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283287 Los(e)/Seite
Los 217
Ophelia, William Henry Goss Ltd, circa 1885, the young girl seated on a tree stump encrusted with leaves flanked by bulrushes, on a circular base, titled to the front, impressed "W H Goss", 51cm high In The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, pg.244 it is noted that Jewitt, a friend of W H Goss, noted in 1883; "In Parian, for which Mr Goss ranks deservedly high, busts, statuary, vases, tazzas, scent-jars, bread platters and many other ornamental goods are made ... portrait busts ... rank far above the average, and are, indeed, perfect reproductions of the living originals".
Los 238
The Riverside, after Owen Hale, Copeland, circa 1885, as an almost nude young girl dipping her toes in a stream by a tree stump, impressed "Copeland", 46cm high See illustration A similar figure is illustrated in a page from a Copeland trade catalogue of the 1880's. See The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.485, pg.138. The figure is also illustrated in fig.501, where is it described as being published in 1881. There is a rather similar companion figure to this (illustrated in Copeland (Robert) Parian, Copeland's Statuary Porcelain, Antique Collectors Club, p.172, S142a. Owen Hale. Sculptor and watercolour painter working in London in the last quarter of the 19th century. He was a member of the Royal Society of British Artists, exhibiting his works regularly at the RA and elsewhere. His sculptural works were chiefly portrait busts in terracotta, shown at the RA from 1884 onwards.
Los 246
Flower Girl, after Aime Chesneau, for The Ceramic and Crystal Palace Art Union, Copeland, published 1874, the downward gazing beauty wearing diaphanous dress and holding a posy in her left hand, on a rocky base, impressed "Copeland M74, A Chesneau Sc Ceramic and Crystal Palace Art Union", 42.5cm high See illustration A similar figure is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.536, pg.161. This figure is apparently also called French Flower Girl. Aime Chesneau: he exhibited at the Royal Academy and at the British Institution from 1863-1875. He was a specialist in bronze portrait busts, roundels and reliefs. He was born in Paris, and studied under Carrier-Belleuse, and Jules Salmson. See Copeland (Robert) Parian, Copeland's Statuary Porcelain, Antique Collectors Club, p.85, where this work is attributed to Amie Chesneau and goes by the name "First Bath of the Season" statuette.
Los 256
The Indian Girl, and The Negress, after Charles Cumberworth, Copeland, circa 1855, the Indian girl holds a bowl of seashells and a frog-form jug, the negress carries a water jar, on circular bases, the Indian girl impressed "F97", the nubian impressed "Copeland", 44cm by 45cm high respectively See illustration Similar figures are illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.535, pg.160, where they are described as "This pair of companion figures were shown by Copeland at The Great Exhibition 1851 and illustrated in The Art Journal Exhibition Supplement". In Copeland (Robert) Parian, Copeland's Statuary Porcelain, Antique Collectors Club, p.161, it is mentioned that a price at the 1851 Great Exhibition for the Indian Girl was 2 1/2 guineas, ie £2.12.6 (in the price list for 1851 she is listed as Negress). The prices for this figure are substantially lower than those for her companion, despite the similarities of size and sculpture. Issued in both large and small sizes, the large being approx 53.34cm. Charles Cumberworth (1811-1852) was born in Verdun and trained under Pradier at the Ecole des Beaux Arts from the age of 18. Exhibited his work at the Salon between 1833-1843. His specialised in portrait busts of contemporary celebrities, including members of the Orleanist Royal Family, also subjects from romantic literature.
Los 474
Marchese Orazio Manara: Portrait of Mr Watson, bust length, with brown hair and sideburns, grey-blue eyes and wearing a black cravat and jacket, against a darkening sky background, signed and dated 1847, oil on card, oval, 17.5cm by 14.5cm, in an ormolu mounted satinwood frame, with notes on the reverse, including "Mr Watson being the great-great-great uncle of John Metcalfe Wood, on the Metcalf side resident York, painted by Marchese Orazio Manara born in Parma, practising in London 1847-1852" See illustration
Los 1133
Josephine Graham (20th/21st century contemporary) Portrait of the Artist's Daughter, seated, wearing a floral dress and holding a bowl of strawberries Signed "Graham", also partially inscribed on the remains of a label verso, pastel drawing, 118.5cm by 77.5cm (42 3/4in by 30 1/2in) Provenance: With Duncalfe Fine Art, Harrogate (New Glasgow School) See illustration
Los 1167
Attributed to Jonathan Richardson Jnr (1665-1745) Portrait of Mathew Prior, half length, holding a book in his left hand Inscribed "Mathew Prior", also inscribed on labels verso "Mathew Prior Poet + Statesman Cabinet Minister in Government of Queen Anne 1711-1714" and the artist's name and his dates, oil on canvas, 87.5cm by 68cm (34 1/2in by 26 3/4in) See illustration
Los 1169
Circle of Henry Pickering (fl.1740-1771) Portrait of an Elegant Lady, half length, wearing a cream satin and lace dress with blue ribbons Inscribed with the collector's name and address on a later label verso, oil on canvas within a feigned oval, 76cm by 63.5cm (30in by 25in) The sitter is reputed to be the Hon. Sybil Cholmondeley, daughter of the 2nd Baron Delamere, Hugh Cholmondeley.*The work is contained within a partially carved and gilt plaster composite frame. See illustration
Los 1170
Follower of Thomas Gainsborough R.A. (18th century) Portrait of a Gentleman, standing, three quarter length, wearing a green jacket Indistinctly inscribed with the sitter's name and "Died in 1815", oil on canvas, 93cm by 72cm (36 1/2in by 28 3/4in) Provenance: With Saunders, Cavendish Square, London Contained within its original 18th century carved giltwood frame See illustration
Los 1172A
Follower of Michael Dahl (18th century) Portrait of a Young Lady, half length, wearing a yellow and blue dress Inscribed "Daughter of Edward Pool" verso, oil on canvas in a painted oval, 73.5cm by 61cm (29in by 24in) Contained within an elaborately carved 18th century giltwood frame See illustration
Los 1176
Attributed to Count Alfred Gwillaume Gabriel D'Orsay (1801-1852) Portrait of a Young Girl, head and shoulders, wearing a pink and blue satin dress: Portrait of a Young Girl, head and shoulders, wearing a blue dress and white bonnet Both inscribed with the name "D'Orsay" on old labels attached to the frame, oils on panels, each 15cm by 12cm (6in by 4 3/4in) (a pair)
Los 1177
Boleslaw von Szankowski (1873-1953) Portrait of Mrs Catherine Darley (neé Barber of Ranby Hall, Nottinghamshire), seated, half length, holding a bouquet of flowers Signed and dated "1933", oil on canvas, 76.5cm by 64cm (30in by 25 1/4in) The Darley family were famous Nottinghamshire brewers and the picture remained in their family collection for many years. The work is sold together with the original sale invoice from Neales of Nottingham, sold on the 24th Feb 2000.
Los 1296
Attributed to William Marshall Brown (1863-1936) Portrait Study of a Girl, half length, wearing a cream dress and bonnet: Study of a Young Girl, standing amongst vegetation at the edge of a field Oils on canvas board, 33cm by 28cm (13in by 11in) and 45cm by 18cm (17 3/4in by 7 1/4in) respectively (2)
Los 1
Anne McCay, 'Shadowed Garden', oil on canvas, 40cm x 40cm. Born London. Studied: BA (Hons) Fine Art, Bristol Polytechnic. Exhibited: Royal Society of Portrait Painters, Mall Galleries, London, 2007; Shropshire Open and Shropshire Drawing Open, 2006; Whittingham Ridell Open, 2005; Oriel 31 Open, Newtown, 2004; Gallery 3, Gateway, Shrewsbury, 2003; BP Portrait Exhibition, National Portrait Gallery, 1997. Works with local art organization on the annual Shrewsbury Open Studio; paints portraits by commission
Los 1
Kathleen M. Pearson (1898-1961), "Newtown Farm near Brecon", signed and dated 1949, artist's label inscribed on verso, oil on canvas, 49.5 x 59.5cm.; 19.5 x 23.5in, together with eight signed Christmas cards sent from Kathleen Pearson and incorporating photographic reproduction of other works by the artist (9). * Portrait and equestrian painter in oil, born in Knutsford, Cheshire. She studied at the Slade School of Fine Art, 1920, then at the Royal Academy Schools, 1921 - 6. Exhibited at the Royal Academy, Royal Institute of Oil Painters, Royal Scottish Academy and the Society of Women Artists, Cooling Galleries and elsewhere. Her work is held by Russell-Cotes Art Gallery and Museum, Bournemouth and Sunderland Museum and Art Gallery.
Los 1
Wilhelm Viktor Krausz (Hungarian, 1878-1959), "Meine Mutter" - three quarter length portrait of a seated lady wearing a black dress, signed, inscribed on verso, oil on canvas, 98 x 77cm.; 38.5 x 30.25in. * Lived mainly in Vienna. He took part in the Berlin Exhibition in 1900 and in the Paris Exposition Universelle of the same year where he obtained an honourable mention.
Los 1
A Chinese polychrome box and cover of lobed circular form, produced for the Spanish market, the cover enamelled with a portrait of King Charles IV of Spain, inscribed Carolus III Dei Gratia 1808, the base with the Spanish Royal Arms and inscribed Hispan Et Ind Rex, Jaiqing period, 6cm. diameter. * The decoration has been directly copied from a Mexico, Spanish Colonial Eight Real coin, struck under King Charles III of Spain (1716-1788). Part of the inscription includes details of the mint, the denomination and the assayers initials. Charles IV (1748-1819) abdicated on March 19th 1808.
Los 1
English School 18th century. Miniature portrait of William Boyd, 4th Earl of Kilmarnock, head and shoulders, wearing a red coat and white stock, oval, 7.5cm. * William Boyd (1704-1746) was appointed Colonel of The Hussars by Bonnie Prince Charlie. Executed at The Tower of London, 18th August 1746.
Los 1
Henry Frederick Lucas Lucas (1848-1943). Portrait study of a huntswoman seated side saddle, the hunt in progress beyond, signed and dated H. F. Lucas Lucas 96 bottom right, inscribed on the reverse Harlequin Painted by H. F. Lucas Lucas, Rugby Dec.1896, oilon canvas. 49.5 x 59.5cm. * H. F. Lucas Lucas was born near Louth in Lincolnshire and settled in Rugby in 1878. In his 95 years he covered all forms of equestrian sport including polo, racing and hunting. He executed many pictures of The Pytchley Hunt in Northamptonshire and undertook numerous commissions.
Los 426
A French champleve enamel and gilt brass bowfront four glass mantel clock, the 8 day movement stamped 'Japy Freres' and striking on a gong, to a circular dial with a paste set border, the similarly set pendulum centred a portrait miniature of Marie Antoinette, bevelled glass, 11.75in (30cm) h, 7in (18cm) w.
Los 1
A DAGUEROTYPE PORTRAIT in case by J.H. Creatre, 196 Piccadilly, a PENDANT appertaining to the Pall Mall Electic Association, a SMALL MICRO-MOSAIC FORGET-ME-KNOTS, a MINIATURE PANAMA BUTTERFLY PICTURE of a Jester, THREE DIMENSIONAL MINIATURE CARVED FORM, ivory cupid and cattle in background, framed and ANOTHER FRAME
Los 26
Thomas J Jones ARCA (fl. 1901-1935), Portrait of a nobleman, Watercolour Thomas J Jones specialised in figurative subjects and landscapes. He studied at the Royal College of Art and exhibited at the Royal Academy from 1901. He was born in Bideford, Devon and was Principal of the Tunbridge Wells School of Arts and Crafts.
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283287 Los(e)/Seite