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283287 Los(e)/Seite
Los 645
Mary Piercy (20th Century British). Nude portrait of a seated woman with an electric fire, oil on canvas, signed 58, framed 51 x 76cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.
Los 27
A Gateshead Art Pottery charger painted with a portrait of Edward VI after Hans Holbein, circa 1880-84, painted by Thomas Ralph Spence, painted to verso "The Gateshead Art Pottery" and with initials 'JGS' for John George Sowerby and 'TRS' for Thomas Ralph Spence 36cm (14in) Established by John George Sowerby, it is assumed as part of the Ellison Glass works, the pottery was short-lived and its wares are consequently seldom seen in the market today. Thomas Ralph Spence was one of the principal designers and he also worked on Sowerby's stained glass.
Los 97
Glyn Philpot, RA (British,1884-1937) a cast bronze figure 'Wrestling Giants', a posthumous casting mounted on a later unassociated marble plinth base, numbered 2/10 Literature: For a similar example, see Christie's 20th Centruy British Art, 9th June 2006, lot 76. See also, R. Gibson, exhibition catalogue, Glyn Philpot 1884-1937: Edwardian Aesthete to Thirties Modernist, London, National Portrait Gallery, 1984, p. 116, another cast illustrated. Exhibition catalogue, Glyn Philpot 1884-1937: The Bronzes, London, Leighton House, no. 1, another cast illustrated Originally conceived in 1905, 'The Wrestlers' was neither cast nor exhibited in the artist's lifetime, (possibly due to the homoerotic nature of the subject matter), however it is known to have existed in the form of a plaster maquette. Upon Philpot's death in 1937 the maquette was inherited by the family and in 1968 the first two bronze casts were made by the artist's niece. Gabrielle Cross. The title of the maquette 'The Wrestlers' is a modern one and may not accurately reflect the nature of the subject
Los 342
§ John Cosmo Clark, CBE, MC, RA, RWS, NEAC (British, 1897-1967) Stokes Gun Class signed lower right "Cosmo Clark" oil on canvas laid flat 49 x 38cm (19 x 15in) Exhibited: National Portrait Gallery, T E Lawrence Exhibition. Bankside Gallery, London, 1983 - Retrospective Exhibition from the Studios of Jean Clark, RWS, NEAC and the late Cosmo Clark, CBE, MC, RA, RWS, NEAC Literature: An illustration for 'Revolt in the Desert', written by Colonel T. E Lawrence, published 1927. Paint lookis quite dry towards the centre with some flaking spots.
Los 335
§ Sir Peter Markham Scott, CH, CBE, DSC, FRS, FZS (British, 1909-1989) Portrait of Miss Jill Balcon (later Mrs Cecil Day-Lewis) signed lower left "Peter Scott" pencil on plasticowell 30 x 22cm (12 x 9in) Literature: Illustrated in "Portrait Drawings by Sir Peter Scott", published by Country Life in 1949. Unframed, corners scuffed, sellotape corner to the right-hand side. Yellowing of the plasticowell to the left.
Los 300
§ Catherine Goodman (British, b.1961) View from a window oil on canvas 115 x 100cm (45 x 39in) Provenance: From the collection of Richard Marner. Exhibited: Cadogan Contemporary, 108 Draycott Avenue, London, SW3, 23 November-5 December 1992, Catherine Goodman Exhibition. Catherine Goodman divides her time between London and India. Some of her work is held in the National Portrait Gallery, and she won the BP Portraitist of the Year award in 2002. She is also co-founder and Artistic Director of the Prince's Drawing School. Condition is fine - under glass. With exhibition booklet.
Los 370
§ Powys Arthur Evans (British, 1899-1981) East End Market watercolour 35 x 49cm (14 x 19in) Provenance: The Langton Gallery, 3 Langton Street, London, SW1, April 1985. Powys Evans, also known as "Quiz", was born in London in 1899. He was taught to draw by artists Spencer Gore, Walter Sickert and Sylvia Gosse and studied under Henry Tonks at the Slade School of Art. During the last years of the First World War he served with the Welsh Guards and on returning to London in the early 1920s he settled on a career as an illustrator. The National Portrait Gallery holds Evans' sketchbooks from the 1920s, which contain countless quick-fire pencil drawings of his subjects, and a substantial collection of finished pen and ink portraits and cartoons. Most recently, in 2006, the Gallery purchased a group of nine caricatures that were produced for the Saturday Review. This display includes examples of Evans's original sketches from life as well as finished drawings that appeared under his own name in the London Mercury and cartoons signed by his alter ego Quiz that were published in the Saturday Review. Condition appears fine.
Los 357
§ Marjorie Tulip (Trekkie) Parsons (nee Ritchie) (British, 1902-1995) Portrait of a young man, head and shoulders, wearing a collar and tie gouache 30 x 22cm (12 x 9in) Provenance: Private collection, UK. Marjorie Ritchie studied at the Slade, and married Ian Parsons, later Chairman of Chatto and Windus in 1934. Ian and Marjorie Parsons were close friends of Leonard Woolf; Trekkie kept Leonard company at Monks House, Rodmell in Sussex when Ian was in London, and was Leonard's companion on his travels to France, Greece, Israel, and his memorable return to Ceylon in 1960. She made the last part of his life a very happy one. "To know you and love you has been the best thing in life," he wrote. She was his "Dearest Tiger". He died in 1969, leaving Monk's House, Rodmell, Susex, to Trekkie, who presented it to Sussex University. It is now in the hands of the National Trust and open to the public.
Los 334
§ Sir Peter Markham Scott, CH, CBE, DSC, FRS, FZS (British, 1909-1989) Portrait of Conrad Garnett (1925-2010) pencil on plasticowell 33 x 29cm (13 x 11in) Literature: Illustrated in "Portrait Drawings by Sir Peter Scott", published by Country Life in 1949. Unframed. Small red dot lower left-hand corner.
Los 336
§ Sir Peter Markham Scott, CH, CBE, DSC, FRS, FZS (British, 1909-1989) Portrait of Miss Ruth Cropper - signed with initials "PS 1948" signed with initials lower right "PS 1948" pencil on plasticowell 35 x 20cm (14 x 8in) Literature: Illustrated in "Portrait Drawings by Sir Peter Scott", published by Country Life in 1949. Unframed and with a line of red along the left-hand edge.
Los 359
§ Rudolf Haybrook (British, 1898-1965) Portrait of a young Iberian girl signed lower right "Rudolf Haybrook" oil on board 35 x 29cm (14 x 11in) Rudolf Haybrook was particularly active in painting scenes related to World War II and several of his works are held at the Imperial War Museum. Scattered paint loss to her hair. A little dirty and with yellowed varnish.
Los 328
§ Sir William Russell Flint, RA, PRWS (Scottish, 1880-1969) Portrait of Consuelita Carmona signed lower right "W Russell Flint" charcoal 16 x 25cm (6 x 10in) Provenance: Private collection, UK. Consuelita Carmona was a Spanish dancer often used by Flint as a model, and was often acknowledged by name in his drawings. She features in his famous 'A Dance of a Thousand Flounces', which was the first of his signed prints to sell for over one thousand pounds when published by Frost and Reed in 1952. She was listed in his address book as 'Mrs Mary Vaughan'. Some browning around the mount but otherwise fine. Some dirt under the glass.
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283287 Los(e)/Seite