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283284 Los(e)/Seite
Los 218
PAIR OF ROYAL BONN HAND PAINTED TWO HANDLED PORCELAIN VASES, each of ovoid form with crll handles to the waisted neck, decorated with an oval gilt lined panel containing a female portrait, set on a green and gilt ground with raised panelled borders and gilt lined rims, 10" (25.4cm) high, printed, painted an impressed marks, (2) one handle restored
Los 233
English School, late 18th Century,head and shoulders miniature portrait of a young man wearing a ruffled shirt and blue coat,oval, 58x48mm,the reverse with hair lock border, blue enamelled centre and decorated in seed pearls and gold thread with an urn, initials WG Lt., 31 Regiment, gilt metal frame.
Los 98A
A collection of blueprints, portraits and photographs relating to the RAF during WWI To include blueprint of a sopwith camel dated 22nd November 1917, blueprint of a De Havilland 9 dated 6th August 1918, pen & ink portrait of an RAF officer H.C. Roscoe, further pencil drawing signed by A.H.Hoyes 1918 of an RAF officer, assorted photographs of RAF personnel in front of biplane, documents and plans relating to Cramwell etc.
Los 285
Four vintage powder compacts To include Kigu example of scalloped form, having engine turned decoration to cover surrounding oval enamel cartouche, Mondain brown leatherette example with oval portrait panel depicting a lady, unmarked example with red enamel cover with brass portrait panel, Art Deco example having linear silver and green motifs behind a shield cartouche, length 9cm,
Los 506
A mixed lot comprising two 19th Century silhouettesWith a further miniature portrait inset into ebonised frames, largest image 9x8cm (3) CONDITION REPORT: No information on the backs of framesPicture of young gent has large stains to the edges of the picture and is poorly cut to fit the framePicture of older gent is discoloured
Los 694
19th Century Continental School, After Jan Van Meiris - Interior scene with seated gentleman holding violinOil on canvas, 45x35cm, NB: to the reverse of the painting there is an unfinished portrait of a young man, the whole set into a gilt frame CONDITION REPORT: Canvas is very wrinkled has several defects/wear to paint would require some restoration and cleaningNo signatures seenFrame has many chips/surface scuffsSee photos
Los 705
19th Century British School - 'Head and Shoulders portrait of a young man' Oil on canvas, indistinctly initialled lower left, inset into a gilt and ebonised frame, 34x24cm CONDITION REPORT: Surface of painting very dirty Some imperfections and blistering to surface of painting Frame very worn
Los 260
JOHN CHERRINGTON OF HEREFORD (1931-2015) - (Five times exhibitor at the National Portrait Gallery, see Lot 77, his portrait of Right Hon Lord R A Butler, KG, Master of Trinity College, Cambridge at our Cardiff Saleroom on 1st June, 2018) All unframed unless otherwise stated, majority signed, late 1970s/1980s JOHN CHERRINGTON four oils on board - village churches and other buildings
Los 10
Roman Period, late 2nd century AD. A small translucent mosaic glass slice depicting the head of a young man wearing a wreath; cut from a square stick made of folded white, green, brown and black glass. Cf. W. Skoluda 2009: 50 Jahre, p. 57, Hamburg 2009 and Kestner-Museum Hannover, accession number 2009.347. 5 grams, 19mm (3/4"). Property of a central London gentleman; previously with Gorny & Mosch, Munich, auction 252, lot 521; formerly in a European private collection; acquired by Mr. G. McKinley before 1985. Fine fused mosaic plaques on a miniature scale, like this portrait, display a remarkably high artistry and command of glass in Roman Egypt during the first and second century AD. In The Significance of Roman Glass, Ray Winfield Smith writes that 'for such perfection highly specialised, still unexplained refinements were developed.' These developments arose in the Roman areas of Egypt, most prominently in Alexandria, and glass was exported to Rome. Animals, flowers and theatrical masks are a popular designs, but few appear as refined as this wreathed young man. Astonishingly, two very similar pieces are known, one in the Wolfgang Skoluda collection and the other in the Kestner-Museum, Hannover. The remarkable similarity strongly suggests that the pieces originate from the same workmanship, if not cut from the same rod. As the Wolfgang Skoluda catalogue notes, the profile is very similar to the mummy-portrait of Artemidoros in the British Museum. Very fine condition.
Los 602
18th-early 19th century AD. An onyx cameo profile portrait of Arthur Wellesley, 1st Duke of Wellington with 'MORELLI' mark beneath; set into a substantial later gold finger ring comprising a broad hoop with high-relief foliage detailing and blue enamel field, divided shoulders with scooped spur supporting a hollow-formed plaque with scrolled foliage ornament, stamped to the hoop '750' (for 18ct gold) and 'A473'; silver upper face formed as a wreath with inset diamonds. Cf. Stefanelli, P.B. Nicola Morelli incisore in pietre dure. in Bolletino dei Musei communali di Roma, VI, (1972), pp.63-72, figs.1-11; Forrer, L. Biographical Dictionary of Medallist, Vol.IV, p.147 and Vol. VIII, p.76; and for other gems by Morelli see: Draper, J.D. Cameo Appearances. in The Metropolitan Museum of Art Bulletin, Spring 2008, p.42, nos.88-89; and Gere, C. The Art of the Jeweller, A Catalogue of the Hull Grundy Gift to the British Museum, Vol I, p.131, no.86. 25.34 grams, 40.14mm overall, 18.85mm internal diameter (approximate size British R, USA 8 3/4, Europe 19.00, Japan 18) (1 1/2"). From an important North West London collection; acquired on the European art market, supplied with geologic report No. TL005176, by geologic consultant Dr R. L. Bonewitz. Arthur Wellesley, 1st Duke of Wellington, KG, GCB, GCH, PC, FRS (1 May 1769 - 14 September 1852) was an Anglo-Irish military leader and statesman. He was one of the foremost military and political figures of 19th-century Britain, serving twice as Prime Minister. His defeat of Napoleon at the Battle of Waterloo in 1815 made him a national hero and a household name. Morelli, Nicolo. (Born Rome, September 12, 1771, died Rome, February 1830) noted Roman gem engraver, renowned for his cameo portraits. As Morelli was patronised by Napoleon I - who viewed cameos as the embodiments of the classical ideal – it is perhaps ironic that we are offering this cameo of Wellington today. Morelli cut many portraits of the wider Bonaparte family, including the well-known parure given by Cardinal Joseph Fesch to his half-sister Marie-Letitia Bonaparte, this suite of earrings, brooch and necklace contained nine cameo portraits of the Bonaparte family. Napoleon founded a school for gem engraving and in 1805 established a Prix de Rome for this art form, which he regarded equal to paintings and sculpture. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A large wearable size.
Los 67
English School, 19th Century, oil on canvas, Portrait of a Young Woman', 40.7 x 30.6 cm, framed and glazed, together with, 19th Century Dutch School, oil on canvas, 'Still Life with Flowers', 50.3 x 40.5 cm, framed; R. Jameson, oil on board, 'Landscape with Ducks and Cows', signed 'R. Jameson' (lower right) 30.5 x 40.8 cm, framed; Joan Blaeu, 'Svthsexia Vernacule Svssex', later hand coloured map of Sussex, 45 x 58.6 cm, unframed; 20th Century lithograph of geese migrating, 45.6 x 62.6, framed and glazed; an oleograph after a 17th Century Dutch floral still life, 23. 2 x 28 cm, framed (6)
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283284 Los(e)/Seite