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BOXING / PUGILIST INTEREST: AFTER ROBERT DIGHTON (1752-1814): A HAND COLOURED PORTRAIT PRINT TITLED 'A STRIKING VIEW OF RICHMOND', Depicting famous boxer Bill Richmond. Bill Richmond was a British boxer, born into slavery in Richmondtown, New York. Although born in Colonial America, he lived for the majority of his life in England, where all his boxing contests took place. Published after the original, London 1810. 32cm x 22cm Mounted in a frame and glazed. 50cm x 40cm
Collection of antique collectables in a modern decorated chest, three draw pocket telescope in case, nickel coin holder, MOP opera glasses, brass lighter, bone page turner, miniature portrait in wooden frame, white metal art nouveau style handbag mirror, ant a 925 baby rattle and two 19th century lead duty seals
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include an early 20th century oil on canvas depicting a portrait of a dog initialled B.R.J, approximate diameter 30cm, an oil on board depicting a 'Walton Landscape' signed and dated Aubry S. Jensen (19)53 - damage to the top edge, two oak framed tiled depicting figures wearing Medieval dress, hand tinted Victorian illustrations, amateur watercolours, assorted other prints etc (1 box + loose)
A GROUP OF NAMED CERAMICS, comprising a Royal Doulton floral spray pattern tea set, pattern no. E3401, comprising teapot, cake plate, five tea cups, six saucers and six tea plates, a pair of satsuma onion vases decorated in red, green and gold on a cream ground, a 19th century Adams & Bromley blue Jasperware dip pot pourri vase, decorated with applied portrait medallions and grapevine festoons (missing cover, sun faded, central connector is damaged), a blue and white charger by L & Co Chung - Wood & Sons, diameter 30.5cm, etc. (27) (Condition Report: one spill vase is worn and faded, both are crazed, the tea set has crazing in varying degrees, other obvious damage is mentioned in description)
Francisco de GOYA y Lucientes: Los Caprichos, the complete set of eighty etchings with burnished aquatint. No date, [Madrid, in the Calcografia for the Real Academia, c.1881-86]. With a Typed note pasted to the inside cover (certification of authenticity), dated 1951, signed by Adolfo Ruperez Grima (1880-1972), stating that this copy is the fifth edition, and that each image has the stamp of the 'Calcografia' on the verso. Oblong 4to (240 x 330mm), bound in the publisher's original boards, with the etched self portrait (Plate 1) repeated on the upper cover. Spotting to some plates (mostly marginal, except for one plate); Covers rubbed and a little soiled; upper cover detached. This volume rarely appears complete with all 80 engraved plates
Military: SCOTT, Lieut-General William A: An authentic narrative of the late sanguinary battle on the plains of Waterloo.. 1815, 3rd. Edn. 7 plates, including 3 hand-coloured - one folding. Later leather-backed. G+; Hutton, W S: The Battle of Bosworth Field.. 1813, 2nd. Edn. With a Frontis portrait, Plus 8 Maps, Plans and plates (6 folding); lacking 2 portraits. Recent cloth-backed plain boards; Sewell, J R: The Artillery Ground and Fields in Finsbury: Two maps of 1641 and 1705. 1977, 1st. SIGNED copy. Folio, original wrappers. Vg (3)Provenance: Anne F Sutton's collection, most with her bookplate.
BLAKE, William (ill): BLAIR'S GRAVE, illustrated in Twelve Plates (including engraved Title page), Plus a portrait by Louis Schiavonetti after Thomas Phillips. The title page is dated 1808, however this is the 1913, 2nd. Edn. There is no text, just a collection of all 13 plates, loose in the original covers gilt and with three ties. (39 x 30cm). Edges frayed. SOLD AS A collection of plates. NOT SUBJECT TO RETURN; PLUS: Robert Blair's 'The Grave' with Photogravures. Original boards gilt (2)
De Foe, Daniel: The Life and Adventures of Robinson Crusoe, in 3 vols. Cooke's edition, nd, c.1790, with 6 plates. Cont. full treecalf, rubbed; DUCK, Stephen: Poems on several occasions. Bickerton, 1736, 1st. edn. Frontis laid down. PP: xxxix, (I) blank, 312. (Subscribers' list not present). Later full calf, hinges cracked; Ramsay, A: The Ever Green … 2 vols. 1761. Cont. full calf, rubbed and V1 hinges cracked; BURNS, R: Poems, Chiefly in the Scottish Dialect, Two vols. Bound in One. Edinburgh, Cadell, 1797, a new edition, considerably enlarged. Frontis portrait. Cont. full treecalf; rubbed, lower cover almost detached (7)
Frankreich - Bronzeplakette o.J. (1902), Frémiet, Emmanuel (1824-1910), "Cléopâtre", geprägt für die Mitglieder der Société des Amis de la Médaille Française (SAMF), Av: Brustbild Kleopatras en face mit nach rechts gewandtem Kopf, umher Embleme, Rv: Auf nach rechts schreitendem Elefanten sitzt Kleopatra auf Löwenthron, im Hintergrund zwei Diener mit Fächern auf einem zweiten Elefanten, Rand: "Füllhorn" / "BRONZE" / "Eidechse" und Nummer "186, vz-stgl., minimaler Berieb des Reliefs, punktuell leichte Tönung/ Verfärbung, minimaler Randfehler, ca. 178 g, ca. 66 x 83 mm, Das vorliegende Los ist eine bemerkenswert moderne Medaille des damals schon älteren, für seine Tierplastiken berühmten Bildhauers Emmanuel Frémiet (1824-1910). Auf dem Pariser Salon von 1902 wurde die Darstellung von der Kunstkritik als das bemerkenswerteste Stück unter den Medaillen und Plaketten gewürdigt. 137 Exemplare wurden in Bronze geprägt. Distr. 10/1902, Auflage 186/239. Abgebildet in: Maier 2010, Nr. 16 (S.80).|Frankreich - Bronzeplakette n.y. (1902), Frémiet, Emmanuel (1824-1910), "Cléopâtre", struck for the members of the Société des Amis de la Médaille Française (SAMF), Av: Bust portrait of Cleopatra en face with head turned to the right, emblems around, Rv: Cleopatra sitting on a lion throne on an elephant striding to the right, in the background two servants with fans on a second elephant, border: "Füllhorn" / "BRONZE" / "Eidechse" and number "186, EF-BU, minimal rubbing of the relief, slight toning/discoloration in places, minimal edge wear, approx. 178 g, approx. 66 x 83 mm, The present lot is a remarkably modern medal by the then already older sculptor Emmanuel Frémiet (1824-1910), famous for his animal sculptures. At the Paris Salon of 1902, the depiction was praised by art critics as the most remarkable piece among the medals and plaques. 137 examples were struck in bronze. Distr. 10/1902, edition 186/239, illustrated in: Maier 2010, no. 16 (p.80).
ANONYME ALICE COOPER ET SALVADOR DALI (1904-1989). Tirage argentique du 5 avril 1973. Le 4 avril 1973 Alice Cooper est venue à New York à la demande de Salvador Dali. L'artiste voulait faire une pièce centrée autour d'Alice Cooper. La pièce finie était un hologramme intitulé « First Cylindric Chromo-Hologram Portrait of Alice Cooper’s Brain ». Dimensions : 19 x 25,2 cm.
Ca. 300 BC.A pottery figure depicting a woman standing in contrapposto and wearing a tightly-wrapped himation over a long chiton. The drapery folds accentuate her curvaceous body; a floral diadem in her hair and blue disc earrings. A high arching, fragment of a handle on her shoulders would have connected to the pottery lekythos below. At the bottom near her feet is decorated with blooming flowers with sizeable petals on each side. This would have conjoined to the sakkos of the female portrait on the lekythos. Size: 240mm x 155mm; Weight: 1.2 kg Provenance: Private London collection, B.A.; formerly in pre-2000 European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Late Period, Ca. 664 – 380 BC.An Egyptian gold aegis with a high-relief portrait of a lion-headed goddess, possibly Bastet. Back side connected with a modern gold double hook; restored. For similar see: Met Museum Accession Number: 89.2.597. Size: 25mm x 21mm; Weight: 2g Provenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.
Ca. 320 - 300 BC.A black-glazed raised plate, featuring a red-figure decoration with yellow and white details. It is embellished with a profile portrait of a noblewoman, depicted facing left. Adorned with a radiate stephane and a sakkos that reveals two delicate curls on the side, the woman's facial features are delicately rendered. The portrait is encircled by concentric bands featuring a wave pattern, white strokes with dots, and the rim of the plate is decorated with black tongues. In contrast, the lower side of the plate remains devoid of ornamentation, presenting a plain, unadorned surface. For similar see, The Metropolitan Museum of Art, Accession Number: 06.1021.229. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 60mm x 220mm; Weight: 580g Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 600 - 400 BC.A Greek silver plaque depicting a standing Gorgon holding a tripod; the portrait is framed by raised parallel lines. For similar see: I fenici, Bompiani 1989, n.419. Size: 45mm x 28mm; Weight: 7.8g Provenance: Private UK collection; from an old British collection formed in the 1990s.
Ca. 400 - 300 BC.A black-glazed pottery pouring vessel, known as an epichysis. Characterized by its distinct spool-shaped base, the vessel features a domed shoulder leading to a tubular neck. A diagonally positioned long spout is seamlessly joined to the shoulder, accompanied by a high, raised handle. Two animal heads adorn the juncture where the handle meets the spout. The domed shoulder of the epichysis is decorated with a finely executed polychrome pigments. The focal point of this intricate design is a left-facing portrait of a noble lady, rendered amidst scrolls and tendrils. Surrounding the everted rim, an egg pattern adds a subtle embellishment, while delicate white strokes encircle the base of the neck. The lower body of the vessel is adorned with a band featuring laurel leaf tendrils. For similar, please see The British Museum, Museum number 1978,0414.39. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 200mm x 130mm; Weight: 320g Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Malick Sidibe was a renowned Malian photographer known for his powerful black-and-white images that captured the vibrancy and spirit of Mali's youth culture during the 1960s and 1970s. His work has had a profound influence on African photography and contemporary art. Here's an overview of his life and contributions:**Early Life and Education:**1. **Birth:** Malick SidibÃÆ’© was born on March 25, 1936, in Soloba, a village in French Sudan (now Mali).2. **Photographic Training:** He initially worked as an apprentice in a photography studio in the capital city of Bamako, where he learned the technical aspects of photography.**Photographic Career:**3. **Studio and Portraiture:** SidibÃÆ’© eventually opened his own studio in Bamako, where he gained recognition for his portrait photography. He became known for his ability to capture the personalities and aspirations of his subjects.4. **Youth Culture:** What sets SidibÃÆ’© apart is his documentation of the vibrant youth culture in Bamako during the 1960s and 1970s. He captured the exuberance of dance parties, celebrations, and social gatherings, reflecting the changing cultural landscape in post-independence Mali.5. **Black-and-White Photography:** SidibÃÆ’© primarily worked with black-and-white film, and his images are characterized by their stark contrast and intimate, candid style.6. **Recognition:** His work gained international acclaim, and he received numerous awards and honors for his contributions to photography and art.**Legacy:**7. **Influence:** Malick SidibÃÆ’©'s photographs are celebrated for their ability to convey the joy, hope, and sense of identity of his subjects. His work has had a significant influence on contemporary African photography and global visual culture.8. **Museum Exhibitions:** His photographs have been exhibited in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York City.9. **Collector's Items:** SidibÃÆ’©'s original prints have become highly sought-after collector's items, reflecting the enduring value and importance of his work.**Passing:**10. **Death:** Malick SidibÃÆ’© passed away on April 14, 2016, in Bamako, Mali, leaving behind a rich photographic legacy.Malick SidibÃÆ’©'s photographs continue to be celebrated for their ability to capture the spirit of a transformative era in Mali's history. His work remains a source of inspiration for photographers and artists, highlighting the power of photography to document and celebrate culture and identity.Measures 6 x 6.
Richard Avedon (1923–2004) was an American fashion and portrait photographer renowned for his groundbreaking work that helped redefine photography in the 20th century. Avedon's distinctive style and innovative approach to portraiture and fashion photography left an indelible mark on the industry.Born in New York City, Avedon began his photography career in the 1940s after serving in the Merchant Marine during World War II. He gained early recognition for his work as a staff photographer for Harper's Bazaar, where he revolutionized fashion photography by capturing models in motion and infusing his images with energy and dynamism.In the 1950s and 1960s, Avedon's work for Vogue magazine solidified his reputation as one of the preeminent photographers of his time. He developed a distinctive approach to portraiture, using stark lighting and minimalist backgrounds to create images that revealed the essence of his subjects with honesty and intensity.Avedon photographed some of the most iconic figures of the 20th century, including actors, musicians, writers, and political leaders. His portraits were celebrated for their intimacy, depth, and emotional resonance, and he had a unique ability to capture the humanity of his subjects in his photographs.In addition to his work in fashion and portraiture, Avedon also pursued fine art photography and worked on numerous personal projects throughout his career. He experimented with different techniques and formats, constantly pushing the boundaries of the medium and challenging conventional notions of photography.Avedon's work received numerous awards and accolades, including the International Center of Photography's Lifetime Achievement Award in 1993. His photographs are held in major museums and collections around the world, and his influence on the world of photography continues to be felt to this day.Richard Avedon's legacy as one of the greatest photographers of the 20th century is built on his unparalleled talent, innovative vision, and profound impact on the art of photography.Measures 14.75 x 11 (sheet).Verso is blank.2D.
Dennis Stock (1928–2010) was an American photographer known for his iconic images of celebrities and his extensive coverage of jazz musicians. Born on July 24, 1928, in New York City, Stock's work encompassed a wide range of subjects, from Hollywood stars to counterculture movements.Here are some key points about Dennis Stock:1. **Magnum Photos:** Dennis Stock joined Magnum Photos, the prestigious international photographic cooperative founded by Robert Capa and Henri Cartier-Bresson, in 1951. His association with Magnum allowed him to pursue a diverse range of assignments.2. **James Dean Project:** One of Stock's most famous bodies of work is his photo essay on actor James Dean. The iconic photograph of James Dean walking through Times Square with a raincoat and a cigarette became particularly well-known. This photo essay captured Dean's life both on and off the set.3. **Jazz Musicians:** Stock had a deep interest in jazz, and his photographic coverage of jazz musicians is highly regarded. He documented performances and behind-the-scenes moments, creating a visual record of the jazz scene during the mid-20th century.4. **California:** Stock's work often explored life in California, showcasing the lifestyle, culture, and diverse communities of the state. He captured the spirit of the West Coast during different eras.5. **"California Trip":** In the late 1960s, Stock produced a significant body of work titled "California Trip," which reflected the counterculture movements of the time, including the hippie movement and protests.6. **Cultural Icons:** Stock's portfolio includes portraits of various cultural icons, including Marlon Brando, Audrey Hepburn, and Marilyn Monroe. His ability to capture the essence of his subjects contributed to his reputation as a portrait photographer.7. **Photobooks:** Stock published several photobooks throughout his career, showcasing his diverse photographic projects. His books often provide a retrospective look at his work and contributions to photography.8. **Teaching:** In addition to his work as a photographer, Stock shared his knowledge and experience by teaching photography. He conducted workshops and passed on his insights to the next generation of photographers.Dennis Stock's photography is celebrated for its storytelling, capturing the essence of the subjects and the cultural context of the times. His iconic images have left a lasting impact on the world of photography, and his work continues to be studied and admired today.Verso is blank.
Richard Avedon (1923–2004) was an American fashion and portrait photographer renowned for his groundbreaking work that helped redefine photography in the 20th century. Avedon's distinctive style and innovative approach to portraiture and fashion photography left an indelible mark on the industry.Born in New York City, Avedon began his photography career in the 1940s after serving in the Merchant Marine during World War II. He gained early recognition for his work as a staff photographer for Harper's Bazaar, where he revolutionized fashion photography by capturing models in motion and infusing his images with energy and dynamism.In the 1950s and 1960s, Avedon's work for Vogue magazine solidified his reputation as one of the preeminent photographers of his time. He developed a distinctive approach to portraiture, using stark lighting and minimalist backgrounds to create images that revealed the essence of his subjects with honesty and intensity.Avedon photographed some of the most iconic figures of the 20th century, including actors, musicians, writers, and political leaders. His portraits were celebrated for their intimacy, depth, and emotional resonance, and he had a unique ability to capture the humanity of his subjects in his photographs.In addition to his work in fashion and portraiture, Avedon also pursued fine art photography and worked on numerous personal projects throughout his career. He experimented with different techniques and formats, constantly pushing the boundaries of the medium and challenging conventional notions of photography.Avedon's work received numerous awards and accolades, including the International Center of Photography's Lifetime Achievement Award in 1993. His photographs are held in major museums and collections around the world, and his influence on the world of photography continues to be felt to this day.Richard Avedon's legacy as one of the greatest photographers of the 20th century is built on his unparalleled talent, innovative vision, and profound impact on the art of photography.Measures 14.75 x 11 (sheet).Verso is blank.2D.
Raghu Rai is an acclaimed Indian photographer known for his extensive body of work capturing various facets of Indian life and culture. Born on December 18, 1942, in Jhang, British India (now in Pakistan), Rai has become one of the most respected photographers in India and internationally.Here are some key points about Raghu Rai:1. **Early Life and Education:** Raghu Rai initially studied at the Master's program at the Delhi School of Economics, but his interest in photography led him to pursue a career in the field.2. **Magnum Photos:** Raghu Rai joined Magnum Photos in 1977. Magnum is an esteemed international photographic cooperative founded by photographers such as Robert Capa and Henri Cartier-Bresson.3. **Documentary Photography:** Rai is known for his documentary photography that captures the essence of India's diverse cultures, traditions, and social realities. His images often reflect a deep understanding of the subjects he photographs.4. **Key Projects:** Rai has worked on various significant projects, including documenting Mother Teresa's work, the Bhopal gas tragedy, and the Sikh riots in Delhi. His work often addresses social issues, human rights, and the cultural diversity of India.5. **Books:** Rai has published numerous books featuring his photography, showcasing his diverse body of work. Some of his notable books include "India: Reflections in Colour" and "Delhi: A Portrait."6. **Awards and Honors:** Rai has received several awards for his contributions to photography, including the Padma Shri, one of India's highest civilian honors, in 1971. He was also awarded the Lifetime Achievement Award by the National Geographic Society in 2018.7. **Exhibitions:** Rai's photographs have been exhibited internationally in solo and group exhibitions, contributing to the global recognition of Indian photography.8. **Educational Initiatives:** Apart from his photographic work, Rai has been involved in teaching and educational initiatives. He has conducted photography workshops and served as a mentor to aspiring photographers.Raghu Rai's work has played a crucial role in shaping the visual narrative of India, capturing the beauty, complexity, and challenges of the nation. His photographs are celebrated for their authenticity, depth, and the unique perspective he brings to storytelling through images.Verso is blank.
Hilma af Klint (1862-1944) was a Swedish artist and one of the pioneers of abstract art. Born in Stockholm, Sweden, af Klint began her artistic career studying at the Royal Academy of Fine Arts in Stockholm, where she trained as a traditional landscape and portrait painter.However, af Klint's artistic vision began to evolve in the late 19th century when she became involved in spiritualism and theosophy, which had a profound influence on her work. She began experimenting with automatic drawing and other forms of mediumistic communication, believing that she was channeling messages from the spiritual realm.Af Klint's abstract paintings, which she created in the early 20th century, predated those of many of her more well-known contemporaries such as Wassily Kandinsky and Kazimir Malevich. Her works are characterized by their bold geometric shapes, vibrant colors, and esoteric symbols, which she believed represented spiritual truths and cosmic forces.One of af Klint's most ambitious projects was her series of paintings known as "The Paintings for the Temple," which she worked on in secret for over a decade. These large-scale works were intended to be displayed in a temple-like setting and were created as part of af Klint's exploration of the relationship between art, spirituality, and the divine.Despite her groundbreaking contributions to the development of abstract art, af Klint's work remained largely unknown during her lifetime, as she kept most of her abstract paintings hidden from public view. It was only after her death that her work began to receive the recognition it deserved, and she is now celebrated as one of the most important and innovative artists of the early 20th century. Her work continues to inspire and captivate audiences around the world with its visionary beauty and profound spiritual insight.Measures 38 x 51.1.

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