Vinyl - 14 Northern Soul / Soul / Funk / Hip Hop recent release and re-issue LP’s to include: Booker T & The MG's – The Booker T. Set (EU 2014) EX+ (in open shrink), Various – The Soul Of Spanish Harlem (UK 2009 double) EX / EX+, Sly & The Family Stone – There's A Riot Goin’ On (EU 2013) EX+, Various – Stax Number Ones (EU 2020 red vinyl) Sealed. Various – Soul Classics (UK 2019 double) Sealed. Otis Redding – In Person At The Whisky A Go Go (EU 2013) Sealed. Herbie Hancock – My Point Of View (EU 2016) Sealed. Sam Cooke – Twistin' The Night Away (EU 2012) Sealed. Sam Cooke – Portrait Of A Legend 1951-1964 (EU 2014 double) EX+ (in open shrink), Leon Bridges – Coming Home (EU 2015) EX+, Booker T. & The MG's – In The Christmas Spirit (US 2023 clear vinyl) EX+ (in open shrink), Various – Northern Soul Floorfillers (UK 2017 double) Sealed. Fugees – The Score (EU 2018 double orange vinyl) ex+ (in open shrink), Labi Siffre – Remember My Song (EU 2024) EX+ (in open shrink).
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IDA JOHN (NEE NETTLESHIP) (1877-1907) "Mary Alice Forster Barrington Ward, daughter of A.L. Smith, Dean of Balliol College", a portrait study, pencil, unsigned, inscribed verso "... by Ida John, daughter of J.T. Nettleship, Artist, niece of R.L. Nettleship, Philosopher and wife of Augustus John, Artist, who did the drawing from a photograph for A.D. Derbyshire, son of S.J. Derbyshire, Doctor of Medicine ...", 15 cm x 10 cm
SCHOOL OF PAULUS MOREELSE (1571-1638) "Emerentia van Ravenswaeg", study of woman in pearl and lace embellished striped dress, a fan in her left hand, portrait study, three quarter length, oil on panel, apparently unsigned, with lattice secured back to the panel 39cm x 31cm CONDITION REPORTS Not viewed under UV. Crazing throughout. Some surface scratching. There is some wear to the edges along frame line and a rougher section bottom right and left. The frame has general wear to include some rubbing to the gilding and there is a hole/build up of something to the lower edge of the frame. General wear and tear conducive with age and use - see images for more details. Provenance -has come from a local private client who is moving
Three various small autograph albums including various cricketing and other sporting autographs including Stanley Matthews, Lenard Choline, Neville Jule, Godfrey Swaines, Brian Johnson, Pete Murray, Philip Marsden, Bill Owen, members of the Essex First Eleven 1957/58 including G. Smith, T. Donan, members of the Leicester Eleven including Henry Thomas, West Indies touring team including Gary Sobers, Wes Hall, R. Gilchrist, Evaton Winch and others including H.V. Higgs, H.L. Meek, R.I.C. Hewett, D.J. Marchant, Michael Stuart, members of the Old Brentwoods including B.R. Taylor, S.Y. Keith, R.A. Mayhew etc and another containing various stars of stage and ballet including Tyrone Power, Arthur Hill, Michael Medwin, Milton Rosmer, K. Hammond, Leonard Shayer, Joyce Garstide, John Gilpin, Kiril Vassilkovsky, Lee Stemmler, Joan Tucker etc, etc and a portrait postcard signed by Dr. Hans Richter dated March 1908
M J S MACKENZIE "Mallard ducks in flight", oil on board, signed and dated "79" lower left, 51.5 cm x 44 cm, together with another similar, signed and dated "79" lower left, 51.5 cm x 33.5 cm, a black and white scratch drawing of "Drake", signed and dated "74" lower left, 13 cm x 19 cm, "Study of lioness", watercolour on board, signed and dated "91" lower left, 38 cm x 35.5 cm and "Dark-haired woman", portrait study, signed and dated "67" lower right, 63.5 cm x 46 cm, "Butterfly", watercolour, unsigned, 19 cm x 20.5 cm and a decorative print in frame (7)
JESSIE MARION KING (1875-1949) AND ERNEST ARCHIBALD TAYLOR (1874-1951) INTEREST GROUP OF PERSONAL AND DOMESTIC ITEMS [King-Taylor family recipe book]. The Practice of Cookery and Pastry by Williamson & Son 1869. 8vo, with numerous manuscript recipes laid in, including one for ‘American gingerbread’ written in the hand of Jessie M. King, another recipe apparently in another hand but with King's annotation ‘The EASY-BISCUIT à la Polly Peacham’; Collection of family photographs, approx. 40 in total, of which several depicting Jessie M. King, including a full-length portrait of JMK as a young woman, in a garden (platinum print, mounted on card), one of JMK in a classroom with pupils (albumen print, mounted on card), and others showing E. A. Taylor, Merle Taylor, etc.; Merle Taylor's childhood autograph album, including a watercolour sketch of a cottage through trees signed ‘EAT’ (her father Ernest Archibald Taylor, 1874-1951), and one unsigned but attributed to Jessie M. King; Typescript short story by Merle Taylor, ‘The Maister’For a complete list of photographs in this lot see the lot description on our website lyonandturnbull.com Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor
Books – Mining and minerals: Agricola (Georgius, 1494-1555), De Re Metallica, trans. Herbert Clark & Lou Henry Hoover, New York, Dover 19650 tall 8vo, teal cloth, d. w.; another copy, ed. Bern Dibner, Norwalk Conn. Bundy library 1958, large 8vo, 128pp, card bound, printed coloured covers; Clough (Robert Taylor, d. 1982), The Lead Smelting Mills of the Yorkshire Sales and North Pennines, 2nd edn., Keighley, 1980, roy. 8vo, 332pp, printed notice of death of author signed by widow 12/1982 tucked in, black boards, d. w.; Birch (David) & Davies (Philip Wyn), Lewis Morris and the Cardiganshire Mines, Aberystwyth, NLW 1994 large 8vo, 89pp, folded map at rear, grey boards, d. w.; Tyler (Ian), Goldscope and the Mines of the Derwent Fells, Keswick 2005, 8vo, 298pp, purple printed card covers; Tyler (Ian), The Lakes and Cumbria Mines Guide, Keswick 2006, 12mo, 207pp, printed card covers; Wain (Ken), The Coal Mining Industry of Sheffield and North East Derbyshire, Stroud, 2014, 8vo, 223pp printed card covers; Lewis (G. R.), The Stannaries: A Study of Medieval Tin Mines of Cornwall and Devon, Truro, Bradford Barton 1965 reprint, 299pp, d. w.; North (F. J.), Mining for Metals in Wales, Cardiff, National Museum of Wales, 1962, large 12mo, 112pp, 8 plates; Kiernan (David), The Derbyshire Lead Industry in the 16th century, Chesterfield, 1989, Derbyshire Record Series, Vol. XIV, 8vo, signed by author, d. w.; Turton (Maj. Robert Bell, 1889-1938), The Alum Farm, Whitby 1938, 1st edition issued 1987, 8vo, 203pp, frontis portrait of author, red boards, d. w.; Cullingford (Cecil), Exploring Caves, Oxford, 1951, 12mo, 148pp, green boards, d. w. (torn); Kendall (J. D., FGS), The Iron Ores of Great Britain and Ireland, London, Crosby Lockwood, 1893, large 12mo, 430pp, illus., ex lib. Brown embossed boards; Barton (D. Bradford), Essays in Cornish Mining History, Truro, Bradford Barton, 1971, 8vo, 176pp, d. w.; de Quille (Dan/William Wright) The Big Bonanza: An Authentic Account of the Discovery...of the World Renowned Comstock Lode of Nevada, New York, Knopf, 1947, 8vo, xlix + 439 + xiii pp; bound blue boards, gilt titles; Morrison (T. A.) Goldmining in West Merioneth, Llandysul, 1975, 8vo, 98pp, folding diagram, d. w.; Cameron (Alastair), ed., Lakeland Mining Heritage: The Last 500 years, Alston, Cumbria Amenity Trust; 2000, small 4to, maroon boards, d. w.(Qty)
Box of assorted ephemera to include autograph album with quotes, Hewthorn's Farmers and Horse Keeper Requisite's Diary 1935, Victorian portrait albums, other ephemera including Family Portrait, sketches of vintage and other clothes etc. (B.P. 21% + VAT). There are NO non-UK or non-European photos.
19th century painted porcelain plaque, depicting a young girl on a classical background, probably German. 11.5x9cm approx. Later frame. together with a portrait miniature of a young woman in 19th century dress, probably on ivory. 9x7cm approx. (2). (B.P. 21% + VAT). Ivory Self Declaration Cert No. 2BMZ3ZP9.
Norman Parkinson ( 1913-1990). Portrait of David Hockney. Photographer's stamp printed verso. Signed in felt tip lower left, 45 x 39cm, together with a photograph of rogue poppies in a cornfield, 38 x 49cm, a signed limited edition photograph of a nude warrior after Bob Carlos Clarke and three portrait photographs
![[Hugh Cecil (1889-1974)]. An original glass plate negative of Edward VIII (1894-1972), produced for the Royal Mint for use on](https://cdn.globalauctionplatform.com/1e4f5ada-b99f-4163-add4-b2a7010596bc/81b39b90-e6c2-4f71-b3c6-b2b300d54dab/468x382.jpg)
[Hugh Cecil (1889-1974)]. An original glass plate negative of Edward VIII (1894-1972), produced for the Royal Mint for use on stamps and planned coinage, [1936]. This profile portrait is important not only because the coinage was scrapped following Edward's abdication, but also because of Edward's controversial insistence that he be shown looking left. Tradition dictates that the profile of a new monarch must face in the opposite direction to that of their predecessor (Edward was therefore meant to face right), causing disagreement with the Royal Mint and necessitating the involvement of Neville Chamberlain - who authorised Edward's stipulations. The border of the glass plate is inscribed, "H. M. King Edward VIII. 11.505.C.", measuring 163mm x 120mm, [1936]. Together with two similar glass plate negatives of HM George VI (1895-1952) in Royal Air Force uniform, one inscribed to border "12640.A.", measuring 163mm x 119mm, [c. 1942], the other inscribed "H. M. King George VI. 11974.B.", measuring 213mm x 164mm, [c. 1942]; two vintage b&w photographs (taken from the negatives): Edward's profile portrait for Royal Mint, measuring 215mm x 165mm, and George VI, captioned "11974.B" to lower margin, bearing Hugh Cecil's label verso, measuring 153mm x 108mm; a set of four Edward VIII postage stamps (mint & unused), and several modern scans taken from the negatives. All three glass plates have been delicately hand-worked around the faces verso, presumably by Cecil or an assistant. The plates have some handling marks and slight wear to extremities but are otherwise well-preserved, housed in glassine envelopes within an old Ilford box. NB: For illustrative purposes, we have used software to show the negatives inverted Provenance: By descent of Jim Rowell who was the husband of the owner's second cousin. The collection comes with a typed & signed statement from the owner, dated July 2004, submitted to us by her agent (our vendor), attesting to the history of the negatives and how she inherited them following the death of Rowell's widow (her second cousin) in 1987, "They have been in my care since that time and I can confirm that I am the legal owner and have full authority to dispose of these items, personally, or through my agent [our vendor], as I see fit." In the statement, the owner recalls Jim Rowell once showing her the negatives and explaining how he'd been given them by Hugh Cecil after doing some work for him. She describes Rowell as "a prolific photographer and member of the Brighton & Hove Photographic Club" who was "a friend and professional colleague of the royal photographer Hugh Cecil."
IMPORTANT AUTOGRAPHS & PHOTOGRAPHS. An archive from the Mayor & Mayoress of Sheffield, 1940-41: 1. The Mayoress of Sheffield's wartime visitors' book, 1940-41, signed by Prime Minister Winston Churchill (1874-1965); King George VI (1895-1952); Queen Elizabeth The Queen Mother (1900-2002); Prince George, Duke of Kent (1902-1942); Mary, Princess Royal & Countess of Harewood (1897-1965); Henry Lascelles, 6th Earl of Harewood (1882-1947); Clement Attlee [Deputy Prime Minister]; Ernest Bevin [Minister of Labour & National Service]; Herbert Morrison [Home Secretary]; Sir Robert Menzies [Prime Minister of Australia]; Bernard Fitzalan-Howard, 16th Duke of Norfolk; conductor Sir Adrian Boult; George Formby & Beryl Formby, and others, 4to (26.5cm x 22.5cm), bound in full crushed morocco lettered in gilt, "Mrs. Luther F. Milner, Lady Mayoress of Sheffield, 1940-41". 2. The Mayor of Sheffield's neatly compiled scrapbook of newspaper cuttings & original photographs recording visits from dignitaries & royalty (including those who signed the above visitor's book), events during the Sheffield Blitz, activity involving the Mayor & Mayoress, featuring 12 original photographs of Prime Minister Winton Churchill's visit on 8 November 1941 (pictured with Mayor throughout), the sizes ranging from 102mm x 153mm to 161mm x 210mm, a group portrait with Prince George, Duke of Kent (shown seated next to the Mayor), images of George VI & Elizabeth's visit to Sheffield, and others similar, manuscript annotation & dates, 162pp. (both sides of 81 leaves), most photographs mounted, some loose/in cards, folio (39.5cm x 28cm), half crushed morocco lettered in gilt, "Lord Mayoralty of Sheffield of Councillor Luther F. Milner, J.P. 1940-1941". 3. Miscellaneous. Comprising: Luther Frederick Milner's Commander of the British Empire (CBE) medal, housed in Garrard's case; three wartime greetings cards, one inscribed by Mary, Princess Royal & Countess of Harewood, "To the Lord Mayor of Sheffield, Mary, 1940-41", counter-signed by Henry Lascelles, 6th Earl of Harewood; two illuminated manuscripts from the City of Sheffield (one on a vellum scroll) thanking Luther Frederick Milner for his services, the scroll dated 10 November 1941; two framed photographs, one showing the Mayor & Mayoress with Churchill, the other with George VI & Elizabeth; a first edition of H. V. Morton's Middle East, inscribed, "To Luther, With grateful memories of a Memorable Year carried through with Grace and Distinction as Lord Mayor of Sheffield - From a Friend who was proud to be His Chaplain, George, Nov. 10. 1941"; two copies of Sheffield Blitz, by James S. Abrahams; a George Ibberson cased mother-of-pearl pocket-knife, engraved with the Sheffield coat-of-arms and "Luther F. Milner, Lord Mayor 1940-1"; a cased Royal Life Saving Society medal for N. Milner, 1929. ❧ Provenance: Bequeathed to the vendor by Norah Milner (1915-2001), youngest daughter of Luther & Lottie Milner, Mayor & Mayoress of Sheffield, 1940-41
WOOD/TREEN BINDINGS. The Book of Common Prayer, 16mo, original morocco, wooden boards with copper foliate design and border decoration, all edges gilt with embossed pattern, very occasional small spot, London: printed by G. E. Eyre and W. Spottiswoode, 1855._ BYRON, Lord. The Poetical Works, orig. morocco, wooden boards with portrait and fern design, all edges gilt, some discolouration to paper, occasional spotting, Edinburgh: William P. Nimmo._ LONGFELLOW, Henry Wadsworth. The Poetical Works, orig. morocco, wooden boards with portrait and fern design, text-block unattached, paper toned, Edinburgh: William P. Nimmo, 1874._ BURNS, Robert. The Poetical Works, boards are wood from the banks of the Doon, Portrait at front, all edges gilt, London: Milner and Co., n.d. c.1880._ SCOTT, Sir Walter. The Poetical Works, wooden boards with portrait and related scenes, all edges gilt, contemp. gift inscription at ffep, page detached neatly at fold, a couple of patches of spots otherwise well-preserved, Edinburgh: Adam and Charles Black, 1871 (5)
PHOTOGRAPHY. An enlarged portrait of a husband & wife, probably advertising a photographic studio's service of offering enlargements from cartes-de-visite, 43.5cm x 37.5cm, framed & glazed, [c. 1860-70]. Together with a topographical albumen print of Saltburn-by-the-Sea, 17cm x 23.5cm, in Verre Eglomisé & velvet frame, [c. 1880]; a family group portrait taken by H. M. Whitlock, "Opposite Town Hall, West Bromwich", 20.5cm x 19cm, framed & glazed, [c. 1890], and two similar family groups, 10.5cm x 15cm [c. 1880] and 18.5cm x 36cm [c. 1900], both framed & glazed (5)
American & British Actors, Writers & Cartoonists. A collection of 1930s autographs, photographs and cartoons in three morocco albums lettered in gilt, comprising: Black album: A full-page cartoon by Rube Goldberg (American, 1883-1970); a small cartoon signed by Arthur William Brown (Canadian, 1881-1966); a small cartoon signed by Russell Patterson (American, 1893-1977); a small cartoon by Jefferson Machamer (American, 1900-1960); signed photographs of Dorothy Ward; Shaun Glenville; Yvette Anning; Olive Prosser; Molly Seton; Nancy Carroll; Charlie Ruggles; Tamara Geva; Claudette Colbert; Wallace Beery; George Robey; various autographs including Buddy DeSylva; Lina Basquette; Al Jolson; the Howard Brothers; Ethel Merman; Rudy Vallée; Jeanette Macdonald; US sports writer Grantland Rice; Austin Melford, and several others Brown album: Ramsay Macdonald (1866-1937), Prime Minister, signed photographic portrait, plus autograph on facing page; World No. 1 tennis player Fred Perry; Field Marshal Julian Byng, 1st Viscount Byng of Vimy; bandleader Henry Hall; violinist & composer Fritz Kreisler; writer Clemence Dane [pseud. Winifred Ashton]; two signed cartoons by Tom Webster (English, 1886-1962); actors including Charles Laughton & Elsa Lanchester; Ralph Bellamy & Catherine Willard Bellamy; Stanley Lupino (twice); George Bancroft; Elsa Lanchester; Anita Louise (two signed photographs taken on a cruise); Thelma Todd (signed photograph); Madeleine Carroll; Adrienne Ames; Reginald Gardiner; Helen Vinson; Leslie Howard & Richard Barthelmess (signed photograph); Margot Grahame (signed photograph); Mary Carlisle; Conrad Nagel; Charles Boyer, and several others Blue album: Signed photographs of Matheson Lang; Carl Brisson; Charles Laughton; James Harcourt; Yvonne Arnaud; Edith Day; Robert Naylor; Sydney Howard, many signed again on the facing pages, also several autographs including Jean Forbes-Robertson ❧ Amassed by Margaret Yvonne Setterfield, "Bunty", 1930s
EINSTEIN, (Albert). Relativity: The Special & The General Theory, FIRST EDITION IN ENGLISH, first printing, translated by Robert W. Lawson, 8vo, publisher's red cloth lettered in gilt & blind-embossed, frontispiece portrait of the author, [xvi], [1]-138pp., [2], 8pp. adverts, internally very well-preserved, clean & bright, usual offsetting to endpapers, binding tight & square, cloth binding clean & bright, very light sunning to spine and one miniscule dent, very light bumping to corners/extremities, overall very good, London: Methuen, 1920 ❧ This is the first appearance of any of Einstein's works in English
Saeki Toshio, Portrait of a Beautiful Woman, hand-painted, signed, unauthenticated, beautiful work.Inner canvas frame: Approx. 27.7 x 19 cm. (Approx. P3 size)Frame: Approx. 36.7 x 28 cmHowever, the resolution at the time of posting andAcctual colors may differ slightly depending on the lighting conditions when the camera is used.Since this is a second-hand item, there may be dirt or other flaws that cannot be seen in the image. Please note this in advanceFreight:1.International Shipping: Foreign shipping costs are determined by the destination.2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers.3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item.4.See Shipping, Payment and Auction Policies for more details.5.This product is shipped from Japan.
FRENCH SCHOOL (19TH CENTURY) PORTRAIT OF A LADY, READING IN A COASTAL LANDSCAPE Oil on board 25.5 x 33.5cm (10 x 13 in.) Provenance: Beaconsfield Gallery, London Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Surface dirt and scratches throughout. A small area of craquelure to the upper left above the buildings. An abrasion with associated paint loss to the upper right corner and abrasions to the extreme right edge consistent with rubbing to the frame. Inspection under UV reveals an unevenly applied varnish. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
FREDERICK JAMES SHIELDS (BRITISH 1833-1911) PORTRAIT OF A WOMAN HOLDING A CONCH, POSSIBILY MATILDA BOOTH Pencil Signed and dated '1868' (lower left) 40 x 31cm (15½ x 12 in.) Provenance: Sim Fine Art, London From the estate of the Late David Pike, sold to benefit The Art Fund Matilda Booth was Frederick Shields' wife. Born in 1856, she was known as Cissy, and modelled for the artist before their eventual marriage. The age difference between the pair was a cause for concern for Matilda's parents. The marriage was not a happy one; Matilda had no children and they spent most of their time living apart. She eventually left the artist in 1891. Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Light discolouration and staining to the sheet, including some acid staining to the framed edges. In addition there are several spots of foxing scattered throughout. None of this is too noticeable though. The colouring to the eyes and lips has faded and the pencil is very slight in the torso. Unexamined out of glazed frame. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ENGLISH SCHOOL (18TH CENTURY) A SET OF SIX PORTRAITS TRADITIONALLY IDENTIFIED AS MEMBERS OF THE HARVEY FAMILY OF BEACHAMWELL, NORFOLK Pastel Each 26.5 x 18.5cm (10¼ x 7¼ in.) In Lely panel style frames (6) Provenance: Sale, Sotheby's, The British Sale, 4 July 2001, lot 164 Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frames. Surface dirt, superficial scratches and scattered staining. Pastel losses commensurate with age. The portrait of a lady with auburn hair presents stains to the upper edge and upper right corner, likely caused by water damage. The other portrait of a lady in a yellow dress presents small patches of mould to the centre left edge.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ADAM BUCK (IRISH 1759-1833) PORTRAIT OF A YOUNG GENTLEMAN Watercolour Signed and dated '1820' (lower left) 13 x 11.5cm (5 x 4½ in.) Provenance: From the estate of the Late David Pike, sold to benefit The Art Fund Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. Other than a few dirt stains, the picture does not present evident signs of damage or restoration. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.comPLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ADAM BUCK (IRISH 1759-1833) PORTRAIT OF A YOUNG LADY Watercolour Signed and dated '1829' (lower left) 13 x 11.5cm (5 x 4½ in.) Provenance: From the estate of the Late David Pike, sold to benefit The Art Fund Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. The picture does not present any evident signa of restoration or damage. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
FOLLOWER OF JONATHAN RICHARDSON PORTRAIT OF A GENTLEMAN IN A RED COAT Oil on canvas, in a feigned oval 75 x 61.5cm (29½ x 24 in.) In an 18th Century frame Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. Light surface dirt. Dust and fragments of paper are present between the sheet and the glass, likely caused by a previous unframing.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ENGLISH NAÏVE SCHOOL (19TH CENTURY) A PAIR OF PORTRAITS OF A GENTLEMAN AND A LADY Oil on canvas 75.5 x 61cm (29½ x 24 in.) (2) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Portrait of a Gentleman: The canvas has been relined. Light surface dirt, scattered stains and craquelure throughout. Scuffs and abrasions to the extreme right edge, consistent with rubbing to the frame. Inspection under UV reveals an unevenly applied green varnish and scattered retouching, notably to the visage, necktie, and centre right edge. Portrait of a Lady: The canvas has been relined. Light surface dirt and craquelure throughout. Gold pigment marks to extreme edges of the canvas, caused by contact with the frame. Inspection under UV reveals an unevenly applied green varnish and scattered dotted retouching, including to visage and background.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
BRITISH SCHOOL (19TH CENTURY) THREE QUARTER LENGTH PORTRAIT OF A GIRL WITH A BASKET OF FLOWERS Oil on canvas 74 x 61.5cm (29 x 24 in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Provenance: Private Collection, Lancashire Estate Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View The canvas is unlined. The canvas presents an uneven surface most notably to the upper left corner and centre left. Surface dirt and craquelure thought-out, and unevenly applied cloudy varnish. Multiple abrasions with associated paint loss along the left edge, in the upper left corner, and to the right of the sitter's head, where a approx.. 2cm paint loss is visible. Inspection under UV light reveals significant retouching which is also visible to the naked eye, such as a large approx. 12 cm restoration to the left sitter's head, a 5cm restoration to the left of the arm, along the left edge, and scattered retouching to the upper right quadrant, and right edge. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
TATE; a mid to late 20th century oil on canvas, portrait of a gentleman, signed lower right, 50 x 39.5cm, in elaborate gilt frame, a coastal watercolour by Mary Gundry, signed lower right, 23 x 35cm, framed and glazed, an Indian watercolour and gilt heightened gouache painting of an elephant on silk, 34 x 50cm, framed and glazed, and a further oil of St Paul's Cathedral (4).
A pair of late 19th/early 20th century black and white gilt heightened watercolour portrait miniature silhouette male busts on card, both 8.5 x 7cm, framed and glazed, overall 14.5 x 12cm, and a further black and white print miniature, 'Sophia', 8 x 7cm, framed and glazed, overall 16.5 x 14.5cm (3).
A limited edition abstract print with overlaid metal, 'Metal Art', depicting four dancing figures, inscribed with title lower right and numbered in pencil 5/100 lower left, 25.5 x 25.5cm, framed and glazed, a W Sands small watercolour, coastal street scene, a man walking with donkey up a cobbled street, signed lower right, 22 x 14.5cm, framed and glazed and a E Sointim oil on canvas, portrait of a lady, signed lower left, 60 x 44cm, framed (3).
Prog / Classic Rock - A group of eight LPs to include T. REX: 'Electric Warrior' original UK pressing with portrait inner (HIFLY 6, no poster), THE BEATLES: 'Sgt. Pepper's Lonely Hearts Club Band' (PCS 7027, Parlophone 2 box EMI labels), JIMI HENDRIX: 'Band Of Gypsys' Taiwanese pressing (CSJ-929, unofficial), THE DOORS: 'L.A. Woman' (K 42 090) and 'Waiting For the Sun' (K 42 041), GENESIS: 'A Trick Of The Tail' (CDS 4001) and 'Invisible Touch' (GEN LP2) and EMERSON LAKE & PALMER: 'Pictures At An Exhibition' (K33501) (8, vinyl and sleeves G+-EX)
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283287 Los(e)/Seite