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Chichester 10: Portrait of a decade by Zsuzsi Roboz signed by some of the Actors featured in the book including Eileen Atkins, Jeremy Brett, John Neville and many more. Published 1975, Hardcover. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Charles Dickens, ALS, a framed letter and engraved plate photo mounted under matting and covered in glass, sent from Devonshire Terrace, Regent's Park (now Marylebone Road), London on February 11, 1841. The letter states, "My dear Maclise, we were speaking of Ethelstan. Le voici. I'm sorry the water or ale held you so long last night. We adjourned from the private box to the Parthenon, and were rather jolly. Hot joints here on Sunday a five o'clock. Faithfully always, BOZ". Maclise was Dickens's portrait painter who had become close friends the summer before his first portrait was painted. Dickens recorded in a letter of 28 June 1839 that "Maclise has made another face of me, which all people say is astonishing." At the time of this writing Dickens will be publishing 'Barnaby Rudge' that was serialized in Master Humphrey's Clock. Approximate Dimensions:Letter h.6.5", w.4.5" Frame h. 11", w. 12.75"Condition:Letter had been folded to fit in a period small penny post envelope, then laid flat and framed. It looks to have had been around some moisture at one time thus showing some discolorization on the face of the letter and some toning on the top mat
The Plays of William Shakespeare in 8 Volumes, With The Corrections and Illustrations of Various Commentators; to which are added, Notes by Sam. Johnson. Published 1765 by J.and R. Tonson, C. Corbet, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, W. Johnston. T. Caslon, T. Lownds, and the Executors of B. Dodd. Complete set. Original leather boards on restored books. Spine features raised bands, gilt decoration and gilt titling on a field of red. Volume 1 features a portrait of Shakespeare as a frontispiece. Approximate Dimensions:Each book: h. 8.25",w. 5", d. 1.5"Condition:Books have been restored with original boards. Scuffing and wear to leather and boards. Pages have some yellowing and occasional foxing. Bookplate of a previous owner is present.
Operum Moralium Et Civilium by Francis Bacon. Published 1638 by Edwardi Griffini, London. Early edition. Incredibly scarce. Bound in period vellum with excellent portrait frontispiece. 4to. 475pp. Some period marginalia present throughout, providing an interesting look into the study of this book. Approximate Dimensions:h. 11.75", w. 7.75", d. 2.25"Condition:Wear to period vellum with some staining and rubbing in spots. Pages have pencil marginalia with some ink writing throughout. Pages are toned with some chipping.
Operum Moralium et Civilium by Francis Bacon. Printed 1638 by Edward Griffin and John Haviland for Richard Whitaker. Fully bound in brown leather with gilt decoration. Appears to be an early binding. Raised bands on the spine with gilt titling on a field of red. Engraved frontispiece is a portrait of Bacon. Woodcut printer's device on title page and nine section titles with various woodcut printers' devices. Contains numerous woodcut initials and head and tail pieces. 386pp. 4to. Approximate Dimensions:h. 12". w. 7.5", d. 3"Condition:Wear on boards. Some worm holing on boards. Repairs to book throughout. Some staining on pages with light foxing. Pencil marks from a previous owner.
Systema Naturae Sistens Regna Tria Naturae in Classes Et Orgines Genera Et Species Redacta Tabulisque Aeneis Illustrata. Published 1748, in Lipsiae (Leipzig). This was a 1748 edition of the 1735 original published in Stockholm. An early edition. Book is quarter bound in tan leather with green marbled boards. Gilt titling on the spine on a field of black. Great portrait of Linneaus as the frontispiece. Contains all 8 plates. Approximate Dimensions:Condition:Moderate wear on boards and leather. Some loss. Cracking at hinges and joints. Light foxing and staining on pages.
George Silverman's Explanation by Charles Dickens in original American parts in The Atlantic Monthly. Published in 1868 by Ticknor and Fields. Magazines are in custom slipcase. Slipcase features a portrait of Charles Dickens. Approximate Dimensions:Slipcase: h. 10.75", w. 6.5", d. 1"; Magazines: h. 9.75", w. 6.25"Condition:Chipping, tearing, and paper loss to magazines. Edges are rough. Light staining and foxing is present. Slipcase has scuffing, light gouging, and wear.
Charles Dickens gilt bronze relief portrait and ribboned name plate plaque housed in a period walnut frame. Would be a excellent addition to a library or reading room. Approximate Dimensions:h.18.25" w. 5.25"Condition:The gilding is superbly bright with nary a spot on either pieces, the frame is in good condition less some age wear. Vintage wall paper graces the verso.
Humphrey Bangham (British)Charles Dance (as Lord Louis Mountbatten)Season 3, Episode 5, 'Coup'Depicted in military uniform, three-quarter-length, with sword against architectural backgroundAcrylic and oil on canvas 151.5 x 119.5cm (59 5/8 x 47 1/16in).Footnotes:This portrait of Charles Dance as Mountbatten features heavily in Episode 5 of Season 3. In the scene, it is removed from the wall and carried behind the character as he leaves his office for the final time after the termination of his position by Harold Wilson.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Vanessa Kirby (as Princess Margaret): A casual ensemble and cocktail dressSeason 2, Episode 4, 'Beryl'Two custom-made ensembles comprising; a patterned mohair coat in burnt orange, amber and teal, a black and beige patterned pencil skirt, a cream blouse with brown lace overlay, and a satin head scarf; together with motoring helmet and goggles by Nannini, brown suede court shoes by Fiancées, and a brown suede handbag with gold hardware; also a custom-made bespoke cowl-neck black mesh cocktail dress with orange underlining (8)Footnotes:Vanessa Kirby (as Princess Margaret) can be seen wearing the coat, goggles and helmet on her first visit to Matthew Goode's (as Tony Armstrong-Jones) photography studio, with the cocktail dress being worn for the photo shoot.In the episode, the character is unhappy sitting for her official Birthday portrait with Cecil Beaton, wearing the romantic butterfly dress, as seen in the previous lot; however, she is a more confident and grown-up version of herself in Armstrong-Jones' studio. Costume designer Jane Petrie said that 'Margaret is the butterfly, trying to fly away' which is expressed through the costumes, as the darker colours of the motorbike and studio outfits show Margaret's break with the traditional Princess aesthetic.For further information on this lot please visit Bonhams.com
Barnaby Gorton (British, born 1961)A group portrait of Jared Harris, Victoria Hamilton, Claire Foy & Vanessa Kirby (as King George VI, Queen Elizabeth, Princess Elizabeth and Princess Margaret)Signed and dated verso 'BARNABY GORTON / 2021'Acrylic on canvas114.5 x 114cm (45 1/16 x 44 7/8in).Footnotes:Based on the group portrait King George VI and Family by George Harcourt on display at the Royal Over-Seas League, and made for Season 5 of The Crown. The likenesses of the actors were inspired from stills taken from Seasons 1 and 2.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Charlie Cobb (British)Olivia Colman (as the Queen)Season 3, Episode 9, 'Imbroglio'Full-length portraitAcrylic and oil on canvas 184.5 x 121.5cm (72 5/8 x 47 13/16in).Together with a framed digital print example (2)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Barnaby Gorton (British, born 1961)Jared Harris (as King George VI)Season 5, Episode 3, 'Mou Mou'A three-quarter-length portrait, with fingers interlacedSigned and dated verso 'BARNABY GORTON / 2021' Acrylic on canvas 108.5 x 90cm (42 11/16 x 35 7/16in).Together with a portrait of Victoria Hamilton (as the Queen Mother) by Charlie Cobb (British)Acrylic and oil on canvas 138.5cm x 82.5cm (unframed) (2)Footnotes:The portrait of Jared Harris painted for Season 5 was based on a photograph of the actor as King George VI in Season 1. The portrait of Victoria Hamilton was produced for Season 2.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Charlie Cobb (British)Matt Smith (as Prince Philip): A series of sketchesSeason 2, Episode 10, 'Mystery Man'Produced to replicate a portrait by the osteopath Stephen Ward, for the filming of the Profumo Affair scenes, by the Art Department, comprising fourteen sketches, in various stages of completion, depicting Matt Smith as Prince PhilipPencil, some heighted with yellow and white crayon, on paper 38 x 28cm (14 15/16 x 11in).Together with a black and white photograph of Matt Smith (as Prince Philip) (qty)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Humphrey Bangham (British)Olivia Colman (as the Queen), after Pietro Annigoni's portrait of Queen Elizabeth II in 1969 A three-quarter-length portrait, wearing red ceremonial dress, standing before the seaAcrylic and oil on canvas199 x 178cm (78 5/16 x 70 1/16in).Together with the unfinished example, and one other (3)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Desmond Mac Mahon (British)Imelda Staunton (as the Queen) Season 5, Episode 8, 'Gunpowder'A three-quarter-length portraitSigned and dated verso 'Desmond Mac Mahon 2022'Oil on canvas92 x 71cm (36 1/4 x 27 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Vanessa Kirby (as Princess Margaret): A full-length satin and tulle butterfly pattern ballgownSeason 2, Episode 4, 'Beryl'Custom-made sweetheart bodice dress with interspersed sequins depicting various types of butterflies to the tulle overlay, labelled to the inside Margaret; with a pastel rainbow-coloured tulle waist sash, a white tulle shoulder flounce with colourful butterfly embellishment and a white petticoat (4)Footnotes:As seen in the Cecil Beaton portrait scene.Sir Cecil Beaton (1904 - 1980) was a British photographer. He was the Royal Family's court photographer for three generations, starting in 1937. In this role, he was responsible for photographing Princess Margaret on the occasion of her 19th birthday in 1950; she posed in front of a variety of painted backgrounds, wearing a white tulle gown with butterfly sequin decoration, a pearl necklace and a pearl and diamond-clasp bracelet. In 1950, a book about the Princess praised her fashion sense, stating that she, 'probably sets more youthful fashions than any other teenager in the world.' The official portrait of the Princess is held in The National Portrait Gallery's Primary Collection (object number NPG P349). In The Crown, contrary to Costume Designer Jane Petrie's original vision for the dress, Vanessa Kirby chose to wear the flounce overlay off the shoulder. This is in contrast to the Royal dress code of the time and differs from the way Princess Margaret wore it in her portrait.This was one of the most expensive outfits to make from this season, due to the lengthy creation process, which entailed fabric cutting, screen printing the butterfly details, and then embroidery over the screen print. The embroidery was carried out by Barna Bhowmik and members of her family, to a very tight schedule due to filming requirements. The rainbow sash was also hand-dyed.For further information on this lot please visit Bonhams.com
19th Century Travel: Pfeiffer (Ida). 'A Woman's Journey Round the World...'. National Illustrated Library, London n/d c.1850, eleven plates and engraved title page, 8vo. Half black calf, marbled boards plus Anson (George) A Voyage Round the World in the Years 1740-1744, new edition, London 1838. Lacks map, half calf plus Robertson (William) 'The History and Discovery of America...'. Harper, New York 1837. Four plates and portrait, full calf with splits etc. plus three further titles, all in used condition (8)Provenance: Malcolm Deas Collection
Dainty, John, Publisher 'Abraham Lincoln signing the Emancipation Proclamation 1864', after W.E. Winner (365 x 245mm) framed, and a large portrait of George Canning 1770-1827 ( British Prime Minister) engraved by Charles Turner after Thomas Lawrence (590 x 360mm) framed (2)Provenance: Malcolm Deas Collection
Bindings:- The Oxford Book of English Verse, 1948. Tan calf by Sangorski and Sutcliffe, bookplate for John P Love. Plus Marcus Aurelius, 35/100. Chiswick Press/George Bell 1890. Tooled green morocco by de Coverley 1891, J.P.L. bookplate. Plus 'The Collected Poems of Rupert Brooke', Sidgwick & Jackson, London 1933, with portrait frontispiece. Full blue morocco by Riviere & Son. Plus Everybody's Pepys', Bell, London 1926. Half red calf. All in used condition with fading (4)Provenance: John. P. Love Collection
A group of six 19th century portrait prints of South American Politicians vis. Benito Juarez (Mexico), Medaro Rivas (Colombia), Melchor Ocampo (Mexico), Jose Antonio Paez (Venezuela), D.Bartholome Mitre (Argentina), Generale Comonfort (Mexico). Two bearing signatures, all framed (350 x 240mm and smaller)Provenance: Malcolm Deas Collection
Simón Bolívar, Ulloa, Antoine de and Juan, George 'Noticias Secretas de America, Sobre el Estado Naval, Militar, Y Politico de los Reynos del Peru Provincias de Quito, Costas de Nueva Granade Y Chile.....', 2 parts in one volume, R Taylor London 1826, first ed?, two portrait frontispieces by Edward Scriven with prologue and appendix and index, 707pp, half title signed by Simón Bolívar indicated that this was his personal copy, signature compatible with other examples, full gilt calf with green title (300 x 200mm) Bogota booksellers label, some pencil notes within, edges dust marked, binding with old repairsProvenance: Malcolm Deas Collection
Vernon (Admiral Edward), 'The Genuine Speech of the Truly Honourable Adm---l V-----N to the Sea-Officers at a Council of War, just before the attack of C--------a (Carthagena) as communicated by a Person of Honour then present, in a letter to his Friend', Cooper, London 1741. 19pp pamphlet, modern card (195 x 120mm) plus Olmedo (J.J.), 'Canto a Bolivar', London 1826. Portrait frontispiece, 77pp with two plates, original marbled, half calf (150 x 100mm), stained, bumped etc (2)Provenance: Malcolm Deas Collection Photos uploaded and tissue guards present. Thank you very much.
John Archibald Alexander Berrie (1887-1962) A portrait of Sir Winston Churchill, oil on canvas 76cm x 63.5cm There is a small patched repair lower right, light craquelure to the paint throughout, with a tiny flake of paint loss to the upper right corner. It looks to have been cleaned and varnished – paint is slightly thin from sitter’s right shoulder and extending through the brown area of chairs in the background. Not examined under UV light. Canvas 61.5cm x 74cm.With frame 85cm x 96.5cm
Ackermann, Rudolph, 1764-1834 'A History of the University of Oxford, Its Colleges, Halls and Public Buildings'. two vols. Fo. frontispiece portrait of Lord Grenville. Vol. one lacks half title, together with 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings', two vols. with plates including Founders, as per listing with minor differences. Oxford 114 plates, Cambridge 95 plates, 1814/1815. Uniformly bound by de Coverly, maroon morocco with gilt ornament. (360 x 290mm) brown staining throughout, binding chipping, bumped and worn at hinge, b/ps (4)The plates are generally clean, the browing on the opposite side is some of the ink from the images rubbed off. Thank you.
American History 'The Addresses and Messages of the Presidents of the United States, from Washington to Harrison'. Edward Walker, New York 1841 with frontispiece portrait of W.H. Harrison. 8vo. Original green cloth with gilt device depicting George Washington plus Clark (J Reuben) 'Memorandum on the Monroe Doctrine' December 1928. United States Printing office, Washington 1930. Half blue calf plus pamphlet, 'Message from the President...' the report of Mr George Earl Church upon Ecuador 1882/83 plus U.S. Trade 1885. 2 vols (5)Provenance: Malcolm Deas Collection
Miller (John), 'Memoirs of General Miller in the Service of the Republic of Peru', 2nd Ed. 2 vols., Longman et al, London 1829. With portrait frontispiece, ten plates, maps, plans etc. 16pp of ads. 8vo. Original plain boards plus Empson (Charles) 'Narratives of South America...'. Edwards, London 1836. Original cloth boards, owners signature etc. plus Paez (Don Ramon) 'Wild Scenes in South America...'. Scribner, New York 1862. Green cloth plus Humboldt (Alexander Von) Travels to the Equinoctal Regions of America. 3 vols, Bohn, London 1832. Red cloth, all in used condition (7)Provenance: Malcolm Deas Collection
Hering (Charles?) Binding:- Ozell, 'The Works of Francis Rabelais'. New Ed. Brindley, London 1750, with portrait frontispiece. 5 vols. with folding engravings and maps, 12 mo. (150 x 90mm) Full brown gilt calf, with binder's stamp, gilt edges, some warping, bumps etc (5)Provenance: John. P. Love Collection
Fine Rivière and Son Binding:- Dickens (Charles) Life and Adventures of Nicholas Nickelby. 1st Ed. Chapman and Hall, London 1839, with portrait and thirty nine plates by 'Phiz' (Hablot K Browne) and nine extra plates by J Onwhyn. 8vo. (210 x 140mm) Full calf with gilt tooled six panel spine, gilt edges and marbled end papers, binder's stamp, good conditionProvenance: John. P. Love Collection
Antepara (José Maria, a native of Guayquil) South American Emancipation - Documents, Historical and Explanatory shewing the designs which have been in progress and the exertions made by General Miranda ' (Francisco de Miranda, 1750-1816, First President of Venezuela) with portrait frontispiece and engraved 'Plan de la Bataille de Landen', First Ed, London 1810, printed by Juigné. 8vo. (220 x 135mm) Full gilt decorated calf, pencil notes, scratches etcProvenance: Malcolm Deas Collection
Early 19th century English binding:- Goldsmith (Oliver).The Miscellaneous Works. 4 vols. Richardson et al, London 1821, with portrait frontispiece, 8vo. (215 x 135mm). Full red morocco with gilt classical ornament, gilt edges. Text stained, binding with splits and old repairs (4)Provenance: John. P. Love Collection
More (Sir Thomas) Dibdin (Rev T.F.) Notes etc by 'Utopia', William Miller, London 1808. 2 vols. with portrait frontispiece. 8vo. (190 x 130mm) gilt tooled blue morocco with gilt edges, attributed to Charles Meyer, St Martin's Lane, some rubbing to spine and edges (2)Provenance: John. P. Love Collection
Ducoudray Holstein (Gen. H.L.V.) 'Memoirs of Simón Bolívar, President Liberator of the Republic of Colombia and his Principal Generals; Secret History of the Revolution and the Events which preceded it, from 1807 to the present time', Goodrich, Boston 1830. 8vo. full calf, stained, foxed, bumped etc. plus a further two volume edition, Colburn and Bentley, London 1830, with portrait frontispiece and folding map. 12mo (190 x 120mm), later half black calf, marbled boards, fair condition (3)Provenance: Malcolm Deas Collection
Sibley, Ebenezer, 1751-1799 Astrologer and Physician 'Culpeper's English Physician and Complete Herbal, beautified and enriched with engravings of upwards of four hundred and fifty different plants, and a set of anatomical figures...' British Directory, London n/d c.1795, 2 vols with multiple coloured plates throughout and portrait frontispiece, Nicholas Culpeper, vol. 1 with appendix, full probably original calf (280 x 220mm) staining throughout, edges torn etc (2)Provenance: Malcolm Deas Collection
Root & Sons Binders:- Dickens (Charles) 'Dealings with the Firm of Dombey and Son Wholesale, Retail and for Exportation...' Bradbury and Evans, London 1848. 1st Ed? see notes, lacks half title with extra plates by 'Phiz'. 8vo. (215 x 130mm) Half red morocco with gilt six panel spine and marbled end papers, binder's stamp, gilt top edge. Spine faded, some spotting, plus a printed portrait of CD and a typed facsimile of Dickens' 'Instructions to His Butler'Provenance: John. P. Love Collection
Fine 'Rivière' Binding:- Herrick (Robert). Hesperides or the Works both Humane and Divine of... John Williams and Francis Eglesfield, St Paul's Churchyard 1648, Frontispiece portrait by William Marshall. Four leaves facsimile. 8vo (170 x 110mm). Full green morocco with gilt tooled edge and six panel spine, binder's stamp, marbled end papers, gilt edges, some foxing etcProvenance: John. P. Love Collection

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283284 Los(e)/Seite