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283287 Los(e)/Seite
Los 364
Print after Thomas Gainsborough, detail from a portrait of Georgiana Cavendish Duchess of Devonshire by Henry Graves & Co, mezzotint80cm x 59cmQty: 1Toning commensurate with age. Surface dirt with white splashes down the paper, noticeable in the lower left and upper right. Water marks down the face and body ni the centre, and around the edges of the plate.
Los 234
Three paintings to include A Green, 'Woman Drinking Tea', signed lower right ALR Green, oil on board; a portrait of a child, oil on canvas laid on board and a woodland scene signed lower right Maiden, mixed media oils and watercolours,first 24.5cm x 21.5cm; second 24cm x 18cm; third 20cm x 14.5cmQty: 3Some cracking to the paint layer of the portrait of the woman, particularly notable around the edges of her face and hands, some lifting to the paint, chipping around the edges; the portrait of the girl with surface dirt, minor losses to one edge, generally good condition; woodland scene also generally good condition
Los 299
Four photographs and prints to include Eve Arnold, 'A Thoughtful Moment - The Misfits' 1960, a portrait of Marilyn Monroe, 53/495; a further print of Marilyn Monroe in a leopard print dress; and two limited edition giclee photographic prints of Princess Dianathe largest 50cm x 33cmQty: 4In generally good condition.
Los 262
Hildegard Reid (South Africa 1942-), two landscapes, the first a landscape in the dunes, oil on canvas, signed and dated lower left 'Hildegarde '78', framed; the second a landscape with houses in the background, oil on board, signed and dated lower left 'Hildegarde '80', unframed; together with a family portrait with a polo ponylandscape in the dunes 60cm x 91cm; andscape with houses 81cm x 60.5cmQty: 3The landscape in the dunes sits loosely in frame, with some surface dirt and evidence of repair shown on the back. The landscape with houses with some scratching to the paintwork, otherwise in generally good condition. The family portrait in generally good condition.
Los 595
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include a late 20th century winter landscape signed Morris, approximate size 50cm x 60cm, a watercolour portrait of Maria De Tassis signed F.J. Brown 1934, oil on canvas after Vermeer 'Girl with a pearl earring', Graham Turner print 'The march from Leicester', wildlife prints by Mads Stage, assorted other prints etc
Los 585
TWO BOXES AND LOOSE CERAMICS AND GLASS WARES, to include a large oriental stick stand, two tureens and six side plates in Willow pattern by Minton for Lawleys, a Glyn Colledge for Denby mug, a plate and glass paperweight each printed with a portrait of Joseph Chamberlain, with two Portmeirion National Trust teacups and saucers, an art glass square vase, a quantity of Woods Ware 'Beryl' utility dinner wares, a King Edward VII and Queen Alexandra coronation plate printed 'Given at the Coronation Dinner, Moxhull Park, 26th June 1902', a boxed Coalport 'Changing the Team' miniature plate, etc (2 boxes + loose) (sd)
Los 328
CIRCLE OF JAMES KERR LAWSON, FIVE UNSIGNED SKETCHES, comprising a continental village with figures, approximate size 40cm x 29cm, a continental village scene with figures in an archway, approximate size of image 34cm x 24cm, a portrait sketch of a male figure holding a candle, approximate size 14cm x 13cm, a seated female figure, approximate size 23cm x 14cm and figures in gondolas, approximate size 31cm x 20cm, mediums are charcoal and pencil, Condition Report: dirty marks, creases and tears in places
Los 332
CIRCLE OF NICHOLAS POCOCK (1740-1821) UNSIGNED STUDIES OF HANDS AND FIGURES, three sheets of paper, the first depicts seven studies of hands and two male portrait studies, coloured pencil on paper, approximate size 46cm x 33cm, the second depicts hands and portrait studies, coloured pencils on paper, approximate size 27cm x 40cm, the third has a study of a small child with basket to one side and two male figure studies verso, approximate size 14m x 13cm, Condition Report: dirty marks to the paper, light creases in places, smallest sketch has glue and paper residue verso
Los 530
LATE 20TH CENTURY BRITISH SCHOOL, HEAD AND SHOULDERS PORTRAIT OF A COWBOY AND HIS HORSE, pastel, indistinctly signed N. Clover? and dated 19.6.1979 lower right, signed verso and with phone number, 62cm x 49.5cm, framed and glazed (Condition Report: the whole picture has a yellowy / brown hue, some lighter stained patches on and above the hat)
Los 81
A SMALL ASSORTMENT OF ITEMS, to include a yellow metal open work lavalier pendant, set with garnet and split pearl detail, fitted with a jump ring, stamped 9ct, length 32mm, a yellow and white metal gem set ring, set with a circular cut blue paste, stamped 9ct & sil, ring size P, a large gold plated mourning brooch, one side with a painted portrait the other set with weaved brown hair, fitted with a brooch pin and C clasp, a banded agate dress stud, an orange gold stone pendant, a single yellow metal earring, stamped RG, and a small yellow metal propelling pencil
Los 339
A EARLY 20TH CENTURY PORTRAIT OF A GRANDMOTHER HOLDING A BABY, the seated portrait depicts the smiling grandmother gazing at the sleeping baby in her lap, indistinctly signed and dated G??? Alexander 1934 bottom right, stencil mark verso, red chalk on paper, approximate size 85cm x 62cm, Condition Report: foxing across the whole surface, scuffs in places, frame damaged
Los 249
offset lithographic colour print, signed in pen lower right mounted, framed and under glass image size 49cm x 33cm, overall size 76cm x 58cm Note: Steve McCurry took his most recognised portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognised photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.
Los 217
Set of 3 Boxed Wedgwood Portrait Medallions Approx 11.5cm x 8.5cm in Pale Blue and White Jasperware: George Stubbs Number 716 in a Limited Edition of 1000, Lord Denning Master of the Rolls modelled by Donald Brindley Number 97 in a Limited Edition of 500 and Lord Byron Numbrt 338 in a Limited Edition of 500
Los 213
Set of 3 Boxed Wedgwood Portrait Medallions Approx 11 cm x 8.5 cm in Pale Blue & White Jasperware: Princess Margaret Countess of Snowden Number 985 in a Limited Edition of 1000, Princess Anne Number 732 in a Limited Edition of 2000, Queen Elizabth The Queen Mother Number 91 in a Limited Edition of 1000
Los 81
CARL LOHSE (1895 Hamburg - 1965 Bischofswerda) Draußen kocht die See Öl auf Hartfaserplatte. 195859 x 80 cm. Verso mit Pinsel in Blau signiert "Carl Lohse" und datiert.Provenienz: Privatsammlung Berlin Literatur: Kunstmuseum Ahrenshoop (Hrsg.): Die Sammlung, Ahrenshoop 2021, Abb. S. 225Verso mit einem alten Ausstellungsetikett, darauf betitelt. Carl Lohse war ein deutscher Maler, der heute als einer der bedeutendsten Vertreter des deutschen Expressionismus nach dem Ersten Weltkrieg gilt. Sein Werk umfasst vorwiegend Portrait- und Aktdarstellungen, aber er beschäftigte sich auch mit Landschaftsmotiven, Architektur und dem Arbeitsleben. 1909 besuchte Carl Lohse für ein Jahr die Staatliche Gewerbeschule und die Malschule von Arthur Siebelist in Hamburg. 1913 studierte er an der Akademie in Weimar u.a. bei Fritz Mackensen. Zwei Jahre später ging Lohse in den Kriegsdienst nach Nordfrankreich, wo er nur knapp dem Tode entkam, in englische Gefangenschaft geriet und im Steinbruch arbeiten musste. Nach der Kriegsgefangenschaft ging er 1919 zurück nach Hamburg und zog wenig später nach Bischofswerda. Bereits 1920 nahm der Künstler mit seinem Frühwerk an der Ausstellung der Dresdner Sezession "Gruppe 1919" in Dresden teil und ein Jahr nach Ende des Zweiten Weltkriegs beteiligte er sich an der Allgemeinen Deutschen Kunstausstellung, ebenfalls in Dresden.Das hier zum Verkauf stehende Bild entstand in Lohses dritter Schaffensperiode, wo er sich, wie bereits in den Jahren 1935-37, immer wieder für Studienaufenthalte an der Ostsee aufhielt.
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283287 Los(e)/Seite