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283284 Los(e)/Seite
Circle of Benjamin West PRA 1738-1820- Study of a seated woman, three-quarter length, black crayon heightened with white, on olive paper, bears signature, annotated by a later hand verso, 22x16cm: together with other similar studies after various hands to include: British School 18/19th century-Study of a Foxhound; watercolour: After John Hamilton Mortimer 1741-1779- Figure study; pen and black ink: Manner of David Wilkie 1745-1841 and others, (a lot) Note: Benjamain West born 1738, near Springfield, Pa. US, died 1820, London. After studying painting in Philadelphia, he established himself as a portrait painter in New York City. Sailing to Italy in 1760 he toured the historical sites of Europe settling in London in 1763. The patronage of George III freed him of the need to paint portraits for a living, and he became known for historical, religious, and mythological subjects. His depiction of the Death of General Wolfe (1771) stirred controversy for the modern dress rather than the robes expected in a history painting. He was the second president of the Royal Academy, serving from 1792 to 1805 and 1806 to 1820. (LP)
Circle of Francesco Bartollozzi RA 1725-1815- Grotesque Heads; after Leonardo Da Vinci, stipple-engravings in sepia, a pair, after the original drawings held at Windsor Royal Library, in matching frames, 10x8cm, Note: In 1791, John Chamberlaine 1745 - 1812 was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty`s Collection, his greatest achievement was to publish engravings and etchings based upon these famous old master drawings. Between March, 1792 and February, 1800, he published eighty-four stipple engravings based upon Holbein`s portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, `Historical Engraver to his Majesty`. In 1796, he initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, he began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty`s Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael, Michelangelo, Claude Lorrain, Poussin, Canaletto and others. Such leading engravers as Francesco Bartolozzi, Luigi Schiavonetti, Frederick Christian Lewis, Peltro William Tomkins and others worked upon this project. The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty`s Collection", were both completed in 1812. At this point, John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools".
After Luigi Mayer c.1750-1803- "A Grotto Cut in the Rock near Lindo (sic), in Rhodes", publ by R Bowyer Historic Gallery Pall Mall 1803; hand-coloured aquatint, 28x38cm: After Patrick (Peter) Taylor 1756-1788- Portrait of Robert Burns; chromolithograph, oval, oval mount and frame, 29x24cm: Edward Weller- "Suburbs of London Sheet 2 Greenwich & C.", publ by Weekly Dispatch, 139 Fleet St; hand-coloured engraved map, 45.5x32cm: together with a colour reproduction print of a map of Blackheath, (4)
Richard Earlom 1743-1822- "A Fruit Market" mezzotint, after Frans Snyders & Long John and with Joseph Farrington, published by John Boydell, Cheapside London, 1775, good impression with margins, laid down, 45x66cm: Johann Georg Wille 1715-1808- "Musiciens Ambulans"; 1764, engraving, with margins, minor scattered staining, otherwise good, Note: Johann Georg Wille `J. G. Wille`: One of the most eminent engravers of the eighteenth century, taught engraving as an apprentice to a gunmaker. In 1736 he was sent to Paris to engrave some plates after Rigaud. Most of Wille`s early engravings was in the genre of the portrait . By 1750, however, he had established himself as a leading engraver of historical and genre subjects, particularly after the designs of contemporary Dutch and German painters. During his career he was awarded the titles of Engraver to the King of France, Engraver to the Emperor of Germany and Engraver to the King of Denmark. He was elected an Academician of the French Academy in 1761 and was also a member of the Academies of Dresden, Berlin, Augsburg, Vienna and Rouen, (2) (unframed)
Alfred Egerton Cooper ARBA RBA 1883-1974 exh 1911-1940- Portrait of Edward Roydon Alltree, Master of the Worshipful Company of Glovers, seated half-length at a desk, signed with initials, 76.5x101cm: together with one further portrait study by the same hand of the same subject seated in a throne in oils on unstretchered canvas, signed with initials and dated 1958, 140x95cm., (2) (unframed)
* Follower of Jean Auguste Dominique Ingres 1780-1867- Portrait of a young woman, head and shoulders, her hair worn tied and curled, pencil and red chalk on buff paper, 17x11cm: Marquise de Salvo, early-mid 19th century- Religious group; watercolour and gum arabic, signed, 35x27cm: French School, mid-late 19th century- "Salon de Louver le Bocage"; watercolour, bodycolour and gum arabic: French school c.1870- House and grounds; watercolour, signed, dated and with inscription: Circle of George Cattermole 1800-1869- Burial of a Scottish king; charcoal on paper, possibly a preliminary sketch for a painting: together with other 19/20th century pencil, pen and watercolour studies by and after various hands, (a lot) (unframed)
* NOTE: The Oscar Knath is no longer in this Lot - Charlotte Farrier 1796-1882, Portrait Miniature, c.1831- A gentleman, wearing a tied white stock and high collar, dark waistcoat and black coat with gold buttons, standing half-length before a scarlett curtain, holding his monocle, opaque colour on ivory, inscribed and dated 1831,verso, 12x10cm: Follower of William Payne c.1755-1c.1830- Girl seated in a wood; watercolour, annotated by a later hand verso: Oscar Knath 1830-1909- Portrait of a gentleman, bust-length wearing a dark coat and tied black stock, signed, and others, by and after various hands, (A/F) (a lot) (unframed)
* A French late 18th/early 19th century fan, over painted and hand painted on chicken skin, five roundels picturing portrait studies and erupting volcanoes, possibly Mount Vesuvius, carved and painted ivory sticks with scrolling leaf and floral decoration, together with a 19th century hand painted fan on chicken skin depicting an outdoor country picnic scene with gilt scrolling borders, similar scene to verso, mother of pearl carved and gilt decorated sticks, (3 sticks lacking top, a/f), a hand painted on chicken skin fan, depicting a Roman scene, with gilt decorated border, floral scene to verso, ivory and gilt inlaid sticks, together with 2 other fans, (5).
English School (late 19th-early 20th century) Portrait of a gentleman over a photograph, half length 8.5cm x 6.8cm, oval In a gilt metal frame (a later note states `The Duke of Bedford by Miss Heath`); Another overpainted photograph (cabinet size by W. & D. Downey, London); A Continental small oval portrait of a young lady; And a Continental portrait of an 18th century gentleman on ceramic, late 19th century (4)
A collection of objects in a travelling case with a faux shagreen four piece dressing table set, including: an English School (19th century), oval portrait miniature of an elderly lady, later framed; a gilt metal and enamelled opera glasses (damages); a faux tortoiseshell pince nez; an Art Deco chrome and black enamel powder compact; two pairs of mother of pearl handled silver dessert knives and forks by Mappin & Webb, Sheffield 1900; a silver navette dressing table box with a pin cushion top, Birmingham 1903; a Continental silver mesh purse, import marked for London 1911; an unmarked vinaigrette; and other items

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283284 Los(e)/Seite