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283284 Los(e)/Seite
Los 502
Title: Albert Van Dijck (1902-1951) and Willem Geets (1838-1919): Two various drawingsDescription: Work: 30 x 22,5 cmÊ Frame: 47,2 x 38 cmÊ Albert Van Dijck:The portrait of the artist Cecilia Vanderbeek at the age of 12, charcoal and red chalk on paperÊ Ê Work: 30 x 20 cmÊ Frame: 41,5 x 32 cmÊ Willem Geets: The musician, pencil on paper, dated (19)07
Los 525
Title: A framed engraving of the portrait of Richard Wagner and an accompanying autograph, 19th C.Description: Work: 32,5 x 24,5 cmÊ Frame: 54 x 47 cmÊ Ê The engraving edited by the 'Photographische Gesellschaft in Berlin'.Ê The envelope (most probably without a letter) with the address 'Judith Gautier, 50 Rue des Martyrs à Paris'. Gautier (1845-1917) was a French writer who had a profound influence on Richard Wagner (1813-1883). He was in love with her and she was a source of inspiration for the play 'Parsifal'.In the 1870s there was a busy exchange of letters between Paris and Bayreuth, the town where Wagner resided.
Los 14
Six driver signed photographs,each monochrome, portrait and race scenes including Jaguar D-Type, comprising six 6' x 4' images, two depicting Mike Hawthorn, one portrait and one in Jaguar D-Type, Duncan Hamilton, Paul Frere, Ivor Bueb, and Desmond Titterington, each signed by the respective driver in blue ink. (6)For further information on this lot please visit Bonhams.com
Los 48
Thomas Tompion portraitThomas Tompion Automatopaeus Mezzotint by John Smith after Godfrey Kneller, 1697, half length with three quarter turn holding a watch movement in his left hand, within a patterned oval border, titled below.(unframed)Dimensions. Height: 34cms/13.5ins Width: 25cms/10ins. (1)Footnotes:Similar examples were sold in these rooms:Fine Clocks, 6 July 2016, lot 106; Fine Clocks, 16 December 2015, lot 159; Fine Clocks, 20 June 2012, lot 75.Godfrey Kneller (1646-1723) was the foremost portrait painter in England and court painter for Charles II to George II.John Smith (1652-1743) was a popular and independent print maker who worked closely with Kneller.For further information on this lot please visit Bonhams.com
Los 101
NO RESERVE Rosicrucianism .- Péladan (Joséphin), "Sar Mérodack J. Péladan". Comment on devient fée erotique, first edition, signed presentation copy from the author, initial justification f., half-title, 2 identical heliogravure portrait frontispieces, pictorial title, advertisement ff. at end, lightly browned throughout, contemporary calf-backed marbled boards, spine gilt, spine faded, [Caillet, 8429; Dorbon, 3572], Paris, Chamuel, 1893 § Gautier (Théophile) Voyage en Russie, 2 vol., first edition, half-titles, advertisements at end of vol.2, foxing, original yellow printed wrappers, spine ends little chipped, rubbed, Paris, Charpentier, 1866; and a small quantity of others, 19th century French Literature & History, the majority a set of Walter Scott in French, v.s. (Sm.Qty.)
Los 110
NO RESERVE Wright (Richard) Fishbelly, translated by Hélène Bokanowski, first edition in French, signed presentation copy from the author and translator to Pierre de Benouville, half-title, portrait of the author by Monique Métrot, lightly browned, original printed wrappers, a few small light stains, lightly creased at extremities, 8vo, Paris, Julliard, 1960.⁂ First French edition of The Long Dream, translated by Wright's old friend.
Los 111
NO RESERVE Durrell (Lawrence) La Descente du Styx, number XC of 250 copies signed by the author, original printed wrappers, a very good copy, Montpellier, La Murène, 1964 § Boissy (Gabriel) Message sur la Poésie Immortelle prononcé à Skyros pour l'inauguration du monument dédié à Rupert Brooke, one of 225 copies, this a signed presentation copy from the author to René Clair, portrait of Brooke, plate and illustrations by Léo Lelée, original printed wrappers, a very good copy, Paris, L'Estampe Moderne, 1931 § Cocteau (Jean) Souvenir de Jean Giraudoux, limited edition, original printed wrappers, spotted, Paris, Jacques Haumont, 1946; and a small quantity of others, 20th century French Literature, some signed, v.s. (Sm.Qty.)
Los 125
Aldous Huxley & Anaïs Nin.- Miller (Henry, writer and artist, 1891-1980) Autograph Letter signed to Stefan Schimanski, editor of Leaves in the storm. A book of diaries, 2pp., folio, letterpress portrait of Miller smoking a cigarette, Big Sur, California, 3rd May 1945, telling him that he will "write a letter, since I have kept no Diary", telling him of his piece "Of Art and the Future", giving him Aldous Huxley's address, suggesting he contact Anaïs Nin for a contribution to the Diary, and commenting on the approaching end of the War, folds.
Los 132
Pope (Alexander) The Works, first edition, first issue of the quarto edition, half-titles, folding portrait frontispiece of Pope, titles in red and black, vol.2 initial directions to binder f., charming engraved head- and tail-pieces by S. Gribelin in vol. 1, and P. Fourdrinier after W. Kent in vol. 2, and historiated initials, some spotting, lightly browned, contemporary calf, gilt, sympathetically rebacked, preserving original red morocco labels, corners worn, covers rubbed and scuffed, [Griffith 79 & 372; Rothschild 1584 & 1626 (note)], 4to, W. Bowyer for Bernard Lintot [and] J. Wright for Lawton Gilliver, 1717-1735.⁂ The first issue of the quarto edition, without Tonson's name in the imprint.
Los 133
Castiglione (Baldassare) Il Cortegiano, or The Courtier, edited by A.P.Castiglione, issue with 'To the Reader' at end of dedication and 5pp. list of subscribers, engraved portrait by Vertue after Raphael, parallel English and Italian text, with small red ink stamp to head of title, slight worming to outer margin towards end (mostly single wormhole), contemporary panelled calf, morocco label, rubbed, corners and spine ends a little worn, joints split, 4to, by W.Bowyer, for the editor, 1727.⁂ Third English edition of Castiglione's seminal work on behaviour in its various forms, regarded by Italians of the period as "the golden book". The first English edition was Hoby's translation of 1561 followed by Samber's of 1724.
Los 134
NO RESERVE Shakespeare (William) The Works...in Ten Volumes. Publish'd by Mr.Pope and Dr.Sewell, 10 vol., engraved frontispiece and plates, contemporary ink signature of "Robt. Chapman" to head of title of vol.1 and with later inscriptions of William Scrope 1787, light water-staining to beginning of vol.3, pencil notes and sketches to vol.5, contemporary calf, rather worn, joints split, for J. and J.Knapton [& others], 1728 § Aubrey (John) Letters written by Eminent Persons...and Lives of Eminent Men...from the Originals in the Bodleian Library and Ashmolean Museum, 2 vol. in 3, foxing, a couple of leaves in vol.1 creased, contemporary cloth, roan labels, spines faded, 1813 § Boswell (James) The Life of Samuel Johnson, 4 vol., engraved portrait, some spotting, contemporary patterned cloth, roan labels, 1819 § Borrow (George) The Bible in Spain, 3 vol., third edition, half-titles, advertisement leaf at end of vol.1 & 2, some publisher's flyers etc. tipped in, broken with some gatherings becoming loose, original cloth, paper labels (one chipped), spines faded, 1843, all rubbed; and 9 others, mostly old calf, including a worn red morocco Baskerville 1762 Book of Common Prayer, 8vo et infra; sold not subject to return (29)
Los 137
Congreve (William) The Works, 3 vol., engraved portrait frontispiece and 5 plates, cracked hinges, contemporary calf, sympathetically rebacked with original spines laid down, upper board becoming loose (vol. 1), slight bumping to corners and extremities, 8vo, bookplates, Birmingham, John Baskerville; for J. and R. Tonson, 1761.
Los 142
NO RESERVE Massinger (Philip) The Dramatick Works ..., 4 vol., engraved portrait frontispiece, half-titles, previous owner's ink signature, one or two manuscript notes, contemporary review bound at end (pagination in manuscript), bookplates, contemporary calf, a little rubbed, slight bumping to corners and extremities, 8vo, 1779.
Los 146
NO RESERVE Erskine (John) The Principles of the Law of Scotland, new edition, frontispiece portrait, armorial bookplate, contemporary tree calf, upper joint cracked, extremities rubbed, 1802 § King (Dr. William) The Original Works, 3 vol. in 1, half-titles, medallion portraits to titles, occasional light foxing, later cloth, 1776 § Sheppard (William) The Touch-Stone of Common Assurances, sixth edition, half-title, later calf, 1791; and 15 others, antiquarian, 8vo & 4to (18)
Los 153
NO RESERVE Miniature books.- Pickering Diamond Classics.- Homer. Ilias & Odyssea, 2 vol., half-titles, engraved portrait frontispiece, wood-engraved head-pieces, occasional spotting, original cloth, original printed paper labels to head of spines, these little chipped without affecting text, some marking, rubbed, [Bondy 89-90; Spielmann 199 "One of the best-printed Greek miniature books ever produced with a clear, easily legible type"], binding size 92 x 56mm., William Pickering, 1831; and the 1821 Pickering Cicero in red morocco (84 x 50mm.) (3)
Los 158
NO RESERVE Bindings.- Grote (George) A History of Greece, 8 vol., engraved portrait and folding maps, 1862 § Carlyle (Thomas) Critical and Miscellaneous Essays, 6 vol., engraved portrait, 1869 § Butler (Joseph) The Works, 2 vol., Oxford, 1849-50 § Alford (Henry, editor) The Greek Testament, 4 vol., contemporary vellum, gilt, some spotting and staining to upper covers, 1868, occasional spotting, the first three near-uniform handsome contemporary mottled or tree calf, gilt, all with central gilt arms with motto "Munificentia Hulmiana" (Hulme Bequest), spines finely gilt in compartments with black, red or green roan labels; and c.70 others, bindings, mostly calf, a few vellum, many with the same arms, 8vo (c.90)
Los 170
NO RESERVE Arnold-Forster (Frances) Studies in Church Dedications; or, England's Patron Saints, 3 vol., first edition, A. L. s. from the author with envelope and a booklet loosely inserted, ink ownership inscription, bookplate, light fading to spine, 1899 § Younghusband (Sir Francis) A Venture of Faith, first edition, portrait frontispiece, ink stamp to title, dust-jacket, spine lightly browned, spine ends and corners a little chipped, 1937 § Hugel (Baron F. von) The Mystical Element of Religion, 2 vol., frontispieces, dust-jackets, creasing to head and foot, vol. 2 with tape repair to head, 1927; and 12 others, religion, 8vo (18)
Los 210
NO RESERVE Miniatures.- Foskett (Daphne) A Dictionary of British Miniature Painters, 2 vol., signed by the author, New York & Washington, 1972; Samuel Cooper 1609-1672, 1974; Collecting Miniatures, Woodbridge, 1979 § Edmond (Mary) Hilliard & Oliver: The lives and works of two great miniaturists, 1983 § Lavender (Antiques) Ltd. (D.S.) The Monarchy in Portrait Miniatures from Elizabeth I to Queen Victoria, 1993, illustrations, some colour, original cloth or boards with dust-jackets, some a little rubbed and frayed; and 10 others on miniatures, 4to & 8vo (16)
Los 223
δ Churchill and Baldwin.- Fearon (Percy Hutton) "Poy". Packing Up, pen and ink cartoon, pencil caption and explanatory notes beneath, Baldwin with heaps of pipes and Churchill with many small hats on his head vacate their lockers, signed, 283 x 203mm., [1929]; The Fortune Teller, a gypsy tells Stanley Baldwin "You may be going away for a time" together with The Man who took 3/- off Income Tax, Churchill contemplates a portrait entitled "The Ideal Chancellor", pencil note beneath reads "Winston wonders whether he would look like a saint, a sportsman or a sap-head.", two pen and ink cartoons on one sheet with pencil notes beneath, both signed, sheet 322 x 163mm., [1929]; A Marvel at Maths, pen and ink cartoon, pencil caption and explanatory notes beneath, Churchill as a schoolmaster considers the easy sum on the board written by the pupil Marriott, signed, 254 x 168mm., [c.1929]; [The Elusive Churchill], pen and ink cartoon, pencil explanatory notes beneath, a nimble Churchill eludes the deliberate finger with which Thomas Williams is trying to pin him down, signed, 251 x 175mm., [c.1930]; and another (5)⁂ Of the first two, presumably both cartoons refer to the Conservatives' surprise loss of the 1929 general election after which Ramsay MacDonald became Labour Prime Minister with a minority government. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 4
Canada.- Bouchette (Joseph) A Topographical Description of the Province of Lower Canada, with remarks upon Upper Canada, first edition, engraved portrait frontispiece, 7 aquatint plates, 8 engraved maps (4 folding), engraved table, occasional off-setting, scattered faint spotting, previous owner's ink signature to blank, later half-calf, a little rubbed, slight bumping to corners and extremities, 8vo, 1815
Los 8
Egypt.- Pückler-Muskau (Hermann Ludwig Heinrich von) Egypt under Mehemet Ali, translated by H. Evans Lloyd, 2 vol., ?first edition in English, (another English edition was published by Newby in the same year), half-titles, lithographed portrait frontispiece, lithographed plan, a few illustrations, 24pp. publisher's catalogue at end of vol.1 and errata f. at end of vol.2, some spotting, original red blind-stamped cloth, spine gilt, spine ends frayed, little marked, rubbed, [Blackmer 1362], 8vo, Henry Colburn, 1845.⁂ Rare. Puckler-Muskau travelled in Egypt in 1837 and Blackmer calls him 'a keen observer and a witty and sensitive writer'. Vol.2 contains an account of Egyptian antiquities.
Los 87
Schütz (Wilhelm Ignatius) Reflexiones politico-consolatoriae, oder Reiffliche Überlegungen derjenigen Widerwertigkeiten, und Unglück..., first edition, Latin and German text, the latter in Gothic letter, engraved portrait and 8 plates, all folding, foxed, old vellum with clasps (one detached and loosely inserted), rather worn and stained, rebacked, 8vo, Frankfurt am Main, Balthas. Christ. Wust, 1661.⁂ Mainly concerning the opportunities for a gentleman in politics; one plate depicts a gentleman in his library.
Los 9
Egypt.- Yates (William Holt) The Modern History and Condition of Egypt, Its Climate, Diseases, and Capabilities ..., with an Account of the Proceedings of Mohammed Ali Pascha from 1801 to 1843, 2 vol., first edition, 2 lithographed portrait frontispieces, 12 lithographed plates, most tinted, 2 folding engraved maps (not called for), hand-coloured in outline, advertisement f. to end of vol.1, errata slip tipped-in at end of vol.2, occasional spotting, original blind-stamped green cloth, spines pictorial gilt, spines little faded, covers of vol.2 faded, rubbed, [Blackmer 1853], large 8vo, a Smith, Elder and Co., 1843.⁂ A very good set of this account of travels around 1840. The portraits are of Mehmet Ali and Ibrahim Pasha.
Los 90
NO RESERVE Fables.- La Fontaine (Jean de) Fables Choisies, 2 vol., half-titles, engraved frontispiece (1 a portrait), numerous engraved illustrations, vol.1 L1 and vol. 2 V1 tear at foot, within text, but with only very minor loss, occasional spotting, contemporary speckled calf, spine gilt and with double leather labels, corners worn, upper covers detaching, rubbed, Paris, Didot l'aîné, 1787 § Bonaparte (Lucien) Charlemagne ou l'église délivrée. Poème épique en vingt quatre chants, 2 vol., first edition, half-titles, engraved portrait and plan of Rome as frontispiece, water-stained, contemporary speckled calf, spines gilt and with black morocco labels, water-stained, rubbed, Longman, 1814; and a small quantity of others, Continental, some defective, v.s. sold not subject to return (Sm.Qty.)
Los 117
Patrick Procktor R.A. (British, 1936-2003)Portrait of Peter Docherty oil on canvas28.5 x 24cm (11 1/4 x 9 7/16in).Painted in June 1966Footnotes:ProvenanceThe Artist, by whom gifted toPeter Docherty, in June 1966, by whom gifted to the present ownerPrivate Collection, U.K.Peter Docherty (1944-2020) was a friend and lover of the artist Patrick Procktor. He was a distinguished and prolific ballet and theatre designer, frequently collaborating with choreographer Ronald Hynd to create productions for the English National Ballet. He studied at Regent Street Polytechnic, the Central School of Art and Design and the Slade School of Fine Art, where he became friends with Procktor, and also David Hockney. He worked at a number of theatres, including the Royal Opera House where he served as a dresser to Rudolf Nureyev. His costume designs are in the collection of the Victoria & Albert Museum, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 133
Sir William Orpen N.E.A.C., R.A., H.R.H.A. (British, 1878-1931)Portrait of Georges Clémenceau signed 'ORPEN' (lower right), titled and dated ''Le Tigre/Clemenceau'/RA.Jan 1930' (upper left)pencil on paper21 x 18.5cm (8 1/4 x 7 5/16in).together with a further pen and ink drawing of a child, by the same hand(2)Footnotes:ProvenanceThe Artist, by whom gifted to the family of the present owner, and thence by descentPrivate Collection, U.K.For further information on this lot please visit Bonhams.com
Los 140
Augustus Edwin John O.M., R.A. (British, 1878-1961)Portrait of Carmen Gandarillas signed and dated 'John/1943' (lower left)chalk on paper37 x 23cm (14 9/16 x 9 1/16in).Footnotes:ProvenanceT.S. Ison Esq.Acquired by the family of the present owner prior to the 1970s, and thence by descent Private Collection, U.K.LiteratureJ. Rothenstein, Augustus John, The Phaidon Press, London and New York, 1944, illustrated on p. 16Carmen Gandarillas met Augustus John through her brother Tony, whose house at Cheyne Walk the Artist was a frequent visitor to. Tony and Carmen Gandarillas were part of a wealthy and well-connected bohemian European set who were linked to many artists of the time; indeed it was through Tony that Christopher Wood was introduced both to fashionable Parisian society, and to opium. Their aunt, Madame Errazuriz of Biarritz, was friends with both Picasso and Stravinksy. Carmen was also painted by John wearing Spanish dress around 1916, in the painting Señora Gandarillas (Collection Sheffield Art Gallery, Sheffield).We are grateful to Rebecca John for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 150
Lucy Harwood (British, 1893-1972)Still Life with Portrait oil on canvas51 x 40.5cm (20 1/16 x 15 15/16in).Footnotes:ProvenanceEstate of Cedric MorrisWith Sally Hunter Fine Art, London, where acquired by the present owner, 2008Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 153
Dame Ethel Walker A.R.A., R.B.A., R.P., D.B.E. (British, 1861-1951)Portrait of a Young Girl oil on canvas61 x 51cm (24 x 20 1/16in).Footnotes:ProvenanceThe Artist, by whom bequeathed to Marian Kratochwil, 1951R. Knight, 1962Private Collection, U.K.Marian Kratochwil (1906-1997) was a Polish artist who attracted the support of Dame Ethel Walker, and she bequeathed him a number of paintings upon her death in 1951.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 158
John Humphrey Spender (British, 1910-2005)Spanish Street Scene signed and dated 'H. Spender.53' (lower right); further signed, titled and inscribed with Artist's address 'SPANISH/STREET SCENE/HUMPHREY SPENDER/OLD VICARAGE/ULTING/ESSEX' (on board verso)oil and chalk on board57.5 x 71.5cm (22 5/8 x 28 1/8in).Footnotes:ProvenanceWith Leicester Galleries, LondonExhibitedLondon, Leicester Galleries, New Pictures by Humphrey Spender, October 1953, no. 8Humphrey Spender was a painter, photographer and designer. He studied architecture initially but set up a photographic studio on the Strand soon after qualifying. Through his photographs he became a keen observer of British society, working first for the Daily Mirror and then later for the Mass Observation movement, an independent body which aimed to capture the reality of daily life in Britain. In 1938 he joined the newly-founded Picture Post magazine, for whom he worked into the 1950s. He was conscripted as an official war photographer from 1941, and following the war returned to painting from the 1950s. He became a successful textile designer, teaching in the Royal College of Art textile department for 20 years, and numerous examples of his designs are in the collection of the Victoria & Albert Museum, London.A major retrospective of his photographs, Humphrey Spender's Humanist Landscapes: Photo-documents, 1932-1942 was held at the Yale Centre for British Art, New Haven in 1997. Solo exhibitions of his paintings have been held at the Redfern Gallery, the Leicester Galleries and the New Art Centre, and photographic exhibitions at the Arnolfini Gallery and The National Portrait Gallery. He was the brother of the writer and poet Sir Stephen Spender C.B.E. and a long-standing friend of Christopher Isherwood.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 186
John Henry Wonnacott (British, born 1940)Winter Portrait with Wet Road signed and dated 'John Wonnacott/1992' (on board verso)oil on board62 x 54cm (24 7/16 x 21 1/4in).Footnotes:ProvenanceWith Agnew's, London, where acquired by the family of the present owner, November 1992 and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 187
John Henry Wonnacott (British, born 1940)Self Portrait - Winter Sunsetoil on board 39.5 x 35.5cm (15 9/16 x 14in).Footnotes:ProvenanceWith Agnew's, London, where acquired by the family of the present owner, January 2005 and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 82
Sven Berlin (British, 1911-1999)Self-Portrait signed and dated 'SVEN 64' (upper left); further signed and dated 'SVEN./64-95/'99' (on canvas verso)oil on canvas60.5 x 51cm (23 13/16 x 20 1/16in).Footnotes:ProvenanceKeith William SleemanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 133
A Victorian Black Leather Crossbelt to the Royal East Kent Mounted Rifles, with white metal badge, crown, buckle and slide, chains and whistle; an Elizabeth II Black Leather Crossbelt, with white metal chains and whistle and crown to the pouch; a Pith Helmet, with chromed spike, nine fold black silk puggaree, leather backed chrome chin scales and leather headband; also, a vignette portrait photograph against a watercolour landscape in memory of Sir George Pomeroy Colley KCSI, CB, CMG, HM High Commissioner for SE Africa, killed in action 27th February 1881; and a late Victorian framed group portrait photograph of a cavalry regiment (5)
Los 211
Emil Werz, Portrait of Adolf Hitler, standing, three quarter length, wearing the uniform of the NSDAP, a mountainous landscape beyond, signed and dated 1937, oil on canvas, the reverse stamped 'Invantra Berghof', 126cm by 93cm, in a gilt frameFootnote:- Purchased in the 1960's from the Berchtesgaden antiques dealer ,Robert Bremner
Los 107
W R Younghusband, Portrait of a Private, Royal Marine Light Infantry, watercolour and bodycolour, monogrammed and dated (19)88, 29cm by 17cm, together with a Burland Fine Art folder of similar prints by the same artist; a Victorian Soldier's Woolwork Panel, worked in long and short stitch and couching with the battle honours and regimental badge of the 43rd Foot (Monmouthshire Light Infantry), framed; Militaria, including a copy of a Royal Welsh Fusiliers copper and brass bugle, quantity of Deeds That Thrill the Empire, The War Illustrated and other magazines and ephemera, a volume of Spink's Catalogue of British Orders and Medals, a small case of US Civil War Collectables (qty) CONDITION REPORT: . Some moth damage to the woolwork panel.
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283284 Los(e)/Seite