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Preisdatenbank abonnierenTwo fine tinted daguerreotype of Mr B. Clarke aged 28 years circa 1857 and Mrs Clarke aged 21 circa 1857, both 5.5 x 7 cms, both mounted in full leather cases, Humphrey's & Halliwell Photographic Artists. This lot includes a double portrait of Charles J. Thompson aged 44 and his wife Harriett Charlotte Thompson (née Jolliffee) married in 1872 approx 6.3 x 9 cms (af) mounted in a fine embossed leather case. -
Collection of silhouette, portrait miniatures relating to the Drury family of Ballybay. This lot includes two oval portrait miniatures of George Drury and his wife 7 x 9 cms, in a leather covered presentation case; a photograph of Mrs Thomas Drury (née Girdwood) of Corstorphine House Edinburgh approx 7 x 9.5 cms (af); John Girdwood Drury Dublin 5.5 x 7 cms; John Girdwood Drury Dartry Rathmines Co Dublin 4 x 5 cms; silhouette of Admiral Drury, Adwillia o' Brian Drury, W.H Wells Drury, William Vallancey Drury M.D (1821-1892) together with six prints of various members of the family. -
A 17th century oil on canvas, three quarter length portrait of a cleric, clutching a prayer book, with armorial to the upper left corner, dated Anno Domini 1638, approx 51w x 61 h cms, framed. (af) Condition Report The canvas is in overall good condition given the age. There is a crease to the canvas in the upper left extremity below the armorial. The canvas is fitting loosely in the frame and needs reinforcing.
A 19th century wax relief portrait of Horatio Nelson, the right-facing profile in uniform with sash, epaulette finished in colour, mounted on a brown background within a circular frame. This lot includes another 19th century wax relief portrait of Admiral of the Fleet Richard Howe, the right-facing profile, uniform and epaulette finished in colour, mounted on a brown back within a circular frame. -
Peter MacNab (1830-1900) in a full embossed leather case (split to hinge); Jane MacNab née Dougall (1851-1937) wife of artist Peter portrait taken in 1880 in a full embossed leather case (split to hinge); a 19th century daguerreotype sitter unnamed in a full embossed leather case; together with an ambrotype of C. Chinn (1780-1858) taken in April 1857 died a year later in Coventry aged 79 together with a small daguerreotype of two children understood to be Francis Selby and Larry Selby in 1867, framed. -
Four 19th century feminine portrait silhouette, including Dora Ennis Graham who accidently drowned with her husband and child in March 1845, approx 7.5 x 11.5 cms framed; Margaret McGregor (1810-1903) who married Walter Simons in 1850, this sketch was done by her brother Walter McGregor in December 1836; another of Great Grandmother Beech 7 x 11 cms and Margaret L. Collis who married James Collis in 1845 (architect and surveyor). All framed and glazed. -
A wax profile bust portrait of G.O Dempster Esquire (1732-1818) Scottish politician, the portrait dated 1787, Scottish politician, in an ebonised frame, approx 100mm diameter. Note: Dempster was a member of the Select Society, an independent Whig, considered a true blue Scot, dedicated to the encouragement of agriculture, industry and the arts, and to the establishment of a Scottish militia, in 1761 Dempster stood for Perth Burghs. [1] [1] https://www.historyofparliamentonline.org/volume/1754-1790/member/dempster-george-1732-1818. -
Watson Mary (1816-1910) portrait miniature, watercolour, circa 1850, of a young woman in a white dress with pink ribbon, approx 4 x 5.5 cms, framed and glazed. This lot includes a portrait miniature of Watson Solomon (1811-1900) watercolour, circa 1850, of a young man dress in black gown, approx 4.5 x 6 cms, framed and glazed. (2) Note: notation to verso mentions that Mary is the sister of Solomon Watson of Summerhill. -
A small oval portrait miniature of a young woman, note to verso suggests she is a relative of the Smiths of Crooke Park, County Limerick 70 x 85mm; a portrait miniature of a young woman, note to verso suggests Miss Ann Norton of [H.....] and another portrait miniature of an elderly woman, note to verso reads: Great-Grandmother Skitt née Colley, approx 10 x 13.5 cms, all three framed and glazed. -
Five 19th century (named sitter) daguerreotype, including John William Bell, solicitor, approx 7 x 9.5 cms; Joseph Jennsons portrait when a boy, approx 5 x 4 cms, Charles Yardley (1824-1872) wearing a top hat; William Green (1793-1865) and another of Charles Yardley, all in the original presentation case. (5) -
Memorabilia of a Royal Flying Corps officer. Includes (1) First World War flying goggles, folding, with orange tinted lenses, leather and lenses in good condition but the elastic degraded, 160 millimetres width when unfolded, and (2) B/W portrait photograph in leather frame, dated June 1917 with RFC badge to the top, 21 centimetres wide by 29 centimetres tall, the leather deteriorating.
Medals (2) of Lieutenant Simon James Jones of the South Lancashire Regiment. British War Medal 1914-1920, and Allied Victory Medal 1914-1918. Sold with a B/W portrait photograph, a photograph of his grave marker, a South Lancashire Regiment cap badge and an enamel sweetheart broach. Commissioned as a Temporary 2nd Lieutenant on 18th September 1915. Appointed Temporary Lieutenant 8th February 1916. Served with the 2nd Battalion, South Lancashire Regiment. Attached to the Training Reserve from 3rd March 1917 until 4th April 1917. Died of his wounds on 5th June 1918 and was buried in Marfaux British Cemetery.
AIME DUPONT (Belgian/American 1842-1900) A miniature watercolour on oval ivory panel, portrait of a Lady. Signed 'A. Dupont, NY' to the right. Set in a yellow metal case frame, engraved details verso. Image size 8cm x 6.3cm. In an associated 'Black, Starr & Frost of New York case. Together with an oval photograph of the same Lady, 10cm x 7.5cm. Ivory declaration submission reference W6DWLWUJ
* ARCHIE FORREST RGI (SCOTTISH b. 1950), SYMPHONY oil on canvas, signed, titled label versoframed image size 121cm x 136cm, overall size 136cm x 152cm Exhibition label verso: December 1991, The Portland Gallery, London Note: Archie Forrest is considered to be the leading living Scottish Colourist artist of his generation. Born in Glasgow in 1950 he attended Glasgow School of art between 1969 and 1973 prior to becoming a tutor at the school for seven years. Forrest gave up teaching in 1985 to devote his time to being a full time artist. He was elected a member of the Glasgow Institute of Fine Arts in 1988 and is a regular exhibitor at the Royal Scottish Academy since 1975. The artist has won many prizes and collectors for his work throughout the world. In this "Symphony" Forrest demonstrates his ability to create texture and colour whilst capturing the viewers’ attention with his playful use of perspective and reflection. Forrest’s use of broad and angular marks is reminiscent of Cezanne, while the use of colour place him in the legacy of Scottish Colourists S J Peploe and Cadell. The artist uses his self-portrait to guide us through a variety of his work. Challenging the viewer to look closer for the still life, landscape and portraiture within the picture whilst creating reference to the great Scottish colourists Cadell and J D Fergusson in the portraits on his studio floor. Forrest has created a painting which demonstrates his artistic ability, but also one the viewer can revisit over and over again.
* ETHEL WALKER (SCOTTISH b. 1941), NASTURTIUMS oil on board, signed, titled label versomounted, framed and under glassimage size 19cm x 24cm, overall size 43cm x 49cm Label verso: The Rowan Gallery, Drymen.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
* ETHEL WALKER (SCOTTISH b. 1941), CORNER TABLE gouache on paper, signed, titled label versomounted, framed and under glass image size 18cm x 15cm, overall size 37cm x 34cm Label verso: The Rowan Gallery, Drymen.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).Condition is good overall, with no visible or known issues.
* ETHEL WALKER (SCOTTISH b. 1941), DAISIES gouche on board, signed, titled label versomounted, framed and under glassimage size 22cm x 16cm, overall size 40cm x 36cm Label verso: The Rowan Gallery, Drymen.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE PORTRAIT OF ALBERT IRVIN RA oil on canvas, signed and titled, dated 1987 verso framed image size 151cm x 121cm, overall size 170cm x 137cm Note 1: From 1973 to 1978 Bellany was head of the Faculty of Painting at Croydon College of Art, where his colleagues included David Royle, Denis Bowen, Barry Martin and Mel Gordon. It was at this time that he became a close friend of the abstract-expressionist painter Albert Irvin OBE RA. They had first met at the RCA and Irvin selected his "Three Fishermen" for a London Group exhibition. Bellany invited Irvin to teach at Croydon on a part-time basis, a compliment later returned when Bellany left Croydon and Irvin found him a job at Goldsmiths College of Art. Bellany was drinking heavily at this time and as Albert Irvin later commented "To go out with John meant you were going to lose two days of your life". Bellany's 1988 liver transplant started early in the morning of 30th April - the day before "May Day", the seafarers distress call. An irony not lost on him. Remarkably, he was deemed well enough to receive visitors by 12 May and the first were Bert and Betty Irvin. Irvin wrote: John was in his single room in Ward C9 with balloons tied to his bedhead. Watercolours and drawings that he's done since he's been here were on the walls as was the photograph of him and Helen by Lord Snowdon and several of his postcards.The rest were in a box under his bed. He looked yellow and his eyes were very yellow, as Helen had warned us. He was magnificent. His will to survive and his optimism were indomitable. His sense of humour was superbly and ridiculously intact, as when he insited that we have photographs taken with him with his pyjamas open & his operation and pipes, and bottles and bags on display". Albert Irvin was known as "Uncle Bert" to the Bellany family. Note 2: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer).
* JOHN G BOYD RP RGI (SCOTTISH 1940 - 2001) ESTRILD WITH MIRROR AND PLANT oil on canvas, signed, titled label versoframed image size 66cm x 140cm, overall size 86cm x 160cm Artist's label verso.Note: John Boyd was born in Stonehaven, Kincardineshire in 1940. He studied at Gray's School of Art, Aberdeen (1958 - 1962) where he was taught by Robert Henderson Blyth. He briefly studied at Hospitalfield where he met John Byrne and Sandy Fraser, who was to become a lifelong friend. Boyd moved to Glasgow and from 1967 - 1988 he taught at Glasgow School of Art before turning to painting full time. His first solo show was held in Edinburgh in 1967, after which he exhibited regularly at the RA, the RSA, the RGI and RSPP. A major retrospective of his work was held in Glasgow, in 1994. Boyd won numerous awards and was elected a member of the Royal Glasgow Institute of Fine Arts in 1982 and a member of the Royal Society of Portrait Painters in 1989. His work is held in private collections owned by, among others, the Earl of Moray and Lord MacFarlane as well as numerous corporate collections including The Fleming Collection, Bank of Ireland, Murray Johnson and Arthur Anderson. Public collections include the Paisley Art Gallery, the People's Palace, Glasgow Museums and the Lillie Art Gallery, Milngavie. He was noted for his strongly coloured landscapes, portraits and still life's, mostly in oils, with his best work being produced in the last ten years of his life.
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), TABLE WITH STRINGED INSTRUMENTS oil on canvas, signedframed and under glassimage size 102cm x 122cm, overall size 117cm x 137cm Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.Condition of the picture is good overall, with no visible or known issues.
* BARBARA BALMER RSA RSW RGI (SCOTTISH 1929 - 2017), TULIPS IN JUG watercolour on paper, signedmounted, framed and under glassimage size 52cm x 69cm, overall size 84cm x 101cm Note: Barbara Balmer had a singular vision. Her pictures have a curious, if not surreal, edge. In her instantly recognisable style, she took the everyday and simplified it into shapes and patterns that she filled with subtle gradations of colour. Born in Birmingham, she moved to Scotland by way of a scholarship from Coventry School of Art that took her to Edinburgh College of Art (1949-1953). Her contemporaries are a roll call of familiar names of Scottish art: Elizabeth Blackadder, John Houston and Frances Walker to name a few. Balmer, however, eschewed the expressive brushwork and vibrant palette of the time and developed her own unique visual vocabulary. Throughout her long career, spanning more than five decades, she was twice selected to exhibit at the John Moores Exhibition in Liverpool, and had solo shows at the Richard Demarco Gallery and the Open Eye Gallery in Edinburgh, the Scottish Arts Council Touring Exhibitions and at the Fine Art Society in Edinburgh. Barbara taught at Gray’s School of Art in Aberdeen between 1970 and 1980 and held a retrospective exhibition at Aberdeen Art Gallery which travelled to Dundee, Lincoln and Coventry. Her work is included in many public and private collections including, The Royal Collection, The Scottish National Portrait Gallery (Portrait of Richard Demarco), The City Art Centre, Edinburgh, Leicester City Museum, Aberdeen and Stirling Universities, Aberdeen, Glasgow, Birmingham, Perth, Dundee and Lincoln Art Galleries. Seven of her paintings were used as dust jackets by Virago for the Modern Classics series and she was an elected member of the Royal Scottish Academy, the Royal Glasgow Institute and the Royal Scottish Society of Painters in Watercolour. In Barbara's obituary in The Herald, Richard Demarco wrote: "I hesitate to define her as an English, Scottish or indeed British artist. Her particular art must be viewed as belonging to the great and enduring tradition associated with the latest manifestations of European painting in this age of modern art".
* SACHA JAFRI (BRITISH b. 1977), FIELD OF DREAMS gouache & ink on German-etched canvas paper, signed and dated '99, completed 2001framedimage size 51cm x 70cm, overall size 63cm x 83cm Provenance: digital certificate of authenticty issued by Studio Jafri, Dubai 2024.Note: Sacha Jafri (born January 3, 1977, in the United Kingdom) is a British artist known for creating the world's largest painting on canvas, Journey of Humanity (as recognised by Guinness World Records) over seven months in 2020 during the Covid-19 pandemic in Dubai. In 2021, it sold for US$62 million the third highest price ever paid for a work of art by a living artist. Sacha Jafri was born in England and is descended from the Royal lineage of the Nawab of Awadh. His grandfather Fareed S. Jafri was appointed editor of "Dawn" newspaper by Muhammad Ali Jinnah in the 1950s, and was later appointed Pakistan's High Commissioner to Nigeria in 1968. Jafri attended Eton College. In 2000 he obtained his master's degree in Fine Arts from Oxford University. Safri generally works outside the art gallery system, donates many of his works and or proceeds from them to charity efforts, and numbers among his collectors members of the British Royal family, Sir Richard Branson, Sir Paul McCartney, Leonardo DiCaprio, Bill Gates, Lady Gaga, Will Smith, Warren Buffet, Lionel Messi, Madonna, David Beckham, George Clooney, Eva Longoria and Barack Obama. Sacha’s first love, however, is cricket. No wonder, he enjoyed painting odes to Sachin Tendulkar and Virat Kohli—the latter portrait celebrating a decade of Kohli’s IPL journey was auctioned off at a charity dinner organised by the Virat Kohli Foundation in 2017 (the painting was later purchased for a whopping $4.5m at a charity ball in London).
* ETHEL WALKER (SCOTTISH b. 1941), THE JAPANESE VASE gouache on paper, signed, titled label versomounted, framed and under glassimage size 54cm x 48cm, overall size 78cm x 71cm Label verso: The Rowan Gallery, Drymen.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
Manner of Thomas Lawrence Half-length portrait of a boy in a red coat holding a sword Unsigned,Oil on canvas,63.5cm x 47.5cmA portrait possibly influened by Sir Thomas Lawrence's group portrait of the children of Ayscoghe Boucherette (c.1800), in particular the comparison of the young boy. There are elements which also associate with the late portraiture of children by Sir Joshua Reynolds.
Books. Arts, Music and Architecture Books to include Edward Ardizzone, Charles Rennie Mackintosh, University of Cambridge 800th Anniversary Portrait, German Wines, Stradivari Violins, Italian Violin Makers, Austrian Violin Makers, The Violin Market, Old England Pictorial Museum Regal Ecclesiastical, Baronial, Municipal, Vol I & II (qty)
18th Century Portrait Engravings of Notable Men To include, John Campbell Duke of Argyle and Greenwich, by Jacob Houbraken after William Aikman, 1735;A Citizen of London in his Livery Gown (Henry Prude), by John Faber the Younger after Thomas Hudson, 1750; Daniel Finch Earl of Nottingham, by Jacob Houbraken after Sir Godfrey Kneller, 1738-42;Zachary Pearce D.D. Lord Bishop of Bangor, by John Faber the Younger after Thomas Hudson, 1754;Sir Isaac Newton, by Andrew Miller after Sir Godfrey Kneller, 174434cm x 21cm (5)
Kenner Hasbro Star Wars Collector Series Figures, Kenner Sandtrooper, Luke Skywalker in Jedi gear, AT AT Driver unopened, Hasbro Princess Leia Organa & R2D2 as Jabba’s Prisoners, Episode I Queen Amilda, Portrait Edition Queen Amilda, The Power of the Force Chewbacca over 13” tall and Princess Leia with chain, figures have been removed from boxes, unless stated, but are in excellent condition (8 items)
After Sir James Guthrie P.R.S.A., H.R.A., R.S.W., L.L.D. (British 1859-1930) "Field Marshal, The Earl Haig of Bemersyde K.T., O.M." Depicting Haig seated in a half length pose wearing his military uniform and overcoat, from the portrait painted for The Royal & Ancient Golf Club, 1922, signed by both the artist and Field Marshal Haig in ink in the lower margin, sepia print.THIS LOT CANNOT TO BE POSTED OUT USING OUR IN-HOUSE SERVICE AND WOULD NEED TO BE SENT OUT USING BRADLEYS COURIERS. 78 x 53.5cm (framed 97.5 x 72.5cm)
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