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283284 Los(e)/Seite
Los 256
CHURCHILL, Winston Spencer : The River War. An Historical Account of the Reconquest of the Soudan : Edited by Col. F. Rhodes, 2 vols, 2 portrait frontis, folding maps, portraits, 32pp publisher's catalogue, org. blue gilt cloth a little rubbed, 8vo, Longman, Green, 3rd impression, 1900.* only 500 copies printed of this edition
Los 304
Joe Loss and his Orchestra signed on six album pages with 10x8 vintage portrait photo unsigned, has pre-printed autograph. Loss was a British musician popular during the British dance band era, and was founder of the Joe Loss Orchestra. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Los 17
Anthony England NASA Astronaut Space Shuttle signed and dedicated 10 x 8 colour portrait photo. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Los 212
A pair of Continental porcelain ewer late 19th century, painted with two painted Antoine Watteau-esque panels surrounding relief moulded turquoise and pale pink scrolling, with a mythological bird seated upon the top of the wavy pink handle and two putto climbing the neck of the jug, overglaze blue apocraphyal Meissen-style crossed swords to the bases, 20.5cm high together with a pair of Meissen double gourd vases and covers, each decorated with similar portrait panels against a bright yellow ground, once cancelled blue crossed swords marks to the unglazed bases, 15cm high (4)
Los 132
A pair of Coalport tri-footed bon bon dishes late 19th century, the circular bowls with pierced floral decoration to the upper rims, the overall grounds decorated in a bright gilt with blue and white transfer-printed portrait heads within circles below roses and ribbons, the interior painted with a central floral roundel and the raised feet with ribbed moulding, small ungilded section to the base with transfer-printed factory marks in green and pattern number 'A5134' in black, 11.5cm wide and 8.5cm high (2)
Los 656
A late 18 th /early 19 th century canted rectangular tobacco box formed of copper and brass, finely engraved with a portrait of Frederick the Great and various battle scenes including the Victory at Zorndorf, 15.5cm long *Sold together with a copy of a page taken from ‘Cope’s Tobacco Plant – A Monthly Periodical, Interesting to the Manufacturer, the Dealer, and the Smoker’ dated November 1875 in which a similar tobacco box is described by the author. “One box, six inches long by one inch and three-quarters wide, bearings in relief on its lid a well-formed full length figure of Frederick the Great (“Fredericus Magnus Borus-sorum Rex”) in full uniform, with a cocked hat, having a trophy in front, and a hand holding a wreath of laurel over his head. Behind his feet is the name of the artist, “Ioh Henr Gibbs Fec... etc”
Los 146
Thomas Murray (1663-1734) Portrait of Edward 8th Baron Dudley and 3rd Baron Ward (1683-1704), full length, wearing peers robes Oil on canvas 241 x 146cm; 95 x 57¾in Provenance: Sotheby's, London, 16th, 17th, 18th& 19th Century British Paintings, 16 November 1983, lot 41; Sotheby's, London, The British Sale, 1 July 2004, lot 114
Los 151
Sir Godfrey Kneller Bt. (1646-1723) Portrait of Thomas Edwards (d.1681), personal servant to Samuel Pepys Oil on canvas, oval, in a carved wood frame 76 x 63cm; 30 x 25in Thomas Edwards was recruited from the Chapel Royal where he had been a chorister. It is reported that the Chapel Royal was assembled in 1660 by 'Captain' Henry Cooke, the 'Master of the Children of the Chapel'. It is thought Thomas Edwards left the choir in mid 1664 when his voice changed. According to the label on the back of the painting, Mrs Pepys shared her husband's love of music and engaged her maid because she was proficient on the harp and this maid then married Edwards.
Los 155
French School Late 17th/Early 18th Century Portrait of a lady in the costume of Louis Marguerite of Lorraine (1588-1631) Oil on canvas 63.9 x 52.2cm; 25¼ x 20½in The costume is based on a portrait of Louise Marguerite of Lorraine, Princess of Conti, several versions of which exist, including at the Musιe Condι, Chantilly
Los 186
Bisson (mid 18th Century) Portrait of Mrs. Goodwin neι Anne Muglesworth Signed and dated indistinctly Oil on canvas 76 x 63cm; 30 x 24¾in Provenance: The Phayre family of Belgaum, Woking; By descent; Woolley & Wallis, Salisbury, 19 March 2014, lot 199; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA
Los 2
λ James Scouler (1741-1812) Portrait miniature of a gentleman with powdered hair en queue in a brown coat and waistcoat with gold buttons Oval, in a gilt metal mount 42 x 37mm Provenance: Christie's, South Kensington, The Frederick Joachim Collection of Portrait Miniatures and Silhouettes, Part III, 1 November 1995, lot 213
Los 231
Philip Reinagle RA (1749-1833) Portrait of a Percheron and his groom at the Simonds brewery, Reading Signed with initials and dated 1813 Oil on canvas 69.5 x 89cm; 27¼ x 35in Provenance: Simonds Brewery, later Courage Brewery, Reading; with Oscar and Peter Johnson Ltd, 1986; from whom purchased by the present private collector.
Los 267
Francis William Edmonds (American 1806-1863) Self portrait surrounded by five oil sketches (recto); Four oil sketches (verso) Oil on board 30.5 x 22.7cm; 12 x 8¾in The central self portrait is surrounded by studies of the type of genre scenes that were typical of Edmonds' work. The eye-patched figure (recto, upper right) and the related vignette (recto, lower right) are both studies for the Dallas Museum of Art's Commodore Trunnion and Jack Hatchway (c. 1839, inv. no. 1991.11). Additionally the study of two figures (recto, upper left), can be linked to a page in a sketch book of the same period, in the Metropolitan Museum of Art (inv. no. 1987.196.3f).
Los 3
λ James Scouler (1741-1812) Portrait miniature of a Lady in a white dress, black stole and lace bonnet Dated 1769 on reverse Oval, in a gilt metal brooch frame 41 x 34mm Provenance: Christie's, South Kensington, The Frederick Joachim Collection of Portrait Miniatures and Silhouettes, Part III, 1 November 1995, lot 172
Los 56
Manner of Jan Gossaert Portrait of a gentleman holding gloves Black and red chalk, pen and brown in, grey wash 18.5 x 13.9cm; 7¼ x 5.5in Unframed Provenance: Prince Golitsyn (according an inscription on the mount); Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum; Christie's, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 139.
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283284 Los(e)/Seite