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283284 Los(e)/Seite
![[PRINTS] coll'n of engr. plates, incl. NATURAL HISTORY, MEDICAL, PORTRAIT etc.](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/ae13dccf-73f8-4811-8eb2-ac3000d05828/468x382.jpg)
![[COOKERY] UDE (L. Eustache) The French Cook..., 8vo portrait frontis, text illus., contemp. cloth (rebacked), 13th edn., 1838](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/38758c5c-b886-40b3-91d4-ac3000d0c60f/468x382.jpg)
![[COOKERY] Mrs A. B. Marshall's Cookery Book. Revised Edition, 8vo, portrait frontis, text illus., 33 pp. adverts, cloth, L.,](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/a940a17c-aa74-4931-9430-ac3000d0c6db/468x382.jpg)
Los 111
[COOKERY] Mrs A. B. Marshall's Cookery Book. Revised Edition, 8vo, portrait frontis, text illus., 33 pp. adverts, cloth, L., n.d.; SALA (George Augustus) The Thorough Good Cook, sq. 8vo, cloth gilt., 1ST Edn., L., 1895; CHRISTIE (R.) Banquets of the Nations, sq. 8vo, dec. cloth, Edinburgh, 1911 (3).
![[GARDENING, TREES, etc.] [PERIODICAL] Annals of Horticulture, vol. 1 [only], lge 8vo, hand col'd frontis., add. pict. title,](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/dc5945fc-24df-4749-a832-ac3000d0c993/468x382.jpg)
Los 116
[GARDENING, TREES, etc.] [PERIODICAL] Annals of Horticulture, vol. 1 [only], lge 8vo, hand col'd frontis., add. pict. title, half calf, 1846; FORSYTH (W.) Treatise...of Fruit Trees...Fifth Edition, 8vo, portrait frontis., 13 plates (most folding), untrimmed in original boards (worn) with 16 pp. adverts, L., 1810; & 3 other works (5).
![[JAVA] RAFFLES (Sophia) Memoirs of the Life...of Sir Thomas Stamford Raffles, 4to, portrait frontis, 3 plates only & fold](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/45ed655c-971a-4740-9130-ac3000d1505d/468x382.jpg)
![[BURTON] (R.)] Choice Emblems, 12mo, add. engr. title, portrait of Charles I, 50 text engr. & 1 woodcut, contemp. calf, 6](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/398ed5fb-17ab-4db4-8a5e-ac3000d157a4/468x382.jpg)
![INDIA / MAHARAJAH. Oil on canvas painting portrait of the Maharajah of Alwar [1882-1937] when 121/2 years old. By Etta Fras](https://cdn.globalauctionplatform.com/7e61c0c4-4f4c-488f-9e39-ac3000af2982/00578833-28d7-4091-b669-ac3000d0ac41/468x382.jpg)
Los 1000
Daniel Haringh (Dutch c.1636-1715)/Portrait of A Gentleman/half-length, wearing a blue coat and standing in an architectural setting with landscape beyond, signed lower left and/Portrait of a Lady/half-length, wearing a brown dress and white chemise/oil on canvas, 28cm x 24cm/both in gilt frames/see illustration CONDITION REPORT: Overall frame sizes are approximately 44.5cm high x 39cm wideLot 1000Lady not signed. Both been re-lined and she is in good condition with a slight visible craquelure throughout surface. Both re-framed. He is also re-lined with overall craquelure and strange blemish to his upper right arm. Small frosting area by his left hand. Both in gilt frames. Possibly both have been a little cut down and thus lost some of the feigned ovals
Los 1014
Early 19th Century English School/Portrait of a Gentleman/bust length, wearing a black coat/oil on canvas, 61cm x 51cm and another portrait (2) CONDITION REPORT: We have looked at the lady under UV light. There is evidence of widespread re-touching, although it does not appear as if the face has been completely re-painted.
Los 103
A set of three Minton turquoise ground cabinet plates with portrait medallions, another plate similar, a plate with three pâte-sur-pâte portrait medallions to border by Albion Birks and a Copeland agate type jewelled plate, the largest 26cm diameter CONDITION REPORT: The set of three plates are in good condition (one or two minor scratches), gilding very good. The single plate similar has very crazed turquoise border which has flaked in places and has been restored. Pâte-sur-pâte plate is on good condition. One bust signed 'Birks', the other two with 'AB' monogram. The Copeland plate in excellent condition.
Los 188
Two Sèvres style plates, painted portraits of Louis XIV and Countess Montespan and a Dresden decorated plate with portrait of Countess Spencer CONDITION REPORT: Plate marked 'Montespan' - this plate has been broken and repaired from three sections, some losses to breaks. The crack is visible across the portrait.Louis XIV plate - wear to gilt rim.
Los 359
A Qing Chinese ancestral portrait of a kneeling sage wearing a red mandarin jacket, on linen, 157cm x 92cm, unframed CONDITION REPORT: Backing paper torn in several places. Painting itself creased and with several tears. Some fading, yellowing and watermarks. White mildew to surface mainly to edges. In need of restoration.
Los 495
A silk needlework picture depicting a young lady viewing a portrait, 20cm x 15cm in a verre eglomisé mount/Provenance: Frost & Reed Ltd. no. 7273 22.11.48 CONDITION REPORT: Total size with frame 37cm x 32.5cm. Image size 20cm x 15cm.The picture is slightly wavy. The verre eglomise mounts are deteriorating and the black specks are part of this, I am sure they would simply brush away. Otherwise good.
Los 805
After Édouard Pingret/Portrait of Niccolò Paganini/half-length/bearing an applied autograph, Niccolò Paganini, Glasgow 19th October 1831/black and white engraving, 45cm x 30cm/see illustration CONDITION REPORT: The backing has torn paper and needs replacing. The frame is generally sound but has minor age related cracks. The print has faded to a pale brown and has one or two spots of foxing. No visible tears.
Los 916
John Corvin (British 1924-2010)/Portrait of Dame Judi Dench as Countess Rousillon/Royal Shakespeare Company 2008/signed, inscribed and dated '08/charcoal, 42cm x 35cm/Note: John Corvin was a stage and film actor who settled in Stratford-upon-Avon and in later years became a prolific artist, often portraying fellow actors during rehearsals CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Los 991
Follower of Sir Godfrey Kneller (1646-1723)/Portrait of a Gentleman/bust-length, wearing a red coat and white cravat/oval/oil on canvas, 74cm x 61cm/see illustration CONDITION REPORT: Re-lined, with Sotheby's and Christie's stock numbers verso. In Victorian plaster gilt frame and glazed. Overall in very good condition.
Los 339
Freddie Mercury / Danbury Mint Plates, Complete set of Twelve UK Danbury Mint special edition 8" diameter commemorative fine porcelain plates, each featuring a different colour portrait image of Freddie with a 22 carat gold-plated rim, with a facsimile signature and silhouette motif underneath. These were limited subscription issues only and all are in their original polystyrene protective box with the original individually numbered circular certificate of authenticity - All in Superb condition
Los 324
Nineteen Akan goldweights Ghana brass, including six cast from nature; a locust, 4.4cm long, a bird claw, two scorpion or crab claws, a beetle and a peanut; the others including a stool, a flint lock rifle, a cartridge belt with daggers, three axes, two war horns; one with four human mandibles, a pair of drums, a portrait mask, a harp, a three pod fruit, three knotted rope group and a bell with a bead clapper. (20)
Los 368
Collection of military badges and buttons, officers pips, enamel sweetheart brooches, Coronation medallions c1900s, coinage (pre 1947), wax seal stamps, royal head pin badges, WWI enamel badge Bradford Traders 'My Father Fought' War fund, Pure Cumberland Lead case, A & C.C. Dudley Hill silver Fattorini & Co badge; together with 9 carat gold 1907 enamel sports medal on tag, 9 carat gold Baby oval brooch and portrait drawings in mount.
Los 201
A Boer War novelty pipe,modelled as a lady's leg, carved to the bowl 'Zuid Afrikaansche Republiek 1899-1900-1901-1902' with a profile portrait of Paul Kruger, 14cm longProvenance: The Trevor Barton Collection.Condition report: See additional images.Splits to bowl, burnt inside, black part of body appears free from damage.
Los 523
A collection of eleven Moghul portrait miniatures, mid-19th century, Delhi, each on ivory, depicting emperors, labelled to the reverse 'Emperor Shaw Alum Shaw', '2nd Emperor Baler Shaw', '4th Emperor Akbar Shaw', 'Shaw Jehan Emperor of the World', '7th Emperor Auring Zebh', '14th King Nadir Shaw', '6th Emperor (Shawnee) Alum Gheer', '10th Emperor Mohamud Shaw', '5th Emperor Shaw Jehan Gheer', '11th Emperor Armud Shaw' and '8th Emperor Bebadoor Shaw', with handwritten paper labels inscribed 'J Delvecchio carver and gilder, 68 Dame Street, Dublin', each sight size approximately 8.5 x 7.5cm (11)It appears that the inscriptions to the reverse of each portrait are the non-standard derivations of the more commonly accepted names: ‘Emperor Shaw Alum Shaw’ - Emperor Shah Alam Shah; ‘4th Emperor Akbar Shaw’ - Emperor Akbar Shah; ‘Shaw Jehan Emperor of the World’ - Shah Jahan; ‘7th Emperor Auring Zebh’ - Aurangzeb; ‘14th King Nadir Shaw’ - Nader Shah; ‘6th Emperor (Shawnec) Alum Gheer’ - Alamgir; ‘10th Emperor Mohamud Shaw’ - Emperor Muhammad Shah; ‘5th Emperor Shaw Jehan Gheer’ - Shah Jahangir; ‘11th Emperor Armud Shaw’ - Ahmad Shah; ‘8th Emperor Babadoor Shaw’ - Bahador Shah.Condition report: Gilt loss to frames, otherwise overall good order with no obvious major faults.
Los 562
English School (18th century)Portrait of Captain Ferdinand Anley (1763-1799), of the Royal Militia of the Island of Jersey, painted in 1787, before his marriagepastel, oval24 x 20cmFerdinand Anley (1763-1799) was born and lived in Jersey, Channel Islands. He was married in 1787 in St Helier to Mary Elizabeth née Dumaresq (1761-1814); they had eight children and he sadly died aged 36.Anley was previously believed to have been a ‘Jersey Volunteer’, also known as the New Jersey Volunteers, Skinners, Skinner’s Corps and Skinner’s Green, a militia raised in North America in 1776 to fight for the British during the American War of Independence (1775-1783). Their uniform was a green coat and the regiment was disbanded in 1783. Anley is depicted wearing the uniform of an officer, probably a Captain, in the Royal Militia of the Island of Jersey, raised in 1203. This regiment claims, but this is disputed by the Honourable Artillery Company, to be the oldest UK militia unit. In 1678 it was uniformed in a scarlet coat, a colour which its successor regiment (73rd Regiment Royal Engineers, formerly Jersey Field Squadron, The Royal Militia of Jersey) continues (in theory) to wear today. The regiment fought with great gallantry in the Battle of Jersey 1781 and has two battle honours, both of which are unique: Jersey 1781 and The Great War 1914-1918. The Jersey Militia has been through many iterations, evolutions, name changes etc., but it has an unbroken record of service since 1203.We are grateful to Christopher Joll for his assistance with this catalogue entry.Condition report: Under glass which is a little dirty - old gilt oval frame has major cracks.
Los 569
George Richmond RA (1809-1896)Portrait of Field Marshal Sir George Pollock (1786-1872)signed 'George Richmond' l.l., pencil heightened with white58 x 47cmSir George Pollock served in India for the majority of his military life. He joined the Bengal Artillery in 1803 and served during the 2nd Maratha War (1803-1805), the Siege of Bhurtpore (1805) and the Anglo-Nepal War (1814-1816). He was promoted to major-general in 1838, the year preceding the First Anglo-Afghan War, which continued until 1842. During this war he commanded the 'Army of Retribution' that, following a successful mission to relieve a besieged garrison at Jalalabad, joined forces with Major-General Sir William Nott's force and advanced to Kabul, where they rescued British hostages and destroyed the covered bazaar. This confrontation was the last in the First Anglo-Afghan War. Pollock was appointed military member of the Supreme Council of India in 1844 and retired in 1870 at the rank of field marshal. He was made a baronet in 1872.Condition report: One or two foxing spots and a little discolouration to the background, where an old stretcher/frame has been. Old gilt frame which has a few chips.
Los 574
A small collection of First World War pencil drawingsPortrait of Captain F W Stevens, Essex Regiment, dated 22.5.16, with a sketch of General Sir Edmund Allenby to the reverse;'Our billet, June 1, 1916 / A Company Headquarters / Yvrench, Somme / Sacre Bleu';'A corner of Farmyard in France / from my bedroom window 31.5.16 / Platoon billet / Yvrench, Somme, Sacre Bleu';'Houdencote', June 1916;'Allen (Scouts) / Bertrancourt / Somme / May 1916'pencil 21 x 13cm (5)Condition report: All unframed and on buff paper and with some discolouration and browning.
Los 582
Scottish School (16th century)Portrait of Sir Duncan 'Black Duncan' Campbell of Glenorchy (1546-1631) with his coat-of-arms in the top right-hand corneroil on paper laid on board16 x 13cmSir Duncan Campbell of Glenorchy came from a family of important Highland landowners. The family's main residence was at Balloch (now Taymouth Castle), near Loch Tay. Throughout his life he built and improved many castles, including Finlarig Castle, Loch Dochart Castle and Bacarldine Castle, earning him the nickname 'Duncan of the Castles'. Another, better known nickname given to him was 'Black Duncan of the Cowl'. There is a larger version of this portrait in the National Galleries of Scotland, size 113 x 70cm.Provenance: W H Lee Two-Day Auction, 30 September and 1 October 1981, lot 606;Hunsdon House, Hertfordshire.From The Principal Contents of an East Anglian Estate.Condition report: Unusual construction - appears to be painted in oil, possibly on a finely woven textile or paper. The rectangular outline of the original painting is visible, it has been mounted onto a circular piece of paper which in turn is attached to the end of a book, the marbled end paper is visible on the reverse. There are localised areas of raised and cracked paint. The varnish is thick and obscuring much of the painting. The crest and date at the upper right corner have probably been reinforced with overpaint. Attached to gold mount slip in frame, the painted black edge is worn with losses and the glazing is dirty inside and out.
Los 583
Circle of Michiel van Mierevelt (Dutch, 1566-1641)Portrait of a gentleman, half length, in a gold embroidered silk sash, a sailing ship off the coast beyondoil on canvas74 x 62cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The canvas has good tension and is in plane. There is evidence of mould growth on the reverse of the painting and a thick layer of dust. The paint layers are in a stable condition but have suffered from wear and abrasion. There are areas of overpaint across the painting, for example the lace of the collar has been largely reconstructed and the abraded original is visible below. The varnish is slightly dull and yellowed but even overall. There are deep scuffs and scratches in the upper half. The gilding on the frame has suffered from water damage with extensive wear and loss. The painting is poorly held in the frame with bent nails. 175 PC old Christie's stencil to the reverse. Braided cord old hanging to the reverse.
Los 584
Circle of Sir Anthony Van Dyck (Flemish, 1599-1641)A portrait of a lady, possibly Frances Howard, Duchess of Richmond and Lennoxoil on canvas110 x 82cmCondition report: Oil on canvas which has been lined. The canvas is formed from two sections with an addition above the sitter's head and a horizontal seam. There is an old patch at the lower edge of the canvas on the reverse. The paint layer has some areas of wrinkling and raised paint following the canvas weave. Old losses have been retouched, the retouchings are slightly darkened but acceptable from a normal viewing distance. The main area of retouching is in the upper section of the canvas above the sitter's head. The varnish is slightly yellowed with a light layer of dust. The frame is slightly worn in areas but in a good condition overall.
Los 585
Follower of Samuel Cooper (1609-1672)Portrait of Colonel Hampden, wearing armouroil on canvas50 x 35cm, in an ebonised frame with oval mountColonel John Hampden (1595-1643) was an English landowner and Member of Parliament, whose opposition to arbitrary taxes imposed by Charles I - perhaps not surprising, as he was also a first cousin of Oliver Cromwell - made him a national figure.He was an ally of John Pym, the Parliamentary leader, and one of the five Members of Parliament who the king attempted to arrest in January 1642, thus igniting the First English Civil War. After war began in August 1642, Hampden raised an infantry regiment, but died of wounds received at the Battle of Chalgrove Field, Oxfordshire, on 18 June 1643.His death was considered a serious blow, as he was one of the few Parliamentary leaders able to keep the different factions together, but his bravery and integrity were long remembered.An attribution has been suggested to Sir Peter Lely, from the 1650s.Condition report: Oil on canvas which has been lined. The picture is in plane and the paint layers are in a good condition overall. There are a few old retouchings which have darkened over time. An old varnish layer has been partially removed, the residues are very glossy and yellowed. The upper varnish layer is clear, even and matte. The frame has scattered woodworm holes which is possibly active.
Los 594
Thomas Hill (1661-1734)Portrait of a small girl in a gold dress and red cloak, holding a basket of cherries and with cherries in her handoil on canvas, oval74 x 60cm, in a contemporary carved giltwood Lely frameThe present painting is circa 1700.Condition report: Oil on canvas which has been lined. The canvas tension is poor and there are general undulations across the painting. The painting has suffered from flaking in the past and there are numerous old losses across the surface. Some of the losses have been retouched but not filled. There are areas of raised paint which appear vulnerable to further loss. Numerous retouchings across the surface; particularly in the darker area at the left hand side. Old stretcher bar marks can be seen from the front. The varnish is clear but dull with a layer of dust across the surface. The frame is in a good condition overall.
Los 595
French School, early 18th centuryPortrait of a young nobleman, half length, in armour and a pink sash oil on canvas71 x 59cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The painting has suffered from old damages and losses to the paint layer which have been repaired but are evident in the surface texture; notably at the upper right corner. Extensive retouching covering losses and reinforcing areas of the composition. Some of the retouchings are now matte compared to the surrounding areas. The varnish is yellowed and slightly uneven. There are minor losses to the gilding on the frame but overall it is in a good condition.
Los 596
After Jean-Baptiste Van LooPortrait of King Louis XV when young, half-length, in armour and wearing the Sash of the Order of St Espritoil on canvas76.5 x 63.5cmFrom The Principal Contents of an East Anglian Estate.Condition report: Oil on canvas which has been lined. The painting has a prominent network of age cracks which is stable overall. An old tear above the sitter's right hand has been filled and retouched. There are scattered areas of retouching across the painting which are well matched to the original. The varnish is slightly yellowed but even. There is a light layer of surface dust and some insect spots. Some wear to the gilded surface, but overall the frame is stable.
Los 598
Thomas Hudson (1701-1779)Portrait of a lady in a silver dress, seated, and resting her arm on her chin, wearing pearls, and holding rosesoil on canvas125 x 99cmProvenance: The Riley-Smith family and by descent.Condition report: Oil on canvas which has been lined. The reverse of the canvas is very dusty. The canvas is in plane with good tension and the paint layer is in a sound condition. There are a few areas of old damage which have been retouched, one at the upper right corner and one above the sitter's head. There is an area of retouching reinforcing a section of wear to the left of the sitter's chest. The varnish is yellowed and dull but even overall. There are fly spots and dirt across the surface. The frame has some losses to the moulding and gilding.
Los 603
John Foldstone (d.1784)Portrait of a red-haired girl in a white dress with a Russian cap adorned with flowers, and holding flowersoil on canvas, in a painted feigned oval67 x 56cm, unframedJohn Foldstone, exh. 1769-83, was the father of Mrs Mee, the Miniaturist.Condition report: Oil on canvas which has been lined. The paint layer has a prominent network of age cracks some of which are raised. There are scattered losses and a large area of damage to the left of the sitter. Some old losses have been filled and retouched including a large area on the sitter's chest. The varnish is clear and even.
Los 605
Attributed to Sir Francis Grant RA (1803-1878)Portrait of a young gentleman, holding his cane and hat, seated by a woodland laneoil on canvas63 x 45cmProvenance: The Estate of Robin and Patricia Pickard.Condition report: Oil on canvas which has been lined. An old tear to the left of the sitter's head has been repaired, filled and retouched. The paint layer is in a good, stable condition overall. The varnish is slightly yellowed but even and semi-glossy. There is a layer of surface dust and cobwebs. The frame is in a good condition.
Los 606
Roberto Bompiani (Italian, 1821-1908)Portrait of Lady Emily Curzon, half length, in a black dress and floral shawl, with the Tiber, the Castel Sant'Angelo and St Peter's, Rome, in the background oil on panel42 x 31cmProvenance: From a Cambridgeshire country houseLady Emily Curzon was the daughter of 1st Earl Howe. She married Colonel Sir Robert Kingscote in February 1856. The present painting is believed to have been painted in 1851 whilst the sitter was in Italy.Roberto Bompiani was famed for his beautiful portraits, basing some subjects on scenes of classical Rome. He eventually became professor and president of the Accademia di San Luca in Rome.Condition report: Oil on panel which has an old paper backing. The panel has a slight vertical warp. The paint layer is lifting in some areas following the age cracks. Along the lower edge this has led to losses. In the darker paint passages there are drying cracks. Localised areas of retouching in the lower section covering drying cracks and old losses. The varnish is yellowed and uneven. The frame is in a good condition.
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283284 Los(e)/Seite