JAMES WARREN CHILDE (1778-1862) PORTRAIT OF AN OFFICER Seated, long half length, wearing uniform, signed and inscribed 39 Bedford St Strand, watercolour 20.5 x 18.5cm. * Childe gave this as his address from 1837 onwards. We are very grateful to Christopher Bryant who suggests that this is an officer of the light company of either a regiment of the line (i.e. British regular army, possibly 30th or 32nd) or the Honourable East India Company, c.1835-1842. ++ Some fading; tear upper right corner; period rosewood frame
283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
AFTER JOOS VAN CLEVE (c.1485-c.1540) PORTRAIT OF KING FRANCIS I Oil on canvas, unframed 40 x 33.5cm. Provenance: Possibly the Franco-Italian ebeniste (cabinet maker), Paul Sormani (1817-1877) (label on stretcher for Sormani, ref. S. M. 7) * Derived from van Cleve's original of c.1532 (Philadelphia Museum of Art) ++ Detaching from stretcher; many flaked losses; retouching
AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF JAMES STANLEY, 7th EARL OF DERBY (1607-1651) Quarter length, wearing armour, oil on canvas, unframed 80 x 65cm. * Derived from Van Dyck's larger-format original, c.1636, (Collection of Government of Isle of Man) ++ Lined; some small damages, small tears; canvas break on left cheek; some abrasion and craquelure; needs restoration
ATTRIBUTED TO EDMUND LILLY (d.1716) PORTRAIT OF QUEEN ANNE Standing, three quarter length, wearing a pale blue dress and a blue cloak with ermine, the Order of the Garter on a chain around her shoulders, holding a sceptre, oil on canvas 135 x 119cm. Provenance: Earl of Guildford sale, 1980; probably London, Christies, July 12th 1990, lot 48 Literature: Inventory of Waldershare Park, Dover, Kent, no.108 (home of the Earls of Guildford), described as signed and dated 1703 (on base of column on left) * A version of Lilly's popular depiction of the Queen (a 1702 version, full length, is at Stowe; and a 1703 version is in the Collection of the Duke of Marlborough at Blenheim) ++ Lined; replaced stretchers; retouching over old damages and repairs; possibly extended in height by 11cm across the top edge
FOLLOWER OF RICHARD BROMPTON (1734-1783)PORTRAIT OF A GENTLEMAN, WILLIAM LUCAS (1736-1818), SURGEON, MARRIED ELIZABETH DE NEUFVILLE IN 1764Quarter length, wearing a dark coat and white cravat, oil on canvas74 x 62cm.Provenance: By descent in the sitter's family.++ Old lining; extensive craquelure, with paint cupping and lifting; some losses; needs a clean and restoration
ENGLISH PROVINCIAL SCHOOL, mid-19th CENTURY PORTRAIT OF A GIRL Standing, half length, by a pillar, wearing a white dress with a blue sash, holding a rose, oil on canvas, maple veneered frame 74 x 60cm. ++ Two small patched repairs with associated retouching; some retouching elsewhere; slight stretcher bruises
ENGLISH SCHOOL, mid-19th CENTURY PORTRAIT OF A NAVAL OFFICER Standing long half length on a coastline, wearing uniform and holding a sword at his side, a frigate beyond, oil on canvas 64 x 51cm. ++ Patched repair lower centre, with associated retouching; craquelure; some scattered faults; needs a clean
ATTRIBUTED TO HENRY WYATT (1794-1840) PORTRAIT OF A LADY Half length, wearing a red dress with lace, and an elaborate bonnet, oil on board 29.5 x 23.5cm. * This is a variant of the subject of the same size by Wyatt (c.1827) offered at Christies, London, April 26th 2017, lot 368 ++ A few chipped losses; discoloured varnish; needs a clean
THOMAS FRYE (1710-1762) PORTRAIT OF GEORGE HODGSON; and OF HIS WIFE, ELIZABETH (nee STAPLES) WITH THEIR DAUGHTER, ELIZABETH He standing long half length, wearing a russet coat and brocaded green waistcoat; she seated long half length, wearing a satin dress with rosettes, a blue ribboned bodice and lace sleeves, the child at her right knee, the former signed T. Frye Pinxt/ 1758, oil on canvas, period carved giltwood frames Each 125 x 100cm. (2) * George Hodgson founded a family brewery at Bromley-by-Bow in 1752 and its rapid growth was to dominate the market in the lucrative export of beer to thirsty Britons working in the sweltering heat of India. The East India Company's London offices were but a few miles from the brewery and benefitted from Hodgson's amenable allowance of 18-month credit terms. This enabled the vessels to return to London with valuable treasures from Asia before having to settle Hodgson's invoice. The initial orders of porter (strong dark beer) did not travel well and so Hodgson tried a lighter brew, known as `barleywine` or `October beer` as it was brewed later in the season. 'Hodgson's India Ale', once thought incorrectly to be the very first IPA (`India Pale Ale`) became a familiar and popular brand, although a rival brewer was said to have disliked its 'thick and muddy appearance' and its 'rank bitter flavour`. Provenance: By descent in the family of the sitters
FOLLOWER OF AUGUST ALEXIUS CANZI (1808-1866) PORTRAIT OF A LADY Seated, half length, wearing a dark red velvet dress, satin bonnet with pearl border, lace collar and cuffs, holding a card case oil on canvas, unframed 91 x 77cm. ++ Old lining; scattered surface damages and grazes; some craquelure; some retouching
AFTER FRANZ XAVER WINTERHALTER (1805-1873) PORTRAITS OF NAPOLEON III, EMPEROR AND PRESIDENT; and OF EMPRESS EUGENIE A pair, each standing full length, reverse painted oil on slightly convex glass, oval Each 53 x 44.5cm. (2) * The original portrait of Napoleon III is believed to have been destroyed in the fire at the Palais des Tuileries, 1871; the original portrait of the Empress is at the Musee d'Orsay, Paris. ++ Each with cracks; period gilt frames
EDWARD FRANCIS WELLS (Fl.1897-1938) PORTRAIT OF BRIAN DE LOLME BULLOCK (1902-1978) Standing half length, wearing a green sweater and trousers and a red cap, resting his hands upon a wooden post, signed and dated 1908, oil on canvas 75 x 49.5cm. Provenance: By descent in the sitter's family ++ Laid on masonite; some scattered retouching associated with old minor damages
•SIR CECIL BEATON, CBE (1904-1980) PORTRAIT OF VALENTINE LAMB, 1950 Signed in pencil, oil on canvas 59 x 48.5cm. * Lamb (1939-2015) was the son of the artist Henry Lamb and Lady Pansy Pakenham. He was a highly respected figure in Irish racing and was editor of the Irish Field for 33 years from 1970 Provenance: London, Fishmongers' Hall, Auction of the Works of Contemporary British Artists, no date, probably lot 4a; London, Christies South Kensington, Works by Cecil Beaton from the Estate of Miss Eileen Hose, June 21st 1988, lot 18 (a copy of the catalogue accompanies the lot) Literature: Cecil Beaton, Photobiography, London, 1951. A photograph of Lamb, shown between pages 168 and 169, was the basis of this oil portrait by Beaton (a copy of the book accompanies the lot) Exhibited: Salisbury, Museum, Cecil Beaton at Home - Ashcombe & Reddish, May-September 2014 ++ Good condition
A cardboard boxed folio of Japanese prints published 1963 (folio), another tooled and gilded clothboard bound folio volume of colour prints in cloth board bound outer case, a cloth board bound volume of ink stones, a paper board bound volume "Portrait Paintings of the Ming and Qing Dynasties" (The Nanjing Museum Circa 1979), paper board bound with dust jacket and cardboard sleeve, a cardboard folio of monochrome prints, published 1963, a tooled and gilded cloth board bound volume of Chinese prints with dust jacket and cardboard sleeve and a printed cardboard folio of colour prints (7)Condition ReportOuter cardboard casing with rip to lower edge and further rips to corners, dust jacket with some discolouration though other wise sound, the book itself basically sound. Images ditto. Book two: plain outer cardboard case basically sound, thought clearly used, covers with some discolouration, interior pages basically sound. Book three: outer cardboard case with some marks, frontice piece dated 1963 with discolouration, pages to interior in sound condition. Book three with red and silver printed outer case: the plastic cover rippled but ok, outer cardboard case appears in good condition, interior pages look good. Book three with black on gold printed label: cardboard outer case with denting and damage conducive to age and use, inner cardboard cover similar, dust jacket and book itself in good condition. Book with grey cloth cover and pink and black label: outer cover, with sun bleaching otherwise ok, paper to interior of box with some ripping and discolouration. Main book with tooled and gilded cloth board: cover basically sound, interior images look ok. Last book with brown and white printed label and cloud decoration: with some discolouration to the outer case and some damage to the paper, images to interior look good.
A cardboard boxed folio of Japanese prints published 1963 (folio), another tooled and gilded clothboard bound folio volume of colour prints in cloth board bound outer case, a cloth board bound volume of ink stones, a paper board bound volume "Portrait Paintings of the Ming and Qing Dynasties" (The Nanjing Museum Circa 1979), paper board bound with dust jacket and cardboard sleeve, a cardboard folio of monochrome prints, published 1963, a tooled and gilded cloth board bound volume of Chinese prints with dust jacket and cardboard sleeve and a printed cardboard folio of colour prints (7)Condition ReportCondition of that similar to 212. See 212.
A box of sundry decorative china and metal wares to include a Stuart Bass Exmoor Mallard decorated platter, a pewter teapot, plated salver, etc, together with two horn-handled ebonised walking canes with silver ferrules, a Tibetan spherical temple bell, canteen of cutlery and two exotic framed and glazed butterflies, etc, together with various pictures and prints to include a framed and glazed chromolithograph portrait of the jockey George Fordham, bearing "The Illustrated Sporting and Dramatic News May 24th 1884" (very discoloured and stained particularly to the top half)
AFTER PERCY FORSTER “Portrait of the Celebrated Short Horned Cow Bracelet…”, coloured engraving by Thomas Landseer, published M Bell Richmond Yorkshire….., plate size 47 cm x 55.5 cm, in maple frameCondition ReportHas an area of discolouration/staining to the top left hand corner and further discolouration all along the top half of the picture. Some small areas of foxing/insect marks, thunder bugs beneath the frame, also beneath the glass. Frame has knocks, bumps and is slightly loose in areas - see images for more details
KARL SCHNORR VON CAROLSFELD “Gentleman in military jacket”, a portrait study, watercolour with part-finished pencil background, bearing various inscriptions, circa 1840, image size approx 33 cm x 23.5 cm, together with two further by the same hand including “Gentleman seated smoking a pipe”, image size approx 30 cm x 22 cm and “Alpine traveller”, image size approx 33 cm x 23.5 cm
A late 19th Century Adam Revival satinwood and painted elbow chair with caned back and seat on turned legs, together with another similar, the back panel painted with a study of two cherubs and a third shield back standard chair, the back panel decorated with a portrait of Lady Hamilton, on square tapered legs to spade feet
A set of three Victorian pink glass cameo vases with blue and gilt highlights each with the portrait of a young lady, tallest H: 54 cm including top. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: There are no visible cracks, chips or signs of restoration, some of the gilt detail has been rubbed away.
A BELLEEK PORTRAIT PLAQUE OF A VICTORIAN LADY IN A EBONISED FRAME 23 CM X 29 cm Condition Report: The plaque has a glaze flaw / pockmark on the portrait's neck. There is grazing and surface losses in the hat / hair / face and shoulder areas of the portrait. There is craze to the glaze all over. The gilt frame insert is cracked and there is a later plywood backing to the frame.
WW2 Luftwaffe ace Gottfried P Dulias signed 10 x 8 inch b/w portrait photo with biography page. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Eve Littleton (1937 - 2020 British), portrait of a young woman sitting in front of a window, oil on board, 91.7cm x 71cm; together with four other portraits, all oil on board, one double sided, various sizes; a portrait of a young man, oil on canvas; and three canvases that have been painted in white/cream after being used by the artist; various sizes
Eve Littleton (1937 - 2020 British), a portrait of a woman with a purple flower in her hair, oil on board, 55.9cm x 45.5cm, to the reverse an atmospheric oil of a mountain scene; together with a geometric oil on board, a small oil on board of a lady in the late Victorian style, the reverse partially painted with an abstract carnival scene; and a heavy board with a drawing of the three kings stuck to it; all by the same artist, various sizes
A gentleman's stainless steel Omega Speedmaster Professional wrist watch to commemorate Apollo XVII The Last Man on The Moon 40th Anniversary, batons to a circular dial with head and shoulder portrait of Apollo within a black tachymetre bezel, case diameter 42mm, watch ref 31130423099002, movement number 77805***, all to a conforming steel bracelet, complete with inner and outer boxes, certificate numbered 0692 of 1972, instruction booklet, Pictgrams, International warranty and Limited Series cards, in unworn condition.
ALBERT WAINWRIGHT (1898-1943) - A sketch depicting a portrait of a young male before a beach scene, a young boy reading while seated and other figure seated around a fire pit, to the reverse various pen sketches including two male figure on a horse and religious figures, pen, ink and watercolour, 1930s, 23cm x 18cm.

-
283284 Los(e)/Seite