English School (19th century): Portrait Silhouette of a Lady, said to be Mrs Townsend, possibly by G Nelson(?), circa 1825, facing left, wearing period costume and lace head dress, black ink on paper, oval, 7cm by 5.5cm; and Seven Further Examples, three of ladies, four of gentlemen, some indistinctly inscribed verso J Harper, Rev Thomas Pearson Vicar of Queen Camel, born 1752, Matriculation at Wadham College, Oxford in 1768, died 18th May 1852, Eliza Pearson wife of possibly Reverend Pearson, Anne, daughter of Reverand Thomas Horner Pearson, Mr Smith, Hereford, John Henry Fraser Lt-Gen (b.1764), all black ink on paper, oval, various sizes (8) Mrs Townsend purchased Roger Warner-Burford, 5 IV 83
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W… Seville & Sons (fl.1818-1845): Portrait Silhouette of a Young Boy, wearing period costume, facing left (a cut-out), inscribed on an old label verso Cut with common scissors by Mr W Seville without either drawing or machine, numbered 26 on a separate label together with further inscriptions relating to pages in a book, Ex the Abbott Collection, black ink highlighted with gold, oval, 8cm by 6cm; Another Cut-Out Portrait Silhouette of a Lady, facing right, inscribed on an old label verso Cut with common scissors by Master Hubard (aged 13 years) without drawing or machine; and Four Further Examples, two of ladies and two of gentlemen, some highlighted with gold, all oval, various sizes (6)
H… Gibbs (19th century): Portrait of a Gentleman, wearing period costume, facing right, inscribed verso H Gibbs, Profilist, black ink on paper with some gilding, oval, 8.5cm by 7cm, contained within a decorative period frame with gilt metal rosettes to each corner; and Five Further Examples, three of ladies, two facing left, one right, and two of gentlemen, one inscribed And with the morn, those angel faces smile which I have loved long since, and lost a while, one bearing initials MW (possibly for the sitter), black ink and watercolour, some highlighted with gold, on paper, one indistinctly signed, all oval, various sizes (6)
H… Gibbs (19th century): Portrait Silhouette of a Gentleman, wearing period costume and facing right, inscribed on an old label verso Silhouette by H Gibbs 1780-1790 and authenticated by A Rohan Bournemouth Hampshire, black ink on the underside of convex glass, oval, 9cm by 7cm (damaged); Another, also on glass, depicting a younger gentleman, facing right, wearing period costume; and Five Further Silhouettes of Gentlemen, black ink on paper, two highlighted with gold, various sizes (7)
English School (19th century): Portrait Silhouette of Reverend Hugh Hornby, Vicar of St Michael`s (b.1765-d.1847), Married Ann Starky of Redvales, extensively inscribed on an old label verso, facing left and wearing period costume, black ink on paper, oval, 7cm by 5.5cm; and Four Further Examples, One of a young boy, indistinctly inscribed and possibly dated 1818 verso, three oval, two oblong, various sizes (5)
English School (19th century): Portrait Silhouette of Mary Bosworth, Wife of Joseph Smallwood, probably taken before her marriage in 1819, facing right and wearing a decorative lace collar, inscribed on the partial remains of an old label verso, black ink on paper, oval, 8.5cm by 7cm; and Five Further Examples, three depicting gentlemen, and two ladies, the gentlemen all facing left, one lady left, the other right, some highlighted with gold, all oval, various sizes (6)
Attributed to John Miers and Studio: Portrait Silhouette of Russell Baker Snr, 1822, Solicitor (1796-1848), dressed in period Victorian costume with high collar, facing left, extensively inscribed on later label verso with the sitter`s name and To Henry Baker from his affectionate mother Caroline Baker 1854, black ink highlighted with gold on paper, oval, 8.5cm by 7cm; and Another, possibly by Miers and Studio, depicting a young lady in period costume wearing a pearl necklace and earrings, facing right, black ink possibly on plaster, oval 8cm by 6.5cm (2)
John Miers and Studio (18th/19th century): Portrait Silhouette of Thomas Wakefield, Richmond, wearing period costume, facing right, inscribed on the silhouettist`s original label Miers, Profile-Painter and Jeweller opposite Exeter Change, Strand, London …, black ink on plaster, oval, 9cm by 6.5cm; and Another of an Elegant Lady, wearing a lace bonnet, facing left, bearing silhouettist`s original label for Miers and Studio, black ink on plaster, 8cm by 6.5cm, both in original verre églomisé glazed mounts (2)
John Miers and Studio (18th/19th century): Portrait Silhouette of a Gentleman, in period costume with high collar, facing right, bearing the remains of the silhouettist`s original label verso, black ink on plaster highlighted with gold, oval, 7.5cm by 6cm; and Another of an Elderly Lady, wearing period Victorian dress with lace accessories and bonnet, facing left, signed Field 2 Strand, bearing original profilist`s label verso Trade Label No.3 1836, black ink highlighted with gold on paper, 6cm by 5cm (2)
English School (19th century): Portrait Silhouette of a Lady, standing, full length, wearing period costume and holding a parasol in her right hand, indistinctly signed on partial remains of a label, verso, black ink with partial gilding, some grey wash, 26cm by 19cm, contained within original maplewood frame, with partially gilded inner slip; and A Cut Out Silhouette of a Young Boy, standing, full length, beside a tree with a hoop, black ink, ``cut out`` with some watercolour, 19cm by 15cm (2)
English School (19th century): Portrait Silhouette of a Child, full length, wearing period costume holding a doll, a companion Portrait of a Child, full length, holding a whip, a toy horse nearby, black ink on paper with some partial gilding and brown sepia wash; each 14cm by 10cm (a pair); and Three Further Examples of Children, full length, one standing in a landscape with a windmill beyond, the other standing holding a book in her right hand, and a boy standing full length holding a whip in his right hand, all black ink on paper with some partial gilding, one heightened with white, various sizes (5)
English School (early 19th century) Portrait of an elegantly dressed gentleman, half length, wearing period costume, white shirt and white stock, his jacket decorated with The Order of Malta (existed in Russia 1797-1817) Watercolour and pastel, oval, 20cm by 15.5cm Extensively inscribed on the old backing board giving details of the Order, together with a photograph of the picture
George Richmond RA (1809-1895) ``Study for portrait of young boy`` Signed with artist`s initials, extensively inscribed on an exhibition label verso, pen and ink drawing on coloured paper, 11.5cm by 8cm, provenance: Abbott & Holder, 30 Museum Street, London; Another, by the same artist, said to be portrait of his daughter, pen and ink drawing with some pencil, unfinished, 20cm by 12cm, provenance: The Little Gallery, 5 Kensington Church Walk, London ; and three further drawings, one depicting five figurative studies on one sheet by Patrick Nasmyth, titled ``Study of a group``, pencil drawing with trimmed corners, 9.5cm by 12cm overall, provenance: Panter & Hall, 9 Shepherd Market, London and numbered 1496, a sketch of a draped female, in the style of Angelica Kaufmann, another of a lady standing wearing Victorian dress and bearing the monogram for Sir John Everett Millais, with an indistinct inscription and (18)61, pencil drawing on coloured paper, 23.5cm by 13cm (5)
George Richmond (1809-1896) Portrait of a young man Signed and dated 1840, extensively inscribed on various labels verso, with biographical details on the artist, pencil and watercolour, a vignette, 30cm by 21.5cm, provenance: Thomas Agnew & Sons Ltd, 43 Old Bond Street, London, stock no.44160; And two further portrait studies, one by John Berney Ladbrooke (1803-1879), portrait study of a gentleman wearing Victorian costume, indistinctly signed and dated, extensively inscribed on various old labels verso, and a later label giving biographical details on the artist, the picture having been purchased from a portfolio of the artist`s work belonging to Mr John Utting, having some connection to Bessingham Hall, pencil and watercolour, a partial vignette, oval, 20cm by 15.5cm, and an oval portrait study in pastel of a young boy, half length, wearing a blue coat and white cravat, oval, 13cm by 9.5cm (3)
Octavius Oakley OWS (1800-1867) Portrait of Sir George Howland Willoughby Beaumont Bt, seated in a red armchair Inscribed with the artist`s and sitter`s name on the mount, extensively inscribed on an old catalogue entry verso, a further inscription on an old label, pencil and watercolour, 22cm by 16cm; Two further drawings, one portraying a child wearing Victorian costume, holding a sword and standing beside a rocking horse, pastel on buff paper, 18.5cm by 14.5cm, and a drawing of a military gentleman, signed and dated B Baldwin 1846, said to be Lt John Baldwin, 22nd Foot, vignette, 20.5cm by 15.5cm (3) Sir George Howland Willoughby Beaumont, 8th Bart (1799-1845) was the cousin of Sir George Beaumont, a friend of John Constable and other artists, scholars and gentlemen. The drawing was purchased at Sotheby`s on 16th October 1980.
Attributed to John Varley OWS (1778-1842) Portrait of a gentleman, facing left, an unfinished study, said to be Joshua Cristall Bearing a signature and dated 1810, inscribed on an exhibition label verso, 18cm by 14cm, provenance: Abbott & Holder Ltd, 30 Museum Street, London and numbered 71407; And two further drawings, one by Joshua Cristall, an unfinished study of a girl seated knitting, inscribed At Bedgelert (sic), also inscribed on an exhibition label verso, provenance (as above), a drawing of several figurative studies on one sheet, said to be by William Etty RA (1787-1849), provenance (as above), various sizes (3)
Attributed to Sir Francis Grant (1810-1878) Portrait of a young girl Inscribed Grant on the mount, also inscribed on an exhibition label verso, pencil and brown wash, shaped, overall size approx 21.5cm by 15.5cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; And four further drawings, one depicting an elegantly dressed gentleman, standing three-quarter length, holding his riding crop under his right arm, another depicting a gentleman holding a shotgun, two gundogs nearby, and a scene from Macbeth attributed to Charles or George Cattermole, various sizes (4)
...Hageman (19th century) Portrait of a young boy, standing full length, wearing a pink coat, white collar and black bow tie Indistinctly signed and possibly dated 1849, pencil and watercolour, 32.5cm by 24cm; A further watercolour of a child, standing full length, wearing black Victorian costume, and a study of a gentleman, seated, holding a book in his left hand, a vignette, various sizes (3)
Attributed to Philip Wilson Steer (1860-1942) Preparatory study of a young lady leaning on her left arm Inscribed with the artist`s name and his dates on a gallery label verso, unfinished, 20cm by 16cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; George Frederick Watts (1817-1904) Preparatory study of Blanche Clogston-Watts, adopted daughter Signed and inscribed Will you be my Valentine? February 14th 1880, extensively inscribed on an exhibition label verso, pencil drawing on buff paper, 18cm by 11.5cm, provenance: Abbott & Holder Ltd, 30 Museum Street, London, numbered 35618, authenticated by Veronice Franklin Gould and Hilary Morgan-Watts Gallery; Francis Dodd (1874-1949) Portrait of a lady, Signed, pen and pencil drawing, extensively inscribed on an exhibition label verso, 16.5cm by 13.5cm (3)
English School (19th century) Portrait of an elegantly dressed gentleman, standing full length, wearing period costume, a walking cane in his right hand and top hat in his left, Windsor Castle in the distance Portrait of a lady, wearing a blue dress, lace collar and lace hat decorated with blue ribbons, holding a flower in her right hand, an herbaceous border in the foreground Oil on canvas, each 32.5cm by 24.5cm (a pair)
"18TH CENTURY ENGLISH SCHOOL "Admiral Tatham of Hornby Castle", a three quarter length portrait Titled on verso, oil on canvas, 71 x 58.5cm ""Condition: Repaired tear across middle of canvas running diagonally from right under arm to the left of the face, paint crackled and missing noticeably top right corner, repaired hole top left, repaired tear under right elbow running down frock coat, looks as though several repairs have been made under arm, some evidence of repainting and paint missing and relined, bottom left damaged Provenance, from a private home. "
A MISCELLANEOUS COLLECTION OF ANTIQUE MINIATURES ( SEVEN IN TOTAL) INCLUDES ONE OF A EARLY DANCER AND OTHER FIGURES IN A LANDSCAPE SETTING AND HOUSED IN OVAL RED CASE, A HAND PAINTED PORTRAIT MINIATURE OF A YOUNG GIRL WITH GOLDEN LOCKS, SIGNED AND DATED K.PEMBROKE CIRCA 1800,HOUSED IN A BLUE LEATHER CASE, OVAL MID LENGTH OF A GENTLEMAN IN A BLUE COAT WITH BRASS BUTTONS- EARLY 19TH CENTURY, A EDWARDIAN LADY, A REGENCY LADY AND TWO OTHERS (7)
Three portrait miniatures 19th century, the first oval, possibly of Madame de Pompadour, signed S. Suzy, within a gilt bronze frame, the second oval, watercolour on ivorine, depicting a lady in blue, signed Reynolds, within a veneer burr walnut frame, the third rectangular, watercolour on ivorine, depicting a lady in green and tartan, within a gilt bronze ribbon frame. (3)
A portrait of Mr. Henry Lloyd 19th century, in profile to the left, with bronze highlighting, in a rectangular an ebonised frame, 4 x 2½in. (10 x 6.5cm.), together with a silhouette of a gentleman in profile to the right iwth bronze highlighting to hair and jacket, 3¼ x 2¼in. (8.5 x 5.5cm.). (2)
Three portrait miniatures 19th century, one oval with a lady wearing a green dress looking to her right, within a veneered ivory and tortoiseshell frame, the second oval with a lady wearing a pink dress with lace and a feather in her hair, within a veneered ivory frame, the third rectangular with a lady in blue, within a veneered ivory and tortoiseshell frame, signed `Reny`, together with a framed scene depicting two ladies in a garden, within a veneered ivory frame with ivory stringing. (4)

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