283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 77
A pair of silhouettes, respectively featuring the standing profile study of a young man and a young woman, bearing the signature Scot-Ford 13'' x 4'' framed; a 19thC head and shoulders, profile portrait silhouette, a man wearing a topcoat 5'' x 3'' framed; and a mixed media study of a little girl wearing a long skirt 6'' x 5.5'' framed HSR
Los 268
Justus Sustermans (Antwerp 1597-1681 Florence) - Portrait of a noble lady, half length, in ornate lace collared gown with jewel to front, pearl earrings and necklace, 58.5 x 73cm, in carved gilded Florentine frame; together with a black and white photograph of the work inscribed verso with a letter of authenticity from Professor Dr Robert Eigenberger, art historian of Vienna, confirming the artist as Sustermans and dated 1969; and a copy of a sale catalogue for Galerie Chedel, 40, rue de la Synagogue, 1204 Geneve, 9-10 December 1971, p.46 listing this work.** The sitter of this work appears to be the same sitter as that offered by Messrs Christies, New York - Old Master Paintings, Lot 139, October 4th 1996. There are striking similarities as to the placement of jewellery and the 'longchain' about her shoulders and bodice.The sitter of this work is wearing simplified versions of the jewels of Countess Teresa Dudley di Carpegna.
Los 1375
WWII Interest 1939 Adolf Hitler Mein Kampf Hardback Book Published By Hurst And Blackett Ltd London Blue clothbound board with impressed gold swastika and eagle to front centre. Black and white photo portrait to frontispiece. Some fraying to corners, staining to board, discolouration to paper.
Los 903
Blackpool Entertainment Interest Original Oil On Canvas 'Portrait Of Bambara' By W H Leathwood 1924 Large oil portrait of the West African Magician and entertainer Bambara who performed at Blackpool Tower during the 1920's. Rendered in impasto oils, Bambara is depicted smoking a cigarette, draped in traditional sky blue agbada robe trimmed with gold braid and adorned with crescent moon and star embroidery. His fez is decorated with central gold star, rubies and pearls, at his neck is a saffron silk cravat. Signed in red oil paint to bottom left 'W H Leathwood 1924, Blackpool' Housed in original yellow gilt frame, the inner mount titled 'Portrait Of Bambara' to bottom centre. Very good condition, 23.5 x 19.5 inches
Los 828
TWELVE JAPANESE WOODBLOCK PRINTS EDO/MEIJI PERIODS Comprising illustrations from the One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi) and portraits of heroes and actors by Utagawa Kuniyoshi (1797-1861), together with a portrait of Kiyohime from the One Hundred Ghost Stories of China and Japan (Wakan Hyaku Monogatari) by Tsukioka Yoshitoshi (1832-1892) and the portrait of Kisegawa of the Matsubaya pleasure house, from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirô bijin Rokkasen) by Hosoda Eishi (1756-1829), 37.5cm x 25cm max. (12)
Los 841
A LARGE JAPANESE SCROLL PAINTING EDO/MEIJI PERIOD Depicting Daruma wearing a red hooded robe and hoop earrings, with Zen scriptures from a sutra above him and two seals, the design probably inspired by the portrait of Daruma by Soga Jasoku (d.1483) at the Kyoto Imperial Museum, 86.5cm x 136.5cm.
Los 30
Venus in Vulcan's Forge: An 18th Century Ivory Fan, circa 1750, the exceptional monture is carved and very finely pierced. Each guard has a figure in the upper section, amidst fine panels of piercing, and a cameo type portrait in relief on the lower sections. The gorge is a mastery of carving and piercing to create overlapping for the lower section, where carved ovals contain flowerheads, above which three carved vignettes with extravagantly pierced and shaped borders contain figures. To the right and left, a couple in each vignette. To the centre, a couple in detailed 18th century dress next to the altar of love, one winged cherub on the altar holding aloft a garland of flowers, anther kneeling, as a further couple observe. Eight further cherubs border the vignettes. The vellum leaf, mounted à l'anglaise, depicts Venus visiting Vulcan's forge, perhaps when asking for a sword for her son Aeneas, the Champion of the Trojans in the war against the Greeks. The leaf, painted in dark and vibrant colours, captures the toil and activity of the forge, with men labouring behind, one with a hammer, an anvil and a gilded breastplate visible to the right of a muscular Vulcan, the God of fire and metalworking. A winged cherub clambers over Venus, behind whom a white dove is held in a woman's arms, and another cherub robed in red is seen to the left. The verso is also rich in colour, strong blue featuring in flowers and the robes of two central seated figures engaged in selecting flowers for a vase. The reserves, to the right, feature oriental figures in robes, one in the garden being observed by others from within a building. A further Oriental lady is seated in a reclining chair to the upper left of the European couple, seemingly reading. The far right is painted with flowers and a delicate butterfly. Guard length 27.5cmThe leaf is very rubbed and has had extensive repair to the verso, seemingly at different times. The monture has a crude repair to the lower section of the lower guard, and there are several repairs to the upper parts of the sticks. The ivory is very slightly yellowed.
Los 35
The Sacrifice of Iphigenia: A Fine Mid-18th Century Ivory Fan, the gorge plain, the guards piqué and inlaid with mother-of-pearl, a carved portrait at the tips. The double paper leaf is elaborately embellished along the top and in further vertical panels, with shiny embossed gold foil. A central scene depicts The Sacrifice of Iphigènia, the daughter of King Agamemnon and Queen Clytemnestra and thus a princess of Argos Agamemnon had offended the goddess Artemis, by killing a deer in her sacred grove, who then retaliates by commanding him to kill Iphigenia as a sacrifice, so his ships can sail to Troy. To the right, a horrified onlooker covers his eyes. Two further scenes depict, to the right, a woman and child on a frozen river, and to the left, two older boys playing. The verso has a very natural painted scene, looming mountains with a river in the foreground, a couple to the right, a family of three to the centre, the man smoking a long white pipe, a horse and cart arriving from the left, either delivering or about to take the waiting figures on their way. Guard length 28cmSome losses to the foil, in the main the small shapes on the vertical panels. Folds somewhat rubbed.
Los 419
Continental gilt metal fusee verge enamel and paste set pocket watch, the frosted movement with pierced balance bridge and silvered regulating disc, the dial with Arabic numerals, outer minute markers and Arabic quarter divisions, winding hole at the two position, diamond set bezel, the paste set enamelled case back with portrait depicting a young lady, 54mm (at fault, lacking hands) - ** case - Condition Report: - Movement - not currently functioning and in need of attention. Dial - marks, chips around the winding hole, small chip to the outer edge at the three position. Glass - lacking glass. Hands - lacking hands.Case - does not close firmly, some diamonds missing, hairlines and repairs to the enamel, marks to the band - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained.
Los 444
Rare vintage boy scouts sterling silver hunter pocket watch, the front cast with a portrait inscribed 'Lord Baden-Powell', the reverse inscribed 'Be Prepared BeP', silvered dial with Arabic numerals and subsidiary seconds dial, 40mm - Condition Report: - Movement - clean, currently working. Dial - original with typical light marks . Glass - good. Hands - original with visible wear and lume loss. Case - generally good, would benefit with a clean. Crown - winds and adjusts correctly. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Los 453
George III silver fusee verge repousse pair cased pocket watch, London 1766, the movement signed F. Tarts, London, no. 17104, with pierced engraved balance cock, flat steel three-arm balance, silver regulating disc and square baluster pillars, the dial with Roman numerals, outer five minute divisions and Louis style hands, within a Repousse case depicting Cleopatra viewing Mark Anthony's portrait, case maker 'IR', 50mm - Condition Report: - Movement - currently functioning. Dial - repair to the outer edge at the six position. Glass - scratches. Hands - rubbed. Case - inside case heavily tarnished and surface marks, outer case good, no holes. Bow - light marks. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Los 464
French gold and enamel verge pocket watch, the fusee movement signed Romilly á Paris, no. 1498, with pierced balance bridge and silvered regulating dial, signed enamel dial with Roman numerals and Arabic chapter with key winding hole to the two position, fancy hands, the case with a paste set bezel and enamel back depicting an oval portrait of a lady within a foliate paste set border, 38mm - Condition Report: - Movement - currently functioning. Dial - small chips to the winding hole aperture. Glass - light marks. Hands - matching, minute hand broken. Case - surface marks on the enamel portrait, stones missing on front and back - see images. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Los 511
Early 19th century French silver verge pocket watch, unsigned fusee movement with pierced balance bridge, silver regulating dial and square baluster pillars, enamel dial with Arabic numerals and key winding hole to the 1/2 position, the case back engraved with a portrait of Général Lasalle with inscription, 48mm - ** Antoine Charles Louis, Count of Lasalle, was a cavalry general of the First Empire, born in Metz on May 10, 1775 and died in battle at the Battle of Wagram on July 6,1809. - Condition Report: - Movement - currently functioning. Dial - rim chip to the winding hole, blemishes on the rim at 5, 10-11 position. Glass - some light marks. Hands - matching. Case - some surface marks and bruising on the back - see images. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Los 28
WILLIAM AIKMAN (SCOTTISH 1682-1737)HALF LENGTH PORTRAIT OF PROFESSOR ALEXANDER BAYNE Feigned oval, oil on canvas76cm x 63cm (30in x 25in)Provenance:Wilhelmina Barns-Graham Inventory No. 8673 Note:Alexander Bayne (1685-1737) practised law in Edinburgh, subsequently entering Lincoln's Inn in London where he had little success. Later he managed the Nuneham Estates for the Earl of Wemyss. He then became professor of mercantile law at the University of Edinburgh. A description of his rather eccentric behaviour by Lord Kaimes is included in James Boswell's Journal. He is buried in Alnwick Church where his wife noted on his gravestone that he tempered 'his harder Studies with the Soothing Gaities of Gentlemanly Amusements sometimes with Merchanical Operations, sometimes with Painting but chiefly with Music wherein he greatly Excelled.' He was the father of Allan Ramsay's first wife Anne and of Captain William Bayne.
Los 37
FOLLOWER OF JOHN E. FERNELEYTHE MARQUIS OF WORCESTER WITH WILLIAM LONG, MASTER OF THE BEAUFORT HUNT AND THE HUNTING SWEEP IN FRONT OF BADMINTON HOUSE Oil on canvas76cm x 104cm (30in x 41in)Note: The Marquis of Worcester with William Long, Master of the Beaufort Hunt and the Hunting Sweep in front of Badminton House, 1837 is an intriguing painting that, at first, seems a typical sporting scene but upon closer inspection revels the fascinating story of 'the hunting sweep.' Mounted on a chestnut brown horse sits a charismatic man, hat in hand, face blackened with soot and a sweep brush tucked under his arm. He accompanies four gentlemen fashionably dressed in green hunting coats with hounds eagerly poised for the day's activities. The 'sooted' man seems rather out of place in this traditional sporting portrait - depicting the young Marquess of Worcester, Henry Charles Fitzroy Somerset (1824-1899), preparing to ride with William Long, the Huntsman to the Beaufort Hunt, in the grounds of Badminton House in 1837 - however, research into contemporary accounts of the period show 'The Badminton Sweep', William Vizard of Chipping Sudbury, to be an important figure in the scene.Born in 1792, Vizard was a chimney sweep that had industriously found himself in the circles of the gentry and was somewhat of a celebrity. According to the news of the day, he had come to acquire property, "political creed" and the favour of the 6th Duke of Beaufort. Although a man of Reformist principals, when approached by two Reform candidates seeking his support and vote in the local elections of 1829, Vizard surprisingly responded "to tell you the truth, gem'mem, I can't vote for you, 'cause I hunts with the Duke."Three years on, in 1832, Vizard demonstrated his political influence again when the 6th Duke's son, the Marquess of Worcester (set to become the 7th Duke in 1835) was running for a seat. During the hustings, the sweep moved forward vehemently declaring support for the Marquess. According to the account, Vizard continued to express his displeasure of the state of country, stating he no longer supported the Reformists and that 'they must be swept away and kept out of power, or you may depend upon it there will be no stability in our Constitution then in a tottering chimney during a high wind.' The Marquess was shortly elected. When the 6th Duke of Beaufort died in 1835, Vizard removed himself from the hunting scene for a period of mourning. His return was famously recorded in several periodicals in an article entitled 'The Hunting Sweep, or a Day with the Duke of Beaufort'. It was no quiet affair and demonstrating his horseman skills, Vizard jumped on his horse, stood upon one leg with the other extended mid-air, reins in one hand and his sweep brush in the other, 'like a flying Mercury.' The renowned sporting artist, Richard Barrett Davis (1782 -1854), captured the scene in The Sporting Sweep, a portrait reproduced alongside the tale in a many a publication including The Gentleman's Magazine (1838) and Craven's The Sporting Review (1840).'We must not omit to notice the appearance, on this occasion, of a very distinguished character, who takes a prominent part in all the sports in this quarter of the country-we mean the celebrated "hunting sweep, vot 'unts with the Dook," and who has been made the subject of a very diverting electioneering caricature. He appeared as usual, mounted on his "trusty old 'unter," and in the identical sables, both as to skin and toggery, which mark and distinguish his peculiar vocation, not omitting his chimney-brush, which was tucked in his 'unting belt. His urbanity of manner, and respectfully familiar mode of recognising and addressing his aristocratical brother sportsmen, caused many smiles and much wonderment among those who were not acquainted with the friendly footing which he has obtained among the sons of the turf equally zealous followers of the "brush."' - Cheltenham Looker, Saturday 21 December 1839.At first glance the subject of this picture appears to be a typical hunting scene, in which clear lines are drawn between the social strata. However, it is not until further exploration that we discover the sooty sweep, astride his faithful chestnut Prosper, to be not just an addition but the main attraction.
Los 404
After David Hockney, (Born 1937) "Portrait of an Artist (pool with two figures) A Poster for the Metropolitan Museum of Art 76 x 94cm Together with two others "The set for Parade, 1980", for Riverside Studios, 99 x 68.5cm and "Mount Fuji and Flowers" for the Metropolitan Museum of Art, 91 x 61cm
Los 548
A 19th century cast iron pub table, the circular planked top above a white painted base with a portrait bust of the cricketer W.G. Grace to the top of each leg, the three legs united by an undertier, 61.5cm diameter x 75.5cm high CONDITION REPORT: The top planks are cracked and warped, the painted decoration is chipped in places, in overall poor condition
Loading...-
283284 Los(e)/Seite