Walter Hill's "The Warriors" is a stylish tale about gang warfare that packs a punch (even by today's standards). Upon release in 1979, the film sparked controversy and was accused of encouraging gang violence. The photographic 'gang' imagery used in the British marketing campaign is unique to the UK and considered highly desirable, being particularly scarce in the portrait style One-Sheet format offered here.Printed in England by Leonard Ripley & Co. Ltd. London27" x 40" (69 x 102 cm)Condition: Very Good / ExcellentUnrestored, rolled (as issued). Overall excellent condition with only a small dark finger print size smudge and semicircular knick (1/8 inch) to top right corner and series of crinkles (4 1/2 inch) to centre top edge.Artist: Unknown Artist£200 - 300VAT Status: M
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It's always interesting to see an artists personal favourite scene or what they consider to be the most memorable moment from a movie. For the original Star Wars Trilogy Jock chose three scenes that I think will touch a similar chord with many Star Wars fans. All three were originally issued by Mondo and offered as 'Timed-Editions' from 2016-18, in either a portrait (One-Sheet) or landscape (Quad) format; with each being manufactured by D&L Screenprinting. The regular print-run for each far exceeded 1400+ and they all sold out. Offered here is a set of all three Artist Proof Editions landscape style with each being signed and hand-numbered by Jock - Star Wars "Into the Garbage Chute, Flyboy!" (#7/35), Empire Strikes Back "That Armor's Too Strong for Blasters!" (#7/35) and Return of the Jedi "I Am a Jedi, Like My Father Before Me" (#6/35). In 2018 one of the leading online Mondo reference sites "Expresso Beans" awarded the ESB print as their 'Cinema Poster of the Year". Each print is presented in excellent flat and unfolded (as issued) condition. (From the Private Archive of the Artist, Jock.)Poster - 24" x 36" (61 x 91.5 cm)Condition: ExcellentUnrestored, rolled, flat and unfolded (as issued). Very minimal handling wear. Presents and displays to excellent effect.Artist: Jock£300 - 500
"Amity Island had everything. Clear skies. Gentle surf. Warm water. People flocked there every summer...It was the perfect feeding ground". Probably the most important film of 'modern' cinema, launching a movie trend that is now commonly referred to as the 'Summer Blockbuster'. It also happens to be one of the best and most memorable movie poster images ever. Designed by The Seiniger Advertising Agency with finished artwork by Roger Kastel, the poster has attained cult status with imagery that focuses on the huge attacking shark and unaware swimmer. Once you've seen the film you see the poster and you just can't get John Williams' distinctive soundtrack out of your head. We are pleased to offer this original country of origin portrait format US One-Sheet movie poster for Steven Spielberg's 1975 masterpiece "Jaws". Unrestored, this originally tri-folded (as issued) example displays to excellent effect with only very minor handling wear.NSS #75/15527" x 41" (69 x 104 cm)Condition: Very GoodUnrestored, tri-folded (as issued with no vertical fold line). Minimal handling wear with excellent colour tones.Artist: Roger Kastel£400 - 600VAT Status: M
First release 1962 small Belgian affiche for the premiere James Bond adventure "Dr. No". Mitchell Hooks' artwork from his UK Quad design has been adapted to suit the portrait style with the addition of more details at the base of the female legs and a different, brighter colour used on the figures (adding a very fresh effect when offset against the white background). It has benefitted from being linen-backed and displays to a good presentable standard.13.75" x 21" (35 x 53.25 cm)Condition: ExcellentRestored and linen-backed. Originally folded, it has scattered light surface scuffs. Colours remain bright.Artist: Unknown£100 - 200VAT Status: M
One of the best feel-good films ever made, Richard Donner's "The Goonies". Add to the mix Steven Spielberg and Chris Columbus, it was a guaranteed box office hit. But just to make sure it was a success, they commissioned Drew Struzan to create the poster. This 1985 country of origin US One-Sheet is referred to as the 'Hanging' style and is perfectly suited to this portrait format. Originally folded (as issued), this unrestored example presents and displays to very good effect and represents an amazing looking item for a hugely loved and popular movie.27" x 41" (69 x 104 cm)Condition: Very GoodUnrestored, folded (as issued). Minor handling and age wear it presents to very good effect.Artist: Drew Struzan£100 - 200VAT Status: M
Rolled, unrestored large format US 60" x 40" poster for "Thunderball (1965). Three key pieces of artwork by Robert McGinnis and Frank McCarthy (originally used on the Advance British Quad) are combined to create one portrait format poster. This 'partial Jetpack' style shows Bond (Sean Connery) at the top of the poster with his his Jetpack's fuel tank cropped by the green border, and at the bottom the blonde's right leg extends past the lounging dark haired woman. A scarce format for this design and rolled.NSS #65/37260" x 40" (152 x 102 cm)Condition: FairUnrestored, rolled (as issued). There are some handling and age related defects but overall it still presents well and to good effect.Artist: Robert McGinnis & Frank McCarthy£100 - 200VAT Status: M
Released in 2017 to promote the "Punisher" TV series showing on Netflix, this portrait style screenprint is the classic image of Marvel's controversial vigilante. A fan of the character, Jock said of the commission: "I've always wanted to take a crack at The Punisher and this was a unique opportunity to do so, tying it into Jon Bernthal's super tough performance in the show. The concept started with the figure far more hidden, wearing night vision goggles appearing out of the smoke, but morphed into the clearer image we see now. I wanted him to appear as dangerous as possible. Deadly." Hand-numbered #12 out of a Artist Proof edition print run of 50, it has also been signed by Jock and is accompanied by three original preliminary sketches showing a close up the character and variations of his weapon. (From the Private Archive of the Artist, Jock.)18" x 24" (46 x 61 cm) + A3/A4 Preliminary SketchesCondition: ExcellentPoster - Unrestored, rolled, flat and unfolded (as issued). Very minimal handling wear. It presents and displays to excellent effect. Artwork and Sketches - overall very good with signs of handling wear (to be expected as these have been used for reference by Jock)Artist: Jock£200 - 300
A scarce complete set of all twelve medium-sized Italian photobustas for the "Diamonds Are Forever" - Una Cascata Di Diamanti (1971). Sean Connery's name was back above the title in this globetrotting Bond blockbuster taking you from the glamour of Las Vegas, through the canals of Amsterdam and even the surface of the moon. Presented in a mixture of landscape and portrait formats, this really is an exceptional series of posters with full colour photo montages combining spectacular action scenes with rarely seen character and publicity shots.18" x 25.75" (46 x 65 cmCondition: Very Good / ExcellentFlat, unfolded.Artist: Unknown Artist£200 - 400VAT Status: M
On Friday August 3rd 2007 the Alamo Drafthouse cinema issued a very special poster to celebrate their Rolling Roadshow screening of the third James Bond film, "Goldfinger". The historical showing was held in Fort Knox Gold Depository, Kentucky the setting for the film's action packed finale with Bond (Connery) not only having to fight off the titular 'Goldfinger' and his henchman 'Oddjob' but also defuse a nuclear bomb; all in a days work for a 00 Agent. This limited edition hand pulled three colour lithograph had a total print run of three hundred. 150 were signed and numbered and offered for sale through the Mondo website with the balance of 150 being sold on the day at the screening (unsigned/un-numbered) with the unsold prints offered as Artist Proofs by Todd Slater himself. The example for auction here is numbered #30/300 and has been hand-signed and features a distinctive portrait of Connery made from gold bars (in metallic GOLD inks), offset against a subtle disguised backdrop of scenes and characters from the film.33.75" x 17.75" (86 x 45 cmCondition: ExcellentRolled.Artist: Todd Slater£500 - 700VAT Status: M
It's always interesting to see an artists personal favourite scene or what they consider to be the most memorable moment from a movie. For the original Star Wars Trilogy Jock chose three scenes that I think will strike a similar chord with many Star Wars fans. All three were originally issued by Mondo and offered as 'Timed-Editions' from 2016-18, in either a portrait (One-Sheet) or landscape (Quad) format; with each being manufactured by D&L Screenprinting. The regular print-run for each far exceeded 1400+ and they all sold out. Offered here is a matching hand-numbered (#4) set of Double-Signed portrait style Artist Proof Editions - Star Wars "Into the Garbage Chute, Flyboy!" (#4/40), Empire Strikes Back "That Armor's Too Strong for Blasters!" (#4/15) and Return of the Jedi "I Am a Jedi, Like My Father Before Me" (#4/15). In 2018 one of the leading online Mondo reference sites "Expresso Beans" awarded the ESB print as their 'Cinema Poster of the Year". Each print is presented in excellent flat and unfolded (as issued) condition. Poster - 24" x 36" (61 x 91.5 cm)Condition: ExcellentUnrestored, rolled, flat and unfolded (as issued). Very minimal handling wear. Presents and displays to excellent effect.Artist: Jock£300 - 500
A UK Quad for Guillermo Del Toro's 2006 fantasy gothic fairytale "Pan's Labyrinth". This has been signed by the Director (lovely clear signature) with a self portrait doodle annotation.30" x 40" (76 x 102 cm)Condition: GoodRolled, unrestored. Some handling wear from rolling with clear signature and self portrait doodle in gold pen.Artist: All City£100 - 200VAT Status: M
Extensive Bronica ETRS Outfit. To include ETRS body with standard 75mm lens, WLF, 2 roll film backs, AE-II prism finder, pistol grip, 50mm wide angle lens, 200mm portrait lens, x2 teleconverter etc (all condition 5F). Also a Metz flashgun (untested) and various hoods, caps manuals etc. All in a fitted metal case.
Extensive Kiev 88 Medium Format Outfit. Comprising body #8205471 with 80mm f2.8 lens #8812422, WLF (chrome poor), TTL prism (not tested) spare roll film back and filters in fitted case. Also 45mm f3.5 #901461 (condition 5F), FAST 150mm Kaleinar 3B portrait lens #900296 (blades occasionally hesitant, otherwise condition 5F), and a Jupiter 36B 250mm f3.5 (blades occasionally hesitant and fungus/coating fault to rear element, hence condition 6F).
A Queen Victoria 1887 yellow gold sovereign by Hattons of London, Jubilee portrait of Queen Victoria, the only sovereign ever issued in yellow gold, boxed with certificate Good overall condition, some surface abrasions on both sides and very slightly rubbed high points, in box with certificate.
Max Moreau (1902-1992): Two men's portraits after Rembrandt, charcoal on paper, dated 1917--Work: about 34 x 25 cmÊ Frame: 47,2 x 37,8 cmÊ The first drawing is a copy after the 1637 painting 'A Polish Nobleman' by Rembrandt van Rijn (1606-1669). However, it is probably not a portrait of a specific individual; instead it represents a more generic exotic type that Rembrandt favored during the 1630s. According to some historians and art historians, it may, however, be a self-portrait. The painting is currently located in the National Gallery of Art, Washington DC (coll. Number 1937.1.78, former collection Catherina II the Great and Andrew Mellon, link).Ê The second drawing is a copy of 'Portrait of bearded man in black baret', currently part of the GemŠdegalerie Alte Meister, Zwinger, Dresden, coll. number: Gal.-Nr. 1567 (link). -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Fons Roggeman (1939): Portrait of a man, mixed media on paper, dated (19)62--Work: about 70,5 x 49 cmÊ Frame: 91,9 x 71,2 cm -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
William Louis Angus (1823-1916, in the manner of): Storm at sea, oil on canvas--Work: 49,9 x 39,9 cmÊ Frame: 68,7 x 58,6 cmÊ The painting in the manner of William Louis Angus (1823-1916). The chassis with a 'L.G. Gerardis - Anvers' stamp (the same stamp can be found on a man's portrait by H. Holland, dated 1853, and sold at L'Homme, 22 June 2002, lot 93). Ê Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
English school, in the manner of Godfrey Kneller (1646-1723): Portrait of King William III with 'Great George', oil on canvas, 18th C.--Work: 101,5 x 76,5 cm - The prototype of this portrait by Sir Godfrey Kneller is on show at St George's Hall, Windsor Castle (collection number: RCIN 405675, link). William III is wearing the Garter Collar and Great George, made by the royal goldsmith Robert Vyner (link). A same type of portrait by Kneller's hand was also known of King George II, portrayed as Prince of Wales (link). These types of portraits were widespread through prints (link). -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
An Italian maiolica albarello with an emperor's portrait, Palermo, 17th C.--H 18,5 cm -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
A pair of Wedgwood portrait plaques and a vase, England, 19th C.--H 8,6 cm - Dia.: 8,7 cm (the vase)Ê 16,2 x 13 cm (the portrait plaques) Ê The plaques with the portraits of William Shakespeare and Carl Linnaeus. Ê The bottom of the vase marked 'Wedgwood', '65 D' and 'Made in England S8'. -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Antoon Catrie (1924-1977): Portrait of a man, tempera on panel & Portrait of a girl, lithograph in colours, ed. 59/150--Work: 50 x 40 (the man)Ê Frame: 69,6 x 59,7 cm Ê Ê Work: 38 x 28 cm (the girl)Ê Paper: 56 x 45 cmÊ Frame: 61,3 x 51,3 cmÊ Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
A tinted and relief moulded photo portrait of Emperor Franz Joseph I of Austria and a miniature portrait, Hungary, 19th C.--Work: about 10,5 cm (Dia., the photo portrait)Ê Frame: 19,4 x 18,5 cmÊ Signed 'Koller's Nachf. / Budapest 1898'.Ê Provenance: 'Die FŸrstliche Sammlung Thurn und Taxis', Sotheby's, Regensburg, October 1993, lot 1637 (StE 764). Ê Ê Work: 3,1 cm (Dia., the miniature portrait)Ê Frame: 4,7 x 4,7 cmÊ Ê Ê Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Irne Hamerlinck (1903-1995): 'Portrait de Paul Delvaux', oil on canvas--Work: 92 x 73 cmÊ Frame: 112 x 93,5 cmÊ Irne Hamerlinck was portrayed by the Brussels painter Jean Brusselmans, which nicely demonstrates the circles in which she circulated (link).Ê Provenance:Ê Galerie Govaert (255, Avenue Louise, Bruxelles) - Hilton Gallery (38, Boulevard de Waterloo, Bruxelles) - Govaerts Gallery (737, Zeedijk, Knokke): Exposition 'Panorama de l'art flamand1976' (Panorama de l'art flamand de Laethem-Saint-Martin à nos jours / Panorama van de Vlaamse kunst van St-Martens-Latem tot heden, 19 November 1976 - 22 Januari 1977). Ê Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Paul Maas (1890-1962): Self portrait, oil on canvas--Work: 40 x 34 cmÊ Frame: 54,1 x 48,6 cmÊ Provenance:Ê - The reverse with an old (property) label (J. Beuckeleers, 's Gravenhage).Ê - De Vuyst, 12 March 1977, Lot 160. Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Dutch school, Johannes Mijtens (1614-1670) and/or entourage: Portrait of a young man as a hunter, oil on canvas, 17th C.--Work: 95,5 x 68 cmÊ Frame: 113 x 85,9 cmÊ The portrayal of the young man fits perfectly into Mijttens' oeuvre, which consistently reproduced ladies and gentlemen of good origin in this way, as for example can be seen in the portrait of Wolphart van Brederode (link). Also the theme of the hunt was not strange to Mijttens and his surroundings (compare for example with a portrait of most probably Mary of Nassau, link).Ê The reverse with an old auction label. Ê Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Graba (Ignace de Graeve, 1940): 'Lentewijding', mixed media on board and paper--Work: about 123 x 123 cmÊ Frame: 126 x 126 cmÊ 55 x 42 cm (the study) Ê Ê The movie 'Graba' A Portrait of an Artist' gives a good introduction into the life and work of Ignace de Graeve (link). Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Philibert Cockx (1879-1949): Self portrait, oil on paper, dated 1910--Work: 46,5 x 31 cmÊ Frame: 53 x 37,5 cmÊ Provenance: Exhibition label on the back with reference to the collection Mrs. Cockx (Mevr. Cockx). -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Vincent, William - Periplus of the Erythrean Sea, 2 parts in 1, calf, quarto, frontis, frontis portrait of Vasco de Gama, 6 folding maps, 3 engraved plates and folding table, all spotted, centre of title page darkened by frontis image, small tear to chart of Red Sea, A. Strahan and T. Cadell, London, 1800-1805Note: William Vincent (1739-1815) served as headmaster and later Dean of Westminster, and "ancient geography was the subject which Vincent made his chief study" (DNB).
Dickens, Charles - The Life and Adventures of Nicholas Nickleby, 1st edition, portrait frontis and 39 plates (by H.K. Browne), 19th century gilt ruled calf, decorated and panelled spine, marbled edges and endpapers, 1839Condition: Lower board present but detached, spine loose and worn and missing label, title slightly marked but text mostly clean, most plts with marginal staining (heavy sometimes), pp.615-18 and a plate loose, as is (partly) front free endpaper, Smith 5 - collation agrees - save lacks half title, foot of frontis with imprint, no engraved title issued, frontis by Madise, armorial book plate of William Josepth Roskell, Smith's flaws - several remain e.g. visiter (p.123), latter (p.160), Grogswig (p.618), incontestible (p.297)
Dickens, Charles - Little Dorrit, 1st edition, frontis, engraved portrait and printed titles, 38 plates (by H.K. Browne), contemporary maroon half morocco and marbled boards, gilt decorated and panelled spine, marbled edges and endpapers, 1857 Condition: Spine and covers worn, 3 plates loose and with some edges frayed, marginal and other staining title, frontis and other plates /(some on engraved surfaces, text reasonable. Smith 12 - pagination agrees, save lacks pp XIII and XIV (list of plates / errata), no half title called for, the 'Rigaud' slip, some copies only, not present, all flaws listed appear present (uncorrected)
Dickens, Charles - The Mystery of Edwin Drood, 1st edition, portrait frontis, engraved pictorial, printed titles and 12 plates (by Luke Fildes), advert leaf, rebound red half leather and paper boards, 1870Condition: Binding copy - spine worn and detached, endpapers replaced, slight staining on picture title, markedly on printed, plates mostly clean (1 little frayed along fore edge), some prelims. browning and foxing last 3pp and advert leaf, otherwise reasonable, portrait with tissue guard, Smith 16 - pagination agrees, no.32pp. catalogue (some copies), all flaws listed are uncorrected.
Dickens, Charles - Great Expectations, 1st edition (early issue), 3 vols, with an engraved portrait (not called-for) of the dedicatee (Chauncy Hare Townshend) placed opposite the dedication page, later 19th century green half morocco and marbled boards, gilt decorated and panelled spines lettered direct, gilt edges and marbled endpapers (by Samuel Tout), cr. 8vo., 1861Condition: Good looking set, front free endpaper x 2, initial blanks loose vol I, spines mellowed to brown, without the publisher's 32pp catalogue, text with only a few marginal marks, generally clean, all vols with bk label of Robert Cram Bacon (pasted over and obscuring another), with the commemorative birth centenary aongside, the engraved portrait from a photograph, Smith 14 - with all 13 'flaws' from vols 1 and 2 present, the first 6 (of 12) from vol 3 (the latter 6 corrected), no half titles were issued for this title, pagination as Smith details, the binding has reduced the page size to 18.9 x 11cms (from 19.7 x 12.4cm)
Josef Zenisek (1855-1944), oil on canvas, Portrait of a child holding a doll, signed and dated 1937, 45 x 35cm Condition: Oil on original canvas in good untouched condition, paint wood benefit from a clean, housed in the original gilt frame which has cracking to the corners but is still intact.
Emilie A. Browne (Exh 1881-1894) oil on canvas, Portrait of a girl holding a Japanese doll, signed and dated 1914, 50 x 40cm Condition: Oil on original canvas in good untouched condition, may benefit from a clean, original frame has been extensively restored with mis-matched gold paint around the edges and could be improved upon.
A gilt framed oil portrait of a young lady signed E. Reilly, diameter 22cm, overall 40cm, and two woolwork floral panels, 37 x 26cm Condition:- the oil showing signs of craquerlure in the darker areas of the paint, date rubbed, frame fragile with small losses and wear to the original gilt finish, inscribed verso by Ethel Reilly- floral panels both faded and water stained
A box of assorted curios including a portrait miniature Condition:- red leather cased portrait miniature on ivory of a gentleman, miniature looks to date to c.1830, case is later- small gold plated brass Regimental brooch in leather case - silver book match case - heavily oxidised inside, in simulated leather case- silver hair brush with floral decoration, monogrammed and date 1907, a little dented- plated G.I.P.RLY.REGT plated teaspoon in case- two ivory backed hairbrushes c.1900- French ivory handled steel knife- silver mounted horn medicine spoon- small gilt framed locket- cased Kings Theatre intaglio wax seal- cased Rolls razor
Manner of George Paice (1854-1925) gouache, Portrait of Giddy Girl, Winner of The Governors Cup, Columbo and other Sri Lankan and Indian races, 32 x 41.5cm housed in the original frame listing wins from 1889 to 1891Condition: One or two small dirt specks but overall looks to be in very good order, no sign of any signature, possibly painted over some form of printed base but if this the case it does look better than the usual over painted print, original outer frame now a little scuffed, no labels or inscriptions verso
A Victorian yellow metal (tests as 15ct) mounted swivelling oval cameo brooch, carved with St George & the Dragon, with leaf decorated border, verso with later added portrait bust of a gentleman, 7cm, in fitted box, gross 38 grams.Condition: Visible small dents around the cameo mount in general. Tiny chip to the cameo on the front right hoof. Border - Three of the leaves are have become partly detached. One leaf has a small piece now missing. Border has had a couple of minor knocks. Pin a little mis-shapen and loose in situ.
Sandoval, Prudencio de, ca.1560-1620. - Historia de la vida y hechos del emperador Carlos V, 2 vols, limp vellum, quarto, engraved portrait to Vol. 1, contemporary ink writings to rear fly leaf of vol. 2, creases to vellum cover, Sebastian de Canas, Valladolid and Sebastian de Cormellas, Barcelona, 1604-1625
Vera y Figueroa, Juan Antonio de, conde de la Roca, 1588-1658. - Epitome de la vida y hechos del invicto emperador Carlos V, vellum, 8vo, engraved portrait of Carlos V by P. De. Iode after Titian, title page with contemporary owners signature ink - F. Rubens, ink writings to front and back endpapers, Francisco Foppens, Brussels, 1656
ENGLISH SCHOOL (19TH CENTURY), PORTRAIT OF A LADY, indistinctly inscribed verso, oil on board, in a gilt-composition frame, 17cm by 12.5cm; together with ENGLISH SCHOOL (19TH CENTURY), PORTRAIT OF A GENTLEMAN, unsigned, inscribed, pencil, framed, 18cm by 13.5cm; and ENGLISH SCHOOL, "POLEMARCH", STUDY OF A HORSE AND JOCKEY, initialled and titled, watercolour, oval, framed, 10.5cm by 16.5cm. (3)Portrait of a lady: In very good condition. A couple of small losses to the gesso.Sketch: In very good condition. A couple of small losses to the frame.Horse: In very good condition.
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