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Los 679

Harriet Staite (flourished 1895 - 1903), portrait of an artist, circa 1890s, signed, 41cm x 45cm, framedGood original condition

Los 586

J K Stieler, portrait of Goethe, lithograph, 23cm x 19cm, in carved satinwood frameAll in good condition

Los 656

Margaret Peach RSA, portrait of a horse, oil on canvas, signed, 30cm x 40cm, framedGood condition

Los 768

John Ryan (1925-1992), ink on paper, Portrait of Harris Tweed, signed with dedication to “Tony and Cynthia”, 23.5cm x 18.5cm, mounted, glazed and framed.Provenance – drawing given by the artist to Tony and Cythia Reavell, the owners of the Martello Bookshop in Rye, where Ryan lived until his death in 1992. They hadbeen instrumental in helping him, with the assistance of The Sunday Times, to “guilt” new publishers of his Harris Tweed strip from the Eagle comic into paying himroyalties which he had signed away forty years before as a young man. Accompanied by correspondence and article from The Sunday Times literary editor etc. detailing theliterary battle

Los 532

Bert Hoppmann (born 1889), archive of prints and original drawings, including photo portrait of the artist, charcoal self portrait etc

Los 708

Vigo Jespersen (born 1893), portrait of a girl, oil on board, signed, 25cm x 18cm, framedGood original condition, modern frame

Los 528

M Gonzalez Puig, portrait of a woman, oil on canvas, signed, 50cm x 61cm, framedGood condition

Los 260

I.H. REMY. BRITISH 20TH CENTURY. Portrait of a young woman. Signed and dated '92. Mixed media on paper 25" x 19".

Los 274

HARRY PAYNE. BRITISH 1858-1927. Portrait of a soldier. Signed. Oil on card 18" x 8"; together with an early 20th century pen, ink and wash drawing. Both unframed.

Los 126

δ David Hockney (b.1937)Illustrations for Fourteen Poems by C. P. Cafavy (Edition A) (MCA Tokyo 47-55)The complete portfolio, 1966-7, comprising thirteen etchings, with title-page, text and justification, this copy Edition A, signed in pencil, numbered from the edition of 500, including 'Portrait of Cafavy II', signed and dated in pencil, inkstamped 'Edition A ea 431' verso (only issued with the first 250 sets), loose as issued, the bound etchings inkstamped 'Edition A ea 363-373' (respectively) verso, published by Editions Alecto, London, on Crisbrook handmade paper, the full sheets bound as issued in the original magenta cloth-covered boards and black slipcase, overall 485 x 340mm (19 x 13 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 226

STEVE MCCURRY (AMERICAN b. 1950), SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed in pen lower right mounted, framed and under glassimage size 49cm x 33cm, overall size 77cm x 58cm Note: Steve McCurry took his most recognised portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognised photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.

Los 43

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

Los 125

* STEVIE NICHOLSON, FEMALE PORTRAIT oil on board, signedframedimage size 44cm x 34.5cm, overall size 55cm x 45cm

Los 60

* ETHEL WALKER (SCOTTISH b. 1941) PEARS AND PLUMS oil on board, signed, titled and dated 1995 labels versoframed and under glassimage size 44cm x 47cm, overall size 64cm x 67cm Label verso: The Gatehouse Gallery, GlasgowNote: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).

Los 28

* ETHEL WALKER (SCOTTISH b. 1941) RED GLASS AND ROSES oil on board, signed, titled label versoframedimage size 44cm x 44cm, overall size 62cm x 62cm Handwritten label versoNote: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" (a slightly smaller oil on board than "Study in Blue") achieved £3000 (hammer).

Los 282

19th century miniature watercolour on ivory, portrait of a gentleman, unsigned, overall frame dimensions 16cm x 14cm. Ivory permit no. E7W2NGB3Very good condition

Los 280

Early 19th century miniature watercolour on ivory, portrait of a woman, signed I Jenner 1813, unmarked gilt-metal frame with enamel and hair memorial back, height excluding bale 7cm. Ivory permit no. HTTDRJRZVery good condition

Los 171

HRH PRINCE PHILIP - original studio photograph portrait, signed in ink and dated 1949, presented to Kirkland Bridge of the National Playing Fields Association, together with a letter from Michael Parker, the Prince's Equerry on reverse, framed, overall frame dimensions 28cm x 35.5cmGood condition, backing board very slightly discoloured with a couple of very tiny fox marks

Los 281

Early 19th century miniature watercolour on ivory, portrait of a gentleman, unsigned, in unmarked yellow metal frame, with hair panel back, height excluding bale 6.5cm. Ivory permit no. R353JG52Very good condition

Los 279

Miniature watercolour portrait on ivory of a gentleman, late 18th/early 19th century, unsigned, in unmarked gilt-metal frame, with hair panel back and monogram, height 7cm. Ivory permit no. ZNC1PY5ZAll in very good condition

Los 371

Gordon H Grant (American, 1875 - 1962), portrait of Earl Roberts "Bobs" VC, Commander In Chief Of The Forces, ink and watercolour on paper, signed and dated 1900, 25cm x 10.5cm, mountedSome very tiny fox marks, generally good condition, original mount which is dented at the corners

Los 274

19th century watercolour portrait of a girl, unsigned, overall frame dimensions 18cm x 16cm, oval watercolour portrait of a child, 1867, 23cm x 18cm, and watercolour portrait of a woman, framed (3)Portrait of a girl is painted on card which is slightly warped, other 2 paintings are slightly discoloured but no damage

Los 273

Silver coins and ingots, including 2021 two ounce Gothic crown portrait, Concorde 1976 silver ingot, Queen Elizabeth 95th Birthday silver fifty pence coins, and Hungarian two ounce silver coin

Los 82

A portrait of a gentleman, signed Pitre, together with a print

Los 481

Vinyl - 14 limited edition Jazz albums and one box set to include: Bill Evans Trio – Portrait In Jazz (771687), Bill Evans & Jim Hall – Undercurrent (DOL 779H), The Graham Collier Septet – Deep Dark Blue Centre (WMLP 0017), Michael Garrick Quartet – Silhouette (GB 1504), Eric Dolphy – Unrealized Tapes (West Wind 016), Return To Forever – Romantic Warrior (MOVLP 436), The Gil Evans Orchestra Featuring Johnny Coles – Great Jazz Standards (PPAN WP 1270), Chick Corea – Return To Forever (180g, ECM 1022 ST), Chick Corea – Now He Sings, Now He Sobs (180g, Blue Note, SS-18039), Chet Baker & Crew – Chet Baker & Crew (180g, JT 1015), Chet Baker – Italian Movie Soundtracks (771870), Gary Burton – Seven Songs For Quartet And Chamber Orchestra (ECM 1040 ST), Neil Ardley – A Symphony Of Amaranths (WBSLP 016), Mingus – Oh Yeah (180g, 8122787091), Jaco Pastorius – Truth, Liberty & Soul - Live In NYC The Complete 1982 NPR Jazz Alive ! Recordings (limited numbered, 3 album box set, Resonance Records, HLP-9027). Condition EX overall

Los 762A

CDs - 5 Bob Dylan box sets to include The Original Mono Recordings, The Bootleg Series, Don't Look Back, Another Self Portrait, The Witmark Demos.

Los 7297

§ Brian Duffy (British, 1936-2010). David Bowie, Aladdin Sane, Eyes Closed Portrait, London, 1973. Limited Edition, 8/100, Ultrachrome print, features Bowie as his alias Ziggy Stardust, printed 2009, hand signed by the photographer, Duffy Archive blind stamp lower margin and Archive stamp on reverse, paper size 20 x 20 inches; with an accompanying Certificate of Authenticity issued by Proud Galleries London on behalf of the photographer. Taken by the photographer during the second series of Five Sessions with David Bowie. Duffys photograph from 1973 is the revolutionary and iconic cover of Bowies album Aladdin Sane, referred to as the Mona Lisa of Pop. Duffy asked what the album was going to be called, and David replied, A Lad Insane. Duffy interpreted this as Aladdin Sane. Chris Duffy, Archive Administrator.Condition Report: overall good condition with strong signature.

Los 138

After Pablo Picasso, portrait of Sylvette, giclee print, bears studio signature, sold with certificate of endorsement. 38 x 32 cm

Los 136

Pastel portrait of a young girl, unsigned, in heavy pine frame, image 33 x 25 cm

Los 1082

Florence Jay(fl. 1905-1920)Portrait of a Border Terrier,signed,watercolour,33 x 21cms, in frame.

Los 1080

C* B* S*(19th Century)Portrait of a Bloodhound, the dog being seated in a corner with bowed head,signed with initials,graphite and Chinese white,28 x 44cms, in frame.

Los 1091

19th Century British School Buttercup; Portrait of a Young Girl, oil on board, 39 x 29cms, in gilt slip frame. Notes: George Rowney paper label verso.

Los 1028

19th Century British SchoolA group of three portrait miniatures, comprising husband and wife pair c.1840, and a portrait of another gentleman,watercolour,largest 15 x 11.5cms, pair each 9 x 7cms, in frames. (3)

Los 1092

P* M* S* Storey(19th Century)"A Joley Old Tar", [sic], portrait of a fisherman,signed, titled, and dated 1881 verso,oil on board,4.5 x 37cms, in frame.

Los 1090

After Gilbert Stuart(19th Century)Portrait of American President George Washington,oil on canvas,34 x 24cms, in frame.

Los 1035

19th Century British SchoolPortrait of a Lady Wearing Etruscan Revival Jewellery (c.1870),coloured chalks,66 x 50cms, in frame.

Los 1036

19th Century British School Portrait of a Lady, pastel and charcoal, 64 x 48cms, in frame. Provenance: select items removed from Carrycoats Hall, Northumberland.

Los 873

A 19th century portrait miniature of George Washington in ebonised frame, 6.1x5.3cm

Los 867

Portrait of a 19th century gentleman, oil on canvas, 77x64cm

Los 737

20th century watercolour, portrait of a bearded man in a hat, 36x26cm

Los 812

20th century oil on canvas, portrait of a woman, unfinished, inscribed J I Northover to stretcher, 30x40cm

Los 756

Manner of Marie Laurencin (1883-1956), pencil portrait of a lady, signed lower left, 31x21cm

Los 869

Late 19th century monochrome portrait on glass, signed Murouck, Exmouth, 46x36cm

Los 739

After Jean-Marc Nattier, a print of a portrait of Sophie of France, in an ornate gilt gesso frame, internal dimensions 47x36cm

Los 434

Two miniature portrait frames, 14.5x12cm overall; together with two white metal picture frames with berry design

Los 759

Beryl Triet, The Reverend Canon R.E.G Newman MC MA, Rector of Lustleigh, dec. 1945- jun 1957, pencil portrait on paper, 44x36cm

Los 813

After Heinrich Von Angeli (1840 - 1925), Portrait of Benjamin Disraeli, The Earl of Beaconsfield, Chancellor of the Exchequer, Prime Minister, late 19th Century mezzotint with studio blind stamp 'ZLB', signed by the engraver Thomas Lewis Atkinson (1817 - 1889) in pencil, plate size approx 45cm x 34cm

Los 831

Half length portrait of a lady with red flower in vase, oil on canvas, signed 'Vera, XII. 1968', 75x65cm

Los 836

Three unframed Japanese woodblock prints (af), two with the plates approx. 35x24, the other portrait 33x22cm (3)

Los 401

Two late 18th century Wedgwood black basalt portrait cameo plaques, each 7.5x5.6cm, one depicting a bearded man, Minos, law giver and king of Crete, the other depicting Antiochus Theos, King of Syria. Mounted in a frame, bears label for 'Gibson Collection'A similar example of the cameo on the right can be found in the V&A Museum ascension no. 4986-1901A similar example of the cameo on the left can be found in the V&A Museum ascension no. 4976-1901

Los 1070

Full title: Lucas van Leyden (1494-1533): Esther before Ahasuerus, engraving, 16th C.Description:Dim.: 28,5 x 23,5 cm In June 1521, in the diary that Albrecht Durer kept of his journey to the Netherlands from July 12, 1520, to July 15, 1521, he wrote that he had met 'Master Lucas ... a little man, born in Leyden in Holland.' On that day he drew Lucas's portrait in metalpoint (now in Lille, Musee des Beaux-Arts), and a few days later the two exchanged prints. This terse account is the only surviving written document of the meeting between the German artist and his younger Netherlandish counterpart, an encounter that brought together two consummate printmakers who were to leave their mark on the development of the medium in Europe for the next century. Durer was the first to bring together the separate traditions of woodcut and engraving, and his prints in both these media, the product of his apparently inexhaustible imagination, began to attract notice almost as soon as he started making them in the 1490's. Well before the end of the decade, with a print such as 'Samson Rending the Lion', Durer had elevated woodcut to the level of engraving. Lines as lively and free as these, and compositions as dense and complex, had never before been executed in woodcut. By 1500, with his engravings 'The Prodigal Son' and, especially, some esoteric allegorical such as 'The Dream of the Doctor' and 'Hercules at the Crossroads', had established the medium as a bearer of highly sophisticated images and subjects, of meanings. In 1521 Durer was fifty, and he had created most of his more than three hundred prints (indeed, throughout his trip to the Netherlands he stayed ahead of his expenses by selling a number of them). His extraordinary production established the possibility of the print as a medium for artistic ideas in an unprecedented way. Lucas van Leyden, close to twenty years younger than Durer, was a prodigy who was said to have begun making prints when he was nine years old. He also was famous by 1521, and his engravings, such as the poignant 'Saint Paul Led away to Damascus', were admired both for their unusual or unexpectedly treated subjects and for their refined, delicate style. Both artists' innovations had a striking influence on Renaissance printmaking and on subsequent developments of the medium. Remarkably,their creative inventions were built on techniques for suggesting form and tone in a purely black-and-white medium that had only recently been invented and honed by Gothic artists such as Master ES and Martin Schongauer, who had guided the print from its roots as a comparatively coarse craft and workshop by-product to a refined and noble art. At the time of Lucas's and Durer's meeting, printmaking had only a fifty-year history as a medium capable of producing the type of sophisticated artwork that these two men created. (source: Suzanne Boorsch/Nadine M. Oorenstein, The Print in the North, The Metropolitan Museum of Art Bulletin, Spring 1997 (External link available on rm-auctions.com)Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 349

Full title: A Chinese dish with the portrait of Queen Victoria and the British crown, dated 1757, 18/19th C.Description:Dim.: 31 x 25,5 cmThis exceptional Chinese dish for the English market combines the portrait of Queen Victoria and the British crown, with the date 1757 below the Queen's portrait. In 1757, the East India Company took control of India. This dish likely commemorates this occasion, so it was probably ordered at a slightly later date, possibly in 1767. The enamelling on the piece is reminiscent of Canton enamels from the period.Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 437

Full title: Bui Xuan Phai (1920-1988): 'Rêverie', ink on paper, dated 1976 and 'Portrait of Van Duong Thanh', mixed technique on paper, dated 1979Description:Dim.: 15 x 10 cm (Rêverie, the work)Dim.: 34 x 24 cm (Rêverie, the frame) Dim.: 12,5 x 9 cm (Portrait of Van Duong Thanh, the work)Dim.: 21 x 15 cm (Portrait of Van Duong Thanh, the frame)Provenance:The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin.Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 680

Full title: 44 Chinese Mao portrait badges, incl. one in porcelain, Cultural RevolutionDescription:Dia.: 6,5 cm (the largest)Dia.: 4,5 cm (the porcelain pin) Provenance:- The collection of a Belgian connoisseur.Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 965

Full title: An Etruskian 'aryballos' portrait ewer and a 'patera' dish with black geometrical design, 4th C. b.C.Description:H.: 18,3 cm (the aryballos)Dia.: 14 cm - H.: 5 cm (the patera)Provenance:- The collection of Mr. and Mrs. S., Ghent, Belgium.- The patera acquired from Christophe Varosi, Brussels, in March 1999, with his certificate.- The aryballos acquired from Van Elegem antiques, in March 2014, according to the owner's inventory notes. A 19th C. written paper label is adhered to the base.Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 997

Full title: French school: a miniature lady's portrait, gouache on paper, mounted in a tortoise shell frame, 19th C.Description:L.: 4,5 cmCondition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Los 82

GEORGE CHAPMAN mixed media - head portrait of a lady, 38 x 42cmsComments: mounted but unframed

Los 287

NO RESERVE Nash (John).- Greenwood (Jeremy) The Wood-Engravings of John Nash, one of 750 copies, portrait frontispiece, tipped-in, illustrations, a few in colour, laid down, original cloth-backed patterned paper-covered boards, original slipcase, cloth, The Wood Lea Press, 1987 § Armitage (Simon) Hansel & Gretel. A Nightmare in Eight Scenes, first edition, signed by the author, illustrations by Clive Hicks-Jenkins, original cloth, Design for Today, 2019 § Armstrong (Martin) St. Christopher's Day, first edition, original cloth, dust-jacket by E. McKnight Kauffer, light browning to spine, spine tips and corners a little chipped, 1928 § Robinson (W. Heath) and K.R.G. Browne. How to be a Motorist, first edition, illustrations by Heath Robinson, original cloth, dust-jacket, light toning to spine, spine ends and corners a little chipped, [1939]; and 3 others, illustrated, v.s. (7)

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