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283284 Los(e)/Seite
Los 752
Two vintage 20th century Paragon bone china commemorative loving cups. Both boxed with certification. The first being H. M. Queen Elizabeth the Queen Mother 1980 Birthday cup and the second being the H. R. H. The Prince of Wales and Lady Diana Spencer 1981 Royal Wedding loving cup. Both having transfer printed portrait and gilt detailing. Good condition. Measures 12cm tall.
Los 221
A RUBY AND DIAMOND 'TOI ET MOI' DRESS RING, BY A. E. KÖCHERTOf crossover design, set with a pear-shaped ruby and a pear-shaped diamond, between tapered baguette-cut diamonds, mounted in 18K gold, principal diamond weighing approximately 0.90ct, remaining diamonds weighing approximately 0.50ct total, signed Köchert, with maker mark, ring size JThe House of Köchert actually begins with a man named Emanuel Pioté, a French goldsmith who opened a workshop in Vienna in 1814, where his deft skill quickly earned him a reputation among the city’s upper classes for quality work. In 1819, Heinrich Köchert, Pioté’s new brother-in-law, would join him in this venture as an associate. The reputation of the jewellers began to grow and in 1831 they were declared the personal jewellers of the Austrian Emperor, a position Köchert would hold until the dissolution of the empire in 1918. Pioté would retire in 1948, thus solidifying the house under Köchert’s name.Köchert was responsible for some of the most iconic pieces worn by Empress Elisabeth, or ‘Sisi’, herself a fashion icon of the age, including the diamond and pearl studded star-shaped hair ornaments that appear in her official 1865 portrait by Xaver Winterhalter now known as ‘Sisi Stars’. Köchert would continue to enjoy success throughout the 1800s by creating sumptuous pieces for European royalty, including overseeing the adding of pearls as part of the restoration of the Austro-Hungarian Imperial Crown. The outbreak of WWI would see this distinguished clientèle vanish, but the house survived by adapting with the times and embracing the Art Deco trends. Now in the hands of Erich and Wilfried Köchert, the painter Erwin Lang is taken on to design new jewellery for a new age. Lang’s stone rings quickly became popular and remain a staple of the brand to this day.Surviving both WWII and the rise of the Iron Curtain, Köchert would continue to innovate through collaboration, including with renowned architect Hans Hollein, who in 1986 released a collection with the jewellery house. Today, the sixth generation of Köchert’s are in command at house’s flagship boutique in Vienna and, if their history tells us anything, there they will be for a long, long while. Condition Report: Principal diamond: approx. 0.90 (approx. weight due to mount), estimated colour G/H, estimated clarity VSRemaining diamonds: approx. 0.50ct total, bright and well matchedRuby: Of purplish-red hue, medium tone, good saturation, good transparencySignature and maker's mark located inside hoop as well as 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.2g
Los 490
CHEN YANNING (1945- ) ROARING TIGER A Chinese painting, ink and colour on paper, inscribed hu xiao tu, Yanning xi mo, signed Yanning with three artist's seals, framed and glazed, with an authenticity letter from the Syllavethy Gallery in Aberdeen where this painting was painted in 1986, 59cm x 39cm. Provenance: formally from a British private collection, purchased from Susan J and Michael Gassaway of the Syllavethy Gallery, the painting was painted in this gallery during the artist's first visit to the UK in 1986. Chen Yanning is one of the leading artists among Chinese realistic painters, he painted many celebrities and politicians, including a portrait of Her Majesty The Queen and His Royal Highness the Duke of Edinburgh in 1999. One of his portraits of the Queen was used by the Royal Mail on a Royal Jubilee stamp.
Los 817
19th century oil portrait of a gentleman reputedly James Tweedale, owner of a cotton spinning mill in Rochdale and related to the Healey & Schofield families with connections to The Rochdale Pioneers, "Painted by Percy" written on verso, in elaborate gilt frame 2 x 19th century silhouettes of a lady in bonnet in wooden frame and a young girl in oval ebonised frame (no glass) reputedly ladies from the Healey family ; a legal document between Thomas Healey and Mr Tweedale 1808, Bond and Indemnity for £1000
Los 318
BRITISH RACING CARS. Compiled by the late Cyril Posthumus, 14pp including an illustrated card cover, c1947. A promotional landscape format brochure illustrating and discussing various marques, to include Napier, Vauxhall, Lea-Francis, E.R.A., Riley, etcetera. The F. Gordon Crosby illustrated cover scuffed and soiled. Also, a similar The Story of GP Racing, but portrait-style booklet of 28pp by Charles Fothergill using Klemantaski photographs. A little creased. (2)
Los 92
Bob Dylan LPs, twenty-five albums with a mixture of originals and reissues and with titles including Bob Dylan, Another Side of Bob Dylan, Blonde on Blonde, Highway 61 Revisited, Bringing It All Back Home, The Freewheelin Bob Dylan, Nashville Skyline, Blood On The Tracks, Planet Waves, New Morning, John Wesley Harding, Self Portrait and more - mainly Excellent condition
Los 357a
Jose Thomas Errazuriz (1856-1927)Oil on boardSnow Geese 23.5 x 20 cmProvenance: Statement from previous owner."José Errazuriz first knew our family around 1900 when he lived in a flat opposite the one we have. They lived in a block of flats overlooking Hyde Park which was later and until recently the Netherlands Embassy. Subsequently he lived in a cottage in the grounds of my grandfather's estate at Sunningdale. He painted a very good portrait of one of the family. His name is pronounced ERRATHURITH."
Los 142
ANONYMOUS, TOSA SCHOOL EDO PERIOD, 17TH CENTURY OR LATER Two Japanese album leaves depicting scenes from the Genji Monogatari (The Tale of Genji), in ink, colour and gold on paper, one depicting chapter 39, scene 7 ('Evening Mist'), the other with a group of monks, possibly for the funeral of Genji's wife Aoi, both framed and glazed, both approx. 29.5cm x 24.3cm; together with a portrait of a woman wearing Heian garments, possibly the poetess Murasaki Shikibu (c.973-1031), mounted on board and framed, 27.5cm x 23cm. (3) Provenance: from the Milne Henderson collection of Japanese art. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Los 167
UTAGAWA KUNIYOSHI (1798-1861) KATSUSHIKA HOKUSAI (1760-1849) WATANABE SEITEI (1851-1918) EDO PERIOD, 19TH CENTURY Four framed and glazed Japanese woodblock prints by Kuniyoshi, three from the series Tsuzoku Suikoden goketsu hyakuhachinin no hitori (108 Heroes of the Popular Water Margins, c.1827-30), each print depicting one of the eponymous characters, all approx. 37.5cm x 25.8cm; the fourth from the series Kisokaido rokujoku tsugi no uchi (Sixty-Nine Post Stations of the Kisokaido, c.1852) and depicting Princess Yaegaki with her fox friends, all approx. 31.7cm x 22.8cm; together with two printed albums, the first by Hokusai and entitled Denshin Kaishu, Hokusai Gaen (A Garden of Pictures by Hokusai, c.1820), vol.2, 22.6cm x 15.7cm; the other by Seitei, entitled Bijutsu sekai (Art World, 1892), vol.19, a publication produced to promote Japanese Art, with illustrations after Kuniyoshi, Okyo, Masanobu and others, 24.9cm x 16.1cm. (6) Provenance: from the collection of John Peter Russell (1858-1930), purchased from Siegfried Bing by repute, and thence by descent. Russell was an Australian Impressionist and a friend of Van Gogh's, painting the first oil portrait of the artist, now at the Van Gogh Museum in Amsterdam. He also painted with Claude Monet, and Henri Matisse credited Russell for introducing him to Impressionism. He married Anna Maria Antonietta Mattiocco, one of Rodin's favourite models, in 1888. Cf. W Tunnicliffe, John Russell: Australia's French Impressionist, pp.38-39 where Russell's interest for Japanese art and his print collecting are discussed. The book was published as a guide to the exhibition dedicated to John Russell held at the Art Gallery of New South Wales, Sydney, in 2018.
Los 347
Oil on canvas portrait - 55cm x 44cmCONDITION REPORTOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourselff.To that end, we have provided a number of additional images for your attention.
Los 360
Lisiewska, Friederike Juliane vonDessau 1772 - Wismar 185664 x 52 cmBildnis der Elise Kuhr aus Mecklenburg Schwerin. Öl/Lwd., rückseitig bezeichnet, signiert und datiert 1828.Privatsammlung Rheinland-Pfalz, vormals aus einer alten deutschen Sammlung. In den Jahren nach 1822 beteiligte sich Friederike von Lisiewska wieder an den Ausstellungen der Akademie der Künste in Berlin in regelmäßigen Abständen mit Portraits. Das vorliegende Portrait der Elise Kuhr wurde dort 1848 ausgestellt. Vgl. Dirk Blübaum (Hg.), Die Malerei ist Weiblich. Friederike Juliane von Lisiewska, Berlin 2017, S. 47, Fn. 52.
Los 150
Willem Frederik Veldhuijzen (1814-1873) Self portrait. Label with text verso: Willem Frederik Veldhuijzen door hemzelve geschilderd. Geb. 24 aug 1814 ooverleden 31 Juli 1875. Gehuwd Maria Louise Bartels geb 26 oc 1823. Hij was zoon van: Gerrit Veldhuijzen geb 11 nov. 1777 overleden 22 Januari 1827. Gehuwd 30 april 1804 Petronella van Maaren geb. 27 Dec. 1779 overl. 18 Feb: 1861. Oil on panel 24 x 20 cm.
Los 125
Ildefonso Sanz Doménech (1863 - 1937) Ship portrait of the Spanish cruiser 'Don Antonio de Uloa', sunk in action during the Spanish-American war (25 april 1889-10 december 1889), by a squadron under the command of L. Dewey. Provenance: P.K.A. Meerkamp van Emden, friend of the commander, and the painter, naval surgeon of the Uloa, Ildefonso Sanz y Domenech. Olieverf op paneel 15,5 x 21,5 cm.
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283284 Los(e)/Seite