to this genre tradition, creating sentimental and nostalgic images that continue to retain their appeal for today's audience.Theophile-Emmanuel Duverger was born in Bordeaux, France, on September 17, 1821. Duverger was an exceptional character since he was an autodidact, skipping the formal training taken by many of his contemporary artists who also found success at the Parisian Salon. Instead, Duverger relied on his artistic inclinations based on his experience with nature, especially during his time at Ecouen, as well as his understanding of other painters whose works he may have seen while visiting museums. This type of personal training had its benefits since one could follow whatever path they desired instead of being brought into the occasionally tumultuous world of the Parisian ateliers, where rivalries often ran rampant and occasionally polarized the art community.While Bordeaux did have its own art scene, Duverger relocated to the art colony of Ecouen, started by Pierre Edouard Frere, in the Seine-et-Oise region near Paris, where Duverger eventually found success at the Salon and later commissions. The Ecouen colony boasted many other artists, including Auguste-Frederic-Albert Schenk, Jules-Jacques Veryrasset, Emile Lambinet, Emile-Louis Vernier, and Andre-Henri Dargelas, among several others. Duverger was Dargelas' father-in-law, and their work shows many similar tendencies. Duverger may have been inspired by Frere's compositions which also focused on depicting the home, family, and especially children. Ecouen, just eight miles outside of Paris, was the perfect location for artists to retreat from the bustling city and maintain close ties with the Salon.Duverger began exhibiting at the Salon at a critical time - 1846, even before the Salon was held in the Louvre and just two years before the 1848 Revolution, when Parisians took to the streets in revolt against the corrupt government of the July Monarchy. Duverger's images were far removed from the grim reality of the social and political scene in Paris at this time and instead focused on the cheerful nature of family life in rural France. But this imagery evolved only over time, and in his early years, he began his public showings with portraiture. His debut painting at the Salon of 1846 was Portrait of Mademoiselle Z...D....After the 1848 Revolution, France ushered in the Second Republic and later the Second Empire. Duverger's charming and unchallenging imagery found a ripe audience during this period of the Second Empire in Paris. A Time when an increasing middle class began to seek out artists and imagery that had removed itself from the heavily academic interests of many of the other Salon artists still practicing historical or mythological painting. It was not until the early 1850s that Duverger moved away from exhibiting portraiture at the Salon to paintings that were more representative of the style now commonly associated with him. In 1861, fifteen years after first exhibiting at the Salon, Duverger earned his first award; a third-class medal for his numerous showings, including La Gamelle du Grand Papa (The Mess Tin of Grandfather), Attente (The Wait), Echard (The Splinter), La Convalescence, (The Convalescence), Les Dames de Charite (Women of Charity). In 1863 he received an honorable mention, and in 1865 he received a second medal for Le Paralytique (The Paralytic) and Le Laboureur et Ses Enfants (The Worker and His Children). The Salon critic, Louis Auvray, was taken with the latter painting and wrote in his Salon review, Exposition des Beaux-Arts: Salon de 1865, that:The painting of the worker and his children, by Mr. Duverger, is a composition that touches you profoundly. The worker, feeling that life is leaving him, brings together his children around his bed, and, holding out his hand to his oldest son, begs him to return to his duty. The child, with his head down, overwhelmed by the reproach, struggles internally against his negative bents, which he tries to dominate to promise a return to the better. But his wife, who is breast-feeding her last child, appears to doubt that there will be any change possible to her husband's bad behavior.Duverger also submitted his work to the 1889 Exposition Universelle in Paris, where he received a bronze medal. In 1893 his painting L'Intemperance (Intemperance) was shown at the 1893 Columbian Exposition in Chicago. Duverger continued submitting his work to the Salon until 1898. Towards the end of his career, he, like many other artists, began exhibiting drawings and paintings, but for his last work, Duverger exhibited the painting Allant aux Champs (Going to the Fields). He died on August 25, 1898.Duverger showed a range of capabilities in his choice of imagery, ranging from the most well-known cheerful scenes of domestic life, but also knew how to speak to a more aristocratic audience with works that concentrated on the luxury of idleness and the splendor of interior settings. Examples of his work can now be found in the Musee des Beaux Arts, Bordeaux; Le Musee Artistique et Archeologique, La Roche-sur-Yon, and the London Guildhall Art Gallery.
ARTIST: Adolf Theer (Austrian, 1811 - 1902)NAME: Woman and Child in ChurchYEAR: 1849MEDIUM: watercolor on paperCONDITION: Minor age toning. Framed under glass.SIGHT SIZE: 11 x 9 inches / 27 x 22 cmFRAME SIZE: 19 x 17 inches / 48 x 43 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120758US Shipping $49 + insurance.BIOGRAPHY:Adolf Theer was the son of the gem cutter Joseph Theer and the brother of the painters Albert and Robert Theer. He was a pupil of the Vienna Academy, exhibited at St. Anna's the first time in 1832 and participated in exhibitions of the Austrian Kunstverein from 1852 onwards.He painted several portrait miniatures and watercolor portraits, was occupied with numerous illustration tasks for almanacs and was also active as a lithograph. He portrayed several members of the Austrian Imperial family and aristocrats, however, he received the majority of assignments from the bourgeois society.
ARTIST: Auguste Jules Marie Leroux (France, 1871 - 1954)NAME: Flamenco Dancer at MirrorMEDIUM: oil on boardCONDITION: Few small paint losses. Few very small scattered inpaintings/touch ups.SIGHT SIZE: 9 1/2 x 7 1/2 inches / 25 x 20 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120072US Shipping $42 + insurance.BIOGRAPHY:Jules Marie Auguste Leroux was a French painter and illustrator. His younger brother Georges Paul Leroux (1877-1957) was also a brilliant artist who won the Prix de Rome in painting in 1906 and was a member of the Academie des Beaux-arts.Jules Marie Auguste Leroux was born in the 3rd arrondissement of Paris on 14 April 1871, during the Commune.As a young man he entered the Ecole nationale superieure des arts decoratifs where he studied drawing of nudes from models and after academics. He was forced work on fashion drawings and illustrations for children.In 1892 he was then admitted to the Ecole nationale superieure des Beaux-Arts on the Rue Bonaparte, where he studied in the studio of Leon Bonnat (1833-1922).He won many successes including the 3rd drawing Medal in January 1892, the 2nd Medal in July and the 2nd Medal in November of that year. He did his military service with the 46th Infantry at Fontainebleau.Back in Paris in September 1893, he won the prize for figure drawing in November 1893 and the prize for torso in March 1894. He remained with the school until he was aged 23.He won the first Grand Prix de Rome in June 1894 with "Judith presenting the Head of Holofernes to the people of Bethulia", painting preserved at the National School of Fine Arts of Paris.He left for Italy for three years of study at the Villa Medici in Rome from 1895-1898, accompanied by the painter Adolphe Dechenaud and musician Henri Rabaud.At the villa, he met the musician Henri Busser, with whom he befriended and whose portrait he painted.He exhibited at the Salon of French artists from the beginning of the year 1898. He earned a bronze medal at the Universal Exhibition in Paris in 1900.Auguste Leroux was a Professor at the Ecole nationale superieure des Beaux-Arts in Paris for 30 years, a jury member of the committee of French Artists Society in 1904, an art teacher at the Academy de la Grande Chaumiere, and was made a knight of the Legion of Honor.Auguste Leroux was a great success as an illustrator of works by authors such as Giacomo Casanova, Joris-Karl Huysmans, Honore de Balzac, Gustave Flaubert, Stendhal and Anatole France. These editions are highly prized by bibliophiles.He died in Paris on 26 March 1954.
ARTIST: William Oliver (French, English, 1823 - 1901)NAME: Mother and ChildMEDIUM: oil on canvasCONDITION: Minor craquelure. Few small scattered inpaitings mostly along left and bottom edge. Some damages to frame.SIGHT SIZE: 12 1/2 x 10 1/2 inches / 33 x 27 cmFRAME SIZE: 21 x 19 inches / 53 x 48 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120938US Shipping $60 + insurance.BIOGRAPHY:William Oliver Williams was an English figurative and genre artist based in London who specialised in paintings of young women. He used the professional name William Oliver. He has sometimes been mistakenly referred to as 'William Oliver the Younger' or 'William Oliver II'.Oliver was born in Worcester in 1823, the son of the surgeon William Williams and his wife Jane (maiden name Oliver).Oliver was enrolled (as William Oliver Williams) as a Probationer at the Royal Academy Schools of the Royal Academy of Arts on 18 July 1848 (recommended by Thomas Clark (sic) from Birmingham) and as a student on 16 December 1848. The Schools' register, and other sources, indicate that he also worked at the Government School of Design, Birmingham (see Birmingham School of Art), where he was the assistant master (1849-1851) and the headmaster was Thomas Clarke (1846-1851). Whilst a student at the Royal Academy, he won 1st prize for his drawing from the antique in 1851 in the annual Premiums.During the early part of Oliver's career he added his surname when signing his works. This was seen with his two works exhibited at the British Institution in 1851 and 1852. He also used the name William Oliver Williams when he exhibited six paintings between 1858 and 1863 at the Royal Academy of Arts. In 1858 the first of two paintings was titled Portrait of a gentleman while the second was Rev. B.H. Kennedy, President of the School of Art, Shrewsbury. At this time Oliver had a Shrewsbury address, possibly suggesting that he worked at the local school of art. The final painting in 1863 was titled Crossing the ford.In the early 1850s, Oliver received a commission from the Arundel Society to tour Northern Italy and make drawings and watercolours of the classical masterpieces in the churches and galleries. His full name was first mentioned (as 'a young artist from the Royal Academy Schools') in the Society's fourth annual report in 1853. His task was to make drawings of Giotto's fresco in the Arena Chapel in Padua (see Scrovegni Chapel). Engravings were then made from these drawings. He therefore played a key role in producing one of the Arundel Society's most important early publications. Copies of the book of the engravings are in both the collections of the Royal Academy and the Royal Collection Trust.Sixteen watercolours which Oliver is thought to have painted for the Arundel Society are recorded to have survived. In 1978, they were held in the Fine Art Department of the University of Leeds. More recently, three examples of these chiaroscuro watercolours have been reported to be held by the Victoria and Albert Museum Oliver also painted a number of additional watercolours derived from the Padua frescos, which he sold and which were owned privately in 1978. They have been described as 'highly finished and beautifully executed' and Oliver was described as 'a careful draughtsman and skilful water-colourist'. His watercolours were displayed by the Arundel Society at the Crystal Palace, Sydenham in 1855-6, and were praised by Dante Gabriel Rossetti.After recovering from bankruptcy in 1863, by the late 1860s he was based in London and had adopted his more well-known professional name which he used thereafter. He continued to exhibit at the Royal Academy of Arts and British Institution (Tryste) in 1867, and at the Society of British Artists (The First Letter) in 1868. Subsequently, he also exhibited at the Walker Art Gallery Liverpool, Manchester Art Gallery, Royal Birmingham Society of Artists and Royal Glasgow Institute of the Fine Arts. His favoured exhibition venue was the Royal Academy of Arts. He exhibited 15 more works there starting with A thing of beauty is a joy for ever and Forget me not in 1867, and finishing with Mrs Oliver Williams in 1897. It is recorded that at least one of his paintings had sold in one of the major auction galleries for more than ВЈ100 during the 1970-1975 period.His works mainly depicted figures of young women and pretty girls, or an attractive woman sometimes in Greek or Roman costume. Oliver's paintings were popular at the time and prints were made in response to demand. This popularity is reflected in the fact that 33 of his paintings are exhibited in public museums and galleries throughout the United Kingdom, as seen on the Art UK web site. There is one of Oliver's oil paintings in the Royal Collection. It is titled Jack's Letter and is signed and dated 1881. It was presented by Mr and Mrs E. Johnson as a wedding present to the Duke and Duchess of York, 6 July 1893.Oliver's paintings are still available from dealers and at auctions. Examples of high recent auction prices for his paintings are ВЈ4,320 for The letter at Bonhams on 21 June 2011 and ВЈ5000 for Reclining Beauty at Christie's on 11 March 2015.
ARTIST: Laurie Harden (New Jersey, 20/21st century)NAME: Feminist Fairy TalesMEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 32 x 24 inches / 81 x 60 cmFRAME SIZE: 34 x 26 inches / 86 x 66 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120037US Shipping $90 + insurance.BIOGRAPHY:Laurie Harden is an illustrator and painter, and has been, it seems, all her life. It is her first love and abiding passion. She works in Oils, Gouche, Pastels, Charcoal & Pencil.Laurie studied at Kansas City Art Institute and Rhode Island School of Design where she graduated with a BFA in Illustration. Laurie has worked as a free-lance illustrator for over 30 years (see client list below).Laurie now spends most of her time teaching art classes to adults, teens and children at several art associations. She specializes in Oil Painting Classes, Drawing Fundamentals, Figure Drawing & Portraits, and Pastel Classes. She also gives private lessons.Harden's work is widely exhibited, awarded, commissioned and collected. An artist with a international clientele, she has received many portrait commissions, including former NJ governor, Brendan Bryne, and former Prime Minister of Japan, Keizo Obuchi.Laurie has exhibited her fine art at the Salmagundi Art Club, The National Arts Club, the Pen & Brush Club in NYC, as well as many venues in NJ. She is a member of the Catherine Lorillard Wolfe Art Club, the Allied Artists, the American Artists Professional League, the Pastel Society of America, the Pastel Society of NJ, and the Art Centre of NJ to mention a few.Ms. Harden resides in Northern New Jersey.
ARTIST: Edward T Vebell (Illinois, 1921-2018)NAME: Fort SumterYEAR: 1980MEDIUM: gouache on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 20 x 21 inches / 50 x 53 cmBOARD SIZE: 26 x 27 inches / 66 x 68 cmSIGNATURE: lower rightNOTE: This painting is the original which was published on the Fleetwood Commemorative Cover for Epic Events in American History series issued in 1985. Determined to defend slavery and states' rights as fundamental to its way of life against the threat of hostile legislation from a victorious Republican party, South Carolina seceded from the Union on December 20, 1860. Ten other southern states followed. Meeting in Montgomery, Alabama, in March of 1861, the newly seceded states declared their independence and drew up a Constitution. "Physically speaking," said President Lincoln in his Inaugural Address, "we cannot separate." South Carolina rejected this argument and, determined to repossess her own "territory," demanded the evacuation of federal forces on Sumter Island in Charleston Harbor. When Lincoln responded by sending an expedition to reinforce the Fort, General Beauregard, in command at Charleston, decided to rally southern support by precipitating war. At 4:30 on the morning of April 12, 1861, Confederate batteries fired the first guns of what was to be a four-year war. The Union commander, Major Anderson, responded as best he could, but in vain: the next morning the Fort was afire and Anderson lowered the flag. The next day the garrison marched out with colors flying and drums beating. Four years later to the day, General Anderson presided over the raising of Old Glory. "I thank God," he said, "that I have lived to see this day." And as he began to hoist the ragged and shell-torn flag, the wind caught it and shook its folds out above the Fort, and every soldier instinctively saluted.PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120441US Shipping $75 + insurance.BIOGRAPHY:Ed Vebell (1921-2018) is an American illustrator, veteran, and Olympic athlete who attended the Chicago Institute of Art before enlisting. While serving in the Army, he was a contributing artist for Stars & Stripes magazine, working side by side with Bill Mauldin. His second major appointment was as courtroom artist for the Nuremburg Trials; his haunting portrait of Hermann Gering can be viewed at the United States Holocaust Memorial Museum in Washington D.C. Over the decades following the war, Vebell designed 16 circulated postage stamps for the US Postal Service, and enjoyed frequent commissions from Reader's Digest, Sports Illustrated, and Time.
ARTIST: Edward T Vebell (Illinois, 1921-2018)NAME: Fulton's Clermont SteamboatYEAR: 1980MEDIUM: acrylic on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 20 x 21 inches / 50 x 53 cmBOARD SIZE: 26 x 27 inches / 66 x 68 cmSIGNATURE: lower rightNOTE: This painting is the original which was published on the Fleetwood Commemorative Cover for Epic Events in American History series issued in 1985. It was the English who invented the first steam engine and the first steam railroad but it was an American, Robert Fulton, who, in 1807, formally launched the steamboat era. Fulton was not the inventor, however, of the steamboat: that distinction belongs to poor John Fitch, a Connecticut Yankee and a veteran of the Continental Army who, as early as 1787, built and launched a forty-five-foot steamboat. But, alas, nothing came of that brave experiment. Fitch could get no financing for his invention and in the end gave up in despair and fled to the wilds of Kentucky where he died. Ten years later, the New York lawyer and diplomat, Robert Livingston, anticipating the role that steamboats might play in a vast nation whose only effective transportation was by water, persuaded his young friend Robert Fulton, with whose artistic and inventive talents he was familiar, to try his hand at building a steamboat. Fulton boasted a natural talent for engineering. He eagerly embraced Livingston's proposal and by 1807 was ready to launch The Clermont, named after Livingston's hometown. On its maiden trip, the boat steamed up the Hudson to Albany and returned five days later, having averaged a speed of five miles an hour. Successful as it was, it brought no great wealth to either Livingston or Fulton, for in 1824, John Marshall's Court pronounced their monopoly unconstitutional as an infringement on congressional power to regulate "commerce concerning the several states."PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120443US Shipping $75 + insurance.BIOGRAPHY:Ed Vebell (1921-2018) is an American illustrator, veteran, and Olympic athlete who attended the Chicago Institute of Art before enlisting. While serving in the Army, he was a contributing artist for Stars & Stripes magazine, working side by side with Bill Mauldin. His second major appointment was as courtroom artist for the Nuremburg Trials; his haunting portrait of Hermann Gering can be viewed at the United States Holocaust Memorial Museum in Washington D.C. Over the decades following the war, Vebell designed 16 circulated postage stamps for the US Postal Service, and enjoyed frequent commissions from Reader's Digest, Sports Illustrated, and Time.
ARTIST: Edward T Vebell (Illinois, 1921 - 2018)NAME: Edison Invents LightYEAR: 1979MEDIUM: gouache on boardCONDITION: Excellent.SIGHT SIZE: 20 x 21 inches / 50 x 53 cmBOARD SIZE: 26 x 27 inches / 66 x 68 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118691US Shipping $75 + insurance.BIOGRAPHY:Ed Vebell is an American illustrator, veteran, and Olympic athlete who attended the Chicago Institute of Art before enlisting. While serving in the Army, he was a contributing artist for Stars & Stripes magazine, working side by side with Bill Mauldin. His second major appointment was as courtroom artist for the Nuremburg Trials; his haunting portrait of Hermann Gering can be viewed at the United States Holocaust Memorial Museum in Washington D.C. Over the decades following the war, Vebell designed 16 circulated postage stamps for the US Postal Service, and enjoyed frequent commissions from Reader's Digest, Sports Illustrated, and Time.
ARTIST: Willi Geiger (Germany, 1878 - 1971)NAME: Landscape - SchwalmMEDIUM: oil on canvasCONDITION: One small hole. Minor flaking. No visible inpaint under UV light.SIGHT SIZE: 20 x 24 inches / 50 x 60 cmFRAME SIZE: 24 x 28 inches / 60 x 70 cmSIGNATURE: Lower rightCATEGORY: antique vintage paintingSKU#: 115094US Shipping $75 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USWilli Geiger (Germany, 1878 - 1971)The son of a teacher, Willi Geiger was born 1878 in Landshut. From 1898-99 he attended the Munich Arts and Crafts School, and later the Technical University, where he passed the state examination to teach drawing. Willi Geiger studied from 1903 with Franz von Stuck at the Munich Academy, including together with Hans Purrmann. He was awarded the National prize and the Schack scholarship for some of his early work and he traveled to Spain, Italy, and North Africa.[1] Willi Geiger was awarded the 1910 Villa Romana prize for his success as a graphic designer. He worked with Richard Dehmel, Frank Wedekind, and others.Geiger lived until 1914 in Berlin and presented in the gallery. Then he went back to Munich and became a professor at the School of Decorative Arts. He copied paintings by the great Spanish painters Goya, Velasquez, and El Greco and turned to portrait painting. Geiger's study of El Greco's work is reflected in his portrait of the composer Hans Pfitzner.After the seizure of power by the Nazis he was dismissed as a lecturer at the Leipzig Academy. He was politically opposed to the Nazi party, and his artworks were deemed "degenerate" by the authorities.[1] On retirement he continued to paint, and after the war, in 1946 taught again at the College of Fine Arts in Munich. In 1951 Willi Geiger received the Culture Prize of the City of Munich where he lived until his death in 1971.Willi Geiger's son, Rupprecht Geiger, also became a well-known artist and professor.
Original vintage movie poster for Imagine John Lennon - Discover John... the angry youth, the musician, the radical, the husband, the father, the lover, the idealist... through his own words and personal collection of film and music. - featuring a stylised portrait of Lennon by Lenono 1980 in orange, blue, purple, pink and green neon colours. Imagine is a biography film about John Lennon, directed by Andrew Solt, starring John Lennon, Yoko Ono, Paul McCartney, George Harrison, Ringo Starr, David Bowie, Phil Spector. Good condition, tears on edges, creasing. Country of issue: USA, designer: Lennon, size (cm): 103x69, year of printing: 1980.
Original vintage art exhibition advertising poster for Picasso Letzte Bilder / Last Pictures, that took place 17 October 1993 - 30 January 1994 at Kunsthalle Bielefeld, featuring a self-portrait of a Spanish artist Pablo Picasso (1881-1973) in green, blue, and red, with bold black lettering on red frame. Lufthansa logo in the top right corner. Excellent condition, creasing. Country of issue: Germany, designer: Picasso, size (cm): 84x59, year of printing: 1993.
Original vintage Soviet propaganda poster - The most humane person - featuring a portrait of Vladimir Lenin (1870-1924), a Russian revolutionary and politician, founder and head of Soviet Russia and the Soviet Union. Good condition, creasing, tears on edges, staining. Country of issue: Russia, designer: V. Berezovsky, size (cm): 103x67, year of printing: 1978.
After Godfrey Kneller (1646-1723) - Oil painting - Three-quarter length portrait of Robert Harley, Earl of Oxford (1661-1724), canvas 50ins x 40ins, in carved gilt wood frame Note: The National Portrait Gallery has a near identical copy of this work (NPG16). This work is based on a full length portrait of 1714. Similar three-quarter length versions include those in the British Museum and those formerly at Patshull and Compton Verney. The period carved gilt frame may be 18th century.
18th Century Continental School - Oil painting - Half length portrait of a Gentleman wearing gold trimmed frock coat, and with the Knight Grand Cross of the Military Order of Maria Theresa, relined canvas 25ins x 19.5ins, in gilt moulded frame Provenance: An ancestor of the current vendor. The work was in Venice in the 1950s and thence by family descent. Note: The sitter thought to be Van Hour (?), is understood by the vendor to be an Austrian relative on the Venetian side of his family. The sitter in this case is the father of the subject depicted in lot 388, apparently by the same hand.Condition ReportSome repainting/ touching in to upper arm just below shoulder, his natural left side. A few small scattered areas of touching in to lower right corner, and some small areas to lower left. Relined canvas. Frame - this retains its original gilt decoration. There is evidence of historic beetle attack, showing both to the upper part and right side. There is some small scattered evidence for this to the left side as well. Some slight loss to gesso. Frame retains its original wrought iron hangers secured with hand made nails.
18th Century Continental School - Oil painting - Half length portrait of a young man wearing military dress, relined canvas 25.75ins x 19.5ins, in gilt frame Provenance: An ancestor of the current vendor. The work was in Venice in the 1950's and thence by family descent. Note: The sitter thought to be Van Hour (?), is understood by the vendor to be an Austrian relative on the Venetian part of his family. The sitter in this case is the son of the subject depicted in lot 387, apparently by the same hand.Condition ReportSome repainting/touching in to the upper left and across to the upper right corners. His cheek, natural left side, shows restoration extending slightly into lower lips. There is some scattered restoration to the lower part of the background. Small area of restoration to his chest, lateral right side. Frame - appears to have its original gilt finish. Some evidence of historic beetle attack showing as scattered flight holes particularly to upper and right sides. More extensive flight holes shown to stretcher, and back of frame.
18th Century English School - Oil painting - Shoulder length portrait of a bewigged gentleman wearing a red coat with gold trim, relined canvas 26.5ins x 19ins, in gilt moulded frame Provenance: Handwritten paper label to verso states that it was purchased from a house in North Norfolk, the family of which had owned it since it was painted in the 18th century

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