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Bonhams
Los 58

GERARD (JOHN)The Herball or Generall Historie of Plantes... Very Much Amended by Thomas Johnson, second edition, pictorial engraved title incorporating a portrait of the author, upwards of 2800 woodcut illustrations, without initial and final blanks, one leaf of index (7A1) re-inserted, 2 small ink spots on pp.1591/2, a few pagination numerals neatly corrected in an early hand, early calf, rebacked retaining old gilt morocco lettering label [ESTC S122175; Henrey 156; Hunt I, 230; Nissen BBI 698], folio (338 x 225mm.), Adam Islip, Joice Norton and Richard Whitakers, 1636This lot is subject to the following lot symbols: •

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Bonhams
Los 70

AUSTRALIA - PHOTOGRAPHYAlbum of views (and 3 portrait groups of Aborigines), of Australia, 35 albumen prints, mostly mounted one per page recto and verso (4 smaller mounted two to page), typically approximately 185 x 243mm., early maroon half morocco, oblong folio, [1880s]This lot is subject to the following lot symbols: *

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Bonhams
Los 71

CHINA - PHOTOGRAPHYAn album of good portrait or 'types' photographs, by William Saunders (11), and others (possibly by Milton Miller, one signed ?'Melle' or 'Meme'), 16 albumen prints, mounted one per page, recto only, typically 275 x 210mm., early maroon half morocco, gilt lettered 'Chinese Characters' on upper cover, g.e., folio, [1870s/80s]This lot is subject to the following lot symbols: *

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Bonhams
Los 76

EXQUEMELIN (ALEXANDRE OLIVER)Bucaniers of America: or, a True Account of the Most Remarkable Assaults Committed of Late Years Upon the Coasts of the West-Indies by the Bucaniers of Jamaica and Tortuga, Both English and French, Parts 1-3 (of 4), 6 engraved plates (of 9, 3 folding, the frontispiece portrait cut to size and window-mounted), a few small dampstains, modern half calf [ESTC R21525; Goldsmiths 2549], 4to (230 x 165mm.), William Crooke, 1684This lot is subject to the following lot symbols: •

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Bonhams
Los 81

INDIA - KASHMIR AND NORTHWEST FRONTIER - PHOTOGRAPHYBAKER (WILLIAM), JOHN BURKE AND OTHERS. Album of views, and portrait groups of the North West Frontier, Punjab and northern India, 48 albumen prints by W. Baker (10 signed with numeral in negative), Baker and Burke (2 signed in negative, a number of others identifiable, or attributable to them), Bourne and Shepherd (one signed), and others, mounted one per page recto and verso, images typically 295 x 240mm., a few smaller (2 half-page), early half morocco, worn, folio, [1870s]This lot is subject to the following lot symbols: *

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Bonhams
Los 87

LE BRUYN (CORNELIUS)A Voyage to the Levant: or, Travels in the Principal Parts of Asia Minor, engraved frontispiece, engraved portrait of the author, folding engraved map, 96 engraved plates (many folding on several sheets joined, or double-page, some with more than one subject), numerous engraved illustrations in text, contemporary panelled calf, rubbed, covers detached [Atabey 160; Cobham-Jeffery p.7; Lipperheide 546], small folio (339 x 215mm.), Jacob Tonson, and Thomas Bennet, 1702This lot is subject to the following lot symbols: •

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Bonhams
Los 88

MONTAIGNE (MICHEL DE)Journal du voyage... en Italie, par la Suisse & l'Allemagne, en 1580 & 1581, FIRST EDITION, engraved frontispiece portrait of Montaigne, a handful of ink spots, contemporary speckled polished calf, gilt arms on covers, joints cracked, rubbed, 4to, Rome, sold in Paris by Le Jay, 1774This lot is subject to the following lot symbols: •

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Bonhams
Los 9

ARCHITECTUREJONES (INIGO) The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings, 2 vol. bound in 1, FIRST EDITION, titles with engraved portrait vignettes, 109 plates (of 135) on 85 engraved sheets (of 97) by Hulsbergh, Foudrinier and Cole (comprising 21 of 24 double-page; one of 5 folding), engraved head and tail-pieces after William Kent, list of subscribers, lacks frontispiece, contemporary reverse calf, worn with some loss to spine [Fowler 162; Harris 385], folio (460 x 280mm.), William Kent, 1727This lot is subject to the following lot symbols: •

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Bonhams
Los 90

SHEFIK (AHMED)Notes on a Visit to Sinai Monastery and a Motor Car Tour in Sinai Peninsula, in January 1926, first edition in English, AUTHOR'S PRESENTATION COPY, inscribed 'To Kaimakam L.H.C. Hatton Bey, [with mauve stamp] Lewa Director General, Frontier Administration' on the title, photographic portrait frontispiece of Fouad I, King of Egypt, 123 photographic illustrations on 85 plates, very short tear in fore-margin of a few plates, publisher's cloth-backed printed boards, light soiling, 4to, Cairo, Government Press, 1926; with 3 other items, including articles relating to the Nubian and Western Deserts extracted from Annales du Service des Antiquités de l'Egypte, and a typescript article (with pencil annotations) entitled 'Kufu's Treasure' (4)This lot is subject to the following lot symbols: •

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Bonhams
Los 91

SOUTH AFRICA, CEYLON, CANADA, AND INDIAAlbum of views and local portrait types of South Africa, 42 albumen prints (34 large mounted one per page, 7 half-page 2 per page, one 3-part panorama), several captioned in the negative (2 signed by Caney), all captioned on the mount, largest 278 x 230mm., typically approximately 180 x 250mm., [1880s]--Album of plant and landscape studies in Ceylon, 18 albumen prints, all captioned and signed in the image by Scowen & Co., mounted one per page, images 210 x 280mm., [1880s]--Album of views in Canada (and a few of Denver, Colorado), 45 albumen prints, 29 mounted one per page recto and verso, 16 smaller portrait studies (2 signed 'C. Notman') 2 per page, larger images typically approximately 240 x 190mm., [1880/90s], early half morocco, folio or oblong folio; and another late nineteenth century album of views, including India, Burma and Europe (4)This lot is subject to the following lot symbols: *

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Dreweatts 1759
Los 10

Attributed to Michael Dahl (Swedish 1659-1743) A portrait of Sir John de Lannoy Coussmaker Oil on canvas, feigned oval 76.5 x 63.5cm (30 x 25 in.) Provenance: Kirtlington Park, Oxfordshire The sitter was reputedly banker to William of Orange.

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Dreweatts 1759
Los 100

Circle of George Beare (British - d. 1749) Portrait of Mary Morland Matson (née Atkinson), wife of William Matson Oil on canvas 73.5 x 61.5cm (28¾ x 24 in.) Provenance: Property of the Morland Family, Court Lodge, Kent

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Dreweatts 1759
Los 108

John St Helier Lander (British 1869-1944) Portrait of Lt. Col. Henry Courtenay Morland (1855-1934), Royal West Kent Regiment Oil on board Signed and dated 1918 upper left 66.5 x 58cm (26 x 22¾ in.) Provenance: Property of the Morland Family, Court Lodge, Kent

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Dreweatts 1759
Los 109

Albert Ludovici Sr. (British 1820-1894) Portrait of Henry Courtenay (1855-1934) holding his pet rabbit Oil on canvas Monogrammed and dated 1858 centre right 60 x 49.5cm (23½ x 19¼ in.) Provenance: Property of the Morland Family, Court Lodge, Kent

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Dreweatts 1759
Los 110

John St Helier Lander (British 1869-1944) Portrait of Lt. Col. Henry Courtenay Morland (1855-1934), later the 9th Lancers, The Point, Rye Oil on canvas Signed and dated 1904 lower right, further inscribed and dated verso 131 x 96cm (51½ x 37¾ in.) Provenance: Property of the Morland Family, Court Lodge, Kent Henry was the younger son of William Courtenay Morland and Margaretta Eliza Cator. He moved into Court Lodge on the death of his older brother Charles in 1926. Henry married first, Lady Alice Maud Nevill of Eridge Castle, with whom he had one daughter, Violet. After Alice died, he married Bessie Laird, the daughter of shipping magnate and founder of Camel Laird shipyard, John Laird from Birkenhead. Both were financially lucrative matches.

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Dreweatts 1759
Los 124

John Vanderbank (British 1694-1739) Portrait of Elizabeth Innes, three-quarter length, in black and white dress, with a dog on a cushion Oil on canvas, in a carved frame Signed and dated Fecit 1736 lower right 127 x 101.5cm (50 x 39¾ in.) Provenance: By descent to the sitter's daughter, Martha, wife of George Daubery, and thence by descent Sale, Sotheby's London, 10 November 1993, Lot 34 Plaish Hall, Church Stretton, Shropshire

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Dreweatts 1759
Los 125

Attributed to Thomas Bardwell (British 1704-1767) Portrait of a lady in white, seated, holding a book Oil on canvas, in a partially carved frame 127 x 101.5cm (50 x 39¾ in.) Provenance: Plaish Hall, Church Stretton, Shropshire

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Dreweatts 1759
Los 127

Cornelius Johnson (Cornelis Jonson van Ceulen) (British 1593-1661) Portrait of a gentleman, half-length Oil on panel Signed with initials and dated 1625 lower right 72.5 x 61cm (28½ x 24 in.) Provenance: A.F.L.P. Wallace, Candacraig, Strathdon, and by descent; Sale, Christie's London, 6 September 2001, Lot 12 Plaish Hall, Church Stretton, Shropshire

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Dreweatts 1759
Los 128

After James Thornhill Portrait of Isaac Newton Oil on copper 23 x 18cm (9 x 7 in.) Provenance: Plaish Hall, Church Stretton, Shropshire This work was purportedly painted by John Downman.

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Dreweatts 1759
Los 129

Jan Godfrey (British 18th century) A portrait of a lady Oil on card Inscribed Portrait of Mistress Abigail Marhant [] by Jan Godfrey verso 12.5 x 9cm (4¾ x 3½ in.) Together with another portrait of a gentleman by a different hand, 12.5 x 10cm (2) Provenance: Plaish Hall, Church Stretton, Shropshire

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Dreweatts 1759
Los 13

Attributed to John Riley (British 1646-1691) A portrait of Edward Turnour in a red cloak; A portrait of his wife Oil on canvas, a pair Each 128 x 101.5cm (50¼ x 39¾ in.) (2) Provenance: Shillinglee Park, Sussex Private Collection, thence by descent to the present owner Shillinglee was the family seat of the Winterton family. The name of Turnour is a family name associated with the Winterton title. The Turnours were originally from Little Parndon in Essex. The present portrait is most likely Edward Turnour (1646-1721), MP for Orford in Suffolk and great grandfather of Edward Garth Turnour, 1st Earl Winterton (1734-1788)

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Dreweatts 1759
Los 130

John Linnell (British 1792-1882) Portraits of Mr and Mrs D.L. Clare, half-length, holding a book, a pair Oil on canvas Portrait of Mrs Clare signed lower left, Portrait of Mr Clare signed and dated 1834 lower right Each 43 x 34cm (16¾ x 13¼ in.) (2) Provenance: Sale, Sotheby's London, 13 November 1996, Lot 82 Plaish Hall, Church Stretton, Shropshire Exhibited: London, The Royal Academy, 1834, no.313 and no.276 Literature: D. Linnell, Blake, Palmer, Linnell & Co., The life of John Linnell, 1994, p.379, no.203 and no.204a

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Dreweatts 1759
Los 138

Attributed to Andrew Robertson (British 1777-1845) Portrait of a boy Watercolour 21 x 17cm (8¼ x 6½ in.) Provenance: Plaish Hall, Church Stretton, Shropshire

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Dreweatts 1759
Los 16

Follower of Thomas Gainsborough Portrait of a seated gentleman Oil on canvas 77 x 64cm (30¼ x 25 in.) Provenance: Kirtlington Park, Oxfordshire

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Dreweatts 1759
Los 17

Circle of George Henry Harlow (British 1787-1819) Portrait of a lady wearing a red shawl; Portrait of a gentleman holding a book Oil on canvas, a pair Each 91 x 72cm (35¾ x 28¼ in.) (2) Provenance: Kirtlington Park, Oxfordshire

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Dreweatts 1759
Los 18

Studio of Sir Godfrey Kneller (British 1646-1723) A portrait of a man, said to be John Churchill, First Duke of Marlborough Oil on canvas 76 x 64cm (29¾ x 25 in.)

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Dreweatts 1759
Los 186

Helen Allingham (British 1848-1926) Portrait of Amy Margaret Thackeray Watercolour heightened with white Signed with initials lower right 8 x 8cm (3 x 3 in.) Provenance: Anthony Reed, London (label attached verso with cataloguing and inscription) Inscribed on the original backing 'Amy Margaret Thackeray, Shere, July 1878' (unexamined out of the glazed frame)

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Dreweatts 1759
Los 20

Circle of Michael Dahl (Swedish 1659-1743) Portrait of Mrs Rebecca Curson née Clark and her son John Curson from Kirby Hall Oil on canvas Bears inscription to stretcher verso 127 x 102cm (50 x 40 in.) Provenance: Meysey Thompson family, previously of Kirby Hall Thence by descent The mother and son depicted in the present lot are distantly related to the Curzon of Kedleston family through George Curzon, younger brother of John Curzon of Kedleston who inherited the family title. George Curzon of Kedleston (b.c1560) to Francis and Eleanor Curzon of Kedleston. Without the benefit of the title, his son Francis (1580-1658) divided from Kedleston circa 1610 and settled in Mursley, Buckinghamshire. Francis Curzon's second son was Samuel Curson (b. 1625) who married Elizabeth Stevens in the parish in 1648. It is at this point that the Curzon name changes spelling to Curson. Their son Samuel II (1659-1709) moved to St Dunstans in London and became a successful Inn Keeper. Samuel II married in 1682 and his eldest son, Samuel III was the husband of the female sitter in this portrait. In 1707, Samuel Curson III (b.1684-d.) married Rebecca Clark in St. Dunstans in the West Church. After they were wedded the couple moved to Aldgate and Samuel became a successful wine merchant in London. The couple later moved to Chelmsford where Rebecca is recorded in 1753 as buried in St. Matthew's church. Little is known about Rebecca Curson née Clark but it can be assumed that she was a lady of some standing to have married the wealthy Samuel Curson III. It is likely that this portrait was created during their time in Aldgate as a celebration of the couples' first born son John Curson, later John Curson, Esquire of Ipswich. The headdress and finery worn by the little boy was common practice in portraiture of the period in order to show off wealth and denote that he is the successor to the family dynasty. Like his father, John Curson, grew up to become a wine merchant and was the main beneficiary of not only his father's will but also his uncle, Richard Curson of Richmond. As a result, he owned numerous properties in Essex and London. Curson married twice but died without a successor in Blandford Dorset in 1793. Upon Curson's death, his brother Richard who had settle in America in 1759 was the main beneficiary of John Curson's wealth. The surviving female Curson line are still represented by the prominent Curzon Hoffman & Poultney families in the USA. Following the death of Richard's son Samuel, the two surviving sisters, Elizabeth Rebecca Becker Curson & Ellin Moale Curson worked to reclaim part of the will left in England upon the death of their uncle John Curson (the child sitter) and were successful in their claim to numerous London properties and funds.This painting was directly purchased from the Meysey Thompson family previously of Kirby Hall in Yorkshire. John Curzon's niece Mary Spence married Henry Thompson who was heir to the Thompson's of Kirby Hall. Unfortunately, the title became extinct in the early 20th century following the death of Henry Meysey Thompson and the family seat at Kirby Hall was demolished. The painting would have been sited at Kirby Hall from the death of John Curson until its eventual demise. Thereafter, the painting has been in family hands.

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Dreweatts 1759
Los 201

Circle of William Owen (British 1769-1825) Portrait of a gentleman Oil on canvas 76 x 64cm (29¾ x 25 in.) Unframed

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Dreweatts 1759
Los 21

Circle of Thomas de Keyser (Dutch 1596-1667) Portrait of a lady, half-length, in a black dress with an elaborate lace collar Oil on panel 70 x 58cm (27½ x 22¾ in.)

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Dreweatts 1759
Los 22

Circle of Cornelius Johnson (Cornelis Jonson van Ceulen) (British 1593-1661) Portrait of a gentleman in a ruff Oil on panel 46.5 x 37cm (18¼ x 14½ in.)

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Dreweatts 1759
Los 233

Follower of John Frederick Herring Senior (British 1795-1865) Portrait of Launcelot, Winner of the St. Leger, 1840 Oil on canvas Bears signature lower right 43 x 55cm (16¾ x 21½ in.)

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Dreweatts 1759
Los 30

Circle of James (Thomas J.) Northcote (British 1746-1831) Portrait of a Merchant Navy Captain from the Bolitho family Oil on canvas 76 x 64.5cm (29¾ x 25¼ in.) Unframed

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Dreweatts 1759
Los 32

Circle of Allan Ramsay (British 1713-1784) Portrait of Charles, 1st Viscount Maynard (c. 1690-1775), three-quarter-length, in peer's robes, holding a coronet Oil on canvas 126 x 100.5cm (49½ x 39½ in.)

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Dreweatts 1759
Los 35

British School (18th century) Portrait of a gentleman wearing a grey jacket and gold embroidered tunic, half length Oil on canvas Bears inscription to label verso 76 x 62cm (29¾ x 24¼ in.)

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Dreweatts 1759
Los 40

Circle of Robert Edge Pine (British 1742-1788) Portrait of a gentleman, supposedly a portrait of David Garrick Oil on canvas 67.5 x 57cm (26½ x 22¼ in.) Provenance: Sale, Woolley and Wallis, 5 June 2013, Lot 343

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Dreweatts 1759
Los 41

Italian School (18th/19th century) Portrait of a lady in 17th century costume Oil on canvas, oval 80 x 66cm (31¼ x 25 in.)

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Dreweatts 1759
Los 42

British School (early 18th century) Portrait of a boy, half length Oil on canvas, feigned oval 76 x 63.5cm (29¾ x 25 in.)

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Dreweatts 1759
Los 43

Circle of Charles-André van Loo (French 1705-1765) Portrait of Claude Louise de Lory (1706-1742), dressed as a Vestal Virgin Oil on canvas 76.2 x 63.5cm (30 x 25 in.) Literature: Borenius, Tancred, Revised Catalogue of the Pictures at Corsham Court, 1982, no. 118 Provenance: Corsham Court, Bath by 1982 Sale, Sotheby's, The Sale at Syon Park, Middlesex, 14,15,16 May 1997, Lot 244 Purchased from the above by the present owner

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Dreweatts 1759
Los 44

Italian School (18th/19th Century) A Sibyl Oil on canvas 83.5 x 64cm (32¾ x 25 in.) Please note the cataloguing should read: After Orazio Gentileschi, A portrait of the artist’s daughter Artemisia Gentileschi as a Sybil. The original painting house in the Museum of Fine Arts. Houston (No.61.74)

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Dreweatts 1759
Los 58

Attributed to Salvator Rosa (Italian 1615-1673) Portrait of a gentleman said to be Masaniello Oil on canvas Bears later indistinct inscription verso 'Ritratto di Masaniello, Fatto di Salvator Rosa/16()7 del Palazzo del Duca de (Laur)enzano' 43.5 x 33cm (17 x 12 in.) Provenance: Collection of Christopher Norris Sale, Christie's London, 28 October 1988, Lot 147 Acquired from the above by the present owner Lots 46-58 come from the collector and interior designer Edward Bulmer. They comprise part of the collection hung at Edward's Grade II* listed, William and Mary manor house, Court of Noke in Herefordshire. Edward's passion for art runs parallel with his expertise in interiors. He initially began collecting when working for the picture restorer Alec Cobbe who is well known for his picture hanging projects. He worked on many such ventures with Cobbe, building an understanding of the connoisseurship of the great patrons of the past. He quickly recognised that one could still afford to buy as the great collectors did; on the basis of quality, if one was not restrictive about subject. As such the beginnings of a discerning collection were born. When he purchased Court of Noke in 1994, it became a passionate restoration project, transforming what was a dilapidated shell with enormous promise, back into a comfortable family home. Some pictures in the collection were sold at this time in order to fund the initial restoration project. Edward describes how the present pictures have become old friends, adding atmosphere and sophistication to our rooms and I hope that they will now find interesting new homes. The collection offered here clearly embraces its owner's dedication to quality over narrow focus including as it does, pictures across a range of date periods and subjects from religious paintings to Greek mythology and Italianate landscape works.

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Dreweatts 1759
Los 7

Circle of Johannes Mytens (Dutch 1614-1670) Portrait of Charles II Oil on canvas 113 x 91cm (44¼ x 35¾ in.) Provenance: Kirtlington Park, Oxfordshire Kirtlington Park is a Grade I listed Palladian country house built between 1742 and 1746 and located just east of Kirtlington village. The gardens look out from North Oxfordshire towards the Chiltern Hills and were landscaped by Lancelot 'Capability' Brown between 1752 and 1757, when has was working nearby on the gardens at Blenheim Palace.The house was built for Sir James Dashwood, 2nd Baronet (1715-79) after he had married an heiress, Elizabeth Spencer. By the 1820s, Kirtlington Park was still unfinished in some parts due to gambling debts incurred by Sir James' son Henry Dashwood. The house remained in the family until 1909, when Sir George John Egerton Dashwood, 6th Baronet, sold the house to the Earl of Leven and Melville. By 1922, it is recorded as being owned by Hubert Maitland Budgett. In 1933, the rococo dining room was exported and is now in the Metropolitan Museum of Art, New York and makes up the largest European Room in the wing of the museum dedicared to European Rooms and Art.During the Second World War the park was used as a Victory garden. Thirty years later, Kirtlington Park was bought from the Budgett family in 1971, by Christopher Buxton.Shillinglee Park is an 18th century house and estate in West Sussex situated between the villages of Chiddingfold and Plaistow. Built in 1785, Shillinglee was the home of the Earl Winterton and originally a manor of the Arundel Estate which belonged to the Norfolk family.Both Edward Turnour, 4th Earl Winterton and his son, also Edward, 5th Earl Winterton, were fine cricketers and there are records of 19th century cricket matches that were played in the grounds against neighbouring villages. During the start of the 20th century Shillinglee was recorded as being the summer residence of the Indian Prince Ranjitsinhji, thought to be one of the greatest cricketers of all time. During the Second World War the house was occupied by Canadian troops who accidently burnt the house down in around January 1943. The shell of Shillinglee was rebuilt and sold, with the remaining contents, to Christopher Buxton the then owner of Kirtlington Park. Shillinglee was then remodelled into and sold as smaller residences and at this time a number of the original works of art were transferred to Kirtlington Park.

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Dreweatts 1759
Los 73

Attributed to John Russell (British 1745-1806) Portrait of Captain Harvey, 23rd of Foot, Royal Welsh Fusiliers Pastel, oval 60 x 44cm (23½ x 17¼ in.)

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Dreweatts 1759
Los 8

Circle of Sir Peter Lely (Dutch 1618-1680) Portrait of James II Oil on canvas 112 x 91cm (44 x 35¾ in.) Provenance: Kirtlington Park, Oxfordshire The composition of the present lot taken from the double portrait of Anne Hyde, Duchess of York and James II, painted by Sir Peter Lely c.1661-62 and now housed in the National Portrait Gallery, London (NPG 5077)

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Dreweatts 1759
Los 83

Circle of Thomas Hudson (British 1701-1779) Portrait of Anne Matson (1766-1808), wife of Thomas Morland Oil on canvas 140 x 102cm (55 x 40 in.) Provenance: Property of the Morland Family, Court Lodge, Kent Ann Matson came originally from Westmorland. She married Thomas Morland, only son of William and Ellen Morland. Thomas and Ann had the largest number of children of any generation of Court Lodge Morlands - eight in total. Please note: the birth date should read 1745 as stated in the family tree

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Dreweatts 1759
Los 84

Circle of James Latham (British 1696-1747) Portrait of Margaret Matson, circa 1770, sister of Ann Morland Oil on canvas 74.5 x 62cm (29¼ x 24¼ in.) In a carved giltwood frame Provenance: Property of the Morland Family, Court Lodge, Kent

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Dreweatts 1759
Los 85

Circle of Thomas Hudson (British 1701-1779) Portrait of Margaret Matson, sister of Ann Matson Oil on canvas 143 x 104cm (56¼ x 40¾ in.) In a carved giltwood frame Provenance: Property of the Morland Family, Court Lodge, Kent

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Dreweatts 1759
Los 88

After George Romney Portrait of Jacob Morland (1740-1780) and his dog Oil on canvas 75 x 62cm (29½ x 24¼ in.) Provenance: Property of the Morland Family, Court Lodge, Kent A copy of moderate quality and not autograph. It was possibly executed when the original left the Morland family. Jacob Morland was born and died in Killington, in the Kirkby-Lonsdale parish of Westmorland. He was the son of John and Mary Morland and married Dorothy Brisco in 1761 in Carlisle. The original 'Jacob Morland of Capplethwaite' was painted in 1763 by George Romney and is now in the Tate Gallery collection in London where it was bequeathed by Colonel John Morland in 1902.

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Dreweatts 1759
Los 9

Follower of Willem Wissing A portrait of Alderman George Dashwood Oil on canvas 106 x 131.5cm (41½ x 51¾ in.) Provenance: Kirtlington Park, Oxfordshire George Dashwood (1617-1682), son of Samuel Dashwood of Rowden (1574-1638), and Elizabeth Sweeting (1576-1638), was an Alderman of London and Commissioner of Revenue. His son, Sir Robert Dashwood (1662-1734) was the 1st Baron Dashwood of Kirtlington Park and MP for Banbury (1689, 1690, 1695) and Oxfordshire (1699).

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Dreweatts 1759
Los 95

English School (Circa 1820) Portrait of Anna Eleonora Morland, wife of Sir John Smith, Bart. (1744-1807) Oil on canvas 61 x 51cm (24 x 20 in.) Provenance: Property of the Morland Family, Court Lodge, Kent Anna Eleonora was the eldest daughter of Thomas Morland. She married Sir John Smith of Sydling St. Nicholas in Dorset. She was his second wife.

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Tennants Auctioneers
Los 57

Mayall, John Jabez Edwin Series of Photographs of Eminent Men. Messrs Marion & Co., 152 Regent St., 1862. Seven albumen prints after photographs by Mayall, all flush mounted to captioned card mounts, five signed and dated 1861 in the negative, 6 in original paper wrappers printed with title details, all signed by subjects on the mount, all contained in likely original folio folder. The seven photographs comprise: Prince Albert, the Prince Consort - this photograph was taken two months before Albert's death from typhoid and is likely the last taken of him. After his death the picture was hugely popular, with 70,000 of the carte de visite ordered from Mayall. W.E. Gladstone; John Russell, 1st Earl Russell; Edward Smith Stanley, 14th Earl of Derby; Henry Brougham, 1st Baron Brougham and Vaux; John Singleton Copley, 1st Baron Lyndhurst; John Bright Mayall was a devoted believer in the photographer as artist. He used his background in chemical dye works to continually refine the process of Daguerreotypes. He was a pioneer of allegorical photographs and his work led him into a friendship with Turner, with whom he exchanged ideas on light and shadow. It was the Great Exhibition though which propelled him to the forefront of British photography. After this, his portrait work was in high demand and in 1860 he was called upon by the Royal Family. These pictures made his name and fortune, as he was granted the rights to sell the pictures as cartes de visite. The photograph of Albert comes from this period and was likely his most famous and desired print.

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Bourne End Auction Rooms
Los 224

A portrait of Queen Victoria, photogravure by Aman & Sons from a photograph by Hughs & Mullins, bears a signature and dates, 11 1/2" x 8", framed and glazed with a plaque inscribed, Presented to Major G C Bayly Her Majesty Queen Victoria In Commemoration of Her Majesty's Diamond Jubilee 1897

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Tennants Auctioneers
Los 19

Baumer, Lewis RBA Portrait study of a lady with red hat and red flowers, signed, pen, ink and watercolour, framed. Baumer was a noted British caricaturist and illustrator, particularly known for his work in Punch.

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Bamfords Auctioneers & Valuers
Los 717

Doreen Bates hand painted studio pottery, including rectangular twin handle tray, winter landscape plate, etc; others, floral portrait jug, fruit jug, vase, etc

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Cooper & Tanner
Los 227A

Nicholas De Grandmaison, A portrait of American Red Indian Chieftain 47cm x 39cm

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Cooper & Tanner
Los 230

English School, 19th century, portrait of a female with a fur shawl 74cm x 61cm

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Tennants Auctioneers
Los 2110

The Royal Mint 2015 Five Sovereign Gold Coin Proof Twin Sets Featuring The Fifth Portrait First Edition Proof Set and the Standard Portrait Proof Set. Each set consisting of the £5, £2, Sovereign, Half Sovereign and Quarter Sovereign. Complete with Booklet and CoA and presented in their original boxes and housed together in a Royal Mint Premium outer box 350 and 500 sets respectively of each issued,

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Tennants Auctioneers
Los 2116

Royal Mint 2006 Gold Proof Britannia Five-Coin Portrait Collection Presented in the Royal mint box and outer box of issue. Complete with CoA 079 of 250 Each weighing 8.51g total 42.55g

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Tennants Auctioneers
Los 2151

Falkland Islands, 2 x Commemorative Sterling Silver Proof Coins comprising: (1) £25 '100th Anniversary of Self Sufficiency' 1885-1985, obv. Maklouf portrait of the Queen, rev. SS Great Britain in frosted relief, diameter 63mm, wt 150g, with cert, in case of issue FDC & (2) 50 pence '150th Anniversary 1833 - 1983' obv. Machin portrait of the Queen, rev. 'FALKLAND ISLANDS' & dates around galleon under sail, 38mm, 28.28g, with cert, in case of issue, FDC, together with Bahamas 2 x frosted silver proof 10 dollars 1978 'Fifth Anniversary of Independence 10 July 1973' rev. portrait of Prince Charles, obv. national arms & supporters, each 49mm, 45.4g, .500 silver, with certs, each encapsulated in case of issue FDC & a 1oz .958 silver bullion Britannia £2 2000, card mounted, BU

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Bellmans
Los 385

ALFRED HITCHCOCK / PATRICIA HITCHCOCK EPHEMERA: a collection of publicity photographs and personal letters written to British actor Peter Halliday from Patricia Hitchcock, 1950s - 1983, and an Order of Service for Alfred Hitchcock's Memorial Service, June 1980; the small collection includes a group of eight publicity photographs, depicting Alfred Hitchcock with his wife (film editor) Alma Reville, daughter Patricia, son-in-law Joseph E. Connell Junr, and grandaughters, CBS photo. by Gabor Rona red stamps on versos, and images of the director on various film sets with Joseph Cotton, Farley Granger, Ingrid Bergman, a sepia toned portrait of Patricia Hitchcock, Bill Doll & Company, Anita Playhouse, New York blue stamp on verso, mostly 25.5cm x 20cm, a group of six letters written by Patricia Hitchcock, from 1950 - 1983, to her close friend, British actor Peter Halliday, five handwritten, and one typed and signed, a few undated in their original California postmarked envelopes, approx. 360 lines on 20pp, two on printed headed notepaper from 1097 Belagio Road, Bel Air and 5227 Avenida Hacienda Tarzan, California, the contents are full of newsy Hollywood snippets, writing of her amusement Peter had seen 'Stage Fright' in German, the shock at the sudden death of Al Jolson, . . . 'I'd seen him the night before at a restaurant', . . . and Alan and Sue Ladd's accounts of 'terribly young soldiers returning from the front (Korea) battered and exhausted', a few casual references to her father, . . . 'Hitch has bought another car. A Chevrolet, we've left it in New York . . . , . . . 'still no work but I hope to be doing something in one of Daddy's shows in February', . . . together with a 10pp. Order of Service, and invitation card for Alfred Hitchcock's Memorial Service, Westminster Cathedral, Tuesday 3 June, 1980, with the LA Times newspaper obituary cutting loosely inserted.provenance: from the collection of British actor Peter Halliday by descent to the vendor.

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