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283287 Los(e)/Seite
Skullphone (American) Untitled (Green Skull), 2005, Spray paint and acrylic on wood, signed and dated in black ink verso, 810 x 610 mm (32 x 24 in) Provenance: Small Bills Gallery, Los Angeles. Skullphone began producing an image of a black-and-white skull holding a mobile phone on the streets of Los Angeles in 1999 and came up with the image that he describes as a rudimentary self-portrait of himself a year after purchasing his first mobile phone. Like most street artists, Skullphone uses the act of image repetition and recontextualization as his way of branding and promoting his work. Most notably, in 2008 Skullphone appeared on the first digital billboards found throughout Los Angeles.
DDS. JR (French, b.1983) Adama, Montfermeil, Portrait d`une generation, 2006, Photographic wheat paste on found wood, signed, titled and dated in red ink verso, 700 x 650 mm (27 1/2 x 25 1/2 in) Provenance: Alice Gallery, Brussels, Accompanied by a letter from Alice Gallery pertaining to its authenticity. JR`s beautifully candid photograph Adama Montfermeil stems from his 2006 project Portrait d`une Generation as part of his 28 millimeters series. Initially making the cover of the New York Times, Portrait d`une Generation featured poster-sized photographs of young people from Paris` suburban ghetto Monfermeil through a 28 mm lens. Following the success of the project, the anonymous photographer-activist chose to illegally re-exhibit the photographs throughout the streets of Paris as a way to raise awareness of the people who inhabit the suburbs and transform the streets into an open-air gallery. Adama is an example of this project and shows in contrast to the public image of young people, who are often depicted as angry, alienated and primed for social disorder. Here he is pictured as pulling a funny face through a fish-eye lens, inevitably lending an approachable, comic aspect and changing how we perceive this young man.
John Butler Yeats RHA (1839-1922) PORTRAIT OF A LADY WEARING A BLOUSE pencil inscribed [2.20 - to glanfield (2)] on reverse; also with partial drawing of a man in pen on reverse 15 by 9cm., 6 by 3.5in. Provenance:Gifted by Jack Butler Yeats to his friend and patron Ernie O`Malley (1897-1957); Thence by descent to the present owner
[Royal interest] A signed double portrait photograph of Her Majesty Queen Elizabeth II and Prince Philip, dated 1981, in a black leather rectangular easel frame, 33.5cm x 26cm overall. With two letters inserted loosely verso from the Private Secretary to the Queen, one presenting the photograph offered here to Lord Cornwallis as a retired Lord Lieutenant. Provenance: Fiennes Neil Wykeham Cornwallis, 3rd Baron Cornwallis, OBE, DL (1921-2010), sold by order of the executors.
[Royal interest] A plain ivory shaped rectangular photograph frame, unsigned, containing a portrait photograph by Hay Wrightson (1874-1949) of Queen Mary of Teck, signed in ink by the queen and dated 1931, photographer`s name and address printed, 41.5cm (16 1/4in) high. Provenance: Elizabeth Gwendolyn Theresa, Countess of Craven, nee Jonstone-Douglas (1916-2011), sold by order of the executors.
[Royal interest] A late Victorian silver shaped rectangular large photograph frame by William Frederick Wright, London 1896, on wirework front supports, with a blue velvet covered easel back, containing a photogravure portrait of Queen Victoria, facsimile signature and date 1897, 53.5cm (21in) high
Stanley Mills, British 1923-2004- Male nude study, (recto), abstract composition, (verso); pencil, signed, inscribed `Spring` and 1942, 28.5x38cm: together with a large quantity of life drawings, portrait, figure, still life and interior scenes by the same hand, many inscribed, some signed/dated, variously inscribed, (a lot) (one folio)
Mariquita Jenny Moberley ASWA, British b.1855-Fisherman preparing for the day; watercolour, signed in pencil, 35x46cm: British School, late 19th century- An eagle in flight; pen, brown ink and wash on paper laid on canvas, 56x79.5cm: British School, late 19th/early 20th century- Portrait of a woman in a red dress with a pearl necklace; watercolour, 51x43.5cm: British School, early 20th century- Christ addressing a crowd; charcoal and watercolour wash on board, signed, 54.5x41.5cm, (4) (unframed)
British Post War School- Harbour scene; watercolour, signed with monogram `WJH` and dated 52, 34x45.5cm: Attributed to Sir William Rothenstein NEA RP, British 1872-1945- Portrait of a gentleman standing three-quarter length; black and white chalk on grey-brown paper, 36x23.2cm: Stanley Robiczek, American, mid 20th century- Metaphysical study, (recto), Village nocturne in winter, (verso); gouache, signed and dated 40, 36.5x26.4cm: Hunina, mid-late 20th century- Abstract composition; watercolour, signed twice, 35.5x50.8cm: Israeli School, mid 20th century- Untitled abstract composition; watercolour and gouache, signed in Hebrew and dated 64, 47.2x32cm: British School, early-mid 20th century- "Today shalt thou be with me in Paradise"; pen and black ink and watercolour, signed with monogram, inscribed, 41.5x37.5cm: Emett, British, mid 20th century- Hay stacks; watercolour, signed, 23.5x34cm: together with one other watercolour of a country lane by the same hand, signed, 37x50cm., (8) (part mounted) (unframed) (may be subject to Droit de Suite)

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283287 Los(e)/Seite