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283284 Los(e)/Seite
Fritz Köhler (1887-1971), 'Dutch landscape with windmill, corn stooks and cattle', signed oil on board, 59 x 73cm, marked and noted verso, together with an early-19th century Continental School head and shoulders portrait of a lady wearing a black dress and lace bonnet, oil on canvas within a decorative painted spandrel, oval, 48 x 38cm, (2).
Equestrian and equestrian sporting interest, to include:- Rutherfurd, James H "The History of the Linlithgo and Sterlingshire Hunt", William Blackwood & Sons, 1911, frontis portrait, plates, red cloth, insignia of the hunt on front board, gilt titles Sabretache [Albert Stewart Barrow] 'Stand to your Horses' Ocean Publishing 1932, ills Lawrence Richard The Complete Farrier and British Sportsman...' Thos. Kelly n.d. engraved vignette on titlepage, engraved plates, dedication to " The Noblemen and Gentlemen of the Quorn Hunt", some water damage, binding loose, marbled boards but with loss Reese, M M "The Royal Office of Master of the Horse", Threshold Books Ltd, 1976, numerous colour and other ills and plates, maroon cloth, dj not price clipped, small folio Fergusson, Gordon "The Green Collars, the Tarpauley Hunt Club and Cheshire Hunting History ...", Quiller Press, illustrated throughout, orange cloth, dj not price clipped, ' The Hunting Diary and Guide' illustrated 1932 to 33 and 1936 to 37, Walter Goldsmith & Co Sparrow, Walter Shaw "Henry Alken ...", Williams & Norgate, 1927, numerous plates throughout, red cloth, gilt titles, dust wrapper with pictorial pastedown to front cover Board John "A Year with Horses", Hodder & Stoughton (1953), numerous ills throughout Galtrey, Captain Sidney "The Horse and the War", Country Life, 1928, illustrated from drawings by Captain Lionel Edwards and from photographs, pictorial pastedown to front board Polo interest to include:- "Marco, an Introduction to Polo", Country Life, 3 copies Miller, Lt Col E D "Modern Polo", Hurst & Blackett, n.d., photographic ills of the Prince of Wales on aluette, numerous photographs throughout Deutche Polo Verband, E V, 1983 and 84, 85 and 86, 86 and 87, Quantum Library Riding and Polo Stanford, J K "The Last Chukker", Faber & Faber, 1951, ills, orange cloth, dust wrapper price clipped, inscription dated 1951 on ffep (3 boxes)
Ian Fleming " The Man with the Golden Gun" Jonathan Cape 1965, green and white end papers, black cloth with gilt titles to the back strip, dust wrapper which is torn and chipped, not price clipped, du Maurier " Rebecca" Victor Gollancz 1948, Cheap Edition, yellow dsut wrapper, with loss, Nabokov Vladimir " Lolita" Weidenfeld and Nicholson second impression 1959. dustwrapper which is good and not price clipped, black cloth with slver titles, Peniakoff Vladimir ( Popski) " Private Army" Jonathan Cape 1950, dust wrapper, not price clipped, frontis portrait. three folding maps, photo ills, and other volumes (12)
Jane Austen interest to include:- Folio Society full set 1975, but all in individual slip cases Chapman, R W (ed) "Jane Austen's Letters to Her Sister Cassandra and Others", The Clarendon Press 1932, 2 vols, inked inscription dated 1936 on ffep, marbled boards within slip case which has been repaired "Pride and Prejudice", The Heritage Press, New York, marbled boards with marbled slip case Cecil, David "A Portrait of Jane Austen" Lane, Maggie "Jane Austen's Family" Southem, Brian "Jane Austen and the Navy" Mullen, John "What Matters in Jane Austen?", Bloomsbury, 2012, signed and dated by the author on the tp, October 2012 Byrne, Paula "The Real Jane Austen, a Life in Small Things" and assorted memorabilia to include a bone china cup and saucer, boxed, a framed print, Jane Austen card games boxed and sealed and a box containing sundry items to include a scarf, a notebook, cassette, etc (2 boxes)
Stanley, Henry M "How I Found Livingstone in Central Africa ...", Sampson Low, Maston, Low & Searle, 1872, 2nd edition, frontis photographic portrait of Henry Stanley, folding map, pictorial boards, loss to the backstrip and rather worn Stigand, C H "Hunting the Elephant in Africa", Macmillan & Co, 1913, photographic ills, red cloth rather worn Percival, A Blayney "A Game Ranger on Safari", Nisbet & Co, 1928, photographic frontis, plates and photographic plates, red cloth, backstrip faded Hutchinson, John "A Botanist in Southern Africa", Gawthorn, 1946, photographic and other ills, green cloth, all rather chipped and worn and other related volumes (1 box)
English School, early 19th century Portrait of Sir John Richardson, half-length, in naval uniform miniature on ivory, oval 6.8 x 6.3cm; and another, Portrait of a lady, Miss C J Richardson, half-length, in a red and white dress miniature on ivory, oval 7.5 x 6cm (2) Sir John Richardson (5 November 1787 - 5 June 1865) was a Scottish naval surgeon, natural historian and explorer, well known for his surveys of the Canadian Arctic coast. IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: 9MY89TUF and G6X89U1T.
English School, mid-19th centuryPortrait of a young boy and girl in a wooded landscapeoil on canvas61 x 51cmCondition Reportoverall: 82 x 70cmCraquelure and light surface dirt. Slight discolouration with white specks to the lower right corner. Not examined under UV light, for a full report please contact the department.
Sir George Reid PRSA (1841-1913) Portrait of William Holman Hunt, half-length, in a grey coat signed with monogram u.l., oil on canvas 63 x 48.5cm Provenance: Sotheby's, London, 16 December 1987, lot 209. Exhibited: The New Gallery, Summer Exhibition, 1904. The oil sketch for this painting was bequeathed by the artist to Aberdeen Art Gallery and Museums in 1913, accession number ABDAG008237. Born in Aberdeen, Sir George Reid started his career as a lithographer, before moving to Edinburgh in 1862 to study at the Trustees' Academy. Gaining the support of the Aberdeen collector, John Forbes White, Reid travelled to Holland in 1866 to study under the landscape and genre painter, Gerrit Mollinger. Around this time, he became a close friend of the realist painter Jozef Israels. Returning to Scotland in 1869, Reid started producing landscapes and portraits influenced by both Dutch and French contemporary painting. He was elected president of the Royal Scottish Academy in 1891. Holman Hunt entered the Royal Academy Schools in 1844 where he met Millais, who was to become his closest friend. In 1848, he was a founding member of the Pre-Raphaelite Brotherhood, and was adherent to Pre-Raphaelite principles throughout his life; his paintings include The Hireling Shepherd, 1852, and The Light of the World, 1854. During the 1870s/80s, Hunt became increasingly isolated artistically, his later work concentrating on religious themes informed by successive visits to the Holy Land. He published his autobiographical 'Pre-Raphaelitism and the Pre-Raphaelite Brotherhood' in 1905. He died on 7 September 1910 and was buried in St Paul's Cathedral. Condition Reportoverall: 97 x 83cm. The painting is executed in oil on a canvas support which is unlined. The canvas tension is slightly slack and there are minor undulations across the painting. The paint layers are in a very good condition overall. Drying cracks have formed in the red paint passages, which would have occurred as the paint layer dried, revealing the lighter ground below. The painting has a thin varnish layer which is semi-glossy and well saturating the paint layers below. Rubbing to the top and left edges. There is an area of cracking to the centre right quarter above the sitter's shoulder, please see images.
... Boichegrain (French, 18th century)Portrait of a nobleman, half-length, in a blue coat and powdered wigsigned 'Boichegrain', miniature on ivory, oval6.5 x 5cm, in a gilt frame with blue glass and plaited hair to the reverse, inset with 'G.M.R.' monogramIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: Y5NV664Y.
English School, c.1820 Portrait of a young girl, bust-length, in a white dress with blue sash miniature on ivory, oval 6 x 4.6cm, suspended from an arched stand IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: G7NSTSSB. Condition ReportSlight brown staining to the background. The miniature is sitting slightly unevenly in the frame but does not appear to be warped. No signs of cracking or paint loss. The skin tones are slightly faded. Not viewed out of frame.
Circle of Francis Hayman (c.1708-c.1776)Portrait of a lady, half-length, in a white dress with blue bowoil on canvas, feigned oval37 x 30.5cmCondition ReportThe painting is executed in oil on a canvas support which has an early lining. The canvas tension is stiff and the picture is in plane. There are a few scattered losses to the paint layer. In localised areas the fine age cracks are slightly lifting. Wear and abrasion is evident in the sitter’s hair. Under ultraviolet light numerous, finely handled strokes of overpaint are visible in the background, probably covering abrasion. The varnish is dull and slightly yellowed with a thick layer of surface dust present.
French School, late 19th centuryPortrait of a lady, three-quarter-length, in a blue ballgown and holding a fanpastel36 x 26cmFormerly attributed to Paul Drevet.Condition Reportoverall: 49 x 39cmIn some areas the pastel has lightly transferred to the glazing. Some small dirty marks (possibly light surface abrasions) to the background, please see images. Unexamined out of frame.
Circle of Jonathan Richardson (1667-1745)Portrait of a lady, half-length, in a gold dress and blue wrapbears initials 'TH' l.l., oil on canvas, feigned oval76 x 73.5cmCondition Reportoverall: 100 x 86cmRelined and restored. Craquelure with rubbing to the bottom edge. Under UV light, there is some retouching visible, mainly to the edges. There appears to be repaired damage in the top left corner and a repaired tear to the left of the sitter's head.
Horace Hone (1754-1825) Portrait of a lady, half-length, wearing a pink and white dress and gold shawl signed with initials and dated '1782', miniature on ivory, oval 6.5 x 5.5cm, in a gilt-metal frame, with plaited hair verso IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 76KEGW55. Condition ReportThe ivory is slightly 'dished' at the edges but appears to be in otherwise good overall condition. Not viewed out of the frame.
Circle of Mary Beale (c.1633-1699)Portrait of a young gentleman, half-length, in a black coat and white tasselled collaroil on canvas, in a painted octagonal surround68 x 55cmCondition Reportoverall: 81 x 68cmNot viewed out of the frame, but likely an old relining. Craquelure. Restoration visible to the background, please see images. Small losses with surface abrasions to the lower centre. Spots and speckles of surface dirt. UV light shows retouching to background and clothes but little shows up under uv light on face. A light scratch to his nose and light abrasians elsewhere. Please see additional condition images.
Attributed to Jean André Rouquet (Swiss, 1701-1758)Portrait of a gentleman, bust-length, wearing a red coat and cap miniature on enamel, oval4.5 x 5.5cm, in a gilt-metal frameCondition ReportA few nicks to glass. Some dirt and dust under glass. A small scratch to his right shoulder. A light scratch to the left side of background. A light brown mark to his forehead.
Attributed to Andrew Plimer (1763-1837)Portrait of a lady, bust-length, in a white lace dress and white headscarfminiature on ivory, oval5.2 x 4.2cm, in a gilt-metal frame with blue enamel borderIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: Q1ZYLQZK.Condition ReportGlass and miniature are a little loose in frame. A very thin horizontal brown mark to lower right side across material from head scarf. Some tiny light brown marks elsewhere. Presents well.
Manner of Giorgio Domenico DupràPortrait of Charles Edward Stuart, the Young Pretender, bust-length, with tartan sashminiature on ivory, oval5.8 x 4.8cm, in a hinged frame and display case with inscription plaqueIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: Y8MF8434.Condition ReportThe miniature is contained in glazed display case measuring 25.5 x 22cm. The face is a little soft and undefined. There is fine line around part of the border and a small spot of discolouration just above the sitter's right shoulder. The work has not been examined out of the frame and there is dust and dirt trappped behind the glazing.
Manner of George RomneyPortrait of Mr Jack, half-length with folded arms, in a brown coat and white stock;Portrait of Mrs Jack, half-length, in a gold-trimmed white dressa pair, oil on canvas, oval66 x 54cm (2)Condition Reportoverall: 75 x 63cmWe believe the works to be 19th / 20th century. Unlined with light craquelure in places. Spots and speckles of light surface dirt. Under UV light the gentleman has a 1.5cm area of retouching to his cheek. Small areas of retouching to his shoulder, under his chin and on his collar. The lady has small areas of retouching to her hair, her right shoulder, her dress, and few place in the background. Overall they present well. No major obvious condition issues to frames.
English School, early 17th centuryPortrait of a gentleman, bust-length, in a white and gold doublet with lace collarinscribed with initials 'I.W.' l.l., oil on canvas52 x 42.5cm, unframedCondition ReportCraquelure with surface scuffs and abrasions. A white scratch and small loss at the top of the sitter's head, please see images. Further small losses to the bottom edge. The canvas has been relined. There is a diagonal line in the canvas in the upper left corner. Under UV light there is extensive restoration to his doublet and around the edges. There are spots of retouching to the face, beneath the nose and around the eyes. It appears that a thick layer of varnish has been applied which may obscure further restoration. There is thinning to the paint particularly around the sitter's hair, which may be a result of overcleaning.
Circle of William Wood (1768-1809)Portrait of Sir George Preston Richardson Bt., bust-length, in uniformminiature on ivory, oval7.5 x 6cmIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: BJG2NA57.Condition ReportThere are no signs of cracking or warping to the ivory or any paint loss. Slight fading to the skin tones and background. There is dust and dirt trapped under the glass with some spotting on the inside of the glass.
Manner of Sir Peter LelyPortrait of Barbara Villiers, Duchess of Cleveland (1640-1709), bust-lengthminiature on ivory, oval7 x 5.7cm,together with:Manner of Richard Cosway,a portrait miniature on ivory of a lady in a white dress, bust-length, anda portrait miniature on vellum of a gentleman in a blue coat, mid-18th century (3)IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: WBLM2QPY and LNXKKYDW.
Circle of Sir Peter Lely (1618-1680)Portrait of a lady, half-length, in a white chemise and embroidered brown wrap, in a painted stone cartoucheindistinctly inscribed 'Lady Henrietta Boyle, 5th and youngest daughter of Richard Boyle, 2nd Earl of Cork and 1st Earl of Burlington...' on a label verso, oil on canvas76 x 63cm, in a contemporary carved giltwood frameCondition Reportoverall: 88.5 x 76.5cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is slightly slack and there are minor undulations across the surface. Mould growth is present on the reverse of the lining canvas. The paint layers are stable but have suffered from flaking and loss in the past. These areas have been filled and overpainted. The overpaint appears matte compared to the surrounding original paint, particularly evident in the sitter’s face. There are localised areas of paint with fine, raised cracks but these seem to be related to areas of repair rather than original. The varnish is matte and no longer adequately saturating the paint layers below. The varnish is starting to degrade, becoming opaque and patchy in darker areas of the background.
English School, 18th centuryPortrait of a bearded man, half-length, seated at a writing table, with a letter and quill penoil on canvas75 x 63cmCondition Reportoverall: 89 x 69cmCraquelure with stretcher marks and undulations to the canvas. Rubbing and losses to the edges and bottom right corner. A repaired 10cm x 5cm L shaped tear to the hand and a further small repair to the right of the nose. Not examined under UV light, for a full report please contact the department.
Follower of Thomas GainsboroughPortrait of a lady, believed to be Elizabeth Arbuthnot, half-length, in a white dress with flowers and ribbons, and flowers in her hairoil on canvas72.5 x 63cm, unframedCondition ReportCraquelure and light surface dirt. Not examined under UV light, for a full report please contact the department.
Dutch School, 17th centuryPortrait of gentleman, half-length, in a black coat, holding a letter dated '1617' u.r., oil on copper12.7 x 10.3cmCondition Reportoverall: 19.2 x 17cmSome unevenness to the surface with light surface abrasions. From viewing in daylight it would appear there is retouching to coat and background and lower right corner. Overall I think the face looks mostly original. Bloom from varnish means UV light is not particularly effective but there appears to be old retouching lightly showing through to areas of background.
Circle of Francisco Ribalta (Spanish, 1565-1628)Portrait of a knight, three-quarter-length in black, standing at a table, his right hand resting on a book oil on canvas 133 x 95cm, unframed Provenance: Christie’s, South Kensington, 11 March 1993, lot 175;Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportThe painting is executed in oil on a canvas support which has been lined. The canvas tension nis good and the picture is in plane. An old damage near the bottom of the picture has been secured through lining, the surface texture is slightly smooth compared to the original and the line of cracking in the paint surface is evident. There are numerous areas of overpaint across the surface which appear slightly glossy but are acceptable at a normal viewing distance. The varnish is clear and semi-matte.
James Ward RA (1769-1859)A seated woman from the back;A standing figure holding a violin;Study of a maneach signed with a monogram and inscribed 'RA', the portrait of the woman signed and inscribed 'a study from nature/JW. R.A.' verso, the figure inscribed 'A Negro fidler/in a Margate ...' verso, pencil and watercolour25.5 x 21cm, 20.6 x 12.4cm and 9 x 9.5cm, unframed (3)This item contains imagery of a potentially offensive nature and displays outdated language and/or opinion and/or stereotype. It is not to be seen as representative of the views of Sworders Fine Art Auctioneers.
English School, 17th centuryPortrait of The Lord Poulet of Hinton St George, County of Somerset, bust-length, in armouroil on canvas laid on board73 x 61cmCondition Reportoverall: 88 x 75.5cmCraquelure with light surface scuffs, abrasions and surface dirt. Under UV light there is considerable retouching visible to the sitter's face, hair and clothes. The most significant areas of retouching are underneath the sitter's eyes and nose. It is possible that there is further retouching to the background but this is obscured by what appears to be a thick layer of varnish.
English School, 17th centuryPortrait of Sir Ralph Warton, bust-length, in armouroil on canvas laid on board, feigned oval73.5 x 60.5cmCondition Reportoverall: 88 x 76cmCraquelure and light surface dirt. Some visible patchiness and thinning to the paint, please see images. Unexamined under UV light, for a full report please cntact the department.
Attributed to Henry Pickering (fl.1740-1770)Portrait of a lady, half-length, in a lace-trimmed grey dress and blue wrapoil on canvas, feigned oval77 x 63.5cm, in a carved giltwood William Kent frameCondition Reportoverall: 100 x 88cmCraquelure and stretcher bar mark upper and lower edge, a couple of whitish marks on surface in corner areas, under uv light, small areas of infilling and retouching evident around the nose, at top of neck, at top of dress. Under uv light, there is also retouching to background especially in the darkest area where the oval is painted; however, this hard to see with naked eye. Well-presented and ready to hang. Please refer to images.
After Sir Anthony van DyckPortrait of Marie de' Medici, seated half-length, in a black dressoil on panel24 x 30cm, unframedCondition ReportA 14cm horizontal split to upper right with a further smaller split just above. Losses and flaking to the centre just below the collar of the sitter's dress. Chips and small losses to the edges. Not examined under UV light, for a full report please contact the vendor.
William Lucas (c.1840-1895)Portrait of a young lady in a bonnet with pink ribbons and white feather, in a landscapesigned and dated 'W Lucas/1884' l.r., titled and inscribed 'Sunday...painted by/William Lucas' on a fragmentary label verso, oil on canvas46 x 35.5cmCondition ReportFramed: 56 x 46cmCraquelure and light surface dirt with rubbing to the top left edge. Unexamined under UV light, for a full report please contact the department.
Circle of Sir Godfrey Kneller (1646-1723)Portrait of Lord Darlington of Bewdley, three-quarter-length, wearing a red gown and seated by a pillar, a landscape beyondoil on canvas122 x 97cmCondition Reportoverall: 139 x 112cmThe painting is executed in oil on a linen canvas which has been lined. The canvas tension is slightly slack but the picture is in plane. There is a damage at the lower right corner which has been repaired from the reverse and retouched at the front. In localised areas of the red jacket there are small, raised lines of paint which are vulnerable to loss. The rest of the paint layer is in a good condition. The lining has caused the canavs weave to be emphasised in the paint layer. There are areas of retouching across the surface, notably in the sitter’s face, which are well matched to the original. The dark brick work at the right hand side appears to be largely reinforced. The varnish is even, clear but very matte and brittle with a few scuffs and scratches.
Henry Howard RA (1769-1847) Portrait of Mr Trimmer’s son, aged 4, full-length, in a white dress and red shoes, holding a kitten wrapped in a red clothoil on canvas112 x 81.5cm Condition Reportoverall: 132 x 101cmThe canvas in unlined with a few minor spots and specks of light surface dirt. There is some light craquelure to some areas. Unexamined under UV light, for a full report please contact the deaprtment.
James Ward RA (1769-1859)Portrait of the artist, bust-lengthsigned with initials l.c., inscribed 'aged about 40 years' and also signed with initials verso, pencil and chalks26.2 x 21cm, unframedCondition Reportthere are losses to the edges of the paper and acid discolouration, otherwise the drawing is in good condition. Come with the original backing board to the frame, inscribed 'James Ward/by Himself'
English Naive School, early 19th centuryPortrait of four children in a park, two in blue dresses, two in brown dresses, one holding a saw and hammer, the others holding a riding crop, a basket of flowers and a bookoil on canvas, laid on board28 x 35.5cmThe Estate of the Late Malcolm Frazer.Exhibited: 'Two Hundred Years of English Naive Art,1700-1900', 1996.Literature: James Ayres, 'Two Hundred Years of English Naive Art,1700-1900', published by Art Services International, 1996, p.37.Condition Reportoverall: 33.5 x 41cmThe painting is executed in oil on a canvas support which has been laid to board. The canvas is generally in plane with a few undulations. The painting has a network of age cracks, some of which are slightly raised. There is a damage along the lower edge caused by impact. Areas of overpaint are mainly located in the background and at the upper right corner covers an old damage with scattered losses. The varnish is clear, even and semi-glossy. Under UV light there is some infilling, with a small area of retouching to the trees in the top right corner. There are two small patches of retouching to the bottom edge- one to the centre and the other to the lower right corner.
After Alexis Simon Belle Portrait of James Francis Edward Stuart, the Old Pretender, bust-length in armour oil on metal, oval9 x 6.8cmCondition ReportThe varnish has a slightly uneven surface. There is a two inch strip to the right of the sitter's head where the varnish is matted. The right edge is worn and rubbed. There are traces of guilding to the bottom of the right edge. and the work has slipped slightly in the frame. Not viewed out of frame.
Circle of Sir Godfrey Kneller (1646-1723) Portrait of Mary Compton Countess of Dorset, daughter of James, Earl of Northampton, seated three-quarter-length, in a gold dress and ermine-trimmed cloak inscribed l.l., oil on canvas 124 x 100cm Provenance: The Estate of the Late Malcolm Frazer. Condition Reportoverall: 142 x 119cm The painting is executed in oil on a canvas support which has been lined. The canvas tension is slightly slack. There is a recent tear in the original and lining canvases along the lower edge which has been reinforced at the reverse and caused paint loss at the front. At the upper left corner is a deformation caused by impact at the reverse which has resulted in small, scattered losses to the paint layer. The paint layers have a network of age cracks, some of which are slightly raised in the darker paint passages. There are a few small, scattered losses across the surface. Areas of overpaint appear small and mainly covering small damages and age cracks. The varnish has slightly discoloured with age but is even and semi-glossy. There is a thick, uneven layer of surface dirt.
R... Gibbs (19th century) Portrait of a young man, three quarter-length seated, in a black coat, holding a telescope, with a view of the sea through a window signed 'R. Gibbs' l.l., oil on canvas 51 x 41cm, unframed Provenance: The Estate of the Late Malcolm Frazer. Condition ReportRelined. Craquelure with superficial scratches to the bottom. Small losses and scuffs to the edges. Not examined under UV light, for a full report please contact the department.
Polish School, mid-18th centuryPortrait of a lady, half-length, in an embroidered silver dress and ermine-trimmed cloakoil on canvas, oval77 x 67cmCondition Reportoverall: 100 x 83cmThe painting is executed in oil on a canvas support which has been lined. The canvas has good tension and the picture is in plane. The paint layers are stable and secure. Under ultraviolet light numerous areas of overpaint are visible across the surface, notably in the sitter’s flesh. The overpaint is reasonably well matched to the original and looks good from a normal viewing distance. The varnish layer is very glossy, clear and even.
Circle of Hieronymus Custodis (Flemish, died c.1593)Portrait of a young gentleman, said to be Thomas Vavasour, half-length, in a black doublet and white ruff, his left hand resting on the hilt of a swordoil on panel59 x 44cmProvenance: Phillips, London, December 1982.Condition ReportThe painting is executed in oil on a wooden panel. The panel is formed from a single board, almost certainly English Oak. The panel is in a good condition with no evidence of woodworm damage or splits and the original tool marks are evident on the reverse. At the top edge of the panel is a small wooden insert. The paint layers have suffered from flaking and loss in the past, although this has been stabilised. There is extensive overpaint across the surface which is reasonably well matched to the original. The varnish is clear, even and matte. It has become brittle with age and has several scuffs and scratches across the surface.
Annie Smith (19th century)Portrait of a collie doginscribed with title and dated '1888/May 8th' on a label verso, oil on canvas70 x 57.5cmCondition Reportoverall: 95.5 x 83cmCraquelure in places with visible strecher marks to the top edge. There is a small red mark to the background above the dog's head, and a small loss to the tail of the dog, please see images. Unexamined under UV light, fora full report please contact the department.
After Sir Peter Paul RubensSelf-portrait of the artist, bust-length, in a black hatoil on canvas28.5 x 24.5cmCondition Reportoverall: 44.5 x 39cmCraquelure. The painting may benefit from a light clean as overall the skin tones have a slighty yellow hue. Unexamined out of glazed frame or under UV light, for a full report please contact the department.
English School, c.1830Portrait of three children among cloudsminiature on ivory13 x 9.5cmIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: XBRTQBS2.
Attributed to Abraham Seaman (fl.1724-1731) Portrait of a gentleman, possibly the Hon. Henry Hamilton (1692-1743), bust-length, in a brown coat, black waistcoat and white stock enamel on metal 4.8 x 3.9cm Wearing a brown coat, black waistcoat and white stock; grey curled wig, the sitter is possibly The Honourable Henry Hamilton (1692–1743), Irish politician who sat in two Irish parliaments. Henry Hamilton was youngest son of the miniaturist Gustavus Hamilton and Elizabeth Brooke. His father became the first Viscount Boyne, and his mother was a daughter of Sir Henry Brooke. On 20 October 1715, his father was created Baron Hamilton of Stackallan. As son of a peer Hamilton acquired the style "The Honourable".In the Irish election of 1715, the Henry Hamilton was elected as one of the two members of parliament (MPs) for St Johnstown Borough in the House of Commons of the only Irish Parliament of King George I. He held that seat during the entire duration of the parliament from 12 November 1715 to 11 June 1727 when it was dissolved by the king's death.Hamilton did not contest the Irish election of 1727, which was held for the only Parliament of King George II, which lasted from 14 November 1727 to 25 October 1760. However, in 1730 he contested and won the by-election for one of the two seats for County Donegal that resulted from the death of Alexander Montgomery on 19 December 1729. Henry and his wife Mary Dawson had seven children, two daughters and five sons, Their third son Sackville was under-secretary to the Lord Lieutenant of Ireland. Condition ReportSticky marks from old labels on back. Glass dirty. A very light scratch to his right shoulder and right breast of jacket. No obvious major condition issues.
Circle of Nathaniel Plimer (1757-1822) Portrait of Lady Richardson, bust-length, in a white dress miniature on ivory, oval, with blue glass and plaited hair verso 7.5 x 6cm IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: KH7VPF8Y. Condition ReportCracks to blue enamel on back (as seen in image) A few tiny brown spots seen under glass. No obvious major condition issues to miniature.
Follower of Sir Anthony van DyckPortrait of a young lady, bust-length, in a pink dressoil on panel39 x 31cmCondition Reportoverall: 46.5 x 38.5cmCraquelure and light surface dirt. Some light surface scuffs and abrasions with some small losses to the top right and around the edges, please see images. Under UV light there are spots of retouching visible to the right side of the sitter's face and a large patch of restoration to the right side of the sitter's dress.

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