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Preisdatenbank abonnierenAMENDED DESCRIPTION; WILFRED HIGGINS oil on board - head and shoulder portrait of a greyhound 'Swinging Light' winner of the Waterloo Cup 1941 and 1942, signed lower right, 38 x 30cms, and a letter opener having a taxidermy hare's foot for the handle with silver ferule inscribed 'Swinging Light, Waterloo Cup 1941', 32cms L
Attributed to Michael Dahl (circa 1693 - 1743), oil on canvas, portrait of a gentleman in armour wearing a red jacket, painted in the oval, 76.5cms x 64cms, in a period gilt frameOverall in good condition, has been re-lined and completely restored in recent years.This also includes the frame, which is restored
19th Century English school oil on board, portrait of two children, both wearing brown smocks and each holding a riding crop before a landscape, 43cms x 29cms, in a gilt arch top frameThe board has become slightly convex over time and there is a lot of surface dirt. No physical damages or repairs though.
Small 19th Century oil on canvas, portrait of a gentleman, unsigned, 28cms x 23cms, together with another, oval mounted, both gilt framed, 30cms x 24cmsBoth are on canvas and in good original condition. The rectangular portrait is very dirty. The oval has a white bloom, probably caused by damp.
A selection of books, titles including: Northumberland, by Lee Frost; England: The Mini-Book of Aerial Views, by Adrian Warren and Dae Sasitorn; Surrey: A Portrait in Colour, by Andy Williams; A Furness Sketchbook, by A Wainwright; The Buildings of England: Northumberland, by Nikolaus Pevsner; How To Read Buildings: A Crash Course in Architecture, by Carol Davidson Cragoe; and others, one box
Daphne Charlton née Gribble, (British, 1909–1991) Portrait of Francis Davieoil on canvassigned and dated 195161 x 51cm***CONDITION REPORT***Oil on original canvas, slight rubbing around the edges but otherwise good, not framed, one repaired hole near the artist right suit lapel, inscribed presumably with the name of the sitter verso. Not framed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of Sir Nathaniel Dance-Holland, 1st.Bt. RA (British, 1735-1811) Portrait of a gentleman, bust-length, wearing a crimson coat, white stock, and holding a miniatureoil on canvas74.5 x 62cm Provenance: Christie’s, thence private collection Surrey.***CONDITION REPORT***Oil on canvas relined within the past 20 years or so, canvas remains tight, paint a little dirty with a fine but stable craquelure running throughout, various signs of retouching to old dents and knocks mostly in the dark background but also near his shoulder and down the left side of his jacket, modern gilt frame, Christie's stencil number 614ZD on the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rare Chinese export mother-of-pearl and reverse painted glass mounted casket, late 18th century, the cover and front panel carved and pierced with peonies with birds amongst peonies flowers and foliage in mother-of-pearl, inset with reverse painted glass portraits of Chinese court figures, the sides inset with reverse painted glass panels of birds and peonies, the back panel inset with a mirrored glass panel, enclosing a later velvet lined interior, on four white metal hairy lion paw feet, 27.5cm wide at feet, 15.5cm high, some damage***CONDITION REPORT***The portrait to the cover has been cracked in several places, and there are losses to some of the fretted mother-of-pearl sections to the left of the portrait, some splits and re-gluing to the border of the cover. The front carcass wood beneath has probably moved a little bit and there are some splits losses and reglued areas to the mother of pearl decoration, the left hand side is in reasonable condition, the right-hand side panel has a crack to the reverse painted glass inset and the back panel has some possible re-glueing to some of the mother of pearl. The interior is later lined obscuring the construction of the inside, the hinges are possibly replacement. The bottom panel now later covered in baize, the feet screwed on on top of the baize with later screws, but the feet are of the period.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of George Romney (British, 1734-1802) Portrait of a lady, seated, wearing a white dress and a black hatoil on canvas75 x 62cm Provenance: Private collection Surrey.***CONDITION REPORT***Oil on canvas looks to have been relined 20 to 30 years or so, canvas remains tight, paint looking a little flattened with a fine but stable craquelure running through the flesh and white dress, scattered retouching throughout, later gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Early 19th century English School Portrait of General Frederick Roome (1783-1845)oil on canvas90 x 70cm***CONDITION REPORT***Oil on canvas sealed at the back is thought not to be relined albeit that now there is a fair amount of undulation to the work and it would benefit from re-stretching, a number of small surface scuffs most notably at 3 and 9 o'clock, otherwise some small dirt splashes, housed in a later gilt frame with details of the sitter inscribed verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 19th century French ormolu and Sevres style porcelain mantel clock, with architectural urn surmounted case, porcelain plaques painted with young ladies and flowers, unsigned eight day countwheel movement, the case stamp PH Mourey, 29cm wide, 50cm high***CONDITION REPORT***Ormolu case still of rich gilt colour but now with some bubbling showing through the gilding particularly on the strap work to the sides, further oxidisation and rubbing to the mounts throughout, urn finial a little wobbly and the suspended portrait plaque a little out of alignment, pineapple finials to either side look like later replacements, plaques to base out of alignment and feet rather wobbly, movement numbered 40229, not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rare English creamware ‘crucifixion’ teapot, c.1780-1800, each side depicting Christ with Mary Magdalene in a landscape, bifurcated handle, the spout painted with a crude portrait of Christ, the domed cover with flower finial, 20cm spout to handle, tiny chips***CONDITION REPORT***There are numerous small splinter chips around the edge of the cover and there is a small section on the inside of the cover that may have been ground off, there are small flakes/splinters chips to the tip of the spout, no cracks or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Louis XVIII glass sulphide portrait plaque, in a gilded porcelain frame, c.1820, the cristallo-ceramie portrait of Louis XVIII possibly by Desprez, in a Paris porcelain gilded porcelain circular frame, 14.5cm diameter***CONDITION REPORT***Some occasional scuffing and scratching to the gilded surround and the glass, lacking porcelain suspension loop, where to the back consistent with age and use, a few small chips around the back edge of the frame otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Apulian red figure Pelike, 4th century BCE., painted with the portrait of a woman, the reverse with a nude man carrying a situla and staff, 15.3cm high, restored***CONDITION REPORT***Shining a torch inside you can see that the vessel has been broken into a number of pieces and repaired with some repainted restoration around the areas and some occasional filler to small losses.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Maurice Canning Wilkes (Irish, 1910-1984) Portrait of Archibald Forrestoil on canvassigned55 x 45cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, will benefit from a clean, slightly loose in what looks to be the original gilt gesso frame which has damage to the corners and elsewhere, remnants of Belfast framers label verso along with a typed label giving title, comes with the original cheque paid to the artist in 1941, drawn on the Belfast Bank Ltd and the sitters tweed hat.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Edith Mary Urquhart (Scottish, 1874-1945) Portrait of a young lady holding a parasoloil on canvassigned61 x 54cm***CONDITION REPORT***Oil on orignal canvas in honest untouched condition, might need a light clean but no real faults noted, housed in an old carved wood frame that has Exhibition labels verso that look to have been for a different work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Roberts, David - The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia. 6 vols (in 3). with 6 pictorial titles, 2 maps, a portrait and 241 tinted (a few coloured) lithographed plates; publisher's gilt-decorated morocco with panelled spines and ge., 4to. 1855-56 (3)***CONDITION REPORT***Some leather wear, all bds. present but 3 detached, gen. a clean set with any spotting confined to plt. verses (and plts. with guards), 2nd map placed end vol.6; armorial bkpts.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of Sir Godfrey Kneller (British, 1646-1723) Portrait of a lady wearing a blue dressoil on canvasoval, 69 x 57cm***CONDITION REPORT***Oil on canvas relined within the past 10 years or so, the canvas remains tight with a fine but stable craquelure throughout, one prominent scratch running down to the left of 12 o'clock, other lighter surface scratching, housed in a later gilt frame with a number of losses.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Arthur Breakspeare (British, 1855-1914) Portrait of a 17th century gentlemanoil on canvassigned and dated 188160 x 50cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A magnificent group of Afghanistan, Indian General Service, Boer War, and Great War of eleven medals, awarded to General Sir John Eccles Nixon, GCMG KCB, who was the General responsible for the disastrous first British Expedition against Baghdad, in Mesopotamia, consisting:- The Most Distinguished Order of St Michael and St George, GCMG., Knight Grand Cross set of insignia, collar chain, of early 20th Century manufacture, silver-gilt and enamel, the links alternatively composed of winged lions royally crowned, Maltese crosses enamelled in white, and the cyphers SM and SG, having in the centre of the collar an imperial crown over two uncrowned winged lions of St Mark, passant gardant, each holding in his fore paw a book and seven arrows, with two similar lions, but un-crowned, at the opposite end of the chain, extremely fine. 465 grms. gross.Sash badge, a silver-gilt seven pointed star with V shaped extremities, enamelled white and edged with gold, surmounted by an imperial crown.A silver star of seven groups of rays, with a gold ray between each group, surmounted overall by the cross of St George in red enamel. In the centre is a representation of St Michael encountering Satan within a blue circular riband bearing the motto: AUSPICIUM MELIORIS AEVI ( a token of a better age).The Most Honourable Order of the Bath K.C.B Knight Commander’s set of insignia, comprising neck badge, silver gilt and enamels, and breast star, silver with gold and enamel appliqué centre, reverse fitted with gold pin for wearing.Court mounted in pre 1918 style: Delhi Durbar 1903, Coronation 1911, Afghanistan 1878-80, (engraved Lt JE Nixon 18th Bengal Cavalry), India General Service 1895-1902 clasps Relief of Chitral 1895, Punjab Frontier 1897-98, (named) Queens South Africa 1899-1902 clasps, Orange Free State, Transvaal, South Africa 1901, South Africa 1902, (named) 1914 Star, British War and Victory medals (named and loose in box of issue), Victorian Jubilee medal.Together with The ‘Madras’’ photo album, of black and white photographs, relating General Sir John Eccles Nixon and Lady Nixon, for the year 1905, when Sir John was Commander of the Bangalore Brigade, including views of the ceremony of the Delhi Durbar (Court of Delhi), military camps and operations of Cavalry Division A Force, family recreational pursuits, a group and portrait image of Major General MacArthur, U.S,A; etc., (69 images) and a fragment of a Boer War Mauser rifle bullet.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. PDF AVAILABLE HERE: https://drive.google.com/file/d/1hFVOfCeXCyNlVSwWvfeKWMLIPcmrOYgJ/view?usp=share_link
§ § Julian Trevelyan (British, 1910-1988) 'Self portrait'etching and aquatintsigned in pencil, 23/10048 x 35cm***CONDITION REPORT***Good untouched condition, some undulation of the paper showing, possibly a hint of discolouration in the paper particularly near the lower left corner, visible sheet 50 x 37cm, plain white card mount and glazed wooden frame, David Graham Framers label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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