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Preisdatenbank abonnierenAfter Sir Anthony Van Dyck War and Peace, a double portrait of George Digby, 2nd Earl of Bristol and William Russell, 1st Duke of Bedford inscribed 'George Earl of Bristol/William Earl of Bedford' (along the lower edge) oil on paper, in a carved and gilded frame 11½ x 8¼ in. (29.2 x 20.9 cm.) after the picture in the Picture Gallery, Althorp View on Christie's.com
John Closterman (1660-1711) Portrait of William Keith, 8th Earl Marischal (c. 1664-1712), three-quarter-length, in a purple coat, a white stock and a brown mantle with gold trim, holding a baton and leaning on a plinth with partly erroneous inscription 'William/9th Earl Marichal/Na 1635. 0B 1712' (upper right) , and 'William 9th Earl Marischal who died in the year 1712....' (on a label on the reverse) oil on canvas 48½ x 39½ (122.5 x 100.3 cm.) View on Christie's.com
AN ITALIAN MAIOLICA SGRAFFITO CIRCULAR DISH PERHAPS 16TH CENTURY, PROBABLY NORTH ITALIAN Painted in a cream slip and naively incised with a shoulder-length portrait of a woman in profile to the right, wearing her hair curled in a headdress and wearing loose robes, in landscape, enriched in green, cream and brown glazes 10½ in. (27 cm.) diam. View on Christie's.com
English School, Circa 1876 Portrait of Lady Sarah Spencer (1838-1919), head and shoulders, seated half-length; wearing a white dress and pink necklace with blackberries signed with monogram and dated '1876' (lower right) watercolour, on paper 11½ x 9½ in. (29.2 x 24.1 cm.) View on Christie's.com
A GERMAN LACQUERED SNUFF-BOX AND THREE PAPIER MACHE BONBONNIERES TWO OF THE BOXES BY STOBWASSER, BRUNSWICK, CIRCA 1820 Rectangular box, the hinged cover lacquered with a genre scene of an artist's studio, the interior of the cover inscribed 'Der Dorfgeiger. (Pistorius)', by Stobwasser, signed in the base 'Stobwasser'sche Fabrik in Braunschweig'; together with, a circular papier-mâché bonbonnière, the cover lacquered with a portrait of a boy in green fur-lined cap, by Stobwasser, signed 'St' and numbered 48; together with, two black papier-mâché bonbonnières The rectangular box, 4 7/8 in. (124 mm.) wide; the circular boxes, 3¼ in. (82 mm.) to 4 in. (101 mm.) diam. (4) View on Christie's.com
TWO ENGLISH GILT-COMPOSITION ROCOCO PICTURE FRAMES CIRCA 1840 Of large size, with various labels to the reverse including a Dublin exhibition, one labelled 'Rembrandt - Portrait of his Mother', losses Sight sizes - 55¾ x 39 in. (141.5 x 99 cm.) and 55 x 43 in. (139.75 x 109 cm.) (2) View on Christie's.com
CONTINENTAL SCHOOL, CIRCA 1730 A gentleman, in mauve coat and white cravat, powdered curling wig oil on copper oval, 1½ in. (38 mm.) high, set in a gold frame resembling a coin stamped with a portrait of Emperor Charles V, wearing the Order of the Golden Fleece, and inscribed around the edge, 'CAROLUS·V·ROM·IMP·FELICES·ET.IUMP·VC' View on Christie's.com
Hugh Douglas Hamilton, R.H.A. (1739-1808) Portrait of Madame Blanckart La Maréchale de Muys (d. 1803), head-and-shoulders, in a white dress with blue trim, and matching cap signed 'H.D. Hamilton delin 1771' (lower right) pastel on paper, oval 9 x 7¼ in. (23 x 18.5 cm.) View on Christie's.com
Henry Edridge, A.R.A. (1769-1821) Portrait of George Macartney, 1st Earl of Macartney, K.B. (1737-1806), full-length, wearing the Garter Star, a letter in high right hand signed and dated 'Edridge 1801' (lower left) pencil and monochrome wash on paper 12¼ x 8¾ in. (31.1 x 22.2 cm.) View on Christie's.com
A GERMAN BROWN SALTGLAZE STONEWARE DATED ARMORIAL PEWTER-MOUNTED JUG AND A WESTERWALD CYLINDRICAL MUG THE JUG 1600, THE MUG 1593 The jug dated 1600, with an oval medallion depicting the Pelican in her Piety; the blue glazed mug, with a half-length portrait of a gentleman, inscribed and dated 1593/·IAUIVS/BOSIVS· The jug 9¾ in. (25 cm.) high overall (2) View on Christie's.com
Circle of George Richmond (1809-1896) Portrait of an officer, half-length, in dress uniform pastel 17 x 14½ in. (43.2 x 36.8 cm.) oval Together with three portraits of ladies by Edmund Havell Jnr (1819-1894), pencil, coloured chalks and wash; and Two portraits by George Perfect Harding of William Marquis of Blandford; and Maria de Jong, Marchioness of Blandford, after pictures in the collection of the Earl of Egremont, with collector's stamp 'S. Althorp' (6) View on Christie's.com
A GROUP OF PARIANWARE BUSTS 19TH CENTURY, IMPRESSED MARKS Comprising: two Minton parian busts of Admiral Sir George Francis Seymour, a Copeland bust of the Duke of Wellington, another of a bearded gentleman inscribed 'Gay's Patent' to the reverse, a plaster portrait bust of a lady, impressed 'London July 3/1833' and 'B.Sango/Anni/Fa(?)/ED' 9¾ in. (24.5 cm.) high max. (5) View on Christie's.com
A quantity of silver and vertu, including: a George III silver Old English pattern caddy spoon, London 1814, engraved with a monogram; a silver, glass and leather small hip flask, Sheffield 1901; another similar electro-plate mounted; two silver small specimen vases, each loaded; a late Victorian inlaid tortoiseshell oblong purse; and a Boer War period book form small paperweight, inset with a portrait bust medallion of Oom Paul and engraved `The Staggerer of Humanity`
* Pablo Picasso 1881-1973- "Portrait de D. H. Kahnweiler, II"; (B.835)Lithograph printed in colours, 1957, signed in red crayon, numbered 26/50, on Arches wove paper, the full sheet printed to the edges, in good condition apart from uneven paper discolouration recto and verso, pale scattered foxing, remains of old tape verso, 66x51cm, (unframed)
American School, mid-late 19th century- Portrait of Confederate Lieutenant General Thomas Jonathan "Stonewall" Jackson, half-length in full Confederate uniform, his hand on the hilt of his sword, with a mountain river landscape beyond; oil on canvas, 45x35cm Note: A similar portrait of "Stonewall" Jackson by J W King dated 1864 after an unknown hand is held by National Portrait Gallery at the Smithsonian Institution. This portrait also bearing a likeness to General Jackson`s "Chancellorsville" Portrait, taken at a Spotsylvania County farm on April 26, 1863, seven days before his fatal wounding at the Battle of Chancellorsville. At the Battle of Manassas in 1861, the courage with which Confederate General Thomas Jonathan Jackson held his position inspired a general to rally his troops with the cry, "There is Jackson standing like a stone wall." From that moment on, he was known as "Stonewall" Jackson, a name that he repeatedly lived up to, under the command of General Robert E. Lee. A religious man Jackson believed intensely in the southern cause, with the ability to inspire courage in his men. (LP) (unframed)
* Northern European Provincial School, mid 19th century- Portrait of a lady, seated, holding a fan, feigned oval; oil on canvas, 86x73cm: together with a Congenial portrait of a lady seated, holding a basket of flowers, feigned oval; oil on canvas, 86x73cm, (unframed) (2) (both by the same hand)
European school, mid to late 19th century portrait miniature, a young women bust length wearing a black dress and dark hair curled in an ebonised paper mache frame; Charton early to mid 19th century silhouette of a gentlemen, in profile, wearing a coat and tight stock, together with two other 19th century daguerreotype`s, (4).
A Regency commemorative coverlet, centred a printed rectangular portrait of Princess Charlottle, titled Her Royal Highnefs Princess Charlotte of Wales And of Saxe Coburg Saalfeld, Born 7th Jan 1796 Died 6th Nov 1817, within four printed borders. 97 x 80.5in (247 x 204cm). Princess Charlotte was the only child of George IV, who married Leopold of Saxe Coburg Saalfeld on 2nd May 1816 and died the day after giving birth to a stillborn son. Her death was mourned nationally.
A late Victorian walnut, amboyna and parcel gilt music stool by Gillow & Co., the upholstered hinged seat to a divided interior, the front inset a convex enamel plaque painted a portrait of a boy, above a drawer stamped `GILLOW & CO., 2701`, flanked by fluted columns on lobed bun feet and sunken brass castors, 20.5in (52.1cm) h, 24in (60.8cm) w, 17in (43cm) d.
Three Bois Durci circular portrait plaques, of Richard Cobden, Giuseppe Garibaldi and Napoleon III Empereur, all with `BOIS DURCI` to verso, two numbered, 2nd half 19th century, 4.5in (11.3cm) dia. (3) Richard Cobden (1804-1865), Liberal Statesman, spokesman for Free Trade and supporter of the Anti-Corn laws.
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