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283287 Los(e)/Seite
![A Gentleman oil painting the pewter collector portrait by Joyce Laing OBE [57x63cm]Laing saw a means of releasing creativity](https://cdn.globalauctionplatform.com/32408a6d-566a-4538-a03b-b18f00b1b410/fcb0e634-b513-4944-a203-b18f00f80814/468x382.jpg)
Los 390
A Gentleman oil painting the pewter collector portrait by Joyce Laing OBE [57x63cm]Laing saw a means of releasing creativity in long term psychiatric in-patients such as Angus McPhee (who did not speak for fifty years) but created woven grass art,] and worked with long-term (including violent) prisoners in the Barlinnie Special Unit, Glasgow, Scotland, such as Jimmy Boyle[8] and Hugh Collins, both in prison for murder, who became sculptors. She was awarded an OBE in 2008 for her work and founded two major Scottish art exhibitions and wrote and edited publications about the evolution of art therapy.Laing was among those leading the call for a Scottish Centre for Art Extraordinary (also known as Outsider art)[14] which was made a permanent exhibition in 2022 in the Kelvingrove Art Gallery and Museum, [10] but she had started with a touring exhibition, Inner Necessity in 1997.[9] Laing donated her collection of over 1100 works of art by prisoners and psychiatric patients to Glasgow museums in 2012.[10] Some of the material she collected was being discarded as large psychiatric units were closed down and Laing was said to have 'rummaged in bins' to save the patients' work, not generally regarded as 'art' by many at the time, but valued by her as made by untrained artists, but a form of vital self-expression or 'compulsion'. In 2023, the gallery will exhibit 50 years of art work from Barlinnie.She also co-founded the Pittenweem Arts Festival in 1981 serving on the board until 2007, which built up from old photographs of local lifeboats to annual open house events (art works exhibited in residents' homes) and grew to involve known artists such as Ian Hamilton Finlay, Will Maclean, Oscar Marzaroli, Joan Eardley and John Bellany.
![E SolomonOil painting portrait of a young girl. Signed and fitted within a moulded gilt frame. [49x44cm]](https://cdn.globalauctionplatform.com/32408a6d-566a-4538-a03b-b18f00b1b410/8b9558a4-dc28-4935-bc67-b18f00f3ba0f/468x382.jpg)
![Elyse Lord coloured etching “Spring woman portrait [25/75] [37x39cm]](https://cdn.globalauctionplatform.com/32408a6d-566a-4538-a03b-b18f00b1b410/c39bd041-5025-4e3e-80f5-b18f00f71a59/468x382.jpg)
Los 1171
A late 20th Century South African Candida Sterling white metal brooch, of concave circular form decorated with a high-relief portrait of a native African woman and child in traditional dress, 4.5 cm. ["Candida" was a brand name of jewellery designer and silversmith Joe Calafato (1912-1991), working out of Pretoria and using this particular brand during the period (1947-1972).]
Los 1253
A late 20th Century South African Candida Sterling white metal brooch, of concave circular form decorated with a high-relief portrait of a native African woman, 26 mm. ["Candida" was a brand name of jewellery designer and silversmith Joe Calafato (1912-1991), working out of Pretoria and using this particular brand during the period (1947-1972).]
Los 1255
John William Bailey RA (1831-1914, portrait miniaturist)A Victorian canine portrait enamelled ceramic plaque and 9 ct gold stick pin, depicting the dachshund "Champion Pterodactyl", inscribed verso, signed and dated J W Bailey 1893, in Dobson & Sons of London fitted case, 5.5 cm, 3.4 g. [Pterodactyl (1888-1897) was one of the most prize-winning show dogs of his time and was in great demand for breeding, influencing the appearance of the modern breed, his skeleton was donated by his owner Mr Sydney Woodiwiss to the Derby Museums.]
Los 1499
Charlotte Blakeney Ward (Eccles, 1898 - 1939)A portrait of a bright-eyed, innocent-faced young girl with a blue bow in her caramel hair, pastel, signed C Blakeney Ward, in a gilt moulded frame under glass, 40 x 35 cm overall[Blakeney Ward was a turn of the century portrait painter who exhibited at the Paris Salon of 1900. One notable portrait by the artist being that of suffragist Mary Collin.]
Los 1509
Joseph Herbert Bentley (1865-1940)A soft, chiaroscuro portrait of artist William Boden (1840-1920), oil on canvas, signed and dated 1900, in fancy gilt frame, 85 x 75 cm overall[Bentley was a portrait painter who trained at the Lincoln School of Art and went on to exhibit at the Royal Academy. His portrait of Queen Victoria is part of the collection at the Guildhall and Stonebow in Lincoln.]
Los 212
Severus Alexander. 222-235 AD. Silver Denarius, 20.5mm. 3.37g. Rome mint. 15th emission, 232 AD. Laureate and draped bust right. R. Spes advancing left, holding flower and raising hem of skirt. RIC IV 254; BMCRE 896; RSC 543. Lightly toned, underlying luster. Superb EF. Wonderful portrait. An attractive coin in hand. From the Leo and Paula Gorelkin Collection. ex. CNG eAuction 550, lot 570.
Los 209
A large USSR Russian Soviet Union Industrial Association flag banner. Double layered red velvet with yellow braided edges. One side with a Lenin portrait, the other the national hammer and sickle emblem. Measures approx 130x165cm. If this lot is required to be posted please see sale notes regarding age verification.
Los 3252A
Two famille rose figures of Budai He Shang, the Monk of Chan Buddhism, identified with Maitreya. One figure with a rosary in his right hand, 26cm high, the unglazed base inscribed [Zhu Maoji?; some radicals unclear]. The other figure surrounded by five children, about 26 cm high, and with two marks on the unglazed base. Both figures post Qing Dynasty [2] Provenance: The Property of a Lady. The origin of Maitreya's iconography presumably emerged at some stage after the reign of Emperor Mingdi [58-75 AD] when Buddhist Devotion is first thought to have arrived in China [page 113 of William Watson's 'The Arts of China to AD 900', refers]. Maitreya's role as a Bodhisattva takes the position of Sakyamuni's succession at an unspecified moment that is yet to come. Certainly, from the 6th Century onwards the Chan interpretation of Mahayana Buddhism spread with devotion in both the Tang and the Song evident.The association of Budai with Chan Buddhism in art may perhaps be dated to at least the first half of the 15th Century, a period that followed the Hongwu Emperor's monastic calling as a young man [See for instance the Chan Buddhist portrait thought to depict Budai and Fenggan/Metropolitan Museum of New York/Rogers Fund 1968/64.48]. Condition Report: The figure with children: there is hairline crack to the left arm and minor nibbles to the lotus flower on the figure's chest. There are two small marks to its back where the paint is absent. There is minor wear to the gilt nodules below the right hand. The other figure: gilt worn to nodules and minor scratches to the back in one area.
Los 687
Clare, John. The Village Minstrel, and Other Poems, first edition in two volumes, London: Taylor & Hessey, 1821. Vol. I: pp. xxviii, [iii] 4-216, 4pp. advertisements; Vol. II: [viii], [iii] 4-211, 4pp. adverts. The first volume with a stipple-engraved frontispiece portrait of the author, the second volume lacking frontispiece of Clare's Cottage, both volumes complete with half-titles. Contents well-preserved & bright, some light pencil underlining, untrimmed page edges, contemporary blue paper-covered boards worn and lacking spines (though one is loosely-inserted), boards detached, but internally very good, 12mo. Together with a second edition of the same, again in two volumes, this time in pink paper-covered boards and with both engraved frontispieces present, pale spotting (4)
Los 104
Straßner, Ernst. (Blumenstillleben mit Holunder-, Mohnblüten und Rosen). Aquarellmalerei / Mischtechnik auf Papier. Signiert und datiert unten rechts "E. Straßner [19]89". Blattgröße 41 x 60 cm. Rahmengröße 61,5 x 78 cm (Hochformat). (38) * Zum Künstler Ernst Straßner (1905 - 1991), vgl. dazu R. Nahrwold, Ernst Straßner, Braunschweig 1991 [Braunschweiger Werkstücke Bd. 82.]. Straßners Gesamtwerk gliedert sich wie folgt: In seiner Studienzeit 1924 - 1932 verbinden sich die Gattungen Stillleben und Portrait nach der naturalistischen Gegenstandsaufnahme wie bei seinen Vorbildern Thoma und Leibl. In den Jahren 1933 - 1945 haben Landschaftsbilder und Portraits den Vorzug, die vorwiegend in Ölmalerei mit impressionistischer Tendenz ausgeführt werden. In der Braunschweiger Zeit von 1956 - 1970 überwiegt in der Farbigkeit seiner Bilder der Kolorismus seiner Vorbilder Matisse, Purmann und Bonnard. Ab 1971 herrscht das koloristische Valeur seines Vorbildes Cézanne vor. Das Aquarell in hellen und leuchtenden Farben zeigt ein Blumenstillleben mit einem Strauß Holunder-, Mohnblüten und Rosen vor einem abstrakt wirkenden Hintergrund. Zustand: Mit altersbedingten unauffälligen Schab- und Kratzspuren, etwas angestaubt. Rückseitig mit Klebe- und Montageresten. Der schlichte Rahmen ist gering berieben bzw. beschädigt. Schöne und farbenfrohe Darstellung.
Los 131
Mourlot, Fernand. Souvenirs et portrait d’artiste. Jacques Prevert - Le Coeur à L Ouvrage. Paris, Morurlot, 1972 [Alain A.C. Mazo, Paris et Leon Amiel, New York, éditeurs]. 4°. Mit 25 Lithographien (19 farbigen und eine doppelblattgroß). In Lagen lose, mit dem originalen Papierumschlag eingelegt in einer Leinenkassette mit Rückentitel. (58) * Unnummeriertes Exemplar - mit Lithographien von: Brianchon, Masson, Beaudin, Fenosa, Esteve, Guiramond, Matisse, Terechkovich, Braque, Derain, Picasso, Jenkins, Miro, Cocteau, Minaux, Villon, Chagall, Giacometti, Buffet, Wunderlich, Delvaux, Vasarely, Manessier, Lepicque and Sutherland. Freundschaftsbuch der bedeutenden französischen lithographischen Anstalt. Zustand: Alle Lithographien sind im guten Zustand. Der Papierumschlag ist etwas fleckig, berieben, mit Knickspuren und kleinen Läsuren. Innen gering fingerfleckig, mit leichten Lagerspuren. Einige Textseiten mit Abklatsch der Lithographien. Die Leinenkassette ist angestaubt,berieben und bestoßen. Seltene und gesuchte Ausgabe.
Los 3715
Patch, Thomas (1720 Exeter - Florenz 1782) Selbstbildnis als Ochse, Nr. 13 aus der Serie "The Twenty-Five Caricatures" von ca. 1769/1770. Radierung/Bütten mit Wasserzeichen (fleckig, Randmängel), mit Text auf Latein, Griechisch sowie Italienisch wie "Qui se humiliat exaltabitur" und bez. "Se ipsum pinx". Darstellung 28,5x 34,5 cm, Blattgröße 31,4x 38,7 cm. Wvz.: Wohl Le Blanc 1 Stephens/George 3088 Watson 5713. Ein weiteres Ex. befindet sich in der National Portrait Gallery, London 6913.
Los 1421
After Sir Anthony van Dyck, Portrait of King Charles I; Portrait of Queen Henrietta Maria, a pair, oil on canvas, oval, each 58 x 42.5cm.(2) Framed Condition Report: Both relined, fine craquelure throughout, he with scattered retouchings visible throughout visible under UV light, she with extensive retouchings visible mainly to background under UV light. Both need a clean. In good 18th century carved giltwood frames.
Los 1412
Thomas A. Woolnoth (British 1785-1857), Portrait of a young man, full length standing in a landscape, oil on canvas, signed lower right, 92 x 63cm. Unframed Condition Report: Relined, some surface scuffs/minor paint losses, minor retouchings/infillings visible under u.v. light, needs cleaning and minor retouching.
Los 1411
Manner of Sir Peter Lely, Portrait of a lady, three quarter length seated, a landscape beyond, oil on canvas, bears typed inscription in Spanish on label verso, bears a Galleria Moody, Buenos Aires plaque on stretcher, 63.5 x 53.5cm. Framed. Condition Report: Probably 18th century in date, appears to have an old relining, peripheral rubbing to canvas where it has shifted in frame, fine craquelure, old retouchings visible under u.v. light, very dirty, needs a clean.
Los 1323
J Wheeler (British, exh. 1817-1845) Portrait Portrait of Mr W. Grant of Newberry; Portrait of Mrs Grant, a pair, watercolour, both signed, inscribed and dated 1836 on reverse, each 13.5 x 11cm.(2) Framed and glazed. Condition Report: Both original condition under glass, may benefit from a light clean.
Los 1390
English Provincial School (c.1800), Portrait miniature of a young lady, watercolour, oval, in a setting with a border of plaited hair, and a monogram in a glass and gold metal setting, 6.5 x 4.5cm.; together with a further portrait miniature of a lady over a printed base and an early 19th century silhouette of a Regency lady, heightened with gold paint. (3)
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283287 Los(e)/Seite