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283284 Los(e)/Seite
Los 132
DAVID A JASON:3 titles: A BIBLIOGRAPHY AND READERS GUIDE TO THE FIRST EDITIONS OF P G WODEHOUSE, London, Barrie & Jenkins, 1971, 1st edition, original cloth, d/w; P G WODEHOUSE, A PORTRAIT OF A MASTER, London, Garnstone Press, 1975, 1st edition, original cloth, d/w; THE THEATRE OF P G WODEHOUSE, London, B T Batsford, 1979, 1st edition, original cloth, d/w (3)
Los 119A
Edwardian Period - Military Silver Hinged Vesta Case, With Portrait of Edward VII ( King ) to Front Cover and Badge of the Cheshire Regiment to Back Cover. 2 Inches - 5 cms High, 1.5 Inches - 3.75 cms Wide + A Late Victorian Sterling Silver Heart Shaped Vesta Case. Hallmark Birmingham 1898. Height 1,5 Inches - 3.75 cms.
Los 265
Collection of Commemorative Coins, gold plated, including Remembering World War II 1939-1945 boxed set, Winston Churchill, Queen Elizabeth 90th Birthday, Coronation 1953, Proclamation of Accession, Duke & Duchess of Cambridge, Harry & Meghan, Concorde, Queen & Duke of Edinburgh, Winston Churchill Portrait of a Statesman, George VI & Elizabeth Bowes, together with 'Keeping Perfect Time' set of pennies, End of the Empire half crowns, King Canute silver coin, From Half Silver to None sixpences, The King's Shilling, Four Decades of Florin, Elvis Presley half crown, boxed set of wartime commemorative coins, etc.
Los 46
A 19th oil on canvas portrait painting study depicting a young aristocratic gentleman. The sitter depicting with curly locks and in black dress jacket with arm raised on a stack of old leather books with pocket watch. Framed and glazed within ornate gilt gesso frame. Measures approx; 73cm x 64cm (59cm x 50cm).
Los 580
Frederick George Cotman (1850-1920) - An oil painting portrait study scene depicting a busy blacksmiths with the smith in central view working on anvil with hammer and various tools spread through the workshop. Set within a gilt frame. Marked FG Cotman on frame. Item not on site and collection to be arranged from an alternative address.
Los 32
Jazz Oscar Rabin signed vintage 6 x 4 inch sepia portrait photo. Tape marks to back, but scarce item. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 57
Catherine Zeta Jones signed stunning 7 x 5 inch b/w head and shoulders portrait photo, inscribed with love. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 93
Actress Debbie Reynolds signed 10 x 8 inch b/w portrait photo, rare as most are signed by secretaries. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 118
MODESTO BROCOS Y GÓMEZ (Santiago de Compostela, 1852 - Rio de Janeiro, 1936)."Portrait of a Gentleman, 1880.Oil on canvas. Re-coloured.With repainting and damage to the frame.Signed and dated in the lower right corner.Measurements: 65 x 54 cm; 77 x 65 cm (frame).Painter of portraits, landscapes and genre themes, engraver, draughtsman and writer, Modesto Brocos was a Galician artist active in Brazil, or a Brazilian artist born in Galicia (he obtained Brazilian nationality). He began his training at the Academia de Bellas Artes de La Coruña, in Santiago, where he was taught by his brother Isidoro, a sculptor and engraver, who would later become Pablo Picasso's teacher. He also studied with the miniaturist Cancela del Río. Before the age of twenty he began his first trip to South America, arriving in Buenos Aires in 1871. In the Buenos Aires capital he worked as an illustrator on "Los Anales de la Agricultura de la República Argentina", a publication published under the patronage of Domingo F. Sarmiento. He opened a drawing and engraving workshop in 1872, but two years later, around 1874-75, he moved to Brazil, specifically to Rio de Janeiro. There he studied at the Imperial Academy of Fine Arts, where his teachers were Vítor Meireles and Zeferino da Costa. He also collaborated with the publication "O Mequetrefe". In fact, Brocos popularised in Brazil the technique of woodcut, almost unknown until then, which he used for his illustrations. A restless character, he only stayed in Brazil for two years, then returned to Europe and initially settled in Paris, where he enrolled at the Ecole des Beaux-Arts and was taught by the German Henri Lehmann. Dissatisfied with the institution's teaching system, he left shortly afterwards and went to Madrid. From the Spanish capital he went back to France and from there to Rome, on a grant from the Diputación de La Coruña. There he studied at the Academia Chigi, and came into contact with Francisco Pradilla, who was to be his protector and teacher during his four years in the Italian capital. By this time Brocos was already a mature artist, the author of excellent works and a frequent participant in the Paris Salon. In 1890, leaving aside his professorship at the Santiago Economic Society, he returned to the Americas, settling again in Rio. There he obtained a teaching post at the National School of Fine Arts, of which he eventually became director, and carried out important work as a painter and treatise writer. He published writings on art theory and produced innumerable etched portraits and paintings of Brazilian genre and historical subjects. However, despite being based in America, he maintained links with his native Spain, taking part in the National Exhibitions of Fine Arts (he was awarded an Honourable Mention in 1897), and even publishing writings, including his only work of fiction, "Journey to Mars", published in Valencia in 1930, in which he constructs an authentic socialist utopia. In 1952, an anthological exhibition of his work was organised in Rio, on the occasion of the centenary of his birth. He is currently represented at the Museo Nacional de Bellas Artes in Rio de Janeiro, which in 2007 devoted an important anthological exhibition to him, the Pinacoteca do Estado de São Paulo, the Museo de Bellas Artes de La Coruña, the Fundación Caixa Galicia, etc.
Los 137
Spanish school of the early 20th century."Portrait of a Man, 1902.Oil on canvas.Signed "E. González" and dated.Measurements: 97 x 77 cm; 111 x 90 cm (frame).In this canvas the author gives us the portrait of an elderly man, represented in the foreground, half-length on a neutral background that manages to introduce a greater impression of three-dimensionality in the image. Particularly noteworthy is the gentleman's gesture, who looks forward in a concentrated attitude, thus establishing contact with the viewer. On the little finger of his right hand he wears two rings, a sign of distinction. As in the rest of Europe, in the 18th century portraiture became the leading genre par excellence in Spanish painting, as a consequence of the new social structures, embodying the maximum expression of the transformation of the taste and mentality of the new bourgeois clientele. This genre embodies the permanent presence of the image of its protagonists, to be enjoyed in the intimacy of a studio, in the daily warmth of a family cabinet or presiding over the main rooms of the house.
Los 98
CHRISTOFFEL BISSCHOP (Netherlands, 1828-1904). "Portrait of a Seated Woman.Oil on panel.It has repainting and slight damage to the edges.It has a gilt frame with faults in the carving and gilding.Signed in the lower right corner.Measurements: 22,5 x 17 cm; 47 x 42 cm (frame).Christofell Bisschop was a Dutch painter and lithographer, known mainly for his genre scenes and figures. His father was a prominent merchant. He had several teachers: in Leeuwarden he studied with the designer Hendik Schaaff (1805-1850), in Amsterdam with the painter Jacobus Schoemaker Doyer and in Delft with the lithographer Willem Hendrik Schmidt (1809-1849). From 1848 to 1852 he studied at the Royal Academy of Art in The Hague, where his instructor was Huib van Hove. From there he went to Paris, where he took lessons from Charles Gleyre. In 1855, he established a studio in The Hague and exhibited widely in the Netherlands as well as in France and England. He also took part in the Philadelphia Centennial Exhibition. Many of his interior scenes were painted in the town of Hindeloopen, which is known for the preservation of traditional dress. He was appointed Ridder in the Order of the Crown of Oak in 1863. Six years later, in Kensington, he married Catharina Swift, who had been his pupil during his visits to England, and they settled in Scheveningen in a villa called "Friesland". She later became a well-known painter under the name of Kate Bisschop-Swift. She was a member of the Pulchri Studio and the Hollandsche Teekenmaatschappij,
Los 59
JOSEP MARIA TAMBURINI DALMAU (Barcelona, 1856 - 1932)."Lady with a Flower".Pastel and charcoal on paper.Signed in the lower left corner.Published in the Ilustración Catalana.Size: 60,5 x 45 cm; 80 x 65 cm (frame).In this canvas Josep Maria Tamburini offers us a portrait halfway between the dreamlike and the real, starring a totally physical face, perfectly modelled on the basis of subtle tonal and light gradations, supported by a solid drawing. Around the melancholic face of the lady, the space blurs, as do her clothes, becoming delicate tulles that seem to float around her.A painter and art critic and a leading figure in Catalan modernism, Tamburini began his training at the Escuela de La Lonja in Barcelona, later completing his studies in Paris with L. Bonnat and in Rome. He collaborated as a draughtsman, art critic and poet with the magazine "L'Avenç", one of the most outstanding artistic publications in Catalonia at the turn of the century. He also wrote for "La Vanguardia". As a painter, he began his career in history painting and anecdotal realism, later evolving along the lines of symbolism, strongly influenced by English pre-Raphaelism. He achieved recognition in 1888, when he won a silver medal at the Universal Exhibition in Barcelona. He continued to take part in official exhibitions in Barcelona and Madrid, and was again awarded a prize at the Barcelona Exhibition in 1898, where he won the Queen Regent's Extraordinary Prize. In 1911 he was awarded the Prize of the King and Queen of Spain. As a mature painter, he worked on placidly fantastic, detailed and precious themes, as well as religious subjects and some portraits. He was also a member of the Board of Museums of Barcelona, advisor to the Academy of Fine Arts, teacher at the La Lonja School and co-founder of the Artistic and Literary Society of Catalonia (1911). He is represented in the MACBA, the National Art Museum and Library of Catalonia, the Royal Academy of Sant Jordi, the Casa Lis Museum in Salamanca and the Fine Arts Museums of Valencia and Seville, as well as in numerous private collections.
Los 148
Spanish school; late 19th century."Portrait of a Knight of the Order of Isabella the Catholic".Oil on panel.It conserves its period frame.Measurements: 72 x 59 cm; 93 x 80 cm (frame).Portrait of oval format, starring the bust of a man. In the 19th century, the panorama of the European portrait is varied and wide, with numerous influences and determined to a great extent by the taste of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture that would evolve over the course of the century and unify all the national schools: the desire to capture the personality of the human being and his character, beyond his external reality and social rank, in his effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage.
Los 67
French school, ca 1900."Portrait of a lady.Mixed media watercolour and pencil on paper.Signed with anagram.Size: 36,5 x 25 cm; 58 x 48 cm (frame).Work in which the author represents a lady in an elegant pose. The woman directs her gaze beyond the scene, showing us her face in profile, it could be said that she deliberately ignores the spectator. It is an image charged with instantaneity, typical of the female representations of the modernist school of the late 19th century, which prevailed in Europe under different names. This image combines the formal sensuality of the sinuous line, typically modernist, with the great realism with which a strictly contemporary image has been captured. It is a work closely linked to the graphic design of the period; the expressive linearity, the sobriety of the colours and the attention to current themes coincide with the features of posters and illustrations for magazines. It is a dynamic, sensual and schematic drawing, with the theme of the woman at the absolute centre. The female figure was the protagonist of modernism; a modern, high-society woman, young, elegant ladies caught in their leisure moments, reading, strolling or gazing at the viewer, melancholic and tempting.Moreover, modernism developed at a time when the old traditional techniques were flourishing, especially in the decorative arts. Thus, in glass, ceramics, goldsmithing and other arts, including cabinetmaking, old procedures that had fallen into disuse were recovered and applied according to new criteria, within the new language.
Los 119
CHARLES LEVY SASPORTAS (Montmorency, 1877- Paris, 1968).Untitled, 1918.Oil on canvas.It has restorations and a small tear in the canvas on the left edge.Size: 122 x 92 cm; 129 x 98 cm (frame).In this canvas the painter offers us an expressive female portrait, starring a woman with a black dress, in which dominates a wide neckline, adorned with a white brocade. The woman also wears a pearl necklace and matching earrings, and is adorned with a rose that stands out for its brilliant colour against the black.In the 18th century, European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture, which evolved throughout the century and unified all the national schools: the desire to capture the personality of the human being and his character, beyond his external reality and social rank, in his effigy. The 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which, as we see here, came to dispense with all symbolic or scenographic elements in order to depict the individual rather than the personage.Charles Levy Sasportas was an outstanding portrait painter, famous for painting high society figures in New England and France or New York, where he had a studio in Central Park, and in 1933 Villa Comtadine published a brochure entitled: "CHARLES L. SASPORTAS DE PARIS, FRANCE Portrait Painter", thus gaining great recognition from the prevailing social class. Sasportas was a member of the Societe des Artistes Francais.His portraits can be found in important private and public collections, including the Smithsonian Institution's National Portrait Gallery of the United States, which holds a 1949 painting of General Jonathan Wainwright by Sasportas, as well as portraits of William Henry Hoover and Emily Lowe. The National Society of Colonial Dames of America in Illinois owns a 1915 portrait of Katherine Carpenter Birmingham.
Los 132
CANALS STUDIO (Catalonia, 1925-1995)."Alicia", 2001.Oil on canvas.Presents signature with anagram, date and title on the base.Measurements: 41 x 50 cm; 52 x 62 cm (frame).Child portrait on a neutral background that focuses all the attention on the girl's face and her innocent posture on the table. The piece recovers to some extent the atmosphere of the Spanish still life of the 17th century, which can be seen in the background, and the completely sober horizontal wooden table.Estudio Canals was an artistic group created in Barcelona in the 1970s. It was a small group of painters who took their inspiration from the classics, thus bringing the painting of the great masters closer to modernity. Its greatest representative was the painter Miguel Canals, a great connoisseur of techniques and languages from different periods. He bequeathed us a huge variety of works inspired by the Renaissance, the Baroque, Impressionism... Seurat's bathers, Monet's water lily pond, Pissarro's landscapes, Degas's dancers, English hunting scenes, Venetian capriccios, Van Gogh's igneous fields, Quattrocentist virgins... Canals, with his virtuosity and versatility, made a name for himself among art history collectors. Although he did not try to copy, but to create a kind of symbiosis with the original. A connoisseur of ancient techniques, he sometimes gave his paintings a period patina, but without intending to deceive; rather, as he said, he wanted future experts to know that it was a contemporary work.
Los 84
SWITZERLAND. Gold 20 francs, 1911. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 66, certification number 2131168-019. NGC Census in this grade: 17.NGC Census in higher grade: 10Total NGC Census: 108Reference: KM-35.1; Fr-499; Y-41; HMZ2-1209Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 85
SWITZERLAND. Gold 20 francs, 1912. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 64+, certification number 2131168-020. NGC Census in this grade: 9.NGC Census in higher grade: 76Total NGC Census: 150Reference: KM-35.1; Fr-499; Y-41; HMZ2-1210Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 86
SWITZERLAND. Gold 20 francs, 1913. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 65, certification number 2131168-021. NGC Census in this grade: 53.NGC Census in higher grade: 24Total NGC Census: 146Reference: KM-35.1; Fr-499; Y-41; HMZ2-1211Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 87
SWITZERLAND. Gold 20 francs, 1922. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 66, certification number 2131168-022. NGC Census in this grade: 58.NGC Census in higher grade: 20Total NGC Census: 303Reference: KM-35.1; Fr-499; Y-41; HMZ2-1195Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 88
SWITZERLAND. Gold 20 francs, 1930. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 66, certification number 2131168-014. NGC Census in this grade: 108.NGC Census in higher grade: 71Total NGC Census: 453Reference: KM-35.1; Fr-499; Y-41; HMZ2-1228Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 89
SWITZERLAND. Gold 20 francs, 1930. Bern. Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmark in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 65 PL, certification number 2131168-015. NGC Census in this grade: 157.NGC Census in higher grade: 182Total NGC Census: 445Reference: KM-35.1; Fr-499; Y-41; HMZ2-1228Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 9
UNITED KINGDOM. Elizabeth II, 1952-. Gold 25 pounds, 2020. Royal Mint. Proof. The third release from the "Music Legends" series, celebrating David Bowie, one of the most iconic British musicians of all time.Fifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 25 POUNDS · 2020 ·. Design by Jody Clark. / Portrait of David Bowie inspired by his "Berlin Period", Bowie's famous lightning bolt and stars behind; BOWIE. Design by Jody ClarkComes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded PCGS PR70 DCAM, certification number 41017416. PCGS population in this grade: 44, equal-finest graded.Mintage: 1,400.Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 90
SWITZERLAND. Gold 20 francs, 1935 L. Bern. Around 20 million coins dated "L 1935 B", with the "L" standing for "lingot" (bullion) were re-struck in 1945 (3,500,000), 1946 (7,108,813) and 1947 (9,400,000).Bust portrait of a female personification of Helvetia facing left; Alps in background; inscription: 'Helvetia'. / Swiss Cross in shield flanked by foliage dividing denomination; date and mintmarks L and B in exergue. Design by F. Landry. Edge with 22 raised stars.In secure plastic holder, graded NGC MS 66, certification number 2131168-016. NGC Census in this grade: 46.NGC Census in higher grade: 13Total NGC Census: 213Reference: KM-35.1; Fr-499; Y-41; HMZ2-1195Diameter: 21 mm.Thickness: 0.9 mm.Weight: 6.45 g. (AGW=0.1867 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Los 10
UNITED KINGDOM. Elizabeth II, 1952-. Gold 25 pounds, 2020. Royal Mint. Proof. The third release from the "Music Legends" series, celebrating David Bowie, one of the most iconic British musicians of all time.Fifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 25 POUNDS · 2020 ·. Design by Jody Clark. / Portrait of David Bowie inspired by his "Berlin Period", Bowie's famous lightning bolt and stars behind; BOWIE. Design by Jody ClarkComes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded PCGS PR69 DCAM, certification number 41017417. PCGS population in this grade: 26.PCGS population in higher grade: 44.Mintage: 1,400.Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
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283284 Los(e)/Seite