English School (early 19th century) Silhouette monochrome portrait profile of a gentleman Unsigned, oval, watercolour on ivory, in an ebonised rectangular frame with gilt metal mounts.(GOV.UK self-declaration form completed for the sale of this item - Submission reference TWRWFT4U) 8 x 6.5cm (framed 14 x 12cm) The painting is in good, original condition. There are some light areas of browning across the ivory. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
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Jane Read (British 1773-1857) Silhouette monochrome portrait profile of a seated lady Unsigned, with the artist's printed label on verso, oval, painted on glass, in an ebonised rectangular frame with gilt metal mounts.8.5 x 7cm (framed 14.5 x 12.5cm)The painting is in good, original condition. There is some hairline cracking, craquelure and one or two other minor surface marks and flecks of paint loss on the underside of the glass. There are some hairline scuffs and scratches across the surface of the glass. The paper label has fragmented on verso and a portion has become detached in the upper right-hand corner. The painting is ornately framed and glazed. The frame has some scuffs, knocks and tarnishing with verdigris on the gilt metal surrounds.
Georg Ehrlich (Austrian 1897-1966) "Portrait of a Young Girl" Signed and dated '41, titled on gallery label - 'The Tib Lane Gallery' verso, crayon and wash.47 x 31cm (framed 67 x 50.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
English school (19th century) Portrait of a lady Initialled H.L. and dated Sept. 52, oval, charcoal drawing.22 x 15.5cm (framed 31 x 23.5cm)The drawing is in good, original condition. There are some areas of browning and spots of foxing across the paper. The drawing is framed and glazed. The mount board has browned universally. The frame is split and has some scuffs and knocks.
Herbert St. John Jones (British 1872-1939) Portrait of a horse and groom in a stable Signed, pencil.17.5 x 23cm (framed 29 x 34cm)The drawing is in very good, original condition. There are some minor spots of foxing across the paper and one or two dents and undulations across the sheet. The drawing is framed and glazed. There are some stains along the lower edge of the mount board. The frame has some minor scuffs and knocks commensurate with age.
Early 19th Century German Papier Mache Circular Snuff Box by Stobwasser Irene The cover painted with a portrait of a young woman, titled 'Irene', stamped 'Stobwasser's Fabrik Braunschweig' and numbered in red 39.9cm diameterCraquelure across the portrait and some damage to the edge of the base and top.
English School (early 19th century) Portrait miniature of a lady, bust length, in a white dress Unsigned, watercolour on ivory, in an ebonised rectangular frame with gilt mounts.(GOV.UK self-declaration form completed for the sale of this item - Submission reference LFKQDQA4) 10.5 x 8cm (framed 18.5 x 16cm) The miniature is in very good, original condition with no obvious faults to report. The surface of the painting is a little grubby. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
English School (early 19th century) Portrait miniature of a gentleman, bust length, wearing a high collar and cravat with a black coat Unsigned, watercolour on ivory.(GOV.UK self-declaration form completed for the sale of this item - Submission reference Y61B56VZ) 9 x 7cm (framed 19.5 x 18cm) The miniature is in very good, original condition. There are some small scuffs and areas of paint loss around the edges of the painting. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
English School (18th century) Portrait of a lady Unsigned, oil on canvas.59.5 x 50cm (framed 68 x 58cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of extensive cleaning and overpainting. There is craquelure across the surface of the painting. The painting is ornately framed but not glazed.
English School (19th/20th century) Portrait of a standing black horse in a rural landscape Unsigned, oil on canvas.60 x 73.5cm (framed 79.5 x 93cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure and splitting across the surface of the painting and some minor flecks of paint loss in two small dents near the centre of the painting. The varnish has yellowed slightly in areas across the painting. The painting is ornately reframed but not glazed.
William Eddowes Turner (British 1836-1904) Portrait of "Workman" Signed, titled and annotated on verso - "A well-known Hunter with Lord Galway's Hounds, 1900", oil on canvas.49.5 x 67.5cm (framed 69.5 x 87.5cm)The painting is in good, original condition. The varnish has yellowed universally and the surface appears to be grubby. There is extensive cracking and craquelure across the painting with the stretcher marks visible running parallel to the edges of the canvas. There are one or two pinholes and areas of paint loss along the right-hand edge of the canvas with a small area of overpainting around the signature. The painting is ornately framed but not glazed. The frame has some knocks and losses.
ENGLISH SCHOOL, 18TH CENTURY A head and shoulders portrait of William Chaworth (1726-1765) dated 1763, attributed verso to an unknown member of the Stanley family, pastel, 58cm x 44cmProvenance: The Estate of Henry Morton Stanley (1841-1904), thence by descent.Note: On 26 January 1765, William Chaworth was killed by his distant cousin and neighbour William Byron, 5th Baron Byron (1722-1798), in a dispute at the 'Star and Garter' tavern (on the site of the Carlton Club), Pall Mall, in London. The fight resulted from an argument the two had been engaged in over cups of wine, with both insisting they had more game on their estates. Lord Byron and his cousin retired to a dim room to resolve their disagreement and it was there that Lord Byron thrust his sword through Chaworth's stomach. Chaworth lived until the following day, expressing his disgust that he had not been of sound enough mind to insist they fight in a location outfitted with better lighting before finally succumbing to his injury. Lord Byron was tried for Chaworth's death, but was found guilty only of manslaughter. He claimed the benefit of the statute of Edward VI and so instead of being "burned in the hand" was forced to pay a small fine.
FREDERICK SANDYS (1832-1904) A portrait of Eva Marion Somerset Paddon pencil and coloured chalk on blue paper, 60cm x 50cm, in original gilt moulded frame of Aesthetic designProvenance: The Estate of the late John Rollo Somerset-Paddon, formerly of Chalk Newton House, Maiden Newton, Dorset, thence by descent.
FREDERICK SANDYS (1832-1904) A portrait of Stanley Somerset Wreford Paddon pencil and coloured chalks on blue paper, 60cm x 50cm, in original gilt moulded frame of Aesthetic designProvenance: The Estate of the late John Rollo Somerset-Paddon, formerly of Chalk Newton House, Maiden Newton, Dorset, thence by descent.
FREDERICK SANDYS (1832-1904) A portrait of Rebecca Wreford-Paddon (1856-1944) depicted bust-length, signed upper right, titled upper left, pencil and coloured chalks on blue paper, 75cm x 55cm, original gilt moulded frame of Aesthetic designProvenance: The Estate of the late John Rollo Somerset-Paddon, formerly of Chalk Newton House, Maiden Newton, Dorset, thence by descent.
λ ALFRED REGINALD THOMSON (BRITISH 1894-1979) A COSTER AND HIS DINAH Oil on canvas Signed (upper right) 51 x 61.5cm (20 x 24 in.)Painted in 1923. Provenance: Sir William Orpen, Private Collection by 1934 Francis Howard, Private Collection Sale, Christie's, 25 November 1955, lot 194 Sale, Christie's, 11 July 1974, lot 164 Leva Gallery, London Exhibited: London, Royal Academy, 1923, no. 646 (as 'Lady and Gentleman') Vienna, Galleries of the Secession, 1927, Exhibition of British Art (as 'Portrait of a Lady and a Gentleman') Literature: 'The Artist', Vol 23, June 1942, 'A. R. Thomson R.A. by F.G.Mories, pp. 91-93 (illustrated p. 91 as 'Lady and Gentleman') Condition Report: The canvas is relined. Ultraviolet light reveals scattered retouching throughout, but in overall good restored condition.Condition Report Disclaimer
λ SVEN BERLIN (BRITISH 1911-1999) SELF-PORTRAIT WITH CONSTRUCTION Pencil Signed, titled and dated 42 (lower right) 37 x 27.5cm (14½ x 10¾ in.), shaped Provenance: Belgrave Gallery, London Exhibited: St. Ives, Tate, The Dark Monarch - Magic & Modernity in British Art, October 2009-January 2010
ANGELA CONNER (BRITISH B. 1935) SIR JOHN BETJEMAN Bronze Signed and dated 1974 35cm (13¾in.) High exc. base Another cast was acquired in 1984 by the National Portrait Gallery. Provenance: Direct from the artist's studio collection Commissioned by Andrew Cavendish, 11th Duke of Devonshire in 1974, Betjeman was a renowned English poet, writer, and broadcaster whose works celebrated English heritage, architecture, and countryside. His poems often depicted scenes of suburban life, rural landscapes, and his love for England's architectural heritage. He served as the Poet Laureate of the United Kingdom from 1972 until his death in 1984, using his position to promote poetry and celebrate British culture. In addition to his poetry, Betjeman was a passionate advocate for architectural preservation. He campaigned tirelessly to protect historic buildings and landmarks from destruction due to modern development, bringing attention to the importance of preserving England's architectural heritage and helped create public support for conservation efforts.The sitting is recorded as taking nearly 12 hours to be completed.
λ CLAUDE ROGERS (BRITISH 1907-1979) SELF PORTRAIT Oil on canvas Signed and dated 37 (upper right) 80.5 x 46cm (31½ x 18 in.)Provenance: The Artist's Estate Acquired from the above by the present ownerExhibited: London, New Burlington Galleries, London Group, 37th Exhibition of Painting & Sculpture, 1938, no. 118 Sudbury, Gainsborough House, Claude Rogers 1907-79, October-November 1985, no. 4 London, Ben Uri Art Gallery, Claude Rogers: Paintings and Drawings, November-December 1992, no. 9 London, Belgrave Gallery, Claude Rogers and Elsie Few, 2002 (illustrated on the cover of exhibition catalogue) London, Ben Uri Gallery, Uproar! The first 50 Years of The London Group 1913-63, 2013-14, no. 37Literature: Philip Vann, Face to Face - British Self-Portraits in the 20th Century, 2004 (illustrated p. 160) S. Macdougall & R. Dickson (eds), Uproar! The First 50 Years of The London Group 1913-63 (illustrated p. 142) The 1992 Ben Uri exhibition catalogue notes that the picture was painted at Rodwell House, Baylham, Suffolk, while Rogers was staying with Helen Anrep and recovering from pneumonia. Condition Report: The canvas is not relined. There is some light surface dirt, but otherwise, in generally good condition. No evidence of retouching visible under ultraviolet light.Condition Report Disclaimer
λ HENRY INLANDER (BRITISH 1925-1983) SELF PORTRAIT Oil on canvas-board Signed and dated 43 (lower right); titled and inscribed (verso) 35 x 25.5cm (13¾ x 10 in.)Provenance: Antonia Inlander, the artist's widow Wenlock Fine Art, Much WenlockExhibited: London, Belgrave Gallery,December Exhibition, 2004, no. 33 (illustrated in catalogue p. 14) London, Ben Uri Gallery, The Forced Journey: Artists in Exile in Britain c.1933-45, 2009, no. 35 (illustrated in catalogue p. 66) London, Ben Uri Gallery, Out of Austria: Austrian Émigré Artists in the UK, March-May 2018 Condition Report: Some rubbing to the extreme edges. Inspection under UV reveals no obvious evidence of restoration or repair. Otherwise appears to be in good original condition. Condition Report Disclaimer
λ HANS BELLMER (GERMAN 1902-1975) PORTRAIT OF THE PHILOSOPHER GASTON BACHELARD Oil and ink on board Signed (lower right) and dated 1957 (lower left) 54 x 49.5cm (21¼ x 19¼ in.) Exhibited: Cologne, Galerie Gmurzynska,1966, no. 5 The authenticity of this work has kindly been confirmed by Rodica Aldoux. Hans Bellmer was a German artist known for his provocative and surrealistic sculptures, drawings, and photographs. Emerging in the 1930s, Bellmer's work often explored themes of desire, sexuality, and the subconscious mind. He gained international recognition for his "La Poupée" series, which featured unsettling and meticulously crafted dolls with interchangeable parts, arranged in surreal and sometimes disturbing compositions. His work was deeply influenced by his own experiences during the war, and his interest in psychoanalysis, particularly the theories of Sigmund Freud. During the Second World War, his work was declared "degenerate" by the Nazi party, and Bellmer fled to France in 1938, where his work was received by André Breton and the Surrealists with interest. He was fascinated by their experimentation of multifaceted planes of perspective, which influenced some of his later works. Bellmer's work has been exhibited in Europe and the United States, with multiple solo shows showcasing his photography, dolls and paintings. Highlights include solo shows at the Museum of Contemporary Art, Chicago in 1975, the Centre Georges Pompidou in 2006, and at the Washington D.C Hirshhorn Museum and Sculpture Garden in 2016. Condition Report: The paint has been lightly applied with areas of the white board visible, as originally intended by the artist. Ultraviolet light reveals a few scattered patches of retouching, notably one to the centre left, just off the edge, another to the lower left corner above the date and another to the lower edge. Otherwise, the work appears to be in good original condition.Condition Report Disclaimer
18 CARAT GOLD GARRARD & CO LIMITED EDITION COMMEMORATIVE COIN WATCH A gold commemorative coin watch, commemorating the 80th birthday of Her Majesty Queen Elizabeth The Queen Mother, No. 10/80, circa 1980. Movement: manual winding. Dial: gilt, Roman numerals. Case: 18ct, snap-on back, concealed within the gold coin, hinged cover finely engraved with Her Majesty's portrait, the reserve with her personal Coat of Arms, cover opened by depressing a concealed thumbpiece in the band, no. 10/80. Signed: dial. Dimensions: diameter 34mm, depth 4mm. Accessories: certificate, presentation case.
Modern 21st Century Original Oil Painting, colourful artwork by Robert Haworth aka 'The Butterfly Man'. Image measures overall 15" x 11". Robert will be holding an exhibition from July 1 until August 1 2024 at the Solaris centre, New South Promenade, Blackpool FY4 1RW. His works are mainly portrait figurative pieces that are a reflection of traditional contemporary modern expressionism styles of art work.
In the manner of Thomas Hudson (English, 1701-1779). Half-Length portrait of Thomas Birch D. D. F.R.S. (1705-1766) Historian and biographical author. Label verso attributes the work as Thomas Hudson. A Scarce lesser-known depiction of the historian sold from the family of the sitter. Height: 93.5cm Width: 81cm Some cracking, blooming and blistering to oils. The frame has also suffered losses mostly to lower sections. Not suitable for postal shipping.
In the manner of Thomas Hudson (English, 1701-1779). Half-length portrait of Mary, the wife of Thomas Birch D. D. F.R.S. (1705-1766) Historian and biographical author. Label verso attributes the work as Thomas Hudson. Sold on behalf of the family of the Sitter. Height: Width:Not available for shipping. Courier or collection only
After Leonardo Da Vinci (1452–1519). A Half-portrait of considerable age after Da Vinci's 'Portrait of a Woman (La Belle Ferroniere)'. The original currently housed in the Louvre Museum. Oil on canvas, Size incl. frame, Height: 63cm Width: 53cm.This lot can be shipped at the buyers risk, insurance isn't available on this lot.
Solid gold mounted hand painted Italian snuff box, late 18th / early 19th century, with green Porphyry granite body, and of a type often associated with Grand Tour items of that period. The hand painted portrait of a lady panel on paper, which appears to be unsigned, is mounted beneath a glass cover with solid gold bezel.Good general overall original condition, though a hairline crack to porphyry top, visible to the inside, but that does not appear to compromise the stability of the item in any way. Gold tested and guaranteed as 9ct or better. Top is a nice, very precise tight fit. Measures 8cm wide x 2.5cm high appx.
Large collection of coins all contained in big plastic storage box - contains limited edition silver sovereign, .999 gold medallion, portrait medallions, / coins, large gilt portrait coins, PHQ cards, 2 x Royal paperweights, Princess Diana portrait collection of crown size coins- boxed, King & Queens of GB boxed coins set and many others
English School (19th century) Portrait of boy in a blue jacket, said to be Daniel Mainguythe reverse inscribed 'Daniel...Manguy / as a boy / B. 1800 / son of Nicholas Mainguy / brother of James Mainguy'watercolour on ivory6cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. V1G468ZV.
English School (19th century) A sunset river landscape with mountains beyond, oil on canvas, signed lower right 'B Parkyn', 30 x 50cmThe work derives from Burne-Jones' original painting in Tate Britain, dated 1893. Its title, which translates as 'Evening Quiet', is reflected in the contemplative mood of the portrait, inspired by works of the Italian Renaissance which had impressed the artist on his visit to Italy with John Ruskin in 1862.
Circle of John Smart (British, 1741-1811) Portrait miniature of a lady in a black dress and white bonnet, said to be Susanna Gibson (née Fraser of Fairfield)inscribed verso 'Susanna Fraser of / Fairfield / b. ob. / married. Gibson. / Mainguy possession'watercolour on ivory6.5cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. USLQ8N8G.
Continental School (19th century) Portrait miniature of a lady in a purple dress, wearing a portrait miniature of a male figure in regal costume, possibly a sultanwatercolour on ivory6cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. PERQL5BJ.

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