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JACK THE RIPPER a collection of original artifacts relating to Inspector Joseph HenryJACK THE RIPPER a collection of original artifacts relating to Inspector Joseph Henry Helson & the Jack the Ripper murders. (1) a sepia mortuary photograph of the 1st. victim, Mary Nichols. This seems to differ from the known photograph as the angle of the image is very slightly different. (2) 2 photos of Michael Ostrog with notes to the reverse listing 3 of his aliases, criminal record & physical appearance. (3) facsimile copy of the 'Dear Boss' & 'Saucy Jack' letters, cut & pasted onto 2 sheets of paper. These appear to have been cut from the broadside printed in 1888. (3) a pair of handcuffs owned by Helson. (4) portrait photos of Helson & 2 of his colleagues. (5) Helson's Metropolitan Police retirement certificate. (6) a reference letter to Helson dated shortly before he joined the Met. (7) a walking stick with silver collar inscribed to Helson. (8) an 1895 newspaper cutting about Helson.
John Speed. The Historie of Great Britaine under the Conquests of ye Romans, Saxons, Danes and Normans, third edition, engraved portrait frontispiece, numerous woodcut illustrations in text of coins, medals, crests, etc., contemporary reverse calf, engraved bookplate of Edward Sacheverell Sitwell, folio, London: John Dawson for George Humble, 1632.Light browning throughout, last few leaves oiled, calf worn, joints cracked, some surface loss.
The Works of that faithful and painful Preacher... third edition, wood-engraved title border, occasional contemporary ink annotation, contemporary calf, neatly rebacked, folio, London: Samuel Man, 163; Sylvester, Matthew. Reliquiae Baxterianae, portrait frontispiece, a few leaves with contemporary ink annotations, modern half morocco, folio, London: T. Parkhurst, 1696 (2).The Works of that faithful and painful Preacher... third edition, wood-engraved title border, occasional contemporary ink annotation, contemporary calf, neatly rebacked, folio, London: Samuel Man, 163; Sylvester, Matthew. Reliquiae Baxterianae, portrait frontispiece, a few leaves with contemporary ink annotations, modern half morocco, folio, London: T. Parkhurst, 1696 (2).
Dorset: The Isle of Purbeck, 1969; History in St George's Chapel, 1966; History at Salisbury Cathedral, 1964; another edition, 1967; another copy, 1967; The Story of Norwich Cathedral, 1977; The Story of Magdalen College, 1991; Portrait of Arundel, 1993; Cotehele, 1979, all with coloured lithographed illustrated, original wrappers, v.s. (9).(i) cloth spine loose (ii) some volumes with light discoloration to wrappers.
wearing a white shirt and black jacket, head and shoulders, pastel and charcoal, 38 x 31cm The sitter was the father of the poet Elizabeth Barrett Browning (1806 - 1861) and the portrait is held by family tradition to be his likeness drawn by John Mills between 1838 and 1841 when EBB was residing at Torquay and hung in her bedroom at 50, Wimpole St. It is reproduced in Barrett R.A. The Barretts of Jamaica between pages 148-149 (Winfield,Kansas 2000).Slight paper creasing and light overall browning, image possibly slightly rubbed.
W. Wallis (Engraver). The National Gallery, 2 volumes, engraved frontispiece, numerous further engraved plates throughout, contemporary half morocco, 4to, London: Jones & Co, n.d.; Unknown. The National Portrait Gallery, numerous engraved portrait plates, contemporary half morocco, 4to, London: Cassell and Company, n.d.; Bernard Berenson. The Italian Painters of the Renaissance, coloured frontispiece, numerous further illustrations, contemporary full calf by Giulio Giannini Firenze, 8vo, London: Phaidon Publishers Inc, 1953; and 34 others, similar, mostly relating to European art, v.s. (38) Provenance: Ex-Libris Robert Lenkiewicz Foundation (1941-2002).Mixed condition.
Michael Bryan. A Biographical and Critical Dictionary of Painters and Engravers, 2 volumes, engraved portrait frontispiece, numerous other illustrations, later rebound, 4to, London: Carpenter and Son, 1816; Humfry Payne and Gerard Mackworth Young. Archaic Marble Sculpture from the Acropolis, 2 volumes, photographic frontispiece, numerous further illustrations, original publishers cloth, 4to, London: The Cresset Press Ltd, n.d.; and 16 others, similar, mostly relating to European art, v.s. (21) Provenance: Ex-Libris Robert Lenkiewicz Foundation.Mixed condition.
Walter Lawry. A Second Visit to the Friendly and Feejee Islands, first edition, original publisher's cloth gilt, 8vo, London: John Mason, 1851; Anon. Friday Christian; or the First-Born on Pitcairn's Island, frontispiece, original publisher's cloth, 8vo, New York: D. Appleton, 1849; Thomas Boyle. Pitcairn: The Island, the People and the Pastor; with a Short Account of the Mutiny of the Bounty, engraved frontispiece portrait, engraved plates and maps, original publisher's cloth, all edges gilt, 8vo, London: S.P.C.K., 1853; and 2 others, similar (5).(i) endpapers lightly affected by damp (ii) slightly cocked, spine faded (iii) remaining books, mixed condition.
Charles Henry Robinson. Hausaland or Fifteen Hundred Miles Through the Central Soudan, first edition, half-title, photogravure portrait frontispiece, folding map, 16 full-page plates, original cloth gilt, 8vo, London: Sampson Low, 1896.Some spotting, map slightly torn without loss, hinges slightly cracked.
Francis Bacon. Resuscitatio or, Bringing Into Public Light Several Pieces of the Works CIVIL, Historical, Philosophical, and Theological, Hitherto Sleeping. Of the Right Honourable Francis Bacon Baron of Verulam, in Two Parts, third edition, portrait frontispiece, engraved plate, modern panelled calf, folio, London: William Lee, 1671.Light browning throughout, fore-edge ink stained.
Joachim Gasquet. Cezanne, portrait frontispiece, further illustrations, original half parchment with spine label, folio, Berlin: Bruno Cassirer Verlag, 1930; John Rewald. Paul Cezanne: The Watercolours, A Catalogue Raisonne, photographic frontispiece, further b/w and colour illustrations throughout, original publishers cloth with slipcase, 4to, London: Thames and Hudson, 1983, and three others, similar, v.s. (5). Provenance: Ex-Libris Robert Lenkiewicz Foundation.Mixed condition.
Thomas West. Ten Years in South-Central Polynesia, first edition, engraved portrait frontispiece, folding map, original cloth, 8vo, London: James Nisbet, 1845; Rose Annie Rogers. The Lonely Island, first edition, half-title, plates, original cloth gilt, 8vo, London: George Allen, 1926; James Chalmers. Work and Adventure in New Guinea 1877 to 1885, first edition, half-title, folding map, plates, original cloth gilt, 8vo, London: Religious Tract Society, 1885; Arthur Kent Chignell. An Outpost in Papua, first edition, plates, original cloth, 8vo, London: Smith Elder, 1911; and 22 others missionary travels in the Pacific islands, v.s. (26).Mixed condition.
Leo Tolstoy. A postcard photograph portrait, the subject standing with fixed gaze, signed in the upper field 'Leo Tolstoy 19 Mars 1905', with an address verso, 'Madame Beatrice Ramello, Chez Thomas Cook, Avenue l'Opera, Paris, France', 89 x 127mm, B.K.M.I., undated.Some surface marks to image, the lower edge creased, slightly affecting image.
Daniel and Charles Wheeler. Extracts from the Letter and Journals of Daniel Wheeler while engaged in a religious visit to the Inhabitants of some of the Islands of the Pacific Ocean, Van Diemen's Land, New South Wales, and New Zealand, Accompanied by his son, Charles Wheeler, brown cloth blind stamped, 8vo, Philadelphia: printed by Joseph Bakestraw, 1840; Reverend William Yate. An Account of New Zealand; and of the formation and progress of The Church Missionary' Society's Mission in the Northern Island, engraved portrait frontispiece, folding map and nine wood-engraved plates, brown cloth gilt, 8vo, London: Seeley and Burnside, 1835; Reverend M. Russell. Polynesia & The Pacific Islands, third edition, folding map, half-title vignette, blue cloth gilt, 8vo, Edinburgh: Oliver and Boyd, nd; Annals of the Diocese of New Zealand, first edition, half-title, numerous wood-cut illustrations, brown cloth, 8vo, London: Society for Promoting Christian Knowledge, 1856; J. B. Marsden. Memoirs of the Life and Labours of Samuel Marsden, engraved portrait frontispiece, three wood-engraved plates, blue cloth gilt, 8vo, London: The Religious Tract Society, 1857 (5).Mixed condition.
A group of portraits and ephemera including photographs, drawings and prints viz. Frances Maria Moulton - Barrett (daughter of Octavius M-B), sepia photograph on white glass c. 1894 (image 43 x 31 cm), chalk portrait of Rev. John Vicars, photograph of William Redmore Biggs's portrait of Amelia Windus as a 'child in a garden' and five other photo portraits, an engraving of Westover, Isle of Wight (home of Octavius M-B), a red chalk drawing of Ann Duvonne 1774. Together with Williams C.F. Views of Berry Pomeroy Castle (six lithographs by Gauci after CFW, pub'd by Hannaford, Exeter) etc PROVENANCE: From the family of Octavius Moulton-Barrett (1824-1910), youngest brother of Elizabeth Barrett Browning, thence by descent.Overall damage and wear.
Izaak Walton. The Compleat Angler, or, The Contemplative Man`s Recreation, Being a Discourse of Fish and Fishing Not Unworthy the Perusal of Most Anglers, number 176 of 450 copies signed by the artist, coloured portrait frontispiece, further illustrations by Frank Adams, quarter vellum backed marbled boards, small folio, London, Eyre & Spottiswoode Ltd, 1930.ownership inscription to front free flypaper, corners bumped.
Charles Dickens. A contemporary group of 38 volumes, comprising the majority of his works in book form, principally first editions, bound in uniform green full morocco, spines tooled gilt in compartments, the upper covers with tooled initials ‘C. H. T. W.’, all edges gilt, 8vo, 1836–1870RARE. Nineteenth century collections of Charles Dickens are becoming increasingly scarce to the market. The present lot contains early minor works, such as Sunday Under Three Heads (1836) and sought-after major works, such as Great Expectations (1861). The lot comprises:Sunday Under Three Heads… by Timothy Sparks, half-title, 3 engraved plates, original wrappers bound in, London: Chapman and Hall, 1836; The Posthumous Papers of the Pickwick Club, without half-title, engraved frontispiece and additional title, 41 engraved plates, many corresponding to the first state, EXTRA-ILLUSTRATED, with an additional 32 engraved plates by Thomas Onwhyn, London: Chapman and Hall, 1837; Memoirs of Joseph Grimaldi… edited by ‘Boz’, 2 volumes, half-titles, engraved portrait frontispiece and 12 engraved plates, ‘The Last Song’ without border, London: Richard Bentley, 1838; Sketches of Young Gentlemen, 6 engraved plates, original wrappers bound in, London: Chapman and Hall, 1838; Sketches of Young Couples, 6 engraved plates, original wrappers bound in, London: Chapman and Hall, 1840; Oliver Twist; or The Parish Boy’s Progress… by ‘Boz’, 3 volumes, half-titles, 3 engraved frontispieces and 21 engraved plates, including the final ‘Fireside’ plate, with ‘arter’ on page 318, ‘XXVIX’ on page 155, and ‘mattrass’ on page 182, London: Chapman and Hall, 1838; The Life and Adventures of Nicholas Nickleby, without half-title, engraved portrait frontispiece with the imprint of Chapman and Hall, 39 engraved plates, EXTRA-ILLUSTRATED, with an additional 24 character study plates published by Robert Tyas, ‘visiter’ on page 123, ‘conducter’ on page 342, and ‘Grogswig’ on page 618, London: Chapman and Hall, 1839; Master Humphrey’s Clock, 3 volumes, 3 engraved frontispieces, illustrations in text, ‘deessed’ on page 128, ‘intructions’ on page 128, and ‘Thirty-Fiftth’ on page 133, London: Bradbury and Evans, 1840–41; Barnaby Rudge, London: Chapman and Hall, 1841; American Notes for General Circulation, 2 volumes, without half-titles, with ‘xvi’ on final page of contents in volume 1, London: Chapman and Hall, 1842; The Life and Adventures of Martin Chuzzlewit, half-title, engraved frontispiece and additional title, 38 engraved plates, ‘thresh-hold’ on page 587, London: Chapman and Hall, 1844; Pictures from Italy, half-title, ‘canvass’ on page 112, London: Bradbury and Evans, 1846; The Adventures of Oliver Twist, third edition, half-title, London: Bradbury and Evans, 1846; Dombey and Son, engraved frontispiece and additional title, 37 of 38 engraved plates, lacking ‘A Visitor of Distinction’, but with 4 additional portraits, ‘amiliar’ on page 70, ‘Capatain’ on page 324, and ‘if’ present on page 426, London: Bradbury and Evans, 1848; The Personal History of David Copperfield, without half-title, engraved frontispiece and additional title, 38 engraved plates, ‘recal’ on page 16, ‘screwed’ on page 132, ‘coroboration’ on page 387, London: Bradbury and Evans, 1850; Bleak House, half-title, engraved frontispiece and additional title, 38 engraved plates, ‘elgble’ on page 19, ‘chair’ on page 209, ‘homeards’ on page 605, London: Bradbury and Evans, 1853; Hard Times, half-title, ‘her,’ on page 60, ‘hese’ on page 108, London: Bradbury and Evans, 1854; A Child’s History of England, 3 volumes, later edition, 3 frontispieces by F. W. Topham, London: Bradbury and Evans, 1854–1855; Little Dorrit, engraved frontispiece and additional title, 38 engraved plates, ‘chimnies’ on page 342, ‘diceing’ on page 360, ‘B2’ on page 371, London: Bradbury and Evans, 1857; The Story of Little Dombey, half-title, original wrappers bound in, London: Bradbury and Evans, 1858; A Tale of Two Cities, engraved frontispiece and additional title, 14 engraved plates, ‘Stryver’ on page ix, ‘affetcionately’ on page 134, ‘113’ on page 213, London: Chapman and Hall, 1859; The Uncommercial Traveller, half-title, ‘s de’ on page 20, ‘themselve’ on page 176, London: Chapman and Hall, 1861; Great Expectations, 3 volumes, vol. 1, ‘recal’ on page 84, no period after ‘other’ on page 311, vol. 2, ‘their’ on page 162, ‘recal’ on page 350, vol. 3, ‘raving’ on page 37, ‘led’ on page 150, ‘skackled’ on page 262, London: Chapman and Hall, 1861; Our Mutual Friend, 2 volumes bound as one, without half-titles, 2 engraved frontispieces, 38 engraved plates, vol. 1, ‘Dont’ on page 276, vol. 2, ‘pricipal’ on page 115, London: Chapman and Hall, 1865; The Poor Traveller: Boots at the Holly-Tree Inn: and Mrs Gamp, original wrappers bound in, London: Chapman and Hall, 1869; The Mystery of Edwin Drood, engraved additional title and portrait frontispiece, 12 plates, ‘tower’ on page 1, ‘sentiment’ on page 131, London: Chapman and Hall, 1870.Also included in this lot is Edward Caswell, Sketches of Young Ladies, 6 engraved plates, original wrappers bound in, 8vo, London: Chapman and Hall, 1843; James Cook, Bibliography of the Writings of Charles Dickens, 1879.ConditionLight browning and spotting, but particularly to the plates, as usual, a few volumes with rust-marks or rare minor tears to leaves, Little Dorrit with one plate loose, morocco with extremities rubbed.
G. H. Mason. Zululand. A Mission Tour, first edition, frontispiece portrait, tinted lithographed plates, original cloth, 8vo, London: James Nisbet, 1862; Paul Kruger. Memoirs, 2 volumes, plates, original cloth, 8vo, London: T. Fisher Unwin, 1902; Ruth B. Fisher. On the Borders of Pigmy-Land, first edition, plates, original cloth, 8vo, London: Marshall brothers, c. 1905; Joseph Tritton. Rise and Progress of the Work on the Congo River, illustrations, original cloth, 8vo, London: Baptist Missionary Society, 1884; and 47 others, missionary travels on the African continent, v.s. (52).Mixed condition.
Richard Colt Hoare. The Ancient History of North Wiltshire 1812; South Wiltshire, 1819; Roman Aera, 1821, the 3 volumes bound in 2, 2 engraved portrait frontispieces, three engraved titles, 126 engraved plates and maps, LARGE PAPER COPY, contemporary half calf, bookplate of Merthyr Guest, folio, London: Lackington, Hughes et al., 1812-1821.Occasional slight browning, extremities rubbed.
John Day. A watercolour group portrait of Elizabeth Barrett Browning and her family, Elizabeth as a child, held by her father in the foreground, her mother behind with her siblings, Henrietta and Edward, a toy cart lower right with 'J. Day' on the side, the reverse with details of the subjects inscribed in pencil, 200mm x 270mm, c.1810 PROVENANCE: From the family of Octavius Moulton-Barrett (1824-1910), youngest brother of Elizabeth Barrett Browning, thence by descent.Some surface discolouration and soiling, the image cropped to the left.
The Works... 6 volumes, portrait frontispiece, free-endpaper inscribed by Rainsden, Bishop of Lincoln, contemporary calf, 8vo, London: B. and R. Crosby, 1813; Latimer, Hugh. The Sermons, 2 volumes, portraits frontispiece, contemporary diced calf, 8vo, London: James Duncan, 1824; and 35 others, similar, v.s.Mixed condition.
A collection of Victorian Carte de Visite portrait photographs c. 1860 and later, mainly being posed studio portraits of unknown individuals, all with studio and photographer details to reverse, to include S. Grey, Brighton, Navey Photographic Artist, Leeds, Mr Richard Hardey, Hull, P. P. Skeolan, Hull, George Cooper, Hull, J. Porter, Oxford, London Stereoscopic & Photographic Company, etc., various sizes, (22).Mixed condition but mainly good to very good.
Rex Harrison. A postcard photographic portrait, the subject seated looking directly at the camera, signed in the lower margin 'Rex Harrison', 92mm x 140mm, Hardy, n.d., framed and glazed, 17.5cm x 22.5cm overall; Laurence Olivier. A photographic portrait, the subject seated holding a photograph, signed to bottom left 'Laurence Olivier', 193mm x 240mm, the photograph numbered 172-23A' framed and glazed, 24.5cm x 29.5cm overall; A signature on the reverse of a postcard, signed 'Laurence Olivier', 125mm x 85mm, framed and glazed, 23.5cm x 18cm overall; and 4 other documents, similar to include facsimiles, various sizes (8).(i) signature slightly faded and with some surface marking (ii) signature slightly faded and with some surface marks (iii) surface marking and slight browning (iiii) mixed condition. All Under glass, unexamined out of glazed frame.
The New Bath Guide: or Memoirs of the B-N-R-D Family in a series of Poetical Epistles, fourteenth edition, engraved frontispiece, bookplate for Sir Robert Johnson Eden Bart, half calf with title stripe, sm. 8vo, London: Printed for J. Dodsley, 1791; S. Woolmer. A Concise Account of the City of Exeter, Its Neighbourhood and Adjacent Watering Places, second edition, engraved frontispiece, engraved portrait of Bampflyde Moore Carew, King of Beggards, original cloth boards, 8vo, Exeter: Printed and sold by S. Woolmer, 1811 (2).(i) frontispiece trimmed affecting image, hinges cracked, bound without plates, spine foot chipped and extremities rubbed (ii) front endpaper torn, boards detached and soiled.
Robert Blair. The Grave, A Poem, engraved portrait frontis of Blake after Thomas Phillips, additional engraved title by Schiavonetti after Blake, printed title, dedication leaf, list of subscribers, and 11 engraved plates, by Schiavonetti after Blake, original cloth, folio, London: T. Bensley for R. Ackermann, 1813 Provenance: Ex Libris Robert Lenkiewicz Foundation.scattered spotting and browning, extremities scuffed and bumped.
William Stukeley. Stonehenge, A Temple Restored, facsimile edition, engraved portrait frontispiece, 35 engraved plates, some folding, London: W. Innys and R. Manby, 1740 (but c.1840); bound with, Abury, A Temple of the British Druids, folding engraved frontispiece and 39 engraved plates, some folding, London: W. Innys and R. Manby, 1743 (but c. 1840), contemporary calf, folio.Both works spotted throughout, but the plates particularly affected, rebacked, extremities worn.
Richard F. Burton. Abeokuta and the Camaroons Mountains, 2 volumes, first edition, photographic portrait frontispiece, 4 lithographed plates, folding map, original cloth, 8vo, London: Tinsley Brothers, 1863.Spotted, shaken with signatures working loose, leaves with fore-edge chipped or worn, cloth stained, soiled and chipped.
David Livingstone. Missionary Travels and Researches in South Africa, first edition, folding tinted lithograph frontispiece, engraved portrait, 22 engraved plates, folding table, 2 folding maps at end, numerous illustrations in text, contemporary quarter morocco, 8vo, London: John Murray, 1857; James Creach. A Scamper to Sebastopol and Jerusalem in 1867, half title and title, contemporary quarter morocco, 8vo, London: Richard Bentley & Son, 1873 (2).(i) occasional spotting and staining, maps slightly torn at folds, joints cracked, extremities worn (ii) occasional spotting, extremities worn.
Madame Campan. Memoirs of the court of Marie Antoinette, 2 volumes, limited to 500 editions, engraved portrait frontispiece, original publishers cloth gilt, 8vo, London: H. S. Nichols & Co, 1895; Alice Birkhead. The Story of the French Revolution, sixteen illustrations, contemporary full calf, London: George G. Harrap & Co, 1912; Lucy Aikin. Memoirs of the court of Queen Elizabeth, 2 volumes, fourth edition, engraved portrait frontispiece, contemporary full calf, London: printed for Longman, Hurst, Rees, Orme, and Brown, 1819; Memoirs of the court of James the First, 2 volumes, half-title, engraved portrait frontispiece, contemporary full calf, London: printed for Longman, Hurst, Rees, Orme, and Brown, 1822 (7) Provenance: Ex-libris George Frey.(i) spine faded and with head and foot slightly frayed (ii) extremities lightly marked (iii) some volumes with occasional light spotting, joints cracked, boards detached and spines with loss. (iiii) some volumes occasional spotting and with boards detached.
Winston Churchill (1874-1965) and Clementine Churchill (1885-1977). A clipped fountain pen signature below a black and white portrait of Churchill, together with a clipped signature from Clementine Churchill 'with good wishes for...', beneath a black and white portrait of Clementine Churchill, housed in a glazed frame, 27cm x 21cm overall.Clementine signature slightly faded due to age. Under glass, unexamined out of glazed frame.
W.G. Grace. Cricket, first edition, presentation Edition de Luxe, signed by the author, engraved portrait frontispiece, numerous further illustrations, list of subscribers at rear, top edge gilt, others untrimmed, contemporary half morocco by Bayntum, Crown Quarto, London: J.W. Arrowsmith, 1891.some illustrations missing tissue guards, some pages with minor tears, creases and pencil marks, some light spotting and marking.
John Evelyn. Silva: or, A Discourse of Forest-Trees... with notes by A. Hunter, 2 volumes, new edition, PRESENTATION COPY, inscribed 'To Joseph Harrison Esq., from his affectionate friend A. Hunter', engraved portrait frontispiece and 41 engraved plates, one folding, contemporary calf, engraved bookplate of Benjamin Haworth, 4to, York: A Ward., 1786.Light spotting, rebacked preserving original spines.
Henry M. Stanley. Through the Dark Continent, 2 volumes, first edition, lithographed portrait frontispieces, 33 wood-engraved plates, 10 maps, including 2 folding in pockets at end of each volume, original pictorial cloth gilt, 8vo, London: Sampson Low, 1878.Light spotting, volume 2 shaken, with hinges cracked, ends of spines slightly frayed.

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283284 Los(e)/Seite