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283287 Los(e)/Seite
Los 979
ENDTERBIBEL, "Biblia, das ist die gantze Heilige Schrift", Titelseite fehlt, sowie dazwischen Seiten und letzte Seite fehlen. Nürnberg zwischen 1656 und 1706, Ganzleder der Zeit besch., mit zahlreichen Textholzschnitten, beigegeben zwei gerahmte Seiten mit Titel der "fünf Bücher Mose" und Portrait-Frontispiz
Los 890
AN INDIAN PORTRAIT MINIATURE OF A HORSE'S HEAD painted on ivory, 10cm x 7.5cm (oval), framed and glazed. Condition Report : Good condition; in a later frame. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 42
A Rare pair of Staffordshire Portrait figures of Moody and Sankey. Moody, titled in black capitals. Figure of Dwight Lynam Moody (1837-99), United States evangelist who visited England in 1873 and 1883 with Ira Sankey. Ref: Pugh, plate D-5 fig 9(a). Harding Book 1, p.89. Sankey, titled in black capitals. Figure of Ira David Sankey (1840-1908), United States evangelist and hymn writer, who visited England with Moody. Ref: Pugh plate D-5 fig10(a). Harding Book 1 p.124. This rare pair of figures are well modelled and in fine under glaze black. For this size of the pair, Moody has his right leg separated and forward, and Sankey, similarly, his left leg. Each has a hand on, probably, a bible at the top of a pedestal. Circa: 1873 Size: 11.5 inches, 29.5cm high Condition of Moody: Paint flakes to bible, Condition of Sankey: Nose scuffed, paint flakes to hair and bible, no other damage or restoration Provenance: The Stephen Duckworth Collection
Los 43
A Staffordshire Portrait figure titled Wesley in gilt script, this small figure shows John Wesley (1703-91), the founder of Methodism standing and preaching from a bible. The subject of Wesley was one of the most popular for portrait figures in Victorian times, although he was a historic not contemporary figure. Many of the Staffordshire potteries made similar figures, in a limited number of styles. Ref: Pugh, plate D-9, fig.22. Harding, Book 1, similar to p.150, fig.383. Circa: 1840 Size: 13cm H Condition: In good condition, no damage or restoration Provenance: The Stephen Duckworth Collection
Los 45
A Staffordshire Portrait Untitled figure of Rev. Joseph Fletcher or Rev. Thomas Raffles ((1788-1863). Titled versions of both preachers exist, but the figure depicted is identical in each. Pugh and later authors have been uncertain whether Joseph Fletcher is ’the elder’ (1784-1843), or his son ‘the younger’ (1816-76). The untitled figure at auction is in fine under glaze black, and holds a bible resting on a pedestal, all on a round pale green base. There is a conspicuous finger print on the lilac enamel paint of the bible which must have been applied in the pottery before the paint had dried. Ref: Pugh, plate 19, fig.41. Harding, Book 1, figs,133 and 289. Circa: 1850s Size: 23.5cm H Condition: In good condition, no damage or restoration. Provenance: The Stephen Duckworth Collection, also Oliver-Sutton Antiques (label).
Los 46
Two Staffordshire Portrait Figures of Rebekah and Abraham’s servant, based on a painting by Horace Vernet of the same subject, but with a tree trunk which serves as a spill holder in place of a well between the figures. (Genesis 24:18). 1860s. Under glaze blue on the clothing. Ref: Duckworth, A.6a and pp.35-37. Harding, Book 2, p.38. Circa: 1860s Size: 20cm H & 15.5cm H Condition: Chips to the rim of spill on smaller figure, staining to the backs of both figures. Provenance: The Stephen Duckworth Collection also Oliver-Sutton Antiques (label) (note) Please see additional images for an image of the engraving of the painting which the potters will almost certainly have used.
Los 47
A Rare Staffordshire Portrait Figure of Jesus with a crown of thorns and bound wrists, standing on a round base, with a long cloak over his loincloth. (Matt 27:27). Ref: Duckworth, B.44 and pp.54-55. Harding, Book 2, p.21. Circa: 1860s Size: 24cm H Condition: Paint flakes on hair and thorn crown & slight wear to gilding. No damage or restoration. Provenance: The Stephen Duckworth Collection, also Lt.Col. A.C.W.Kimpton’s Collection (label).
Los 48
A Rare Staffordshire Portrait Figure of Jesus and the woman of Samaria, with the two standing separately on an oblong base. Alternatively the woman may represent Mary, sister of Lazarus, with a bottle of oil of nard. (John 4:7 or John 12:1-8). Ref: Duckworth, B.26 and p.50. Harding, Book 2, p.22 Circa: 1860s Size: 21cm H Condition: Woman has been off from base and re attached, some scuffs to base rim, slight wear to gilding. Provenance: The Stephen Duckworth Collection
Los 49
A Staffordshire Portrait Figure of The Peaceable Kingdom – Lion, child and lamb. (Isaiah 11:6). The lion sits on an oval base, straddled by a child holding a lamb. Ref: Duckworth, A.42 and p.45. Circa: 1870s Size: 18cm H Condition: In good condition, there are some paint flakes to hair and black enamel. No damage or restoration Provenance: The Stephen Duckworth Collection
Los 50
A Rare Staffordshire Portrait Figure of St.PIERRE, titled in raised black capitals. St Peter is shown standing on a round base, giving a blessing and holding a large bunch of keys in his left hand. The figure was made for the French Catholic market. Ref: Duckworth, B.70 and pp.58-59 and 67. Harding, Book 2, p.40. Circa: 1850s Size: 29.5cm H Condition: In good condition, slight paint flaw to right foot & a couple of firing cracks. No damage or restoration. Provenance: The Stephen Duckworth Collection
Los 51
Two Rare Staffordshire Portrait Figures of Guardian Angels. One Angel guarding over two children lying asleep on a woodland bank with a tree as a spill holder. Ref Duckworth, C.63 and p.73, together with a Crowned angel with sleeping children. This figure has similarities to the other one but the angel wears a crown and appears to be offering fruit, whilst a bird flies from the spill holder tree. Ref: Duckworth, C.64 and p.73. Date: Circa 1850-1860s Size: 24cm H & 20cm H Condition: Crowned angel has a small chip to spill rim, some paint flakes to hair and green enamel, otherwise in good condition. Provenance: The Stephen Duckworth Collection. Also, The Martin Smith Collection (label) on Crowned angel
Los 52
A Set of Three Rare Staffordshire Portrait Figures of Faith, Hope and Charity, The figures are white, but with flesh and hair colouring. Each is given its title in gilt capitals. Faith carries a cross, Hope stands before an anchor, and Charity is with two children. Faith and Hope have clock faces beneath. Charity has a watch holder. Ref: Duckworth, C.84, 85 and 86 and pp.74-75. Harding, Book 2, p.47. Circa: 1870s Size: 31.5cm H Condition of Faith: In good condition. Condition of Hope: Chip to clock surround Condition of Charity: Slight wear to gilding, otherwise in good condition. No other damage or restoration. Provenance: The Stephen Duckworth Collection
Los 54
A very rare Staffordshire Portrait Figure of a Child asleep with lamb and wreath. The girl is sleeping sitting on a rock and she holds a wreath in her right hand and has the other arm over a lamb. A bower arches over the scene. The girl probably is to commemorate a child who died early or in childbirth. The lamb probably indicates that she is now with Jesus Christ, the Lamb of God. Ref: Duckworth, C.69. Circa: 1870s Size: 19.5cm H Condition: Few paint flakes to the shoes, otherwise in good condition. No damage or restoration. Provenance: The Stephen Duckworth Collection
Los 55
A Rare Staffordshire Portrait Figure of Christ with a cross behind his head and a rounded holy water stoup beneath an arch with a clock face and four kneeling angels. Ref: Duckworth, C.22 and p.64. Circa: 1870s Size: 34.5cm H Condition: End of one wing has been repaired, hairline crack to one pedestal, scuff to top of cross & slight wear to the gilding. Provenance: The Stephen Duckworth Collection
Los 56
A Rare Staffordshire Portrait Figure of The Virgin Mary and child under an arch surmounted by a cross. An angel eitherside and a shell-shaped holy water stoup. Ref: Duckworth, C.10 and pp.55 and 63. Circa: 1870s Size: 27cm H Condition: The cross at the top of the figure has been re attached. Wear to gilding & some crazing. Provenance: The Stephen Duckworth Collection
Los 254
A Silver and Gilt-Metal Mounted Mother-of-Pearl Cheroot-Case, shaped oblong, with foliage and flower engraved decoration applied to the mother-of-pearl base and sides, the front further applied with a portrait miniature of Cupid and a putto, 14cm longCondition report: The mother-of-pearl and metalwork are in good order. The miniature plaques with some fading and surface marks. The silk is heavily worn and with numerous holes. The internal compartment likewise, with wear to the silk.
Los 259
Three Various Silver Inlaid Purses, variously shaped, one with openwork silver on a green leather body; another with a mother-pearl body, two applied with portraits, the interiors variously fitted, 7.5cm wide and smaller (3)Condition report: Openwork (green leather) example - silver in good order. Clasp functioning. Some wear to the leather edges. Mother-of-pearl example - tiny edge chips to the mother-of-pearl. Clasp not correctly functioning. Some wear to the leather. Third example - silver in good order. Some superficial marks to the edges of the portrait miniature. Clasp not functioning and with heavy wear to the leather edges.
Los 329
Early 20th century portrait miniature of a young girl collecting flowers in wide gilt frame; together with a Victorian small needlework picture, two ambrotype cabinet pictures, two early 19th century silhouette miniatures, a further portrait miniature; and a late 18th century stipple engraving by John Gillray depicting the well-known Whig barrister Thomas Erskine, 'Councillor Ego', as a supporter of the French Revolution
Los 543
'PORTRAIT OF A SECOND-RANK OFFICIAL', QING DYNASTYChina, 18th-19th century. Ink, watercolors, and gilt on paper. The finely painted half-portrait depicting an elderly official of the second rank, as evidenced by the coral finial on his hat and the golden pheasant on his rank badge. His wealth and prestige are further evidenced by his long tourmaline necklace and tiger-skin seat cover. His face is realistically painted with well-detailed features, such as deep wrinkles, short eyebrows, a hooked nose, intense eyes, and a long, thin beard.Provenance: From an old Austrian private collection. The backside of the frame with a manual inscription “R. Wytek Privat” and a date “2.5.96”. Condition: Very good condition with minor soiling, browning and foxing. Matted and framed behind glass.Dimensions: Image size 19.7 x 19.7 cm, Size incl. frame 40 x 39.5 cmLiterature comparison: Compare a related full-body portrait of Lirongbao, the father-in-law of Emperor Qianlong, painted posthumously during the 18th or 19th century and now in the collection of the Arthur M. Sackler Gallery of the National Museum of Asian Art, Smithsonian Institute, accession number S1991.130.Auction result comparison: Compare a related full-body portrait of a second-rank civil official, also dated 18th-19th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 17 September 2010, lot 1060, sold for USD 74,500.清代二品官員肖像畫 中國，十八至十九世紀。紙本水墨設色。肖像畫描繪了一位二品文官，帽子上的珊瑚飾邊和官服補子上的金雉就是證明。 他的碧璽朝珠和虎皮椅套進一步證明了他的財富和聲望。 他的臉被描繪得非常逼真，細節如深皺紋、短眉毛、鷹鉤鼻、目光和鬍鬚。 來源：奧地利私人老收藏。背面可見手寫注明 “R. Wytek Privat” 以及日期 “2.5.96”。 品相：狀況極好，有輕微污漬、褐變，玻璃面裝裱。 尺寸：畫面19.7 x 19.7 厘米，總 40 x 39.5 厘米 拍賣結果比較：比較一件相近的十八至十九世紀二品官員全身肖像畫，見紐約佳士得Fine Chinese Ceramics and Works of Art 2010年9月17日lot 1060, 售價USD 74,500。
Los 606
A FINE INDIAN MINIATURE PAINTING OF HANUMANIndia, Pahari, 17th to early 18th century. Watercolors, ink and gold on paper. The monkey god in animated profile facing left, wearing a red veshti and gold-red sash, adorned with beaded jewelry, armlets, bangles, earrings, and a golden crown, all framed by a red border.Provenance: Heeramaneck Galleries, New York, 1940. Albright-Knox Art Gallery, Buffalo, acquired from the above, accession no. 1940:17. The mat is inscribed in pencil, 'Indian. Portrait of Hanuman, The Monkey God, 17th C. Watercolor on Paper. 1940:17. PV Dr 28B'. Nasli Heeramaneck (1902-1971) was a Parsi-American art dealer, specializing in Asian and Pre-Columbian art. Born in Bombay, he moved to New York in the 1920s, and lived and worked there until his death. Works collected by him and his wife, Alice, are now held by, among others, the Los Angeles County Museum of Art, the National Museum of New Delhi, and Yale University. The Albright-Knox Art Gallery is an art museum in Buffalo, New York. The parent organization of the Albright–Knox Art Gallery is the Buffalo Fine Arts Academy, founded in 1862, one of the oldest public arts institutions in the United States.Condition: The subject is in good condition. The background shows some losses and respective ancient touchups. Matted.Dimensions: Image size 16.2 x 11.1 cm, Folio size 20.9 x 15.2 cm, Mat size 46 x 35.5 cmAuction result comparison: Compare a related Indian miniature painting of Hanuman, dated 1700-1720, at Christie's London in Garden of Epics – A Private Collection of Indian Paintings on 10 June 2013, lot 4, sold for GBP 10,000.
Los 583
A FINE AND RARE PAIR OF PAINTED WOOD BRIDAL FIGURES, LORO BLONYOEast Java, late 19th to early 20th century. Each figure is superbly carved with angular proportions, wearing a fine sarong richly decorated with diapered patterns, secured by a belt tied around the waist. Their faces with almond-shaped eyes, gently arched eyebrows, and full lips. Their headdresses are quite different, hers in the form of a tiara and his in the form of two overlapping headbands. (2)Provenance: From a private collection in Jakarta, Indonesia, acquired in 1984. The collection of Alexander Goetz, acquired from the above in 2018. Alexander Goetz is a noted German art expert and collector who specializes in Indonesian works of art. As a young man, he built and sailed wooden boats around the world, and eventually arrived in Bali in 1971. Within a year, he became involved in the local art scene and in 1975, he was sponsored by the Indonesian Institute of Science to do research on contemporary art in Bali. In 1990, Goetz and his family moved to London where he opened a gallery specializing in Southeast Asian art, with Indonesia as the main focus. Since 2015, Alexander Goetz has run Gallery 101, a dedicated art space in Kabupaten Badung, Bali.Condition: Very good condition with old wear, distinct signs of weathering and erosion, minor losses, age cracks, worm holes, loss of pigments, possibly minor touchups.Weight: 6.7 kg and 6.1 kg Dimensions: Height 71.5 cm and 70.5 cmThis pair of figures represents Dewi Sri, the rice harvest goddess, and her consort Sadono. Dewi Sri is a deity associated with fertility and prosperity due to her connections to rice and rice harvest. The figures hark back to pre-Islamic culture on Java and later were incorporated into the syncretic ritual practices of the Javanese. Traditionally, the figures were placed at the base of the canopied wedding bed (krobongan) to promote a prosperous marriage. This practice was initially restricted to royal and aristocratic families but the custom later spread to other societal groups. Once the wedding ceremony had taken place, the figures were removed and replaced by the bride and groom themselves.Expert's note: The present Loro Blonyo figures were worked in the distinct style of the Nganjuk court, which existed until the end of the 19th century, located between Ponorogo and Kediri, and was connected to the Kediri court. The Nganjuk style is probably the rarest of all palace styles in Java. It combines the sophisticated angular body shape from Ponorogo with the naturalistic portrait-style faces of Kediri.Literature comparison: Compare a closely related pair of Loro Blonyo figures, 50.8 cm and 54 cm high, dated “perhaps 1900-1950”, in the collection of the Asian Art Museum San Francisco, object number 2016.287.a-.b.
Los 608
AN INDIAN MINIATURE PAINTING OF A MUGHAL COURTIERMughal India, 17th-18th century. Ink, watercolors, and gold on wasli. The courtier standing in a palace terrace, wearing a white jama with gold hems and details, adorned with beaded and emerald-set jewelry, holding his cane in one hand and a flower in the other, the elaborate headdress crowned by a feather, the face with a fine expression. The lower margin with an old inscription.Provenance: From the collection of Karl Stirner, and thence by descent. Karl Stirner (1923-2016) was a German-born American sculptor known internationally for his metalwork. His art has been shown at the Museum of Modern Art in New York, the Pennsylvania Academy of Fine Arts, the Philadelphia Museum of Art, the Corcoran Gallery, the La Jolla Museum of Contemporary Art, the James A. Michener Art Museum, the Grounds for Sculpture in Hamilton, New Jersey, and the Delaware Art Museum, among other places.Condition: Good condition with minor wear, soiling, water stains, possibly microscopic touchups.Dimensions: Image size 20.5 x 13 cm, total size 33.5 x 23.5 cm (including frame). Framed behind glass.Auction result comparison: Compare a related Mughal portrait of Baqir Khan, dated circa 1635, at Sotheby's London in The Khosrovani-Diba Collection on 19 October 2016, lot 6, sold for GBP 50,000. Compare also a related Mughal portrait of a nobleman, dated circa 1780, at Christie's New York in Indian and Southeast Asian Art on 17 September 2003, lot 128, sold for USD 5,975.
Los 11
DOMINGO MARTINEZ (Seville, 1688 - 1749) and BALTASAR BOUTTATS (Antwerp, 1666/1682-1756)."The majestic and portentous monument of Seville", 1737.Engraving.Paper with faults glued to canvas.Size: 146 x 86 cm.Work that reflects the Funerary catafalque monument of the bishop of Seville, carried out in 1737, which was designed by Domingo Martínez. This artist was trained in his native city, Lucas Valdés being one of his teachers. The sources indicate that he was appreciated in his day, as he received important commissions such as those from the archbishop of Seville, for whom he executed several paintings for the cathedral of the Andalusian capital and the church of Nuestra Señora de la Consolación in Umbrete. During Philip V's court stay in Seville (1729-33) he was also in contact with French painters in the king's service, such as Jean Ranc and Louis-Michel van Loo, whose influence was evident in his work, combined with Murillo's direct inheritance. On the other hand, it was precisely Ranc who proposed Martínez as court painter, an offer which the painter rejected, however, as he did not wish to move to Madrid with the king. He had several disciples, and we know that his workshop trained Andrés de Rubira, Pedro Tortolero and Juan de Espinal, the latter of whom would eventually become his son-in-law and heir to the family workshop. His first major work was the decorative ensemble of the church of the Colegio de San Telmo, with paintings on the life of Christ and his relationship with the sea, executed in 1724. Six years later he produced two large paintings for the Convent of Santa Paula in Seville. In the 1730s he also executed individual works and ensembles for churches in Seville and its province, always on religious themes, as well as the portrait of Archbishop Luis de Salcedo y Azcona for the Archbishop's Palace in Seville (1739). He was equally prolific in the last decade of his life, when he executed tempera decorations for the churches of Santa Ana and San Luis de los Franceses in Seville, as well as several canvases. His last work, executed around 1748, was a set of eight canvases depicting the great masquerade held in Seville in June of the previous year on the occasion of Ferdinand VI's accession to the throne. Works by Martínez are currently housed in the Seville Museum of Fine Arts.
Los 89
School of Guatemala; first third of the 18th century."Don Francisco Rodríguez de Rivas".Oil on panel.Size: 38 x 33 cm; 50 x 36 cm (frame).Work in which the portrait of Don Francisco Rodríguez de Rivas (1662-c.1731), known for his positions of captain general and governor of Guatemala, as it is well pointed out in the border that accompanies the effigy of the protagonist. Don Francisco Rodríguez enlisted in the navy around 1680, to which he devoted ten years of his life. In 1698 he was appointed by Charles II, corregidor of the town of Rio Bamba, located in Quito. After his arrival he was appointed lieutenant captain general of Peru, his achievements in this company led him directly to the post of governor in Guatemala in 1711, although it was not until 1716 when he acceded to his post in which he remained until 1724. In this work we see the dashing, authoritative protagonist in the centre of the composition, with his command staff resting on the ground and his elegant wig. Aesthetically the work follows the precepts established by court portraiture, with the sitter in the centre of the scene and the large curtain in the background. This portrait also includes the coat of arms in the upper left-hand corner and the aforementioned border specifying the identity of the sitter.It should be noted that during Spanish colonial rule, painting was mainly religious in nature, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins. Despite this influence of Spanish painting, it is worth mentioning that the establishment of the Viceroyalties was a period of artistic fecundity, fostering commissions for numerous pictorial works, sculptures and architectural structures that could satisfy the establishment of the institutions. However, in the early years of the 19th century, at the time of the independence and political opening up of some of the colonies, several artists began to represent a new model of painting with its own identity.
Los 131
Palestinian leader.- Amin al-Husseini (Mohammed, Palestinian Arab nationalist and Muslim leader in Mandatory Palestine, Grand Mufti of Jerusalem, c. 1897-1974) Portrait photograph signed, by C. Raad of Jerusalem, silver print photograph, signed on mount, photograph 211 x 160mm., Jerusalem, [c. 1920] § Interview with the Grand Mufti..., 6pp., on Grand New Hotel, Jerusalem notepaper, 8vo, 27th July 1930; and 2 others, including a print of the visit to Jerusalem by the Crown Prince of Germany in 1869, v.s., v.d. (4).⁂ First mentioned, photograph by Khalil Raad (1854-1957), known as Palestine's first photographer.
Los 147
Woman author.- Behn (Aphra) Histories, novels, and translations, written by the most ingenious Mrs. Behn; The second volume, the greatest part never before printed, first edition, lacking engraved portrait, some foxing or staining, lightly browned, contemporary panelled calf, rebacked, corners worn, couple of small areas of loss to leather of lower cover, [Wing B1711A etc.], 8vo, Printed by W.O[nley]. for S[amuel] B[riscoe] and sold by M. Brown, at the Cross-keys on Ludgate-hill, 1700.⁂ Published separately from the first volume. It is rare at auction.
Los 148
Binding.- Hale (Sir Matthew) Contemplations moral and divine: in two parts, 2 parts in 1, lacking portrait, some spotting or light foxing, lightly browned, contemporary black blind-stamped armorial panelled morocco, gilt, spine in compartments, spine faded to olive, loss of gilt to 1 corner-piece of upper cover, rubbed, g.e., 8vo (202 x 132mm.), Printed for D. Brown [& others], 1711. sold as a binding and not subject to return.
Los 150
Church of Scotland General Assembly. The Humble Address and Representations of the Commission of the General Assembly of the Church of Scotland... William Mitchel Moderator, printed broadside, 2 small chips to edges, folds, browned, [ESTC lists 4 copies only], n.p., 1712; and 18 other pieces, comprising 10 other pieces of ephemera, 1 manuscript German list of soldiers, 1781 and 7 prints including a portrait of William Pitt and "The Regent's Bomb", v.s., v.d. (19 pieces).
Los 162
Gibbon (Edward) The History of the Decline and Fall of the Roman Empire, 6 vol., vol. 1 third edition, vols. 2-6 first editions, engraved portrait frontispiece, 3 engraved folding maps, errata leaves in vol. 2 & 3, vol. 4 3UI with short marginal tear, vol. 6 2M3 with small loss to lower corner, vol. 3 line 18 with misprint "Honorious" and p.177 correctly numbered, vol. 1 with Watson's 'An Apology for Christianity ...' bound at end, scattered faint spotting, bookplates, contemporary calf, vols. 1-3 with upper covers detached, a little rubbed, 4to, 1777-88.
Los 167
Moore (John) The Works of Tobias Smollett, 8 vol., engraved portrait frontispiece, light offsetting, vol. 3 and 5 with some heavy spotting to rear, red morocco, vol. 7 with 3 small stains to spine, spines and extremities rubbed, g.e., 1797 § Walpole (Horace) Memoirs of the Reign of King George the Second, 3 vol., first edition, 6 engraved portrait plates, light offsetting, very occasional spotting, contemporary calf with red morocco labels to spine, vol. 3 with small abrasions to upper joint, extremities a little scuffed, 1846 § Motley (John Lothrop) The Rise of the Dutch Republic, 3 vol., 6 plates, morocco-backed cloth, 1904; and 10 others history, literature and music, v.s. (24)
![NO RESERVE Pickering Diamond Classic.- Virgilius Maro (Publius) [Opera], engraved portrait frontispiece by R. Grave and addit](https://cdn.globalauctionplatform.com/a6f3dc83-92fd-4c8e-9ea0-ae4c011559bc/3f97d166-1e20-483e-abee-ae4c011964a8/468x382.jpg)
Los 172
NO RESERVE Pickering Diamond Classic.- Virgilius Maro (Publius) [Opera], engraved portrait frontispiece by R. Grave and additional title with wreath and lyre device, errata-slip tipped-in at end, occasional spotting, contemporary purple crushed morocco, spine in compartments and with gilt title, stained, little rubbed, g.e, [Keynes p.93], 83 x 50mm., For William Pickering, 1821.
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283287 Los(e)/Seite