283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenSir George Hayter (1792-1871) Portrait study of Colonel Samuel White M.P. for Leitrim Ireland 1824-1847 Later inscribed verso study for the inclusion in The Great Painting in the National Portrait Gallery - London Oil on board oval 32 x 28cm; 12½ x 11in The inscription refers to the painting The House of Commons of 1833 by the artist ++Some fine linear craquelure one or two minor blemishes overall good condition
After Guido Reni Portrait of Beatrice Cenci Annotated with the coat-of-arms of the Colonna family Rome Oil on canvas 63.5 x 50cm; 25 x 19¾in An 19th century copy of the original in The Palazzo Barbarini Rome ++Old lining a small repair centre right some visible craquelure paint thin upper right some flecks of paint loss some light stretcher marks and light abrasions would be enhanced by a light clean
English School 19th Century Portrait of Henry 3rd Earl Bathurst (1762-1834) Half length wearing brown Oil on canvas 64 x 52cm; 25 x 20¼in Provenance: Haile Hall Cumbria (the Ponsonby home since 1920) from whom purchased by the vendor Earl Bathurst’s daughter Lady Emily Bathurst married Maj. Gen. Sir Frederick Ponsonby in 1825 ++A few minor scuffs and some bloom to the margins otherwise in good condition
AFTER JOHN HOPPNER RA (1758-1810)Portrait of James Buller, Esq. mezzotint engraving by Samuel William Reynolds (published 1821) pl. 9 x 7 1/4in (22.8 x 18.4cm) James Buller (1766-1827) was MP for Exeter. Sold with an engraving of Warwick Castle by F. Godfrey and a small collection of portrait engravings by various engravers, sitters depicted include Richard Colt Hoare; The Hon. M. Fortescue; The Hon. Anne Fortescue; and a walnut veneered picture frame (qty)
ROBERT DODD (1748-1816) Portrait of an East Indiaman sailing from Madras with extensive inscription and dedication on title plate ’to Robert Preston Esq, MP Master of the Trinity House’ coloured engraving and aquatint, published at ’No. 22 Lifson Green’, margins trimmed, with discolouration Pl. 17 x 26 1/2in (43.2 x 67.4cm)
‡A COLLECTION OF PAINTINGS AND DRAWINGS BY PATRICK PHILLIPS, A.R.W,S., R.P. (1907-1976), 1926-29 Trained at the Byam Shaw School of Drawing and Painting under Francis E Jackson, Charles Shannon and Glyn Philpot.1933 onwards teaching at the Byam Shaw School,1940-45 War Service, 1946-55 Co-Principal of the Byam Shaw School.1954 elected to the Royal Society of Portrait Painters.1968 elected to the Royal Society of Painters in Watercolours.1977 The Chantrey Bequest purchased his portrait of Mrs Carter Gifford for the Nation. Phillips’ portraits are widely held in the National Collections as well as Tate. His commissioned work included leading personalities of the age - among them the Queen Mother. Regarded by his masters and his students as a draughtsman of exceptional talent, his work, based on unerring drawing, subtlety of tone and sensitive brushwork, goes further than mere technical merit and displays a profound empathy for his subjects. Phillips was something of a naturalist, a real countryman, and his landscapes in oil and watercolour capture rapidly and with simplicity the weather and lights of England and France. Emotion. ‘This is the Key to all work that is of any consequence’. Drawing. ‘ is to my mind the simplest method of showing the structure of things... because of its simplicity and structural ability, it is of first importance to all Artists and Craftsmen’. Portraiture. ‘The essential of a portrait as opposed to a head or figure painting, is a portrayal of the character of the sitter. To make this portrayal tell to best advantage the lighting must be simple and fall fairly fully on the features, thus producing a readable pattern of tone. The colour scheme should be kept simple so that the portrait can predominate.The simpler the pose, colour and tonal design, the more the portrait will tell’...... from the artist’s notebooks PATRICK PHILLIPS ARWS RP (1907-1976) A Folio Box containing unframed pencil, ink and wash sketches, mostly figure studies and portraits, subjects include: ‘The Philatelist’; ’Kneeling female nude’; ‘A seated female Nude’; and ‘Standing male Nude’, varying sizes 15 x 11 in (38.2 x 27.9cm) and smaller; (approx 100)
‡PATRICK PHILLIPS ARWS RP (1907-1976) A Folio containing various pencil and wash sketches, including portrait and figure subjects; with some drawings, subjects include ’A Model brushing her hair’; ‘Male Nudes’; ’Life Class’; ‘Walter Woodington’; and ’Charles Mahoney RA and Models’; varying sizes 22 x 15 in (55.8 x 38.2cm) and smaller; eleven (11) These drawings date from circa 1960 when Patrick Phillips was practising life drawing together with the artists Peter Greenham, Charles Mahoney and Walter Woodington. They hired a model, meeting of an evening once a week for several weeks to do so. In the course of this Phillips sketched some of his colleagues at work.
‡PATRICK PHILLIPS ARWS RP (1907-1976) A Folio containing a selection of pencil sketches, comprising figure and portrait subjects; including A Portrait of a Lady, wearing a fur Cape and Hat; Studies for a Portrait of Canon Nathaniel Woodward of Hurstpierpoint College (1934); Portrait sketch of Frank Low (drawn in Cairo during WW11; Portrait sketch of the actor Ernest Thesiger; and Bishop de Salis of Southwell in his coffin; (approx 25)
‡PATRICK PHILLIPS ARWS RP (1907-1976) ’Saturday Morning’- Biddy wearing a grey and white dress and brown jacket, holding a cigarette, signed and dated ‘Phillips 1957’ (lower right) oil on canvas 42 x 31 in (106.7 x 78.7cm) Exhibited: The Royal Academy, London 1958 under the title ‘Brown Study’. Air Commodore Bridget ‘‘Biddy’’ Grundy, nee Martin OBE (1920-1998), was the daughter of Major Charles Hamilton Martin and Katharine Mary, nee Nettlefold. A close friend of the Phillips family. Witty, highly intelligent and resilient this portrait captures Biddy laying aside her professional and public persona and in a more reflective and intimate mood. Biddy had a meteoric career in the WAAF/later WRAF and was the first woman (the Director apart) to acquire Air Commodore Rank.
‡PATRICK PHILLIPS ARWS RP (1907-1976)The Red Duffle Coat signed ‘Phillips’ (lower right) oil on canvas board, 24 x 20 in (60.9 x 50.8cm) Exhibited: The Royal Academy, London 1962 when titled ‘The Red Jacket’. ‘Patrick Phillips Retrospective Exhibition’ London no.11 March 1977. Sold with an oil painting depicting the artist’s wife Susannah resting on a sofa; and an oil portrait titled ‘Prue’. (Exhibited at The Royal Academy, 1959); three (3) Prue Carmalt Jones was the daughter of Hazel Carmalt Jones, the assistant Secretary at The Byam Shaw
‡PATRICK PHILLIPS ARWS RP (1907-1976) Portrait of Mrs Michael Creighton in a black Dress, 1947, oil on board 20 1/4 x 16 in (51.6 x 40.6cm) Sold with five other portrait studies by the artist including ‘Girl’s Head’ (exhibited Bradford City Art Gallery); ‘A Portrait of Mrs Kinsey, 1968 (Exhibited at the RP 1969)’; Lady with Glasses (Exhibited RP 1957, having been painted as a demonstration portrait at Newbury); ‘Ursula Brock’; A Portrait of Mr Middleton Todd R.A. smoking a cigarette’; and ‘Miss Enid Moberley Bell in old Age’; seven(7) Miss Moberley Bell was a daughter of Charles F. Moberley Bell, Managing Director of the Times (1890-1911). She was the biographer of Octavia Hill and of Josephine Butler and author of The Life and Letters of CF Moberly Bell. She was Second Mistress of Lady Margaret School and Vice-Chair of the Lyceum Club for female artists and writers. Ursula Brock, daughter of John Paul Cooper and sister of Francis, both silversmiths of repute, and an exceptional craftsman herself, designed and wove silks on a jacquard loom, possibly the last person in the UK to do so. Ursula Brock and her brother Francis were close friends of Patrick Phillips from his student days. Indeed it was under the influence of the Brocks that Patrick and his wife Susannah moved in 1970 from London to the Essex village where she and her family lived. A.R. Middleton Todd studied under Stanhope Forbes at Newlyn, and Henry Tonks at the Slade. Robert Buhler described him as by far the most sensitive and accomplished painter of his generation...modest and unambitious
‡PATRICK PHILLIPS ARWS RP (1907-1976) ’A Kensington Back Garden that was’ signed ‘Phillips’ (lower right) oil on panel15 1/2 x 20 in (39.4 x 50.8cm); and three unframed oil sketches by the artist depicting ‘A Garden Pond’; ‘The Serpentine, Hyde Park’; and ‘A Room interior’ (a self-portrait sketch of the artist verso); four (4)
‡PATRICK PHILLIPS ARWS RP (1907-1976)Portrait of H.R.H. The Queen Mother, seated half-length, outline sketch, squared, oil on canvas, unframed 40 x 31 in (101.7 x 78.8cm) A preparatory composition for the artist’s portrait of HRH Queen Elizabeth, The Queen Mother, 1975. Sold with five other unframed portraits by the artist depicting Patricia Willis (b. 1914); Judge Randolph (painted 1939); Biddy in a Ball Gown; The Rt. Worshipful Recorder of London Sir Gerald Dodson MA LLM, in session at the Old Bailey; Lord Justice Lawrence, PC, DSO, TD, later Lord Oaksey, in his robes as Lord Justice of Appeal; and a framed oil sketch depicting The Rt. Hon The Lord Mayor of London 1950-1, Mr Alderman Denys Lowson MA LCC; seven (7) Patricia Willis was a student at The Byam Shaw. Lord Oaksey was President at the trial of major War Criminals in Nuremburg, 1945-6.The portrait sketches of Sir Gerald Dodson, Lord Oaksey, and Deny Lowson were painted for the exhibition ‘London Ceremonies and Personalities’ in the Festival of London Year 1951, which was an exhibition of the work of three artists, Patrick Phillips, Peter Greenham and Brian Thomas. It was held at the Guildhall in the City of London.
‡PATRICK PHILLIPS ARWS RP, Portrait of the Rt. Hon Viscount Templewood, Chancellor of Reading University wearing academic robes, signed ‘Phillips’ (lower right) oil on card, inscribed on a label on the reverse 15 x 12 in (38.2 x 30.5cm) Dateable to 1952. A sketch for the finished portrait at the University of Reading. Sold with three unframed oil portrait sketches by the artist, one depicting Viscount Templewood in civilian dress (a posthumous sketch for the portrait commissioned in 1966 by The Royal Air Force College, Cranwell); A Portrait of the artist’s wife wearing a black evening dress (believed to be a sketch for a portrait exhibited at the RA in 1947); and two further sketches depicting female nudes; five (5)
‡PATRICK PHILLIPS ARWS RP (1907-1976) Portrait of Lady Joan Cunninghame, quarter-length, wearing a blue dress with diamond brooch, and a pearl necklace, signed ‘Phillips’ (lower right) oil on canvas 24 x 20 in (60.8 x 50.8cm) In a carved and gilded frame. This portrait was commissioned by the sitter’s husband, Col. Wallace Cunninghame of Caprington Castle, Kilmarnock. The sitter Lady Joan Cunninghame was the second daughter of the seventh Earl Fitzwilliam, and as a child grew up at Wentworth Woodhouse, Yorkshire, During World War II the sitter’s first husband Capt Grismond Philipps was Commander of the Company guarding the Royal Family at Windsor Castle.
‡FRANCIS ERNEST JACKSON ARA (1872-1945) Portrait of a Girl, wearing a green waistcoat oil on board 12 x 10 in (30.5 x 25.4cm) A demonstration picture given by the artist to Patrick Phillips. Sold with a lithograph by F.E. Jackson depicting Sir Arthur Frederick Peterson, KC; and a pen and ink sketch by another hand depicting Boats in a Harbour; three (3) Sir Arthur Peterson was a distinguished scholar and leading London barrister in the years leading up to The Great War.
STUDIO OF SIR PETER LELY (1618-1680) Portrait of Charlotte Lee (1664-1718) in a rose-coloured dress, seated, a page boy at her side offering a plate of grapes, oil on canvas 50 x 40in (127.1 x 101.6cm) Provenance: Believed to be one from a group of paintings that originally to His Grace The Duke of St. Albans. The stretcher bears a ‘Frost and Reed Ltd’ label, which suggests that they handled the picture in December 1950. That label also bears an ink inscription ‘Wakehurst’ presumably referring to Wakehurst Place, Sussex. Other versions of this subject are known. The prime version is at York City Art Gallery. Charlotte Lee, Countess of Lichfield, formerly Charlotte Fitzroy was the illegitimate daughter of King Charles II. Her mother was Barbara Villiers, 1st Duchess of Cleveland.
Loading...
![‡ Frank O. Salisbury (1874-1962) Portrait of His Highness the Maharaja of Patalia [in uniform] Signed and titled Colour](http://lot-images.atgmedia.com/SR/10119/2892707/423-2014225164510_468x382.jpg)
