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283287 Los(e)/Seite
AN ENGLISH HUNTING HANGER, LATE 17TH CENTURY with curved fullered blade double-edged towards the tip, steel stirrup hilt, comprising globular quillon, knuckle-guard interrupted by a central moulding, ferrule chiselled with a portrait profile, and cap pommel chiselled with an expanded flower head, and natural stag horn grip 65cm; 25 5/8in blade
A VERY FINE OFFICER`S GORGET, 1ST REGIMENT OF FOOT GUARDS, CIRCA 1785-95 of parcel-gilt, with a gilded rolled rim, the silver panels of the `arms` pierced with a design of overlapping scales and the gilded and polished centre panel bordered by a wreath and mounted with the Royal Arms 1714-1800 in silver; the centre panel backed by a shaped piece of white chamois leather and the tips of the arms bearing dark blue rosettes and ribbons, each tied in a loop 11.4cm; 4½in x 10.2cm; 4in This gorget probably belonged to The Hon. Charles Monson (1758-1800) third son of 2nd Baron Monson, who served in 1st Foot Guards 1778-1800: ensign 1778; lieutenant and captain 1780; captain and lieutenant-colonel 1790; brevet colonel 1795; brevet major general 1798. Gorgets of this design were unique to officers of 1st Foot Guards and are believed, based upon portrait-evidence and extant examples, to have been worn circa 1785-95. For a comparable example, see Peter Finer catalogue 1995, item 29.
AN 18 BORE BRESCIAN ITALIAN FLINTLOCK FOWLING-PIECE, SECOND QUARTER OF THE 18TH CENTURY with two-stage sighted barrel, the breech section decorated with recessed panels filled with chased silver scrollwork and brass foliage and flower heads, and a silver female portrait profile within a frame of chased brass foliage, the barrel tang inscribed `11` and decorated en suite, border-engraved bevelled lock signed `A Mor`, inlaid with panels of silver scrolling foliage within beadwork frames, matching cock, moulded walnut half-stock, carved cheek-piece, brass mounts decorated en suite with the breech comprising side-plate, trigger-guard and butt-plate all with chased silver busts in high relief, a pair of ramrod-pipes, and horn fore-end cap (ramrod missing) 115.5cm; 45 1/2in barrel
A .600 CALIBRE BAVARIAN FLINTLOCK SPORTING RIFLE BY CHRISTOPH JOSEPH FREY IN MUNCHEN, CIRCA 1730-40 with two-stage sighted barrel rifled with eight grooves (shortened, the tang detached, vent and barrelsmith`s mark lining removed, cleaned), signed lock engraved with scenes from the chase, figured walnut full stock carved with rococo scrolls about the tang, the rear ramrod-pipe and over the cheek-piece (cracks and repairs), steel mounts finely engraved with rococo scrolls, comprising pierced side-plate, trigger-guard decorated with a female portrait on the bow, butt plate decorated with a classical vase on the rear and the figure of music beneath a canopy on the tang, and faceted ramrod pipes (later ramrod, sling swivels missing) 103.5cm; 40 3/4in barrel
Peerage The English Peerage; or, A View of the Ancient and Present State of the English Nobility .., 1790, 3 vols., 4to., frontis to vols. 1 & 2, vol 3 with 126 plates (some water stains), t.e.g., half morocco; The National Portrait Gallery of Illustrious and Eminent Personages of the Nineteenth Century, 1830-2, 4 vols., engraved plates, half morocco; White (Gleeson), The Master-Painters of Britain, nd., 4 vols., 4to., cloth; with five others (16)
Marchington (John) A Portrait of Shooting, 1979, 4to., ltd. edition, quarter morocco, cloth slipcase; Fitzherbert (Cuthbert), The Prince and the Pedlar, Stalking Memories, 1977, numbered ltd. edition, signed by author, 4 colour plates, original cloth, slipcase; Welcome (John), Snaffles On Racing and Point-to-Pointing, 1988, oblong 4to., dust wrapper (3)
Seebohm (Henry) Coloured Figures of the Eggs of British Birds, 1896, portrait frontis., 60 chromolitho. plates, original cloth; Anon., British Birds, The Water Birds, nd., and British Land Birds, nd., 2 vols., coloured plates, a.e.g., original cloth gilt; Turton (William), Manual of the Land and Fresh-Water Shells of the British Islands, 1857, hand-coloured plates, envelope to rear pastedown containing notes etc., original cloth; with nine others (13)
English School, mid 18th century, `Portrait of Thomas Gill of Prescott, Liverpool, wearing blue jacket and gold braided waistcoat` half length, inscribed and dated 1769 on reverse, oil on canvas, in carved and gilded framed, 76cm x 63cm, also the companion `Portrait of Sarah, wife of Thomas Gill` - a pair (2)
Attributed to Sir Thomas Lawrence (1769 - 1830) `Portrait of a lady wearing plumed bonnet and black dress with lace collar` half length, oil on board, 32.5cm x 26.5cm Note: Bought by present vendors family in Switzerland circa 1990. Possibly at Gabus Galleries. Bears `R. Davy, 83 Newman Street, London` label on reverse. Davy was an artist`s colourman recorded in the 1841 census at the Newman Street address. His son Charles succeeded his father in 1843 and presumably the labels were altered accordingly around this date. Robert Davy`s `Genuine Flemish Grounds on panel and mill boards` were used by many of the leading artists of the day including Landseer, Turner, Clarkson Stanfield and Thomas Lawrence, president of the Royal Academy.
Graham F Young - "The Teacup Poisoner", (1947-1990) Copy of a self portrait of Picasso signed oil on canvas stamped on verso 21 Sep 1973 Parkhurst Prison signed in pen Young G PROVENANCE; Graham Young was known as the "tea-cup poisoner". In 1962 he was convicted of the poisoning and attempted murder of his father, sister and a friend who all survived. His step mother had died of poisoning but no evidence could be produced because she had been cremated. He was sentenced to 15 years but released after only 9. After release he poisoned about 70 workmates by lacing their tea and two of them died. He was then given a life sentence in 1972 and died in prison in 1990. This lot was gifted by Young to a fellow prisoner. 12 x 10in. (30.48 x 25.40cm)
Samuel John Peploe, R.S.A. (1871-1935), portrait of Jeanie Blyth, oil on canvas, signed, 20" x 20" This is a portrait of Jeanie Blyth, a gypsy flower seller who posed for Peploe on many occasions from the age of fifteen or sixteen. and was said to have been one of Peploe`s favourite models. There is a portrait of her in the National Gallery for Scotland and another was sold by Christies lot 188 on 26th October 2000. The inscription on the back of the picture states that she was 24/5 when it was painted. PROVENANCE; Inscribed verso in ink. Bought from Ian McNicol. (Glasgow) Acquired in the 1980s by James Gulliver and thence by descent.
George Spencer Watson, R.A., R.W.S., R.O.I. (1869-1934) Portrait of Miss Vivian Marriot, seated three-quarter-length, in a white dress signed 'SPENCER WATSON' (lower left) and inscribed 'G Spencer Watson 20 Holland Park Rd. W14', 'National Jan Feb 1915/miss Vivian Marriot' (on the reverse) oil on canvas, unframed 40 x 30 in. (101.6 x 76.2 cm.) View on Christie's.com
George Clausen, R.A., R.W.S., R.I. (1852-1944) Portrait of an woman in a black headscarf signed and dated 'G. CLAUSEN. 1886.' (lower left) and with inscription '1887/Lamorna Art Union' (on the reverse of the canvas) and with further inscription 'Prize No. 21' (on the reverse of the canvas) oil on canvas 14 x 10 in. (35.5 x 25.4 cm.) View on Christie's.com

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283287 Los(e)/Seite