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283287 Los(e)/Seite
Los 860
18th Century Irish School "Mr. Toby Ryan, Esquire of Inch in the County of Tipperary," O.O.C., head and shoulder portrait of a Gentleman with grey wig and burgundy jacket facing right, approx. 76cms x 64cms (30" x 25") in contemporary gilt frame. (1) Provenance: The sitter was the father of Mrs. Woulfe (the wife of Walter Woulfe) by inter-marriage. By direct family descent of Morristown Lattin.
Los 861
John Comerford, Irish (1770-1832) "Walter Woulfe of Rathgormac in the County Waterford," O.O.C., head and shoulder Portrait of a Gentleman with grey wig and mulberry coloured coat, approx. 70cms x 56cms (27 1/2" x 22") contemporary gilt frame. (1) Provenance: The sitter was the father of Eliza Woulfe, who married John Mansfield of Yeomanstown, Co. Kildare, subsequently housed at Morristown Lattin and by direct family descent.
Los 881
Circle of James Gandy (1619-1689) “The Piked Eustace” Portrait of Sir Maurice Eustace, O.O.C., c. 1689, 122cms x 93cms (48" x 36 1/2"). (1) Having settled in Ireland at the time of the Anglo-Norman invasion, the Eustaces were a prominent ‘Old English’ family in Co. Kildare. The family seat was at Harristown, but little remains of the original castle. As the centuries passed, the family fortunes waxed and waned, with some Eustaces becoming Protestant, while most remained Catholic. There were several Maurice Eustaces active in Leinster in the late seventeenth century. Knighted around 1640, the wealthy lawyer and politician, Sir Maurice Eustace, was appointed Lord Chancellor of Ireland after the Restoration of Charles II. He lived at Harristown and had a townhouse “Damask” in Dublin, bounded by Dame Street and the River Liffey, on what is now Eustace Street. He had an illegitimate son, also named Maurice Eustace, who lived at Portlester in Co. Meath. The Lord Chancellor had a first cousin, also Maurice Eustace, who married Margaret, daughter of the Jacobite soldier, Sir Thomas Newcomen, of Sutton in Co. Dublin. According to family tradition, it is this Maurice Eustace who is depicted in the portrait. Created a baronet in 1685, and a privy councillor the following year, in 1689 Eustace was a Captain of Foot and raised a Regiment of Infantry, becoming a Colonel. Like his father-in-law, he was a Jacobite, fighting for James II, and after the defeat at the Battle of the Boyne was attainted and forced into exile in France. He continued in military service, and died in 1698. The Lord Chancellor also had a nephew (son of the Lord Chancellor’s younger brother William) also named Maurice Eustace, who inherited Harristown and was knighted in 1662. He married twice, firstly to Ann Colville and secondly to Clotilda Parsons. As he served as MP for Harristown in 1692, this Maurice must have avoided involvement in the war between James II and William of Orange. He died in 1708. The three-quarter length portrait is by an artist working in the Flemish Baroque tradition. This Continental style was introduced to Britain and Ireland by Van Dyke and made popular by his followers, including Peter Lely and Godfrey Kneller. Stylistically, the portrait can be attributed to the Dublin-born artist Charles Jervas, or to James Gandy or his son William Gandy, both of whom worked in Ireland. Wearing a large powdered wig, bright red coat and white cravat, with his left hand tucked into an embroidered waistcoat, Maurice Eustace looks very much an Irish gentleman squire of the late seventeenth century. His status is enhanced by the finery of his clothing; both waistcoat and red coat are adorned with spiral-patterned gilt buttons, and he wears a signet ring. The redcoat suggests a military context, as does the pommel of a sword visible at his waist. As well as his clothing, the sitter’s elegant stance, left hand on waist, two fingers extended, is typical of Jervas and Gandy portraits, as is the classical landscape in the background. The handling of fabric is also typical of their work. The overly large wig perhaps suggests a late seventeenth-century date. The damage left by the pike is clearly visible. However, the politics and dates of Jervas the painter do not tie in easily with those of the Jacobite Maurice Eustace. Born in Shinrone Co. Offaly around 1675, Jervas was apprenticed to Godfrey Kneller in London as a teenager. After several years in Paris and Rome, he settled back in London in 1708, and over the years following made regular visits to Dublin. Among his works are a full-length portrait of the Lord Chief Justice, Henry Boyle, 1st Earl of Shannon. He also painted General Godart Van Ginkel, later Earl of Athlone, and Speaker Conolly and his wife Katherine. Judging by the politics of his sitters, and his role as painter to the English court, it is unlikely that Jervas would paint a Jacobite who had fought for James II. It is more likely that the artist was from an earlier generation—perhaps James Gandy, who trained with Van Dyke and was court painter to the Duke of Ormonde, or his son William Gandy. James Gandy painted in a more French style, with softer tones. There were several portraits by him at Malahide Castle. His son William, born around 1655, also trained the Flemish style; among his portraits are those of the First Earl of Rosse, at Birr Castle, and of the Duke of Ormonde, painted around 1685, in the National Maritime Museum in Greenwich. Provenance: By direct descent from the Eustace family to the Mansfields of Morristown Lattin. A document in the Mansfield family archives identifies this portrait, preserved for many years in Scotland, as being of “General Maurice Eustace . . raised a regiment for James II and was excepted in the Treaty of Limerick . . dressed in scarlet with embroidered waistcoat and wears a flowing wig. Relined 1973. 38 in wide 49 in high. Pierced with a pike in 1798” (According to this family tradition, this painting was damaged with a pike during the Rebellion of 1798.) Dr. Peter Murray, 2023
Los 893
19th Century English School A Silhouette Profile Portrait of a Lady facing left, wearing a bronzed black dress and bronzed lace bonnet, 8.5cms (3 1/2"), together with another early 19th Century English Profile Silhouette miniature Portrait of a Gentleman facing right, wearing black jacket on buff paper, 8.5cms (3 1/2"), another Silhouette of a Gentleman facing left, wearing a black jacket, with a white high collar shirt and white cravat, 8cms (3 1/4"), another of a young Gentleman facing left, with black jacket and lace cravat, 7.5cms (3"). (4)
Los 894
John Miers (758-1821) Oval miniature Silhouette Profile Portrait of Mr. J. Bloomfield (hand written verso in pencil), facing right wearing a bronzed double breasted jacket and lace cravat, 8cms (3 1/4") on plaster, with fragment of Miers trade label; together with a Silhouette Profile Portrait of a Lady facing left and wearing a bronzed dress and bonnet, by John Miers and bronzed by John Field c. 1810, fragments of old labels on verso, on white plaster, 8cms (3 1/4"); and one other by John Field (1772-1848) Silhouette Profile Portrait of Mr. Hope, facing left wearing a bronzed double breasted jacket and lace cravat on white plaster, 8cms (3 1/4") inscribed verso Mr. Hope 1813, fragment of trade label on verso. (3)
Los 896
A good collection of 7 - 19th Century English Profile Miniatures, watercolours, comprising 5 Gentlemen, 3 facing right and 2 facing left, all with black jackets and high white collar shirts, together with an oval Profile Miniature of a Lady in black dress with white lace collar, facing left and one other Portrait of a Lady, also facing left with lace bonnet with flowers and lace shawl, all approx. 7.5cms (3"), and all oval in brass mounted ebonised frames. (7)
Los 897
John Miers (1758-1821) A Silhouette oval Profile Miniature Portrait "Henry Wilson Lardner" wearing a bronzed double breasted jacket and lace cravat, facing right, inscribed, Signed and dated 1820 on verso, 7.5cms (3"); together with another oval Silhouette Profile miniature Portrait of a Gentleman facing right, also by John Miers, wearing bronzed double breasted jacket and lace cravat, on plaster and with Miers trade label verso and old inscription, 8cms (3 1/4"). (2)
Los 901
A late 18th Century Silhouette Profile Portrait of a Gentleman, facing left wearing a black jacket with high collar waist coat and lace cravat and grey wig en-greve, 7cms (2 3/4"), a 19th Century English miniature Silhouette Profile Portrait of a Gentleman facing left, with side locks and high collar jacket in ebonised frame with oak leaf and acorn ring suspenders, 7.5cms (3"), another 19th Century Silhouette of young Gentleman facing right wearing a bronzed jacket and cravat, 7.5cms (3"), another 19th English Silhouette Profile miniature Portrait of Gentleman facing right, 7.5cms (3"). (4)
Los 989
Attributed to Stephen Catterson (1806-1872) "Portrait of Mary Leadbetter, Quaker, Author and Diarist 1758-1826," 90cms x 69cms (36" x 27"). (1)** N.B. Further to enquiries please note: this lot has been consigned from a deceased Co. Laois Estate, and by tradition said to be as per catalogue description.
Los 997
Charles Jervas (1675-1739) A very fine Portrait of a Gentleman standing full length, wearing a long grey powdered wig and a red velvet coat and waist coat and trousers, knee height leggings and black boots, with gold buckles, a sword by his left gloved hand, standing by an open arch showing an architectural folly, 7'6" x 4'6" (230cms x 137cms). (1) Note: Charles Jervas was born in Shinrone, County Offaly, around 1675, the son of John Jervas and Elizabeth, daughter of Captain John Baldwin of Shinrone Castle & Corolanty, High Sheriff of County Offaly. Jervas studied in London, England, as an assistant under Sir Godfrey Kneller, between 1694 and 1695.
Los 623
Madame Alexander Pair of vinyl dolls including: (1) Center Stage Cissy 2000, LE 265/350, baby pink gown and matching shawl, earrings and necklace, swing label (detached but present) and certificate, 19"/48cm; (2) Unnamed portrait doll, gold and black gown with removable cloak, earrings and necklace, MISSING labels, Good Plus to Excellent; (2).
Los 220
France, Order des Palmes Academiques, Officer Class, yellow metal crossed palm leaves with purple enamel and red cabochons to left leaf, faceted suspension ring with hallmark to top, with purple ribbon and rosette, Order with suspension ring 55x30mm; and a Le Merite star, centre with gilt metal portrait of Marianne surrounded by blue enamel circle with gilt Le Merite on a red and white enamel cross, on green enamel palm leaves, with green enamel palm leaves suspension and plain gilt metal suspension loop with tricolor ribbon and rosette.Qty: 2
Los 224
Eight hammered coins, to include a possible Ancient Greek tetradrachm, obverse with portrait of a god, reverse with figure seated on a throne, soldered bale; another coin, obverse with portrait of goddess, reverse with owl, olive spray and crescent moon; three possible Sasanian Empire drachms (one drilled, two with soldered bale) and two possible hemidrachms (both drilled), each obverse with bust of king, each reverse with fire-altar and attendants; and a possible Parthian Empire drachm, obverse bust, reverse seated archer, soldered bale.Qty: 8
Los 429
A Georgian design gilt framed wall mirror with cameo style portrait vignette to top, ribon and leaf swags, overall 75x33cm, written on back "A Wedding Present from "Geoffrey Lord Dunmore Browne and Lady Norah Browne, County Mayo Ireland, 1904", two poker work pictures of female studies in the Art Nouveau style in oak frames with raised embossed mounts, 43cm.Qty: 3
Los 200
A collection of five 19th century Victorian portrait miniatures, each presented in near contemporary frame. The lot comprising a pair of oils after Boucher & Gainsborough of pastoral subject and Mrs. Sarah Siddons respectively, a portrait of a gentleman wearing medals, one a young girl in blue dress with ringlets, cased in leather, and one the profile of a dandy gentleman. Largest to measure 13cm x 11cm including frame.
Los 165
A collection of seven Victorian 19th century & some continental portrait miniatures, each presented in a near contemporary frame and glazed. The lot comprising an ecclesiastical portrait of Jesus in intricate frame, an oval shaped portrait of a well dressed lady with coiffured hair, signed indistinctly, a pair of Dutch prints, one of a young girl wearing ruff and the other a young boy (a.f.), both signed lower right 'Rijka Bluker', a smartly dressed gentleman in tails, and two others. Largest measuring approx. 21cm x 18cm to include frame.
Los 127
Five Contemporary Artworks and a Print to Include: Anne Cherry - Three watercolour studies of feathers titled 'Featherlight', Feather and Shadow' and 'Feather', signed below, largest: 18.4 x 20 cm, framed as a set; Ann Blockley - Watercolour portrait of a Chicken, 30 x 36 cm; Vivien Bromley - 'By the River', pastel on paper; After Thomas Wainewright - Sheep on the Hill, chromolithograph, all framed (6)
Los 1413
Mid-19th century photographic portrait of a young woman - Beard's Patent Photographic Portraits, taken at 85 King William Street, in an ebony frame, further oval photographic portrait within a leather case containing a lock of hair and a further oval locket containing a portrait of a young man, (3)
Los 3
George Romney (1734-1802) - 'Portrait of Lady Charlotte Thynne', oil on canvas, 49.5 x 60.5 cm, oval mounted in ornate moulded gilt frame.Annotations verso: Inscription to back of canvas reads: '"Portrait of Lady Charlotte Thynne by G. Romney" Copied from back of canvas by J. King, 110 Whitfield St.'; Tag attached inscribed 'Lady Charlotte (G. Romney) circa 1770'; a second label attached to frame reads 'Lady Charlotte Thynne by G. Romney, The inscription on reverse of canvas has presumably been written by the restorer and copied infer that he, the restorer, has written what was inscribed on the original canvas before relining'.
Los 164
Raymond St. Clair - Portrait of King Charles III (then Prince Charles, Prince of Wales, 2001), oil on board, initialed and dated lower left, 26.5 x 29.7 cm; together with a letter from Mrs. Camilla Parker Bowles regarding a portrait St. Clair painted of her, as well as two letters of correspondence from Amanda MacManus, PA to Mrs. Camilla Parker Bowles (4)
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283287 Los(e)/Seite