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283287 Los(e)/Seite
Los 18
A Distinguished Conduct Medal group of six to Captain W.H.M. Dow Royal Artillery, DCM (awarded during 2nd Boer War - 66435 Bty-Serjt:- Major W.H.M. Dow R.H.A.), QSA with clasps for Relief of Kimberley, Paardeberg, Driefontein, Johannesburg, Diamond Hill, Belfast and South Africa 1901 (66435 B.S. Major W.H.M. Dow O Bty R.H.A.); EVIIR LSGC (66435 Bty. Sjt. Mjr W.H.M. Dow R.H.A.); 1914-15 Star (Lieut. & Adjt W.H.M. Dow D.C.M. R.F.A.); 1914-18 War Medal and Victory Medal (Capt. W.H.M. Dow); together with parchment certificate of service, certificates of commission, various photographs of the recipient in portrait and during manoeuvres, and a large collection of other documents and ephemera. Captain Dow joined the Royal Artillery in 1888 at the age of 15 1/2. He served in the Boer War of 1899-1902 and was awarded the D.C.M. Discharged in 1910, owing to medical reasons, he volunteered at the outbreak of war in 1914, and rose to the rank of Captain. The documents offered with this lot include much correspondence that attests to the recipient`s exceptional character, and also various letters recording a dispute with the War Office over its failure to grant him an Officer`s rate of pension.
Los 38
A collection of early 20th Century military and topographical postcards, including uniformed portraits and group shots of British soldiers, scenes in China including street life and the beheading of Boxer rebels by Japanese troops with Sikhs in attendance, British India, Egypt and the Mediterranean; together with a larger format group portrait of part of the 1st Battalion the Middlesex Regiment on foreign service.
Los 751
Sir Edward Coley Burne-Jones Bt, A.R.A. (1833-1898), Portrait Study of a Young Girl, Inscribed with a personal inscription To Sir Henry Austen Layard from EBJ, also dated July 1893, pencil drawing, 22cm by 17.5cm. Born in Birmingham, went to Exeter College, Oxford and friended William Morris. He intended to enter the church, but was impressed by the work of Dante Gabriel Rossetti and in 1856 left Oxford, to become a painter. He later met Rossetti and in 1857 they worked together on the Morte d`Arthur wall paintings in the Union Debating Society`s room at Oxford. As a partner in the firm of Morris & Co, he produced many designs for stained glass and tapestries. He became a member of the Old Watercolour Society in 1868, but resigned in 1870 following criticism. Exhibiting only once at the Royal Academy in 1886, resigning his Associateship in 1893. He exhibited five works at the opening exhibition of the Grosvenor Gallery 1877, which quickly established his reputation as England`s most influential artist. Thereafter he exhibited mainly at the Grosvenor and New Galleries, and occasionally at the Old Watercolour Society. He was created a Baronet in 1894. In the 1880s and 1890s became an international figure, awarded the Legion of Honour amongst other European honours. His was a consciously aesthetic and unworldly style, which combined the romanticism of Rossetti with the medievalism of William Morris-most of his subjects are taken from the Arthurian legends. He rarely painted in oils or watercolours, preferring to experiment with mixed media. He had many pupils and imitators including Stillman, Sandys, Soloman, Strudwick, Rooke, Stanhope, Murray and de Morgan. The sale of his studio was held at Christie`s on 16-18 July 1898. See illustration
Los 861
Circle of Joseph Highmore (1692-1780), "Daughters of Crisp Molineaux, Elizabeth, afterwards Lady Barnaby -", portrait of two girls, three-quarter length, each standing, one in ivory, the other in pink satin dress, holding a floral garland, a doe behind, draped landscape background, Inscribed on an old label, oil on canvas, 127.5cm by 137cm. Contained within its original 18th century carved giltwood frame. The artist studied at Kneller`s Academy and was a polished portraitist by the 1720`s. After 1730, his work became more Rococo in its style. From 1743 to 1744, he made a series of twelve illustrations for his friend, Samuel Richardson`s novel Pamela. In 1762, Highmore abandoned painting, retiring to Canterbury and devoted himself to writing. See illustration
Los 863
Attributed to Lemuel Francis Abbott (c.1760-1802), Portrait of Admiral James Douglas, three quarter length, in uniform, his sword under his left arm, Oil on canvas, 91.5cm by 71.5cm. By direct descent to the present owner, a relative of the sitter. Admiral Douglas`s sword is still in the family collection. See illustration
Los 1016
Stephen Catterson Smith, The Elder P.R.H.A. (1806-1872), Portrait of a Young Lady, standing, three quarter length, her left arm resting upon a chair, a landscape in the distance, Signed, indistinctly dated, possibly 1850 and inscribed Dublin, oil on panel, 45.5cm by 35cm. Born in Yorkshire and studied at the Royal Academy Schools and in Paris, working in Londonderry 1839-1845. He moved to Dublin, became President of the RHA 1859-1866 and in 1868 Director of the National Gallery. He exhibited at the RHA, the RA and the British Institute. See illustration
Los 1031
Nicholas Chevalier (1828-1902) Australian, Portrait of Miss Winifred Hudson as a Young Girl, seated at a piano, her doll nearby, Signed and dated 1888, oil on canvas, 122cm by 91.5cm. Ex. collection Major P I C Payne, Whitehall, Old Cleeve, Minehead, Somerset. The work was cleaned, restored and varnished by E. Stacy-Marks Ltd, Eastbourne, 7th October 1977. Swiss painter and illustrator of Russian birth, active in Australia. In 1845 returned to Lausanne, studying under J. G. Guignard. In 1851 moved to London studying lithography under Ludwig Gruner, and in 1853-4 he studied watercolour painting in Rome. He arrived in Australia on 25 December 1854, working as an illustrator for local newspapers. 1858-1864 he accompanied scientific expeditions into the wilderness. The Buffalo Ranges was the first Australian painting purchased for the National Gallery of Victoria. See illustration
Los 1044
Frederick William Elwell R.A., R.O.I., R.P. (1870-1958), "Avalon", Signed and dated 1920, inscribed verso, oil on panel, 30.5cm by 41cm. Ex. collection W.B. Hall Esq. Sold together with a video on the artist narrated by Tom Baker. Born in Beverley studied at Lincoln School of Art, the Academy Schools in Antwerp and the Académie Julian Paris. He exhibited at the Royal Academy from 1895 and the Paris Salon from 1894. In 1914 married Mary Dawson Bishop (1874-1952), a painter of landscapes and interiors. He was elected a member of the Royal Society of Portrait painters in 1931 and an associate of the Royal Academy in 1931 followed by full membership in 1938. See illustration
Los 1051
Jacob Kramer L.G. (1892-1962), Portrait of a Young Lady, head and shoulders, wearing a red dress, Signed "Kramer", oil on canvas, 60.5cm by 51cm. Born in the Ukraine, the son of a painter. His parents settled in Leeds in 1900 where he began his art studies. He was later sent to the Slade School by the Education Aid Society and began to exhibit at the New English Art Club from 1914 onwards. He also attended evening classes at Manchester School of Art. Sir Michael Sadler became his patron, and he had a solo show with Matthews & Brooke in Bradford. He was invited to show with the Vorticists in London and was elected a member of the London Group. He began to create a name as a Yorkshire-based artist, showing with Fred Lawson at Leeds School of Art in 1916, and having a solo show at the Bradford Arts Club. In 1959 he was elected President of Leeds Fine Arts Club, and in 1960 had a retrospective exhibition at Leeds City Art Gallery. Six years after his death the City of Leeds Branch College of Art was renamed The Jacob Kramer College of Art. His later shows were at the Parkin Gallery (1973), Belgrave Gallery (1990), and a centenary show at Leeds University Arts Gallery. A Jacob Epstein sculpture of him is in the Tate Gallery, which holds his work, as do the V&A Museum and the British Museum. See illustration
Los 1228
A Pair of Gilt Brass Mounted Glass Pillar Table Candlesticks, circa 1870, with shallow circular pans and wrythen fluted plain glass cylindrical stems, on circular bases with four inscrolled feet, 20.6cm high; and An Ashford Pietra Dura Socle, circa 1870, one faced worked with a profile portrait of a gentleman posed by a crest, the side panels with flower specimens, on a stepped and concave sided plinth, 15.5cm high (3)
Los 1235
Kathleen Mary Goodman (b.1879): Portrait Miniature of a Young Woman, circa 1930, depicted in profile, half length, with brown hair, blue eyes and wearing floral embroidered kimono, signed, oval, 8.1cm, in a modern gilt metal frame. Kathleen Mary Goodman, painter, miniaturist and pastellier. Studied under E H Marten and Frank O Salisbury. Married John Reginald Goodman, and is recorded in the Dictionary of British Artists 1880-1940.
Los 1236
H Stubble: Portrait Miniature of Ann White, 1797, wearing a blue ribbon trimmed lace headpiece in her powdered grey hair, and wearing a blue sash around her white dress, oval, 9cm, in a modern frame with old label ink written on the reverse Painted by H Stubble No.6 Carrington Street, Shepherds Market, Mayfair, London 1797). With original receipt 21 Jan 1973, Limner Antiques, 124 New Bond Street, London
Los 1238
A R Burt: Portrait Miniature of Thomas Allen, Oxford, May 1817, half length in profile, with grey powdered hair and broad lapelled black jacket, oval, 6.5cm, in a period frame with original Mr Burt label on the reverse, the period black lacquered papier mache frame with AR Burt Palette suspension ring mount. With original receipt dated 25 February, Limner Antiques, 124 New Bond Street, London
Los 1241
J Paul Fischer: Portrait Miniature of John Prescott Esq, circa 1810, with grey/blue eyes, wearing a lace jabot and black collared blue coat, signed, oval, 8.7cm high, in a decorative gilt and gesso frame. Sold together with an ink written statement Sacred to the Memory of John Prescott Esq who departed this life the 22nd September 1814 … this portrait was given to Robt Cattley by Mr Wm Prescott in 1816.
Los 1242
Continental School, early 20th century: Portrait Miniature of a Pretty Young Woman, her brown hair in Grecian style, wearing a white dress, signed Berson, oval, 6cm, in a gilt metal and simulated tortoiseshell decorative frame; and Continental School, 20th century: Portrait Miniature of a Renaissance Maiden, oval, 4.8cm, in a decorative frame (2)
Los 1243
English School, circa 1910: Portrait Miniature of Col E K G Aylmer CB, with blue eyes, moustache and brown tie and jacket, oval, 7cm, inscribed on the reverse Late 19th Hussars, 4th son of J H Aylmer of Walworth Castle, Co Durham, b.Aug 19.1859, d.March 28 1931, in gilt metal frame; and English School, circa 1930: Portrait Miniature of Young Woman, with brown backswept hair and grey/blue eyes, wearing a white dress, oval, 9cm, in a gilt metal frame (2)
Los 1248
Portrait Miniature of a Pretty Young Girl: Painted Pottery Oval Plaque, probably French, circa 1890, flowers in her ribbon tied brown hair, holding a billing dove, oval, 12cm by 9cm, in a decorative Florentine ebonised and ripplework octagonal frame with gilt metal mounts (some lacking), 35cm high overall (on the reverse with original label From F Del Soldato & Co, 14 Park Side, Knightsbridge, London and Florence)
Los 1249
English School, circa 1800: Portrait Miniature of a Gentleman, his hair en queue, wearing a scarlet jacket and black neckerchief, oval, 4.3cm; and A Matched Portrait of a Young Woman, her high coiffure bedecked with pink roses, wearing a pink dress, both in gilt metal matching frames with suspension rings
Los 1250
Attributed to Sampson Roche: Portrait Miniature of Thomas Coulman, circa 1800, half length, with brown hair, blue eyes and wearing a broad lapelled blue naval jacket and white jabot, oval, 6.3cm, in original gold metal frame with inner plaited hair banding, inscribed on label on reverse Thomas Coulman older brother of Robert John Coulman; and Another of Robert John Coulman, younger brother of Thomas Coulman, with brown hair, and wearing a green jacket, against a sky background, oval, 6.6cm, in gold metal period frame and inscribed on a label on the reserve (as above)
Los 134
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Countess Grosvenor, the young black haired beauty wearing puff-sleeved yellow dress, indistinctly signed (possibly Wagner), within typical scroll and vase panelled border, richly gilded in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 94, 24.3cm diameter See illustration
Los 135
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Lady Peel, half length standing, signed Wagner, within midnight blue border enriched with gilt scrollwork in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 24, 24.3cm diameter See illustration
Los 136
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Ruth, signed Wagner, within midnight blue border enriched with gilt scrollwork in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 24, 24cm diameter See illustration
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283287 Los(e)/Seite