Edward Leonard (NY, Florida, 1901 - 1968) Impressionist portrait of a young man. Signed lower right. Oil on board. Inscribed verso. Leonard was a very well schooled artist having studied at the National Academy of Design in New York City. He also studied art at the Art Students League, the Beaux Arts Institute, and the Grand Central School of Art, all in New York. Leonard traveled to France to study art and has won numerous medals and prize awards for his work. He worked in New York City for many years as a portrait artist. While living there he became a Trustee of the Artists Fellowship. A group formed in 1925 as a private, charitable foundation that assists professional fine artists (painters, graphic artists, sculptors) and their families in times of emergency, disability, or bereavement. He was also a member of the Salmagundi Club.After moving to Venice, Florida, he became the Chairman of the Florida Federation of Art, which was organized in April 1927, in Orlando, Florida, to assist local clubs throughout the state in promoting art and art appreciation. He worked as an instructor of portrait and figure painting at the Ringling School of Art and Design in Sarasota, Florida. Sight Size: 12 x 9 in. Overall Framed Size: 14 x 10.5 in.
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Edward Leonard (NY, FL, 1901 - 1968) Impressionist portrait of a woman. Oil on board. Leonard was a very well schooled artist having studied at the National Academy of Design in New York City. He also studied art at the Art Students League, the Beaux Arts Institute, and the Grand Central School of Art, all in New York. Leonard traveled to France to study art and has won numerous medals and prize awards for his work. He worked in New York City for many years as a portrait artist. While living there he became a Trustee of the Artists Fellowship. A group formed in 1925 as a private, charitable foundation that assists professional fine artists (painters, graphic artists, sculptors) and their families in times of emergency, disability, or bereavement. He was also a member of the Salmagundi Club.After moving to Venice, Florida, he became the Chairman of the Florida Federation of Art, which was organized in April 1927, in Orlando, Florida, to assist local clubs throughout the state in promoting art and art appreciation. He worked as an instructor of portrait and figure painting at the Ringling School of Art and Design in Sarasota, Florida. Sight Size: 12 x 9 in. Overall Framed Size: 14.5 x 11.5 in.
ENJAR HANSEN (DANISH, 1884-1965) - SELF PORTRAIT Oil on board Signed with initials EH lower right 39cm high x 30cm wide Condition: General signs of wear to the edges commensurate with age and use Additional Information: Born into poverty in Copenhagen, Denmark, Ejnar Hansen (1884-1965) was raised on a dairy farm. At age 14, he apprenticed to an interior decoration firm. He studied at the Royal Academy of Art and an admirer of Edvard Munch, became a part of a group called “The 13,” modernist painters who rebelled against academic painting and expressed great interest in Expressionism and Cubism. In 1914, he arrived in Chicago and lived in Wisconsin and Minnesota, and then settled in 1925 in Pasadena, California, where he was promoted by the Stone Gallery in Monrovia. He was successful with portraiture, which he taught at numerous schools, and with figure, landscape, and occasional still life painting. “Plein air” painting trips, many with Maynard Dixon, included Taos, New Mexico, Utah, and Denmark.
A Victorian commemorative mug transfer decorated with a portrait of a lady at sea, further printed Grace Darling The Northumbrian Heroine, born November 24th 1815, died October 20th 1842, with further verse to the opposing side, height 10cm, together with two other Victorian transfer decorated mugs
Studio of Benjamin West (1738-1820) after John Hoppner (1758-1810) - Oil painting - Half-length portrait of Queen Charlotte (1744-1818) wearing lace trimmed cream silk dress and ornate jewelled feather head piece, old relined canvas 7.5ins x 5.5ins, unsigned, in gilt moulded and swept frame with shell and leaf scroll pattern corners and glazed Provenance: Verso bears label for Messrs Gooden & Fox, 57 Pall Mall SW, Exhibition No. 18
***James Roderick Moir (aka Vic Reeves - born 1959) - Acrylic - "Space Goblin" - Surrealist image of a pair of eyes and nose, signed Vic Reeves, canvas 19.5ins square, unframed, and a digital print - shoulder portrait of Simon Cowell, 15ins x 11.5ins, signed in pencil Vic Reeves and No. 6/25 Provenance: Purchased at Vic Reeves Exhibition and Sale at The Grand Hotel, Folkestone, Kent - Lot 179 and with Letter of Provenance dated 15th May 2011 from a Michael Hogben
***Orovida Pissarro (1893-1968) - Watercolour - "Baby's Head" - Shoulder length portrait of a Japanese Baby, signed in pencil, 7ins x 5ins, in narrow gilt moulded frame with cloth covered slip Provenance: The Redfern Gallery, 27 Old Bond Street, London - Purchaser M. A. Hankey - 24th November 1927 (details on label to verso) and thence the collection of Arthur Knyvett-Lee (1887-1974) - Founder and co-owner of the Redfern Gallery, bearing gallery label to verso
A Goodwin, Bridgwood & Harris Staffordshire Pottery Commemorative Jug, early 19th Century, transfer printed in black with a portrait of King George V, the Royal Coat of Arms, and brief biography, 6.5ins high, and a Dillwyn, Swansea pottery child's plate printed in mauve with a portrait of Prince Albert, circa 1811-1817, 6.25ins diameter
A Continental Porcelain Coffee Can and Saucer, Late 19th Century, enamelled in colours with a portrait of the Duchess d'Angouleme, with spurious Vincennes mark, a Vienna porcelain coffee cup and saucer, early 19th Century, painted en camaieu with "La Loyaute" and "La Douceur", a covered cup and saucer after a Vincennes original, and a red mark Derby porter mug painted with "View of Rome", 5.25ins high
Robert Louis Stevenson (1850-1894) - Albumen Print Cabinet Card, with a full-length portrait of the author seated wearing a black armband, by the Bournemouth photographer W.J. Hawker in 1886, and another of the author looking directly at the viewer and holding a cigarette in his right hand, by James Notman Note: Hawker undertook four images of the author in 1886, and Notman similarly was associated with four portraits of Stevenson.
Early 19th Century English School - Miniature painting - Half length portrait of George Romaine, Commander of the Cornwallis Packet, oval 2.75ins x 2.12ins, in ebonised frame within later gilt frame Note: Paper label to verso with ink inscription in an early hand states - "Geo: Romaine Commander of the Cornwallis Packet in the Service of the Hon: East India Comp. Presented by Himself to Mrs Sarah Darwin March 17th 1800". In May 1802 Romaine, then Commander in the Bengal Marine, dedicated to the Governor General a coloured sketch of the Bay of Bengal which was used as a suggestion for protecting East India Company's trade against French privateers and others.
I* Marian Dennis (Late 19th Century) after Murillo (1618-1682) - Miniature portrait of the Christ Child from the Holy Family by Murillo, ivory 2.75ins x 2.5ins, in carved mahogany frame, 19th Century English School - Miniature portrait of a shepherd holding a crook, his eyes raised in supplication, card 4.25ins x 3.5ins, framed and glazed, and two other miniature portraits, both framed and glazed Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the UK. It will NOT be possible to export this lot of ivory to the USA
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