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Portraitist (Schlesien, um 1810) Portrait des Kaufmanns und Kommerzialrates Salomo Weber (Wäber,1741-1816). Öl/Lwd. (doubliert, aufwendig rest.). Ca. 59x 46 cm. Berliner Leiste. Prov.: Leo Spik, Berlin, Auktion 2019, das Gemälde wurde 2019 für € 476.- aufwendig restauriert (Restaurierungsbericht anbei).
Miniaturisten (18./19. Jh.) Drei Miniaturen. Portrait einer jungen Dame mit hoch gesteckten Haaren, Kinderpaar mit Ziege und Portrait eines Herrschers. Gouachen (teils Risse), einmal unleserlich sign. D. 8,5 bzw. 7x 5,5 (im Oval). Je in reliefiertem Messing- bzw. 1x wohl Silberrahmen (1x gedellt).
PEDRO PRUNA OCERANS (1904-1977) “Portrait de Femme”, a head study, oil on canvas laid on board, inscribed “À J Green Son Ami Pruna Paris”, inscribed on board and labels verso explaining damage and repair by the artist (Provenance Lot 86 Sotheby's Sale 13-2-85, 46 cm x 38 cm CONDITION REPORTS There is some damage to the board around her neck area and there is some drip marks (possibly varnish) visible under UV. There are some yellowy marks visible to the naked eye too. Areas of dirt throughout, especially noticeable to the cream edges where the frame has rubbed. Signs of craquelure. General wear and tear conducive with age and use. Some losses to the frame. See images for more detail.
A Regular Army Recruiting Poster by Charles Wood, showing a Military Policeman standing directing traffic, inscribed 'It's a real man's life, join the REGULAR ARMY', printed for H.M.Stationery Office by Jordison & Co. Ltd., London and Middlesbrough74cm by 49cm, framed and glazed (fold marks); We'll Meet Again, Dame Vera Lynn, a black and white lithograph with lyrics, signed limited edition 151/500, 59cm by 40cm, framed and glazed; the Rt. Hon. John, 3rd Earl of Durham, a black and white lithographic portrait, Proof with facsmile signature to the lower margin, 42cm by 34cm, framed and glazed (3)
A Nelson Trafalgar Memorial Medal by Boulton, in bronzed white metal, the obverse with profile bust portrait, HORATIO VISCOUNT NELSON. K.B. DUKE OF BRONTE. &, the reverse with ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY around the Trafalgar battle scene, the sky engraved Isaac Tindel, Africa, the edge engraved TO THE HEROES OF TRAFALGAR FROM M.BOULTON, 4.7cm
Raffaele Giannetti (1832-1916) Portrait of a Young Woman wearing a silver satin dress with blue floral pattern and a net headress, signed 'R Giannetti' lower left, oil on canvas, in a heavy gilt frame, measurements 107 x 81 cm, frame 144 x 118 cmProvenance:Private Collection,ShropshireThe painting is an oil on canvas, framed without glazing. The canvas is in good condition with no obvious evidence for holes or tears, there is some loss of tension. The paint surface has craquelure throughout but appears stable and there are no obvious signs for paint loss or deterioration, the colours are well preserved. There is a surface scuff/scratch to the upper right. The frame has solid joints, the surface showing evidence of general wear and tear, as well as some surface cracks and losses to the gesso
A very large and unusual Chinese enamelled silver plated and silver model of a shipBelieved 19th century, modelled as a broad vessel with flat deck, populated by trees with blue enamelled leaves and silk flowers, along with pavilions and structures such to resemble a palatial garden, an obelisk to the stern surmounted by a figure inscribed 故油軍上将程公壁光肖像, possibly translating as 'Portrait of General Cheng Gong', set into a hardwood base, 59cm long x 33cm high, metal weight 120oz (3402g).Provenance: Purchased in Kuala Lumpur in 1970 by the vendor's late husband while working in South East Asia as a representative of Jebsen & Jessen.Footnote: Objects of this sort are uncommon, reserved for wealthy households able to afford a folly of such size. This particular ship is featured in the March/April and May/June 1993 issues of Arts of Asia magazine. By repute, its construction records a fable, or possible history, of an emperor who disliked sea travel and so when called upon to venture to another country, had a vessel made to resemble land as closely as possible. The figure seemingly identified as 'General Cheng Gong' may refer to Chen Gong (d.199), a Han Dynasty warlord who served under Cao Cao and Lu Bu. The story of the ship resembling land may be derived from the practice of chaining ships together to mitigate seasickness in troops during campaigns, a method employed by Cao Cao in the Battle of the Red Cliffs (208-209AD), although this was several years after Chen Gong's execution.IMPORTANT NOTE: This ship is silver plated with silver elements and not entirely silver as originally believed. Generally good having spent its life since 1970 under a purpose made plexiglass cover. Most of the enamel leaves have some enamel losses. Textile flowers are faded and hardened a little. No obvious repairs or restorations. Please refer to images.
Charles I (1625-1649), Tower mint, Crown, Gp II, type 2a, mm. harp (over rose over plume on obv.), 29.94g/11h (FRC X*/XIV [sale lot 61]; SCBI Brooker 246; N 2193; S 2755). Minor flan split at 11 o’clock, otherwise very fine, the king’s portrait clear and well-defined, attractively toned £1,500-£1,800
British Victories, 1815, a tubular brass box medal by E. Thomason, lid inset with portrait medalet of Wellington, containing 4 [of 26] brass medalets, each with winged Victory, revs. the battles named, each 16mm, tube 38 x 19mm (Eimer 84; BHM 888; E 1076) [Lot]. Tube very fine, medalets extremely fine £100-£150
HMS Victory, 1765, a copper spoon with medalet on handle, 69 x 43mm; Lord Nelson, a uniface gilt-plaster portrait medallion, set within a gilt-card frame, 33 x 31mm; Battle of Trafalgar, 1805, a uniface cast bronze medal, unsigned, 72mm; Napoleon, a uniface plaster medallion, unsigned, 80mm; Shipwrecked Fishermen & Mariners Benevolent Society, 1843, a bronze medal by J. Davis, divided in two and set in the lid and base of a round black box, 75mm (cf. BHM 2110); Death of the Duke of Wellington, 1852, a copper medal by G.G. Adams, 58mm (BHM 2473; Bramsen 2027); Trafalgar Centenary, 1905, a miniature gilt-bronze replica of the naval medal by L. Pingo, set in glass lunettes with brass band, 24mm; Nelson Centenary, 1905, a copper medal, unsigned, 29mm (BHM 3924); a copper badge, 40 x 30mm; a uniface copper badge, rev. engraved, 30 x 28mm; a white metal calendar medal 1904-1925, by Britannia Stamping Co. Ltd, 38mm; British & Foreign Sailors’ Society, a uniface bronze plaque with wooden mount, 165 x 125mm; HMS Victory, a brass medal, unsigned and undated, 38mm; Trafalgar Bicentenary, 2005, a bronze medal by Spink, 63mm [14]. Varied state; three cased, another boxed £100-£150
Henry III (1216-1272), Penny, class VIc2, Canterbury, Hiun, hivn · on · cante, ornamental lettering, obv. h, e, n, r, c, r and e, rev. c and e, 1.30g/12h (SCBI Mass 1795, this coin; N 976/2; S 1355A). Good fine, portrait better, rare £150-£200 --- Provenance: E.J. Harris Collection; J.J. North Collection [from Spink May 1989]; W.J. Conte Collection; J.P. Mass Collection, Part II, DNW Auction 65, 16 March 2005, lot 751
A Minton Hollins & Co Queen Victoria Jubilee 1887 commemorative paperweight, rectangular modelled in low relief with a portrait bust of the young Queen Victoria, glazed blue, a Grafton China Coronation of King George & Queen Elizabeth mug designed by Dame Laura Knight, a Paragon China King George VI Coronation plate, and a large collection of Royal commemorative china, impressed inscription to back of paperweight, 11.5cm. long, (a lot) Provenance The Douglas Johnson collection.
A large Aesthetic Movement Minton's tile, painted with a butterfly flying past a flower stem, in colours on a vivid blue ground, a Craven Dunnill & Co tile painted with two large pigs, a Jackson Bros dust pressed tile decorated with a Roman portrait, and a small collection of tiles, impressed marks, 20cm. square (20) Provenance The Douglas Johnson collection.
A rare printed paper disc form pin cushion commemorating the crowning of Queen Victoria, one side with colour bust portrait and inscribed 'The Most Gratious Majesty Alex Victoria Born May 24th 1819', the reverse with Victoria on throne with attendants and trumpeting angel and inscribed 'Ascended The British Throne June 20th 1837 In The 19th Year of Her Age - Crowned at Westminster June 28th 1838', red velvet infill and ribbon suspension, 4.5cms dia.
Dart (John). Westmonasterium, or, The History and Antiquities of the Abbey Church of St. Peters Westminster. Containing an account of its ancient and modern building, 2 volumes, London: Printed and sold by James Cole, Joseph Smith, Tho. Bowles [& others], [between 1723 and 1727], engraved titles, 137 engraved plates (including our double-page and mezzotint portrait of the author), list of subscribers, some scattered spotting and light dust-soiling, final leaf in volume 2 browned to margins (from leather turn-ins), front free endpaper to volume 1 detached and torn, contemporary blind panelled calf, without title labels, boards to volume 1 detached, joints to volume 2 split, worn, large folioQTY: (2)NOTE:Upcott II, p. 851. The number of plates doesn't appear to be consistent and often varies; Upcott lists 69 in volume 1 and 76 in volume 2.
Pennant (Thomas). Some Account of London, 3rd edition, London: Robert Faulder, 1793, engraved portrait frontispiece and title, folding panoramic view of London, numerous engraved plates and illustrations, some offsetting and scattered spotting, contemporary marbled calf, gilt decorated spine with morocco title label, joints cracked, some wear to extremities, rubbed, 4to, together with:Pennant (Thomas), The History of the Parishes of Whiteford, and Holywell, London: B. & J. White, 1796, engraved title to both parts (initial title with rubbed paper surface of upper right blank corner), 21 engraved plates only (of 22, lacking coats of arms plate 4), light toning and scattered spotting, endpapers renewed, contemporary half calf, old reback, rubbed and some wear, 4to,Churchyard (Thomas), The Worthines of Wales, a Poem. A true note of the auncient Castles, famous Monuments, goodly Rivers, faire Bridges, fine Townes, and courteous People, that I have seen in the noble Countrie of Wales..., London: Reprinted from the edition of 1587, for Thomas Evans in the Strand, 1776, half-title discarded, title & following leaf dust-soiled and slightly damp-stained, later endpapers, contemporary panelled calf, old reback, upper joint split and lower board detached, worn, 8vo,Bath, Somerset, Bath Anecdotes and Characters: by the Genius Loci, London: Sold by Dodsley, Pall Mall; Dilly, Poultry; and T. Shrimpton, Bath, 1782, removed bookplate from front pastedown, 19th century dark green half morocco, extremities slightly rubbed, 8vo,[Stennett, Samuel], A Trip to Holy-Head in a Mail Coach with a Churchman and a Dissenter, in the Year MDCCXCIII, London: B. Law & Son, and J. Debrett, 1793, title with oval ink stamp, adhered old catalogue entry slip at head and manuscript note, some toning and few marks, ink stamp to front free endpaper, bookplate removed, contemporary calf (pitted), old reback, upper board detached and lower joint split, worn, 8voQTY: (5)
Thornton (Thomas). A Sporting Tour through Various Parts of France in the Year 1802: including a concise description of the sporting establishments, mode of hunting, and other field-amusements as practised in that country... in a series of letters to the Right Hon. The Earl of Darlington..., 2 volumes, 1st edition, London: Albion Press for Longman, Hurst, Rees and Orme, 1806, half titles, engraved portrait frontispiece to volume I, additional engraved titles, 52 engraved and aquatint plates, including 10 folding, 2 engraved leaves of music, one or two light spots, modern green morocco gilt, 4toQTY: (2)
Watson (Alfred). King Edward VII, as a sportsman, London: Longmans Green and Co., 1911, portrait frontispiece, numerous black and white plates after photographs (many full-page), tissue-guards, lightly spotted, original vellum gilt, gilt armorial to front board lightly marked and rubbed, 4to, together with:Dewar (Douglas). Game Birds, London: Chapman & Hall, 1928, mounted frontispiece, wood-engraved vignette to title, numerous mounted wood-engravings with accompanying captioned tissue guards, original green cloth gilt, backstirp and portion of front board faded, 4to, withBudgett (H.M). Hunting by Scent, London: Eyre and Spottiswoode, (1937), lightly spotted, notations and bookplate to front pastedown, original red cloth, marked and faded, 4to, with 17 others QTY: (20)
Sea Charts. Collins (Captain Greenville), Plymouth & an untitled chart of the East Coast of England, circa 1700, together two hand-coloured engraved charts, 'Plymouth' trimmed to the neatline with the margins extended and toned overall, each approximately 445 x 565 mm, together with Pine (John). Untitled view of the English fleet engaging the Spanish Armada, 1739, hand-coloured engraving surrounded by portrait busts of British commanders, slight tape staining to the margins, slight creasing, one repaired closed tear, 375 x 605 mm, with Van Keulen (Johannes). Pascaert van de Westkust van Schotlant als mede een Gedeelte vande Lewys Eylanden..., [and] Nieuwe Paskaart van de Orcades Eylanden..., Amsterdam circa 1695, two hand-coloured engraved sea-charts, both frayed with slight loss to the printed surface along the upper margin, crude tape repairs to the verso, slight staining, each approximately 510 x 580 mmQTY: (5)
Ackermann & Co. (publishers). By Permission of the Patentees, This Engraving of the First Carriage, the "Aeriel" is respectfully inscribed to the Directors of the Aerial Transit Company, March 28th, 1843, hand-coloured lithograph, trimmed to image with the title in a separate mount aperture, image size 225 x 300 mm, mounted, framed and glazed, together with Fairburn (J. publisher). Gurney's New Steam Carriage, December 12th, 1827, etching with contemporary hand-colouring, some creasing and staining, trimmed to the neatline and laid on a canvas album page, with a chromolithographic portrait on the verso, 240 x 355 mm, mountedQTY: (2)NOTE:The first print described is a scarce depiction of William Henson's patented Aerial Steam Carriage. The design was one of the first to conceive of what a 'modern' aeroplane would look like and although plausible on paper - and several models were made - the finished machine never flew because the steam-powered engine proved too heavy. The prints were produced to encourage investors and there are several variants showing the plane flying over various parts of the world.The second item illustrates two examples of Gurney's steam carriages on the road, with a panel of explanations below the image. Influenced by meeting Richard Trevithick, the pioneer of steam propulsion, Cornishman Sir Goldsworthy Gurney (1793-1875) built a steam-powered road vehicle himself in 1823. In 1829, he successfully travelled from Bath to London and back at a sustained speed of 15 mph in his steam carriage, and encouraged by this he envisaged a regular passenger service using steam-driven road vehicles as opposed to a horse-drawn coach. It never materialised, because the influential operators of the mail coaches and associated passenger transport, joined forces to ensure that Gurney was forced out of business.
Caricatures. A collection of approximately 20 engravings, mostly early 19th century, including Heath (William, pseud. Paul Pry). The Man wot Drives the Sovereign [and] Caleb Quotem in Parish Factotum..., T. M. McLean, 1829, two etched caricatures with contemporary hand colouring, slight spotting and toning, small margins, each approximately 350 x 240 mm, together with Dighton (Robert). The Classical Almamater Coachman Oxford, A View from Magdalen Hall Oxford, A Noble Duke taken on the Steyne at Brighton, A View taken from Chatham Row Bath, A View from the Swan Brewhouse Oxford, A View Taken from Christchurch Meadows Oxford, A View taken at Oxford, A View of the Telegraph Cambridge, A View from Magdalen College Cambridge & an untitled caricature of Dr William Parsons, circa 1808, together 10 portrait caricatures, all with contemporary hand-colouring, some prints trimmed and tipped on to later paper, each approximately 280 x 210 mm, with Jones (Thomas Howell). King's Colledge to wit- a practical essay, S. W. Fores 1829, etching with contemporary hand-colouring, torn with slight loss to the corners.240 x 355 mm, with others similar, including examples by or after I. Cruikshank, H. Bunbury and S. W. Fores, various sizes and condition QTY: (approx. 20)
Nieuhoff (John). Mr. John Nieuhoff's Remarkable Voyages and Travells into ye best Provinces of ye West & East Indies, Awnsham & John Churchill, 1703, a disbound collection of uncoloured engraved plates and maps, including title pages, portrait and half-titles, approximately 45 half-page illustrations, approximately 50 full-page engravings (including many double-page and folding) and 12 maps (several double-page), various sizes and condition, disboundQTY: (approx. 115)NOTE:Sold as a collection of prints and maps, not subject to return.
Zuallart (Jean). Il Devotissimo Viaggio Di Giervsalemme, 1st edition in French, 3 parts in 1, Rome: Domenico Basa, 1587, 48 woodcut illustrations to text, lacking title, frontispiece and portrait, lacking L3-4 of part 1, part 2 lacking rear leaves from Ggg3 onwards, part 3 lacking rear leaves from dd4 onwards, some leaves damp-stained, spotting and dust-soiling, preliminary leaves torn with marginal loss, modern brown calf gilt, 4to (205 x 160mm)QTY: (1)NOTE:Blackmer 1873 (2nd edition). Adams Z190.Sold not subject to return.

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283287 Los(e)/Seite