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Los 13

Breguet (Abraham-Louis).- Salomons (Sir David Lionel) Breguet. (1747-1823), translated by Louis Desoutter, first French edition, portrait and plates, tissue guards, Cecil Clutton`s copy with his signature on front free endpaper and several letters etc. loosely inserted including Lilian Adam to Col.Quill, Clutton to Quill, Bruton to Quill etc., also photocopy of Allix`s list of analysis of watches in the English and French editions, some items in text marked ÒJÓ (i.e.Mayer watches in Jerusalem), original cloth, very slightly rubbed at edges, [Bromley 754; Tardy p.221], for the Author, 1923; and another on the Breguet centenary of 1923, 8vo (2)

Los 41

Ellicott (John).- Dunkarton (Robert, engraver) John Ellicott F.R.S. Etat 67 Clockmaker to his Majesty, mezzotint portrait, a late impression, c.370 x 270mm., light spotting and water-staining, framed and glazed, [c.1785, but later].

Los 43

Ferguson (James).- Stewart (Robert, engraver) James Ferguson Astronomer F.R.S. at 66, mezzotint portrait after John Townsend, scratched letter proof, the title added in manuscript (ink faded), c.355 x 250mm., trimmed to edge of image and laid down or remargined, framed and glazed, 1776.

Los 49

Graham (George).- Faber (John, engraver) George Graham, Clock Maker, mezzotint portrait after T.Hudson, c.360 x 255mm., lightly soiled with a few small tears at edges, trimmed close to plate mark and laid down, framed and glazed, [c.1740].

Los 63

Le Roy (Julien).- Moitte (P.E., engraver) Julien le Roy, Horloger du Roi..., engraved portrait after Perroneau, c.340 x 270mm., browned, trimmed close to edge of image, wormtracks filled in at edges not affecting image, framed and glazed, [c.1760]

Los 79

Mudge (Thomas).- Schiavonetti (Luigi, engraver) Thomas Mudge, engraved portrait after Dance, c.230 x 150mm., browned, cut down, framed and glazed, [c.1800].

Los 80

Mudge (Thomas) A Description...of the Time-Keeper..., facsimile reprint of the 1799 edition, portrait and plates, with manuscript pencil notes by D.S.Torrens on Mudge`s letters to Count Bruhl loosely inserted, original cloth, 4to, London and Toronto, 1977.

Los 88

Pinchbeck (Christopher).- Faber (John, engraver) Christopher Pinchbeck, mezzotint portrait after Isaac Whood, c.320 x 230mm., creased from folding (fairly unobtrusive), a little soiled, trimmed just touching image at upper edge, framed and glazed (early gilt frame), [c.1725].

Los 91

Portrait of unknown Frenchman (presumably an horologist), colour pastel portrait, within oval mount c.265 x 215mm., slight wear to background at right hand side, framed and glazed, [c.1790].

Los 98

Rodanet (A.-H.) L`Horlogeries Astronomique et Civile...1886-1887, portrait, old cloth-backed boards, Paris, [1887] § Wins (Alphonse) L`Horloge a traves les âges, old cloth, Mons, 1924 § Planchon (Mathieu) L`Horloge: Son Histoire..., old ink inscription at head of title, light marginal water-staining, [Paris], 1923 § Philippe (Adrien) Les Montres sans Clef..., 3 folding plates at end, Geneva & Paris, 1863 § Beillard (Alfred) Recherches sur l`Horlogerie, ses Inventions et ses Celebrites, Paris, [1895], some with illustrations, the first two with bookplate of Joseph Sternfeld and rubbed, the rest modern cloth with original printed wrappers bound in (rubbed and stained, upper wrapper of Beillard slightly defective); and 7 others, French, 8vo & 4to (12)

Los 110

Tompion (Thomas).- Smith (John, engraver) Tho: Tompion Automatopoeus, mezzotint portrait after Kneller, c.350 x 255mm., lightly soiled, unobtrusive tear affecting title repaired, framed and glazed, [c.1710].

Los 121

Whitehurst (John).- Hall (J., engraver) John Whitehurst F.R.S., engraved portrait after Joseph Wright of Derby, oval with wide margins within plate-mark, c.280 x 225mm., framed and glazed, 1786.

Los 258

An extremely rare Charles II travelling timepiece with silent-pull repeat, alarm and calendar. Robert Seignior, London circa 1685, the pierced silver case of later date. The 4 inch diameter circular movement with five finned and knopped pillars secured with blued steel latches to the tulip and foliate trail engraved gilded backplate applied with a scroll pierced and engraved balance cock, double-headed alarm hammer and central bell, the going train with chain fusee and verge escapement regulated by a sprung three-arm flat rimmed steel balance, the silent-pull repeat powered via a standing barrel mounted on the inside of the backplate and now sounding the hours only on the bell mounted to the rear of the movement, the alarm with further standing barrel mounted on the frontplate and crown wheel for the dumb bell type hammer sounding on the same bell, the 4.5 inch circular gilt brass dial with recessed silvered alarm disc, ringed winding hole and calendar aperture to the matted centre within silvered Roman numeral chapter ring with quarter hour inner track, stylised fleur-de-lys half hour markers, Arabic five minutes within the narrow outer track and signed Rob.t Seignior, Londini Fecit to lower edge, with pieced blued steel hands and herringbone engraved outer border, now in a silver case of later date finely pierced and chased with panels in the Renaissance style with scrolling acanthus incorporating figural terms and grotesque masks, putti and squirrels divided by repeating borders including a pair of profile portrait medallions, the hinged front cover with convex glass within foliate cast bezel, opposing hinged rear cover relief decorated with a bathing scene with an old man attended by semi-clad female figures within elaborated pierced double border, the top fitted with a ball pivoted cast suspension ring, (repeat work formerly sounding the quarters on a second bell), diameter 13cm (5ins) overall depth 10cm (4ins). Robert Seignio(u)r is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as apprenticed to John Nicasius gaining his Freedom of the Clockmakers` Company in 1667. He worked in Exchange Alley and was often at loggerheads with the Clockmakers` Company. In August 1674 he was appointed the King`s Clock and Watchmaker `without fee` until the death or surrender of office by Edward East, presumably to ensure succession of the role in the event of East`s demise. This appointment was never formally fulfilled as East outlived Seignior who died in 1687. The current lot is a particularly rare model as it is neither a table clock suitably adapted and scaled for travelling purposes, or a large clock-watch as the scale of the movement and details in construction and design are more akin to clockmaking practice rather than watchmaking. The design and layout of the repeat work closely resembles the earliest silent pull mechanisms first used by leading makers such as Joseph Knibb (See Allix, Charles and Harvey, Lawrence Hobson`s Choice pages 36-41 for closely related table clock repeat work). The engraved decoration to the backplate is again closely related to designs found on contemporary table clocks by the leading makers and can be directly compared to an example by Seignior dated to around 1680 illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks Plate 512 (page 359). The design of repeat work, style of movement pillar, backcock, engraving and other features such as the distinctive `S` scroll shaped cocks for both the alarm going train crown wheel lower pivots identify the movement and dial of the current lot as unmistakenly English. However two similar travelling timepieces by the Hague maker Johannes Van Ceulen are known. The first example is illustrated in Bruton, Eric THE HISTORY OF CLOCKS AND WATCHES page 173, this appears to be an alarm timepiece only and is housed in a plain drum shaped case with a foliate pierced band towards the rear to allow the alarm to be heard. The case may give an impression of how the original for the current lot may have appeared (the present fine purpose-made elaborately chased and pierced silver case is probably Continental and of later date). The second example is illustrated in Bertele, Hans von MARINE & POCKET CHRONOMETERS and is described as a `ship`s cabin clock`. This second example is generally a more complex model as it appears to strike, have a calendar dial as well as an alarm, and is housed in a more elaborate silver case with pierced decoration to rear cover. The original client for the current lot must have been an extremely wealthy individual to be able to afford the luxury of such a fine timepiece exclusively for travelling purposes. Furthermore a subsequent owner must have also valued it highly enough to commission such a fine purpose-made silver case to be supplied to house the movement and dial.

Los 1348

Naive School, mid 19th century, Portrait of a Boy, with Embroidered collar, inscribed on label verso, oil on canvas, 20.5cm x 18cm

Los 1365

19th century English School, Portrait of a Gentleman Holding a Newspaper, half length, oil on canvas, 76cm x 64cm, and a 19th century Portrait of a Lady, oil on canvas (2)

Los 1375

Follower of Augustus John, Portrait of a Lady, oil on board, 21.5cm x 13cm

Los 1377

English School, Portrait of a John Keats, oil on panel, 20cm x 16.5cm

Los 1379

18th century French School, Portrait of a Lady with Lace Collar, in 16th century style, bust length, oil on canvas, 47cm x 38cm

Los 1419

E...Laszlo (Hungarian School), Portrait of a Young Lady, in a White Bonnet and Red Dress, Holding a Miniature, bust length, signed and dated 1909 t.l., oil on canvas, 25.5cm x 20.5cm

Los 11

Alan Sutherland - Half Length Portrait of a Gentleman wearing a Grey Suit, with a White Shirt and Red Tie, oil on canvas, signed and dated 1967, approx 89cm x 70cm, within a partially gilt frame.

Los 34

James - Half Length Portrait of Young Lady in profile, early 20th Century oil on canvas, indistinctly signed and dated, approx 59cm x 39cm, within a gilt composition frame.

Los 54

Huson - `Girl at a Table` (Cubist Portrait Study), mid-20th Century oil on canvas, artist`s name, titled and dated `52 verso, approx 61cm x 51cm.

Los 66

19th Century British School - Half Length Portrait of a Lady, oil on canvas, approx 59cm x 46cm.

Los 73

Early 19th Century British School - Head and Shoulders Portrait of a Gentleman wearing a Powdered Wig, oil on canvas, approx 70cm x 60cm.

Los 75

Horsburgh - Half Length Portrait of a Gentleman holding a Sheet of Paper, oil on canvas, signed, inscribed and dated `Edin`r 1880`, approx 92cm x 71cm.

Los 95

British School - Portrait Study of a King Charles Spaniel, 20th Century oil on board, indistinctly signed with initials, approx 11cm x 11cm, within a gilt and painted frame.

Los 96

Late 19th Century Continental Provincial School - Three-quarter Length Portrait of a Lady, watercolour on ivory, approx 12.5cm x 10cm, within a gilt frame.

Los 97

Enid Stoddard - Oval Miniature Head and Shoulders Portrait of Mrs Norton Matthews, wearing a White Hat with a Rose Band, White Chemise and Pearl Necklace, early 20th Century watercolour, signed recto, inscribed verso, approx 8cm x 6.5cm, within a hallmarked silver frame.

Los 99

Indian School - Studies of Birds on Branches, two watercolours with gouache on ivory, each approx 10.5cm x 6cm, together with six similar works, Portrait Studies.

Los 102

Marjorie Cox - `Peter` (Portrait Study of a Pekinese Dog), pastel, signed, titled and dated, 1948, within a wood frame.

Los 144

After William Nicholson - Full Length Portrait of King Edward VII, 20th Century print, together with three further prints, Portrait Studies, all within ebonized frames.

Los 149

Mary Browning - `Herbert and Wow-wow` (Portrait Studies of Greyhounds), pastel, signed, titled and dated `71, within a painted wood frame.

Los 621

An oval moulded cameo portrait of a gentleman, an oval black cameo brooch designed as the portrait of a lady, and a brooch glazed with a Masonic eye symbol surrounded by further Masonic symbols.

Los 656

A gold mounted oval shell cameo brooch carved as the portrait of a lady, two shell cameo brooches, a moulded paste cameo brooch, a silver mounted tortoiseshell brooch decorated with the crest of the Welsh Regiment, London 1916, and five further brooches.

Los 709

A gold mounted oval shell cameo brooch carved as the portrait of a classical lady, the mount with engraved decoration, detailed `9ct`.

Los 727

An oval shell cameo stick pin carved as the portrait of a gentleman, a diamond and cultured pearl stick pin, and a gold topped and diamond set single stone stick pin detailed `15ct`.

Los 862

A set of six mother-of-pearl buttons and a similar a pair of earclips, a mother-of-pearl star pendant, three mother-of-pearl spherical buttons, eleven various mother-of-pearl buttons, a set of six brass buttons decorated with musicians, three large and one small ceramic buttons, a rectangular brass photograph frame, a turquoise matrix two piece buckle, a gramophone needles tin, a Kigu powder compact, the cover with a needlework panel, and an oval portrait miniature of a lady.

Los 870

A Russian silver mounted oval porcelain devotional pendant, 84 zolotnik, the porcelain panel painted with a standing portrait of St. Catherine, the silver mount with Cyrillic inscription framing a central cross and date `1902`, maker`s mark of Dimitry Udalitsov, length approx 8.5cm.

Los 876

A late 18th/early 19th Century circular tortoiseshell box, the lid inset with a painted panel of two doves perched on a rock beside a quiver, within piqué inlaid two colour gold floral decoration, diameter approx 5.3cm (minor faults), together with a glass cameo depicting a portrait of a lady within an oval red leather case, two unmounted cameos and a mourning brooch with hairwork decoration.

Los 888

A carved ivory cameo oval pendant designed as the portrait of a lady, in a later silver plain mount, London 1975.

Los 891

An early 19th Century gilt metal seal, the red paste matrix intaglio moulded with a bust portrait of a gentleman.

Los 898

A 19th Century enamel snuff box of oval lobed form, the hinged lid painted with the portrait of a lady wearing a plumed hat inscribed `Long Live the King`, above green painted sides and base, length approx 6cm.

Los 905

A mid-19th Century tondo reverse coloured print on glass depicting a half length portrait of the young Queen Victoria, together with a gold mounted porcelain brooch with monochrome printed half length portrait of Victoria and Albert, and two gilt metal mounted daguerreotypes.

Los 908

A George III ebony memoriam circular box and cover, commemorating the birth, coronation and death of George III, the top decorated with a head and shoulders relief portrait of the King, the base similarly decorated with a mourning Britannia above his inscribed dates, diameter 7.9cm.

Los 1464

A Copeland Late Spode brown and green glazed teapot and cover, commemorating the 1897 Diamond Jubilee of Queen Victoria, sprigged in white with a portrait of the Queen and the Royal Coat of Arms, the cover with crown finial, brown printed and impressed factory marks to base (minor nicks to spout).

Los 1622

Two pearlware Princess Charlotte commemorative memoriam nursery plates, circa 1817, the first larger example printed in blue, the second printed in brown, each with a head and shoulders portrait above the inscription `The late and much lamented Princess Charlotte of Saxe Cobourg who departed this life Nov. 6th 1817`, each with a floral moulded rim, diameters approx 15.5cm and 13.7cm.

Los 1623

A rare pearlware nursery plate commemorating the marriage of Princess Charlotte and Prince Leopold, circa 1816, printed in brown with a titled military portrait of Leopold within a floral moulded rim, diameter approx 13.7cm.

Los 1624

A rare pearlware George III commemorative memoriam nursery plate, circa 1820, printed in blue with a portrait of the King within a laurel ring and the inscription `Sacred to the Memory of George III who died 29 Jan.Y 1820`, within a floral moulded rim, diameter approx 15.5cm.

Los 1625

A George III porcelain commemorative memoriam circular plaque, circa 1820, printed in black with a military portrait bust titled `His Sacred Majesty King George III` within a gilt circle, diameter approx 12.8cm (faults).

Los 1626

A pair of George III pearlware commemorative memoriam nursery plates, circa 1820, each printed in black with Pratt coloured enamels, the first with a portrait of the King within a laurel ring and the inscription `Sacred to the Memory of George III who died 29 Jan.Y 1820`, the second with a scene of George III presenting a bible to a child above an inscription, each within a floral moulded rim, diameter approx 13cm (minor haircrack to rim of second dish).

Los 1627

A George IV pearlware commemorative coronation vase, circa 1820, of flared circular form, printed in black to one side with a titled portrait bust of George IV above the inscription `Born Aug 12. 1762. proclaimed King of Engl. Jan. 31. 1820`, to the reverse a figure on horseback inscribed `The Champion of England at the Coronation of King George IV`, the rim and foot edged in black, height approx 10cm (minor restoration to rim).

Los 1628

A pearlware Queen Victoria and Prince Albert commemorative wedding nursery plate, circa 1840, printed in green to the centre with three quarter length portraits titled `Her Most Gracious Majesty Queen Victoria & Prince Albert`, within an animal moulded rim, diameter approx 15cm, together with another nursery plate, circa 1838, printed in pink with a three quarter length portrait of Queen Victoria, after Parris, above `VR` within a dense flowerhead moulded rim, diameter approx 15cm (fine haircrack to rim).

Los 1629

A pearlware Queen Victoria commemorative coronation and proclamation nursery plate, circa 1838, printed in blue with a head and shoulders portrait bust of the Queen beneath a crown within inscribed dates of her birth, proclamation and coronation, the panelled rim moulded with flowers, diameter approx 14cm.

Los 1631

A pearlware Queen Victoria commemorative proclamation nursery plate, circa 1837, printed in black with a half length portrait of the young Queen beneath a crown within the inscription `Victoria Regina, Born 25 of May 1819, Proclaimed 20 of June 1837`, the pink edged rim moulded with the alphabet, diameter approx 15.8cm (minor faults).

Los 1633

A diminutive pearlware Queen Victoria commemorative mug, circa 1838, printed in green with a titled portrait of the young Queen flanked by flowers of the union, height approx 6cm. Note: a similar blue printed mug was sold in these rooms, 25th February 2010, lot 1666.

Los 1644

A Staffordshire pottery Reform commemorative mug, circa 1832, printed in purple to one side with a titled head and shoulders portrait of `Lord John Russel` opposing `Lord Althorp` flanking the Royal Coat of Arms above `Reform`, height approx 8.5cm.

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