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283284 Los(e)/Seite
Four unframed, unsigned, miniatures, to include an oval, oil on paper, study of figure and goats in woodland landscape, an oval Religious portrait of a holy man gazing down at open Bible, with shackles hanging beneath, a rectangular portrait miniature on ivory, showing a Victorian gentleman in charcoal double breasted jacket, with sideburns, indistinctly inscribed verso, `Julia [...] August/ 58`, (A/F) and a rectangular watercolour on paper, portrait miniature of a Victorian lady in profile, with dark hair, and blue checked dress with white lace collar, in painted oval, 10.5cm x 13.5cm, 9.7cm x 8.7cm, 17.5cm x 13cm and 14.3cm x 10.5cm, (4).
A set of four unframed, unsigned, portrait miniatures of women, to include one rectangular portrait on ivory showing a 19th Century woman in dark dress with white lace collar, dark hair and a gold pendant, an oval portrait on ivory of a 19th Century woman in lilac and white lace high necked dress with fox fur stole and hat, with red hair, a rectangular Victorian portrait on ivory of Ada Lovelace, after Margaret Sarah Carpenter (1793 - 1872), with dark hair and decorative headpiece in semi profile and an oval watercolour on paper, portrait of a young girl in, with white dress and hat, with blue ribbon waistband, 9.8cm x 7.3cm, 7cm x 5.5cm, 5cm x 4cm and 13.5cm x 10cm, (4).
JOHN BOGLE (1746 - 1803) Oval framed, signed with initials, late 18th Century portrait miniature on ivory, of a gentleman in charcoal double breasted jacket, high collared white shirt, cravat and cropped hair, with hairwork to verso, with gold filigree and seed pearls, in wheat sheaf pattern on guilloché enamel, 6.4cm x 4.7cm.
GRAFTER (b. 1956) Unframed, signed, Urban spray prints on paper, one numbered 50/50, `Eskimo Child`, with Certificate of Authenticity, the other numbered 51/57, `Boy with flower`, together with MAU MAU. Five unframed, signed and stamped screen prints on paper, each numbered 15/25, `Portrait Blue`, `Portrait Peach`, `Portrait Khaki`, `Portrait Green`, TODD JAMES. Unframed, signed and stamped with P. O. W. emblem, screen print on paper, numbered 145/150, `War Party`, and an unframed, indistinctly signed, Contemporary Urban screen print on paper, numbered 78/100, with figure crossed legged, holding paint brushes, average: 56cm x 76cm, (9).
A Victorian walnut cased mantel clock, presented to 'Eliza J Thornton in remembrance of 38 years faithful service from Queen Victoria, September 1893', the arched dial with foliate gilt brass spandrels, silvered chapter ring bearing Roman and Arabic numerals, subsidiary slow/fast dial, Lenzkirch twin barrel, eight day movement, half hour striking on a coil, the domed case with carved pediment, door, pilasters and silk backed fretwork side panels, raised on block feet, 28.5 by 17.5 by 41.5cm, with a key, together with a reproduction photographic portrait of Miss Thornton and copies of census records confirming her residence at Buckingham Palace and subsequently at Hove, Sussex.
A 9ct gold and shell cameo brooch, bust portrait of a lady, an 18ct gold and diamond set stick pin in a surround of black and white enamel, a Stolkace 9ct gold square cased wristwatch, silvered dial, subsidiary seconds dial, leather strap, silver novelty game pendant, Birmingham 1889, and a plated tie slide with safety chain.
REJLANDER (OSCAR), AN ALBUM OF SEVENTY ALBUMEN PRINTS, CIRCA 1865-66 A rare and interesting folio of seventy portrait and figurative photographs by this pioneer, the albumen prints mounted on gilt-edged card leaves in a single volume with gilt and tooled black morocco bindings, the sitters including Rejlander himself, Mary Rejlander (nee Bull), Sir Henry Taylor, Hallam Tennyson (son of Lord Alfred Tennyson), John and Minnie Constable, the youngest of Lord Hawarden's children, possibly including Elphinstone 'Eppy' Maud and other unidentified subjects, album 30cm x 25cm, prints varying in size from 12cm oval up to 21cm x 15cm, some with titles or annotations in pencil. See illustration. The complete album is re-created as a pageturner pdf book on www.morphets.co.uk Provenance: This album was part of the estate of Surgeon Commander Herbert Ackland Browning RN and thence by descent to the vendor. Commander Browning served throughout the First World War, never married and died at the family home in Dawlish in 1955. Herbert's father, Captain George Browning RN, was a naval hydrographer and married Elizabeth (nee) Kendal, daughter of Dr Marsters Kendal of Kings Lynne, honorary surgeon to the Prince of Wales, later King Edward VII, at Sandringham. It is possible that the album belonged to him and was thus lent to the Prince of Wales and others as annotations indicate. Footnote: Oscar Gustav Rejlander (1813-1875), known as the Father of Art Photography, was born in Sweden and studied art in Rome, settling in England in the 1840s. He lived in Lincoln and later Wolverhampton, working as an artist and portrait miniaturist. He took an active interest in photography, seeing its potential for assisting artists and in 1853 attended lessons in the London studio of Nicholas Henneman. This inspired him to develop his own techniques experimenting with portraiture although it is his pioneering work in photo-montage, combining several negatives to form one image, that brought him to wider renown. His best known work The Two Ways of Life comprised thirty-two negatives and took six weeks to produce. Following its exhibition in Manchester in 1857 a copy was ordered by Queen Victoria for Prince Albert. Rejlander became a member of the Royal Photographic Society, regularly lecturing and publishing on the subject and in 1862 he moved to London where he built a photographic studio designed to make the best use of natural light for his subjects. During his work he came into contact with Julia Margaret Cameron, Charles Dodgson (aka Lewis Carroll), Lady Clementina (Maud) Hawarden and Charles Darwin. In the early 1870s he worked with Darwin on illustrations for his treatise on The Expression of the Emotions in Man and Animals. Although Rejlander sold volumes of his photography through book shops and art dealers it is unknown if the album in this lot was obtained thus by Captain Browning. One pencil annotation suggests it may have been bought directly from the photographer as it reads 'Rejlander had refused to sell this copy (the only one obtained from the negative taken) at any price: but the offer of £2.2.0 for the Swedish poor was too much for his nerves and I obtained it DEO GRATIAS'. A further annotation inside the front cover reads 'This album has the honour of being submitted in 1866 to HRH The Prince of Wales by Colonel Teesdale (3 weeks), in 1870 at the request of Cardinal Antorelli to HH Pope Pius IXth by Monsignor Pacca (1 week), into 1871 to Her Majesty by Lady Elgin (several weeks)'. Some of the prints herein are well known examples also held in the collections of the Royal Photographic Society, the Victoria and Albert Museum and the Metropolitan Museum of Art, New York.
A SATINWOOD TABLE TOP GLAZED FOLIO CABINET, of rectangular shape, the convex frame with gilt slip, opening verso with a hinged back, the spring mount inside bearing a label for J & W Vokins, with brass bale handle and two brass detachable feet, possibly associated, fitting to recesses to allow portrait or landscape aspect, 66cm x 55cm
A mid/late 19th Century grained framed (with gilt slip) half length Portrait Study of a young gentleman, black bow tie and jacket and white shirt with gold stud buttons, against a backdrop of stone pillar, blue skies and a flag (lined, surface crazing, some scratching and dirt and discolouration commensurate with age), 74cm x 61.5cm
A gilt framed Oil on Canvas three quarter length male Portrait Study, seated gentleman in military style tunic and with cane and cap in hand (crinkling to paint surface and 3cm scratch prevalent to face), paper label hand written in ink verso, 47cm x 36.5cm CONDITION REPORT: Damage to sitters right eye (as per image). We do not think this is lined.
A grained framed half length 19th Century Oil on Canvas Portrait study of a Reverend with white powdered wig and prayer book etc., provenance and information as supplied by the family vendors, Doctor Heatherly (thought to be Reverend Seawell Heatherly 1698-1762), pupil and master of Christ's Hospital School, Grandfather of Hester Heatherly 1760-1834 who married Peter Steele, Doctor of Witham, Essex on 2nd November 1780, 73cm x 62cm
A silver and enamel octagonal powder compact with engine turned decoration, applied with the Paratroop Regiment crest on a red and blue enamelled diagonal stripe, Birmingham 1950, together with a silver cylindrical pill box, embossed with a bust portrait of Queen Anne and initials `AR`, and a toy model of a birdcage and stand.
A gold bar brooch, mounted with a circular enamel depicting a horse and jockey, an enamel circular brooch, decorated with the portrait of a lady wearing a hat, a banded grey agate set brooch in a pierced foliate design, probably Scottish, a silver brooch, designed as two ladies dancing, Birmingham 1948, and a circular green paste brooch, designed as a spider in a web.
A Victorian oval shell cameo brooch, carved as a chariot scene, the border decorated with oak leaves and acorns, two unmounted oval shell cameos, one designed as the portrait of a classical lady and the other as a recumbent greyhound with two puppies, and a pair of cameo earstuds, each carved as the portrait of a lady, with a case.

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283284 Los(e)/Seite